The Ocean at the End of the Lane
Book description
THE NATIONAL BOOK AWARD 'BOOK OF THE YEAR'
AN ACCLAIMED WEST END THEATRE PRODUCTION *****
'Neil Gaiman's entire body of work is a feat of elegant sorcery. He writes with such assurance and originality that the reader has no choice but to surrender to a waking dream' ARMISTEAD MAUPIN
'Some…
Why read it?
13 authors picked The Ocean at the End of the Lane as one of their favorite books. Why do they recommend it?
I've been following Neil since the Sandman days. He started out good, not great. But he's steadily improved with time, and is no so fluid he could write about almost anything and still make it original an d striking.
No awkward breaks, no dross and endless midro detailing, no florid language, just well told conventions of story flow, with enough uniqueness in the characters and surroundings to bring the tale to life.
I love this book because it really erases the line between the real and the fantastic. I’ve been a Neil Gaiman fan since Sandman. This is a middle-grade book written for me. The path I took through this book led me back to my childhood and reminded me of Where the Wild Things Are, with its nearly seamless transition between the “real” world and the imagined.
Neil’s done this before with Caroline and the Graveyard. But Ocean is different. Here, I never lose touch with the real world. The turn to fantasy just makes the real world more dangerous.…
From Rob's list on children doing the impossible.
Neil Gaiman has probably had more of an impact on my brain and my writing than any other author. Selecting just one of his many incredible "dark and sad" books was a real challenge for me.
I settled on this one, in part because it is the perfect bookend to my previous recommendation, Doll Bones, in that it eloquently expresses the quiet joys, fears, and sorrows of childhood, as seen through the eyes of an adult who knows full well the meaning of loss, and the cost of things we can barely recognize, much less understand, when we are…
From Kelley's list on deliciously dark horror novels that are more sad than scary.
If you love The Ocean at the End of the Lane...
Something about the cover called to me from an airport bookshelf—I just knew it was about grief.
Using the reminisce of a 40-year-old attending a funeral, this story illustrates the strangeness of human connection and its unassuming power. Much of the book is a mourning of lost memory, lost friendships, and lost innocence as time has carried the boy he was to the unfamiliar, sterile territory of middle age.
He had somehow forgotten encountering otherworldly evil and watching horrors unfold around him. He’d nearly lost his life. Apart from the sacrifice of one special someone, his story would have ended…
From Lindsey's list on a lurking horror preying on relatable protagonists.
Neil Gaiman has such a unique story-telling voice. It’s simply magical.
I first read The Ocean at the End of the Lane not long after it was published back in 2014 and fell in love with it. I knew it would forever remain one of my favourite reads. Since then I have re-read it, and also listened on several occasions to the audio version, which Neil himself narrates.
I highly recommend you do the same. This is a story about the confinement of being a child in an adult world. It is also a tale that insists we never lose…
From Catherine's list on a child who has a tough journey through life.
Gaiman has received a lot of acclaim for a lot of his books, and one of the stories most commonly left in his more famous works’ shadows is The Ocean at the End of the Lane.
What I love about this book is that the story spans across a lifetime. I tend to get so focused on the here and now that I sometimes forget that the past, present, and future are all a part of the same great big tapestry.
What I did yesterday impacts who I am today, and the choices I make today affect who I’ll…
From Jackary's list on overlooked YA fantasy.
If you love Neil Gaiman...
The Ocean at the End of the Lane speaks to me about my need to reclaim in adulthood some of the magic from my childhood. It’s told from the perspective of an adult character, a broken man, never named, looking back on his childhood. Memories come back upon returning to his childhood home. While realizing some hard truths about his upbringing, he also remembers the real magic he experienced with a childhood friend. Recalling that the pond in his rural neighborhood had the actual ability to become an ocean, he learns that hard truths and magic are not mutually exclusive,…
From Alan's list on coming-of-age characters facing the unknown.
This novel(ette) does what so many others endeavor to and it does it in droves. Gaiman wields the fabric of mythology to craft a supernatural suspense/contemporary fantast story that envelopes the reader and draws us into two worlds. We all feel as though there is something living just beyond our perceptions and Gaiman harnesses that to drive a wildly enticing, and, at times, terrifying, story about a boy unwittingly wrapped in the winds of fate. The mundane is pushed aside for the fantastic and I would give just about anything to read this story again for the very first time.
From Martin's list on fantasy stories with supernatural myths.
The main character is an introverted young boy whose family struggles in his impoverished neighborhood, and he meets an older girl who shares the existence of a local “hellmouth” that she tames using intuitive magic. This book echoes why I’m a diehard Buffy the Vampire Slayer (television show) fan—it takes reality and adds a vortex of supernatural to the already difficult experience of growing up. Gaiman masterfully tells an emotional story, amplifying the feelings of safety and anxiety young people experience as they navigate their need to belong, decipher life, and deal with the family they’re born into. Only 171…
From Jill's list on realistic fiction with a dollop of magic.
If you love The Ocean at the End of the Lane...
I was first introduced to this version of the book, long after having read and loved the original and unillustrated version, when Gaiman and Hurst hosted a talk about it in London several years ago. Hurst’s whirling, swirling black and white illustrations are a perfect accompaniment to Gaiman’s similarly whirling, swirling tale, adding another layer of dreamlike unreality. Unlike many illustrated versions of previously released books which feature only a handful of illustrations, this book is absolutely permeated with them, giving the reader something new to marvel over constantly.
From Norm's list on illustrated books for ‘grown-ups’.
If you love The Ocean at the End of the Lane...
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