Here are 92 books that Sister Novelists fans have personally recommended if you like
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I will die on this hill: a knowledge of human history is essential. If we refuse to examine our past, we are truly doomed to repeat it. What we call “history,” however, is told from only one viewpoint: that of the victor, or whatever party lived to record the tale. Since childhood, I’ve been intrigued by the lives of our forebears even as I longed for proof of the uncanny in the waking world. But I’ve only ever encountered the fantastical—not to mention the historical—in texts like those on this list, where the two can commingle, enriching and refining one another for the enlightenment, and the pleasure, of their readers.
I read this book shortly after it came out, and I was blown away by this miraculous novel. A reimagining of the lives of the famous Bronte siblings, this book mixes what is “known” of the Brontes with Rachel Cantor’s own delightful, and at times unnatural, imaginings to explore and explicate the too-short lives of three beloved English authoresses (and their brother).
I love stylistically daring work, and here, Cantor manages to weave a strong emotional thread that easily pulls the reader through various unconventional forms—a phenomenal achievement.
Reimagines the lives of the Brontë siblings—Charlotte, Emily, Anne, and brother Branwell—from their precocious childhoods, to the writing of their great novels, to their early deaths.
A form-shattering novel by an author praised as “laugh-out-loud hilarious and thought-provokingly philosophical” (Boston Globe).
How did sisters Emily, Charlotte, and Anne write literary landmarks Jane Eyre, Wuthering Heights, and Agnes Grey? What in their lives and circumstances, in the choices they made, and in their close but complex relationships with one another made such greatness possible? In her new novel, Rachel Cantor melds biographical fact with unruly invention to illuminate the siblings’ genius,…
Visiting author houses and museums has always been a favored pastime of mine and was the inspiration to write the travel guide Novel Destinations. Complementary to writing nonfiction about classic writers, I love reading novels featuring them as characters. Fiction authors adhere to biographical details as well, but they have a freer hand with the narrative to color outside the lines and to color in details and explore feelings and motivations. Through their narratives they turn these literary figures into flesh-and-blood characters and allow the reader to step into their storied lives.
Daphnehas numerous elements that I particularly adore in a story: a classic writer as a character, an English manor house setting, and a mystery. Layer in a Brontë connection, and it’s a perfectly pleasing literary page-turner. In 1957, Daphne du Maurier is at her remote, seaside mansion in Cornwall, distracting herself from personal woes by researching a biography about Branwell Brontë, reprobate and possibly misunderstood brother of Charlotte, Emily, and Anne. Intertwined is a second storyline set in present-day London, as a lonely young woman, newly married to a mysterious older man seemingly still in thrall to his first wife, becomes caught up in a fifty-year-old mystery involving du Maurier and the Brontës.
It is 1957. The author Daphne du Maurier, beautiful, famous, despairing as her marriage falls apart, finds herself haunted by Rebecca, the heroine of her most famous novel, written twenty years earlier. Resolving to write herself out of her misery, Daphne becomes passionately interested in Branwell, the reprobate brother of the Bronte sisters, and begins a correspondence with the enigmatic bibliophile Alex Symington as she researches a biography. But behind Symington's respectable scholarly surface is a slippery character with much to hide, and soon truth and fiction have become indistinguishable.In present-day London, a lonely young woman, newly married after a…
A genuine Aussie bookish girl, I’ve been an editor in the Australian publishing industry for 25 years, and I’ve been writing Australian novels for 15 of them. When I’m not reading or writing, I’m reviewing Australian books – can’t get enough of them! I’ve dedicated my heart and mind to exploring and seeking to understand the contradictions and quirks of the country I am privileged to call home, from its bright, boundless skies to the deepest sorrows of bigotry and injustice. Acknowledging the brilliance of those women writers who’ve come before me and shining a light ahead for all those to come is the most wonderful privilege of all.
If you’re a lover of women’s literature – Austen, the Brontës, Woolf – you are in for an utterly original treat with this mother-daughter odyssey. Australian Indigenous lawyer, Jasmine, takes her mother, Della, to England, wanting to indulge her passion for literature with a tour of significant dead-white-author sites. But what is really found along the way are the rich veins of ancient stories and the essential power we all possess: listening. This is a moving and intricate portrait of intergenerational, post-colonial trauma that examines whose stories get to be told and whose need to be told. For me, as an Australian and a lover of English literature, After Story is a slice of necessary truth-telling, which I predict will become an Australian classic of the future.
When Indigenous lawyer Jasmine decides to take her mother, Della, on a tour of England's most revered literary sites, Jasmine hopes it will bring them closer together and help them reconcile the past. Twenty-five years earlier the disappearance of Jasmine's older sister devastated their tight-knit community. This tragedy returns to haunt Jasmine and Della when another child mysteriously goes missing on Hampstead Heath. As Jasmine immerses herself in the world of her literary idols – including Jane Austen, the Brontë sisters and Virginia Woolf – Della is inspired to rediscover the wisdom of her own culture and storytelling. But sometimes…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
As Rebecca Roberts in Apocalypse was an ancestor whose achievements have been largely ignored-maybe because of gender-it seemed to be time to redress the balance. A female author may have done the job better, but none stepped forward at the time and Hollywood screenwriter K.Lewis was keen to write a screenplay, requiring a concept screenplay outline as a guide. It was that which later became the 1st Edition of Apocalypse.
As well as being the best Gothic style verses in the English language with the possible exception of some by Edgar Allan Poe-there are some way ahead of their time. "If Earth & Moon were gone" prefigures Mach's Principle, which was only formulated 4 decades after EJB thought of it. Anyone lucky enough to find an edition with EJB's Essays she wrote in Brussels will have a copy of her formulation of Evolutionary theory 2 decades before Mr. Darwin claimed it as his own.
In 1846 a small book entitled Poems by Currer, Ellis and Acton Bellappeared on the British Literary scene. The three psuedonymous poets, the Bronte sisters went on to unprecedented success with such novels as Wuthering Heights, Agnes Grey, and Jane Eyre, all published in the following year. As children, these English sisters had begun writing poems and stories abotu an imaginary country named Gondal, yet they never sought to publish any of their work until Charlotte's discovery of Emily's more mature poems in the autumn of 1845. Charlotte later recalled: "I accidentally lighted on a MS. volume of verse in…
I often feel as if I live with one foot in the present, and one in the past. It’s always been the little-known stories that fascinate me the most, especially women’s history. Their lives can be harder to research, but more rewarding for that. As a writer and historian, it has been wonderful to discover the histories of intriguing but ‘overlooked’ women, and to share their tales. I hope you enjoy reading the books I have selected as much as I did!
So much has been written about the Brontë sisters, Charlotte, Emily, and Anne but, what of their mother, Maria? In this fascinating book, Maria (and her husband, Patrick) are brought to the forefront of the Brontë story. We learn about Maria’s early life in Cornwall, her move to Yorkshire, her ambition as a writer, and the influence she had on her incredible daughters. We begin to understand Maria’s daughters better by getting to know Maria herself.
At long last, the untold story of the mysterious Mrs Bronte.
They were from different lands, different classes, different worlds almost.
The chances of Cornish gentlewoman Maria Branwell even meeting the poor Irish curate Patrick Bronte in Regency England, let alone falling passionately in love, were remote.
Yet Maria and Patrick did meet, making a life together as devoted lovers and doting parents in the heartland of the industrial revolution. An unlikely romance and novel wedding were soon followed by the birth of six children. They included Charlotte, Emily and Anne Bronte, the most gifted literary siblings the world has…
Working in schools, I was surrounded by young people facing challenges and finding their place in the world. Their lives were affected by various relationships, family, and their own personalities. I thrived on their energy and was privileged when they shared their stories, hopes, fears, and uncertainties. I witnessed hearts captured by young love that wasn’t always returned and marvelled at how those without good family support still managed to stay true to themselves no matter what life threw at them. Thank goodness for human resilience. I’m no poet but enjoy language and using poetic devices. I became a writer when teen characters insisted that I give voice to their stories.
I’m a sucker for endpapers so, with inside covers that appear browned with age, this book instantly grabbed me. I was even more drawn in by the edges of all pages looking aged, with the book’s title repeatedly running along the bottom of each one like a handwritten footer. Once I was reading, the flavour of classics like those by the Bronte sisters and Jane Austin meant I couldn’t put it down.
Set in the later part of the 20th century, Kate’s story explores self-worth and finding purpose. First-person narrative uses language cleverly. It is easy to read, the voice unpretentious. I felt like I knew Kate. We have so much in common, including the ability to write in the dark and a penchant for taking laneways rather than main roads.
SHORT-LISTED: CBCA Book of the Year, Older Readers, 2005'My name is Kate O'Farrell and I am seventeen years old. I am in my last year of school, and when that is over I will be leaving this place for good - going to a real city, where I will begin my new life.'I have long red hair and pale skin. I like staying up very late at night. It is my ambition to see the sun rise, but sadly I am always asleep by then. I love eating and reading, preferably at the same time.'I am very tall, and too…
Four years old and homeless, William Walters boarded one of the last American Orphan Trains in 1930 and embarked on an astonishing quest through nine decades of U.S. and world history.
For 75 years, the Orphan Trains had transported 250,000 children from the streets and orphanages of the East Coast…
Elizabeth Buchan began her career as a blurb writer at Penguin Books. She moved on to become a fiction editor at Random House before leaving to write full-time. Her novels include the award-winning Consider the Lily, The Museum of Broken Promises, and the international bestseller, Revenge of the Middle-Aged Woman, which was made into a CBS Primetime Drama. Elizabeth’s short stories are broadcast on BBC Radio 4 and published in magazines. She has reviewed for The Times, the Sunday Times, and the Daily Mail, and has chaired the Betty Trask and Desmond Elliot literary prizes. She has been a judge for the Whitbread First Novel Award and for the 2014 Costa Novel Award.
Juliet Barker’s monumental biography, The Brontes (Abacus), certainly falls into the category of the tried and tested which will not let you down. A fiercely revisionist, meticulously researched reassessment of the background, landscape, and events that shaped and formed Patrick, Charlotte, Emily, Branwell, and Anne, it breathes fresh air and common sense into the dark myths and fantasies which envelop the sisters in particular. I love it for the hard work that the author invested in it, her detail, her scrupulous integrity, and her determination to get at the truth about the individuals and the family as a whole. She argues well and powerfully that "without this intense family relationship, some of the greatest novels in the English language might never have been written."
The story of the tragic Bronte family is familiar to everyone: we all know about the half-mad, repressive father, the drunken, drug-addicted wastrel of a brother, wild romantic Emily, unrequited Anne and "poor Charlotte". Or do we? These stereotypes of the popular imagination are precisely that - imaginary - created by amateur biographers from Mrs Gaskell onwards who were primarily novelists, and were attracted by the tale of an apparently doomed family of genius. Later biographers still repeat her mistakes, and have, without exception, relied on the bowdlerised texts published by T.J. Wise, a forger. Juliet Barker's landmark book is…
I have long had an interest in government conspiracies and have spent hundreds of hours researching the many experiments our government has foisted upon an unsuspecting populous. When the Church Committee released info on Projects MK Ultra, Bluebird, Artichoke, and others, people were stunned to realize what had been going on. Movies such as The Matrix dealt with mind control and the attempt to create the perfect soldier, and I am convinced such research and experimentation continues today.
This novel has so many reasons to recommend it. It incorporates radical experimentation and horrifying surgeries being done in a bizarre hospital. To make it even more mysterious, there is a hurricane threatening the island which complicates the investigation of US Marshall Teddy Daniels searching for a patient who has disappeared.
I loved the creepy island hospital and the use of weather as a character.
The basis for the blockbuster motion picture directed by Martin Scorsese and starring Leonardo DiCaprio, Shutter Island by New York Times bestselling author Dennis Lehane is a gripping and atmospheric psychological thriller where nothing is quite what it seems. The New York Times calls Shutter Island, “Startlingly original.” The Washington Post raves, “Brilliantly conceived and executed.” A masterwork of suspense and surprise from the author of Mystic River and Gone, Baby, Gone, Shutter Island carries the reader into a nightmare world of madness, mind control, and CIA Cold War paranoia andis unlike anything you’ve ever read before.
My recommendations are more like a diary of my nascent writing career. I don’t mean to get melodramatic here, but these five Korean-American authors literally (get it?) built me. None of them know this, but they were a quintet of Dr. Frankensteins who created Sung J. Woo, writer. I dared to write my first novel because these authors showed me how, in the best possible way, the only way, really: through their printed words. When I held their books in my hands, I believed a little more that I could do the same. I’ll always be proud to be in their debt.
And now the year is 2007, and here’s the big-ass Korean-American book we’ve all been waiting for – Free Food for Millionaires. In baseball terms: while the rest of us first-time novelists choked up our bats and hit our singles and doubles, Min Jin swung for the fences. At the center of the novel is Casey Kim and her quest to find her passion, never mind the consequences of being basically disowned by her parents, but make no mistake: the scope of this book is like that of Casey’s favorite authors, George Eliot, the Brontë sisters, and Anthony Trollope. There are multiple generations of Koreans at work and play here. It’s exactly the type of book I love to read and never even consider writing, because I just don’t have that kind of ambition. Thank goodness some do!
The brilliant debut novel from the New York Times-bestselling author of Pachinko.
'Ambitious, accomplished, engrossing... As easy to devour as a nineteenth-century romance.' NEW YORK TIMES
Casey Han's years at Princeton have given her a refined diction, an enviable golf handicap, a popular white boyfriend and a degree in economics. The elder daughter of working-class Korean immigrants, Casey inhabits a New York a world away from that of her parents. But she has no job, and a number of bad habits.
So when a chance encounter with an old friend lands her a new opportunity, she's determined to carve a…
Bold, funny, and shockingly honest, Ambidextrous is like no other memoir of 1950s urban childhood.
Picano appears to his parents and siblings to be a happy, cheerful eleven-year-old possessed of the remarkable talent of being able to draw beautifully and write fluently with either hand. But then he runs into…
I teach writing and children's literature at the University of Wisconsin, Stevens Point, and for many years worked as a librarian. (Once a librarian, always a librarian!) First and foremost, I'm a reader. The real world can be an unpleasant and depressing place, so I regularly escape inside books. Although serious books are great, it's also nice to escape to a world where you can laugh and not worry about anything too bad happening.
I'd list every one of Georgette Heyer's romance novels if I could. She's the master of creating plots so entangled you have no idea how they'll be pulled apart. Her characters are unique, if not exactly crazy, and love is always in the air. Heyer's world is Regency England as it never really was.
A charming "accidental" love triangle enchants readers in this delightful romp by the Queen of Regency Romance, bestselling author Georgette Heyer.
A dashing man of honor...
En route to propose to his sensible acquaintance Lady Hester, Sir Gareth Ludlow finds young, pretty Amanda wandering unattended and knows it is his duty to bring her back to her family. This turns out to be a challenge as Amanda seems to possess an imagination as intriguing as it is dangerous.
A shocking refusal...
Lady Hester stuns both him and her family when she refuses him. At her age, no one would expect…
