Fans pick 69 books like The Vanished Bride

This is the first book in a series that is as witty, complex, charming, and dark as Oscar Wilde himself. (“I can resist everything but temptation.”) The author is steeped in Wilde and his world, quotes him extensively (but appropriately) and also delivers a great mystery set in the fascinating era of Victorian decline and fin de siècle artistic fervor. Arthur Conan Doyle, in a great turnabout, plays “Watson” to Wilde’s “Sherlock” in all the mysteries. A later book in the series takes on Jack the Ripper, with some surprising suspects!

Jane and the Unpleasantness at Scargrave Manor is the first of Stephanie Barron’s 14 Jane Austen mysteries, based on Austen’s “discovered” diaries about her adventures as a sleuth.  The series’ witty tone is true to Austen’s, and portrayals of Austen’s family are based in fact. In this opening volume, Jane is visiting a friend “of more fashion than means” newly married a middle aged earl—who dies, poisoned, after a celebratory party. His will divides his estate between his countess and an heir known to be too fond of her, making the pair obvious suspects. As Jane works to prove her friend innocent, the descriptions of aristocratic Regency life, dress, manners, and law are superb. 

I just did a reread of this timed for the release of the seventh in the series, and every time I read it I’m blown away by the genius way Thomas deconstructs the Holmes mythology and then puts it back together again in a new, fascinating, plausible, entirely satisfying way.

In this retelling Holmes is not only a woman, but one who has been exiled from society for—well, behaving like Sherlock Holmes. The characterization—not only of Holmes, but also of her family, associates, and enemies—is rich and believable, and the mysteries are complex and gripping.

The whole series explores the fundamental injustice of women being treated differently from men, as well as the many ingenious ways women find to escape, avoid, and subvert that norm—and the price they pay.

This book is a haunting and haunted story of the young Edgar Allen Poe when he was a cadet at West Point in 1830. Already a published poet at that point, young Edgar is a moody and very unlikely candidate for the army, but his inclination for the darker side of human life comes in handy when a cadet is found hanging—with his heart cut out—and Edgar is chosen to help the big city detective who comes on campus to solve the murder. I just learned this was made into a movie! I loved the book, read it years ago, and have never forgotten it—now I’ve got to go get the movie.

Juliet Barker’s monumental biography, The Brontes (Abacus), certainly falls into the category of the tried and tested which will not let you down. A fiercely revisionist, meticulously researched reassessment of the background, landscape, and events that shaped and formed Patrick, Charlotte, Emily, Branwell, and Anne, it breathes fresh air and common sense into the dark myths and fantasies which envelop the sisters in particular. I love it for the hard work that the author invested in it, her detail, her scrupulous integrity, and her determination to get at the truth about the individuals and the family as a whole. She argues well and powerfully that "without this intense family relationship, some of the greatest novels in the English language might never have been written."

Peter Robinson has managed to create a character, DCI Alan Banks, who remains likeable even though he can be petty, headstrong and displays behavioural traits not expected of a top police officer. We can all empathise with him when he acts in a way that causes him shame and regret.

In Strange Affair he’s become depressed after a devastating fire at his cottage. But he’s shaken out of his lethargy when he gets a telephone call to say his estranged brother Roy is missing and Roy’s girlfriend has been shot dead. 

The clever plot involves Banks digging into his brother’s life and discovering Roy’s dodgy business practices which threaten to engulf Banks whose life is in danger. It’s one of Robinson’s best thrillers.

Here’s a great suspense read from the UK that does everything right. Inspector Alan Banks and his team investigate the theft of a tractor from an area farm—an investigation that leads into a deeper mystery involving a murder, and the disappearance of a young man. Where some detective series tend to peter out and lose steam toward the end of the book, this page-turner keeps up the pace and delivers a very satisfying twist ending.

Alice Lake finds a man on the beach outside her house, but when she asks the man who he is, he can’t give her any answers because he says he doesn’t know who he is either. He’s lost his memory and his identification. Alice decides to help the unknown man and invites him into her home.

While Alice tries to help the unknown man figure out who he is, she also can’t help but wonder who she’s let into her home. He seems perfectly harmless, but is he? It reminds me of what I’ve felt in relationships. I’ll like someone, but then I’ll get to know them and start to wonder who they really are. I’ll look at a friend and wonder, where did you come from?

My copy of this book is battered, dog-eared, and creased from the sheer number of times I’ve read and re-read it. It’s an absolutely glorious family saga, recounted by Ruby who narrates her own conception in the first chapter and takes us back through generations weaving together all the different stories that lead up to the events of her own life. It’s brilliantly funny and heartbreaking and it skewers the oddities and dysfunction of family relationships so perfectly. Characters wrestle with their grief, they deny it and suppress it and it rears up to overwhelm them but ultimately they find their way through. I’m with them every step of the way, unable to put the book down whenever I pick it up again…and again! 

Taken together, the four novels in David Peace’s Red Riding Quartet form a sprawling, semi-fictional account of corruption and brutality within the notorious West Yorkshire Police force. Each instalment has a different protagonist, including both police officers and civilians, with the first, 1974, centred around an ambitious junior reporter who, while investigating a series of child murders, stumbles upon a shocking conspiracy involving the police and a local business magnate. Written in a terse, noir-infused style that brilliantly conjures up both its period setting and location, 1974 is one of the darkest and most unnerving crime novels ever written – one in which hope is an illusion and the ethos of the bad guys is ably summed up by the unforgettable line: “This is the North. We do what we want!”