Here are 68 books that The Vanished Bride fans have personally recommended if you like
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My mother was an avid reader of Agatha Christie, and she gave me my first Nancy Drew book when I was nine, so I’ve loved mysteries all my life—not the ‘true crime’ kind, more the ‘cozy village’ kind, where the focus is on the characters and how they solve the mystery because of who they are and how they understand the people around them. After I wrote an historical novel about John Singer Sargent and his friends, I couldn’t stop thinking about them, even hearing their voices continuing to talk—I missed them! So naturally, I decided I’d turn John and his friend Violet into detectives and write mysteries.
This is the first book in a series that is as witty, complex, charming, and dark as Oscar Wilde himself. (“I can resist everything but temptation.”) The author is steeped in Wilde and his world, quotes him extensively (but appropriately) and also delivers a great mystery set in the fascinating era of Victorian decline and fin de siècle artistic fervor. Arthur Conan Doyle, in a great turnabout, plays “Watson” to Wilde’s “Sherlock” in all the mysteries. A later book in the series takes on Jack the Ripper, with some surprising suspects!
Lovers of historical mysteries will relish this chilling Victorian tale based on real events and cloaked in authenticity. The first in a series of fiendishly clever historical murder mysteries, it casts British literature’s most fascinating and controversial figure as the lead sleuth.
A young artist’s model has been murdered, and legendary wit Oscar Wilde enlists his friends Arthur Conan Doyle and Robert Sherard to help him investigate. But when they arrive at the scene of the crime they find no sign of the gruesome killing—save one small spatter of blood, high on the wall. Set in London, Paris, Oxford, and…
I’m an historian who writes novels, and an avid reader of historical murder mysteries—especially ones whose characters are affected by social, religious, and political change. Lately, I’ve been fascinated by the breakup of rural British estates between 1880 and 1925, when, in a single generation, the amount of British land owned by the aristocracy fell from 66% to perhaps 15%. I thought it might be interesting to set a “country house” mystery on one of the failing estates, with a narrator influenced by the other great change of the period: from horses to automobiles. “Interesting” was an understatement; writing it was eye-opening.
Jane and the Unpleasantness at Scargrave Manoris the first of Stephanie Barron’s 14 Jane Austen mysteries, based on Austen’s “discovered” diaries about her adventures as a sleuth. The series’ witty tone is true to Austen’s, and portrayals of Austen’s family are based in fact. In this opening volume, Jane is visiting a friend “of more fashion than means” newly married a middle aged earl—who dies, poisoned, after a celebratory party. His will divides his estate between his countess and an heir known to be too fond of her, making the pair obvious suspects. As Jane works to prove her friend innocent, the descriptions of aristocratic Regency life, dress, manners, and law are superb.
For everyone who loves Jane Austen...a marvelously entertaining new series that turns the incomparable author into an extraordinary sleuth!
On a visit to the estate of her friend, the young and beautiful Isobel Payne, Countess of Scargrave, Jane bears witness to a tragedy. Isobel's husband—a gentleman of mature years—is felled by a mysterious and agonizing ailment. The Earl's death seems a cruel blow of fate for the newly married Isobel. Yet the bereaved widow soon finds that it's only the beginning of her misfortune...as she receives a sinister missive accusing her and the Earl's nephew of adultery—and murder. Desperately afraid…
I’ve obviously read a lot of Holmes retellings. Part of the impetus behind my new novella was trying to figure out whyI was so attracted to them. Part of it, I realized, is the neurodivergence aspect: fundamental to the Holmes story is the idea of someone who thinks differently—and who finds a way to interact with the world that uses that as an asset. The other component I love is the Holmes-Watson dynamic. Whether it's romantic or not, the development of a relationship of affection between two people who think very differently is an emotional counterpoint to plot-driven mysteries. Those elements—along with stellar writing, gripping mysteries, and characters I love spending time with.
I just did a reread of this timed for the release of the seventh in the series, and every time I read it I’m blown away by the genius way Thomas deconstructs the Holmes mythology and then puts it back together again in a new, fascinating, plausible, entirely satisfying way.
In this retelling Holmes is not only a woman, but one who has been exiled from society for—well, behaving like Sherlock Holmes. The characterization—not only of Holmes, but also of her family, associates, and enemies—is rich and believable, and the mysteries are complex and gripping.
The whole series explores the fundamental injustice of women being treated differently from men, as well as the many ingenious ways women find to escape, avoid, and subvert that norm—and the price they pay.
USA Today bestselling author Sherry Thomas turns the story of the renowned Sherlock Holmes upside down in the first novel in this Victorian mystery series....
With her inquisitive mind, Charlotte Holmes has never felt comfortable with the demureness expected of the fairer sex in upper class society. But even she never thought that she would become a social pariah, an outcast fending for herself on the mean streets of London.
When the city is struck by a trio of unexpected deaths and suspicion falls on her sister and her father, Charlotte is desperate to find the true culprits and clear…
My mother was an avid reader of Agatha Christie, and she gave me my first Nancy Drew book when I was nine, so I’ve loved mysteries all my life—not the ‘true crime’ kind, more the ‘cozy village’ kind, where the focus is on the characters and how they solve the mystery because of who they are and how they understand the people around them. After I wrote an historical novel about John Singer Sargent and his friends, I couldn’t stop thinking about them, even hearing their voices continuing to talk—I missed them! So naturally, I decided I’d turn John and his friend Violet into detectives and write mysteries.
This book is a haunting and haunted story of the young Edgar Allen Poe when he was a cadet at West Point in 1830. Already a published poet at that point, young Edgar is a moody and very unlikely candidate for the army, but his inclination for the darker side of human life comes in handy when a cadet is found hanging—with his heart cut out—and Edgar is chosen to help the big city detective who comes on campus to solve the murder. I just learned this was made into a movie! I loved the book, read it years ago, and have never forgotten it—now I’ve got to go get the movie.
**Soon to be a major Netflix film starring Christian Bale and Gillian Anderson**
April 19th, 1831. In two or three hours I'll be dead.
So begins the chilling last testament of Gus Landor, a retired New York City police constable, whose numerous talents include code-breaking, riot control and the 'gloveless interrogation'. A young cadet has been found hanged at a military academy on the shores of the Hudson River. Before his body could be buried, however, it was stolen and his heart brutally carved out.
Fearing a scandal, the top brass at West Point have summoned Landor to help catch…
Elizabeth Buchan began her career as a blurb writer at Penguin Books. She moved on to become a fiction editor at Random House before leaving to write full-time. Her novels include the award-winning Consider the Lily, The Museum of Broken Promises, and the international bestseller, Revenge of the Middle-Aged Woman, which was made into a CBS Primetime Drama. Elizabeth’s short stories are broadcast on BBC Radio 4 and published in magazines. She has reviewed for The Times, the Sunday Times, and the Daily Mail, and has chaired the Betty Trask and Desmond Elliot literary prizes. She has been a judge for the Whitbread First Novel Award and for the 2014 Costa Novel Award.
Juliet Barker’s monumental biography, The Brontes (Abacus), certainly falls into the category of the tried and tested which will not let you down. A fiercely revisionist, meticulously researched reassessment of the background, landscape, and events that shaped and formed Patrick, Charlotte, Emily, Branwell, and Anne, it breathes fresh air and common sense into the dark myths and fantasies which envelop the sisters in particular. I love it for the hard work that the author invested in it, her detail, her scrupulous integrity, and her determination to get at the truth about the individuals and the family as a whole. She argues well and powerfully that "without this intense family relationship, some of the greatest novels in the English language might never have been written."
The story of the tragic Bronte family is familiar to everyone: we all know about the half-mad, repressive father, the drunken, drug-addicted wastrel of a brother, wild romantic Emily, unrequited Anne and "poor Charlotte". Or do we? These stereotypes of the popular imagination are precisely that - imaginary - created by amateur biographers from Mrs Gaskell onwards who were primarily novelists, and were attracted by the tale of an apparently doomed family of genius. Later biographers still repeat her mistakes, and have, without exception, relied on the bowdlerised texts published by T.J. Wise, a forger. Juliet Barker's landmark book is…
I’ve been fascinated by crime ever since I was a junior reporter working on a daily newspaper and covered a huge number of court cases. I’ve written all my working life and turned to crime writing after reaching the final of a UK TV channel’s Search for a New Crime Writer competition. I’ve built up contacts within the police force during my career which has enabled me to write Storm Deaths, the first in a series of police procedural crime novels. I’ve seen so many films and TV shows that don’t follow the proper procedure, so I ensure that all my writing is as authentic as possible.
Peter Robinson has managed to create a character, DCI Alan Banks, who remains likeable even though he can be petty, headstrong and displays behavioural traits not expected of a top police officer. We can all empathise with him when he acts in a way that causes him shame and regret.
In Strange Affair he’s become depressed after a devastating fire at his cottage. But he’s shaken out of his lethargy when he gets a telephone call to say his estranged brother Roy is missing and Roy’s girlfriend has been shot dead.
The clever plot involves Banks digging into his brother’s life and discovering Roy’s dodgy business practices which threaten to engulf Banks whose life is in danger. It’s one of Robinson’s best thrillers.
'Move over Ian Rankin - there's a new gunslinger in town looking to take over your role as top British police procedural author...' Independent on Sunday
Following on from Playing With Fire, Strange Affair is the fifteenth novel in Peter Robinson's Inspector Banks series, which inspired the major British ITV drama DCI Banks.
When Alan Banks receives a disturbing message from his brother, Roy, he abandons the peaceful Yorkshire Dales to seek him out amidst the bright lights of London. But Roy seems to have vanished into thin air.
Meanwhile, DI Annie Cabbot is called to a quiet stretch of…
I’m an activist, artist, and author of the breakout thriller, Where The Boys Are and The Other Side of the Mirror. I specialize in thrillers that highlight diverse characters (LGBTQ+ and people of color.) I’m a graduate of Virginia Commonwealth University and the Hurston/Wright Writers Foundation. As a graphic designer/copywriter/marketer by day and author by night, I can usually be found creating and designing behind the bright neon glow of my laptop. When I’m not writing, I enjoy traveling to new destinations. I live and work out of my home in Las Vegas with “the hubs” and our two yorkies, and I'm currently writing my next novel, The Dark Side of the Mirror.
Here’s a great suspense read from the UK that does everything right. Inspector Alan Banks and his team investigate the theft of a tractor from an area farm—an investigation that leads into a deeper mystery involving a murder, and the disappearance of a young man. Where some detective series tend to peter out and lose steam toward the end of the book, this page-turner keeps up the pace and delivers a very satisfying twist ending.
Published in the United Kingdom and Canada as Abattoir Blues
Louise Penny calls In the Dark Places "brilliant." Tess Gerritsen says it's "thrilling." And Michael Connelly describes Peter Robinson as "amazing." One of the world's greatest suspense writers returns with this sensational new novel featuring Inspector Alan Banks, hailed by Michael Connelly as "a man for all seasons."
It's a double mystery: Two young men have vanished, and the investigation leads to two troubling clues in two different locations.
As Banks and his team scramble for answers, the inquiry takes an even darker turn when a truck careens off an…
I’m still trying to figure out who I am. I’ve made films, I’ve written fiction, I’ve been in a punk band, and now I’m in law school. I’ve bopped around to different interests my whole life and never quite felt like I fit in anywhere, maybe because I grew up a part Puerto Rican kid in Kentucky. I don’t know. All I know is I’ve been a reader all this time, and I think because I’ve always found my own identity elusive, the mysteries and thrillers I gravitate towards are ones with characters that aren’t so easy to pin down.
Alice Lake finds a man on the beach outside her house, but when she asks the man who he is, he can’t give her any answers because he says he doesn’t know who he is either. He’s lost his memory and his identification. Alice decides to help the unknown man and invites him into her home.
While Alice tries to help the unknown man figure out who he is, she also can’t help but wonder who she’s let into her home. He seems perfectly harmless, but is he? It reminds me of what I’ve felt in relationships. I’ll like someone, but then I’ll get to know them and start to wonder who they really are. I’ll look at a friend and wonder, where did you come from?
'How long have you been sitting out here?' 'I got here yesterday.' 'Where did you come from?' 'I have no idea.'
Surrey: Lily Monrose has only been married for three weeks. When her new husband fails to come home from work one night she is left stranded in a new country where she knows no one.
East Yorkshire: Alice Lake finds a man on the beach outside her house. He has no name, no jacket, no idea what he is doing there. Against her better judgement she invites him in to her home.
For as long as I can remember, I have always been fascinated by the history of the insane asylum. Aside from the sometimes barbaric treatment of patients in the asylums, I’ve discovered that there was a genuine longing to help these people. The asylum has always had such a dark image associated with it and while that may be true, I’ve always been keen on learning more about why things were done the way they were. I decided that one of the best ways for me to learn was to write about it myself and it taught me so much about the human condition, both good and bad.
I am recommending this book by Mark Davis because it was such an intimate look at the West Riding Pauper Asylum, which I reference in my own book.
The stories are incredibly sad, but they greatly reflect on what life was like for these individuals. It also has some of the most beautiful photos I have seen.
I highly recommend it to anyone who is interested in this time period. I just wish the book was longer!
Almost forgotten by time, tucked away beyond the sight of the passerby, there is a little piece of old England, which was for many years a forgotten wilderness. If it were not for a weather-beaten plaque on the gatepost few would realise that beyond the rusted gates there lies, in unmarked paupers' graves, 2,861 former patients of the once formidable Menston Asylum.
To be admitted to a lunatic asylum in the nineteenth century was fraught with danger, and in many cases meant a life sentence hidden away from society. It is estimated as many as 30 per cent of the…
For as long as I’ve enjoyed crime novels, I’ve always been drawn to the figure of the amateur detective. Something about the notion of the every(wo)man, forced to rely on their own wits and limited resources to solve the mystery and outsmart the killer (and sometimes the police!), has always appealed to me far more than that of the professional who does it for a living. When I wrote my first novel,In the Silence, I knew from the word “go” that I wanted to tap into this rich but often-overlooked vein of crime fiction with my own plucky amateur sleuth, determined to right the wrongs of the world.
Taken together, the four novels in David Peace’s Red Riding Quartet form a sprawling, semi-fictional account of corruption and brutality within the notorious West Yorkshire Police force. Each instalment has a different protagonist, including both police officers and civilians, with the first, 1974, centred around an ambitious junior reporter who, while investigating a series of child murders, stumbles upon a shocking conspiracy involving the police and a local business magnate. Written in a terse, noir-infused style that brilliantly conjures up both its period setting and location, 1974is one of the darkest and most unnerving crime novels ever written – one in which hope is an illusion and the ethos of the bad guys is ably summed up by the unforgettable line: “This is the North. We do what we want!”
Jeanette Garland, missing Castleford, July 1969. Susan Ridyard, missing Rochdale, March 1972. Claire Kemplay, missing Morley, since yesterday. Christmas bombs and Lucky on the run, Leeds United and the Bay City Rollers, The Exorcist and It Ain?t Half Hot Mum. It?s winter ,1974, Yorkshire, and Ed Dunford?s got the job he wanted. Crime correspondent for the Evening Post. He didn?t know it was going to be a season in hell. A dead little girl with a swan?s wings stitched into her back. In Nineteen Seventy Four, David Peace brings the passion and stylistic bravado of an Ellroy novel to this…
