Here are 76 books that Nineteen Seventy Four fans have personally recommended if you like
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I have long had an interest in government conspiracies and have spent hundreds of hours researching the many experiments our government has foisted upon an unsuspecting populous. When the Church Committee released info on Projects MK Ultra, Bluebird, Artichoke, and others, people were stunned to realize what had been going on. Movies such as The Matrix dealt with mind control and the attempt to create the perfect soldier, and I am convinced such research and experimentation continues today.
This wonderful novel features a journalist, Mikala Blomkvist, searching for a highly respected, long-lost member of a notable family. Once again, government corruption is rampant in the investigation.
A special aspect of this novel is the introduction of Lisbeth Salander, a brash, tattooed young woman with an abrasive personality matched only by her singular skills. I loved this character, who is incredibly unique.
Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle is convinced it was murder - and that the killer is a member of his own tightly-knit but dysfunctional family.
He employs disgraced financial journalist Mikael Blomkvist and the tattooed, truculent computer hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from forty years ago, they begin to unravel a dark and appalling family history.
These books aren't just the best in their field–they're the best at pinpointing the place I am from. Tartan Noir is a rich world, and I'm just about to join it. These books give a sense of place and people and sometimes bring a little laughter in the dark. To me, that's Scotland, in its magnificence, grandeur, and polar opposite of these things. Scotland is a country with two faces, as everyone from James Hogg onwards knew well... Let's see which side you prefer!
Maureen O’Donnell’s married lover is found dead in her living room. Suspected of the killing, she decides to find the culprit herself. Along the way, we find out what happened to her and how badly let down she was by the system that should have protected her.
I found this a tough read, a woman’s perspective, casting a forensic eye on male behavior and its consequences.
Maureen O'Donnell wasn't born lucky. A psychiatric patient and a survivor of sexual abuse, she is stuck in a dead-end job and a secretive relationship with Douglas, a shady therapist. Her few comforts are making up stories to tell her psychiatrist, the company of her friends, and the sweet balm of whisky. She is about to put an end to her affair with Douglas when she wakes up one morning to find him in her living room with his throat cut. iewed in turn by the police as a suspect -- aided and abetted by her drug-dealing brother Liam -…
For as long as I’ve enjoyed crime novels, I’ve always been drawn to the figure of the amateur detective. Something about the notion of the every(wo)man, forced to rely on their own wits and limited resources to solve the mystery and outsmart the killer (and sometimes the police!), has always appealed to me far more than that of the professional who does it for a living. When I wrote my first novel,In the Silence, I knew from the word “go” that I wanted to tap into this rich but often-overlooked vein of crime fiction with my own plucky amateur sleuth, determined to right the wrongs of the world.
I suspect one of the reasons I enjoy reading (and writing) about amateur detectives is that I’m instinctively drawn to stories of the dispossessed – those without a voice, forced to take matters into their own hands because the proper authorities won’t listen. Kirstin Innes’ debut novel, about a woman investigating the disappearance of her sex worker sister, is not for the fainthearted: a deep dive into a parallel world that foregrounds the voices of the women who inhabit it and challenges widely-held conceptions about them – namely that they’re all poor, pathetic victims in need of rescuing. Innes’ thorough research shines throughout, and the result is a compelling, informative, and thought-provoking novel that avoids the common tropes associated with the “dead hooker” subgenre of crime fiction.
Twenty-year-old Rona Leonard walks out of her sister Fiona's flat and disappears. Six years on, worn down by a tedious job, child care and the aching absence in her life, Fiona's existence is blown apart by the revelation that, before she disappeared, Rona worked as a prostitute. Determined to uncover the truth, Fiona embarks on a quest to investigate the industry that claimed her sister. Drawn into a complex world, Fiona's life tilts on its axis as she makes shocking discoveries that challenge everything she's ever believed ... Bittersweet, sensual and rich, Fishnet is a beautifully told story of love…
For as long as I’ve enjoyed crime novels, I’ve always been drawn to the figure of the amateur detective. Something about the notion of the every(wo)man, forced to rely on their own wits and limited resources to solve the mystery and outsmart the killer (and sometimes the police!), has always appealed to me far more than that of the professional who does it for a living. When I wrote my first novel,In the Silence, I knew from the word “go” that I wanted to tap into this rich but often-overlooked vein of crime fiction with my own plucky amateur sleuth, determined to right the wrongs of the world.
Though easy to mock for their repetitive plots and outdated societal attitudes, children of all ages devoured Enid Blyton’s mystery stories ravenously, and I was no exception. Blyton was an absurdly prolific writer, and it’s tough to pick a favourite from her expansive catalogue, but if you twisted my arm, I’d have to go with 1945’s The Mystery of the Secret Room. I still remember my excitement as I followed the five intrepid “find-outers” (and dog!) on their quest to uncover the mystery behind a fully furnished room in a supposedly abandoned house, all the while outsmarting the dim-witted local policeman, Mr. Goon. An unusual choice, perhaps, but this book, and indeed Blyton’s entire oeuvre, were a formative influence on me and sparked a lifelong love of amateur detectives.
I read lots of different genres, but my greatest passion in both writing and reading is romance. Though I am picky! I need humour in the stories. They don’t have to be funny on every page but I do like to smile occasionally when I’m reading. The ability to weave a plot, create interesting characters, and include humour is something I admire greatly. Even in the thrillers and suspense novels I read, it’s those touches of humour that bring the story to life for me. In the 50+ books I’ve written, none are without that spark of fun. Throw in a happy ever after – and you have a perfect romance, guaranteed to brighten the darkest of days.
This book has great warmth and humour. The characters feel so real. It’s set in Yorkshire in the UK, which happens to be where I spent most of my life, so that made it extra enjoyable. I feel not enough people know about Jane Lovering and her books deserve more readers. This is not just another romance, but a romance with heart and depth. I defy anyone not to fall in love with Phinn.
"Maybe he wasn't there because of the lights - maybe they were there because of him..." It's been over eighteen months since Molly Gilchrist has had a man (as her best friend, Caro, is so fond of reminding her), so when she as good as stumbles upon one, lying comatose, on the moors one bitterly cold morning, it seems like the Universe is having a laugh at her expense. But Phinn Baxter, (that's Doctor Phinneas Baxter) is no drunken layabout, as Molly is soon to discover; with a PhD in astrophysics and a tortured past that is a match for…
I write crime fiction set in the north of England. It’s where I was born and grew up, although for the last 20 years I’ve lived in Spain. I really love novels with a local or regional flavour. The kind of writing that takes you to a specific place, and draws on that place in the action itself. The writers that I chose for this list all do this extremely well. And although their books are set in different locations, they share the sense of the setting almost becoming a character in the story.
When Peter Robinson passed away in 2022, he had written 28 novels in the Detective Chief Inspector Alan Banks series.
Robinson needs no introduction here, but I have included him on this list because he sets these novels in a fictional town in the Yorkshire Dales, close to where I grew up, and also because he was very encouraging to me personally when I wrote my first Joe Romano novel.
Whereas the books are very much mainstream crime novels, they also have a literary quality to them. He manages to achieve a fine balance between genre fiction and a more literary style. You often forget that you’re reading crime at all.
The series was also made into TV series (DCI Banks) starring Stephen Tompkinson, which ran for five series, and really captures the essence of the books.
A Peeping Tom is frightening the women of Eastvale; two glue-sniffing young thugs are breaking into homes and robbing people; an old woman may or may not have been murdered. Investigating these cases is Detective Chief Inspector Alan Banks, a perceptive, curious and compassionate policeman recently moved to the Yorkshire Dales from London to escape the stress of city life. In addition to all this, Banks has to deal with the local feminists and his attraction to a young psychologist, Jenny Fuller. As the tension mounts, both Jenny and Banks' wife, Sandra, are drawn deeper into the events. The cases…
I chose the ‘Best’ title with trepidation: there are many sorts of aces and reading tastes will differ. I’m a cis-gender female, sex averse, verging on sex-repulsed. So, why M/M? Firstly, because reading about other females is too much like being involved myself. Secondly, because I’m het-romantic so I like my MCs to be male. And sex? I can take sex on the page as long as it isn’t gratuitous; it must be meaningful. I’ve chosen five very different books, but they all have gay protagonists and they meet my ace-based needs. In case it’s an issue, I’ve commented on the flame count.
I very much doubt that Reginald Hill intended Pictures of Perfection to appear on a Best M/M list! It’s a quintessentially English tale with a backdrop of class-based snobbery and the threat to rural life from development. It’s also the sole book in Hill’s Dalziel and Pascoe mystery series wherein Hill’s gay detective sergeant, Edgar Wield, takes centre stage. Wield finds more than a missing policeman when he’s sent to the village of Enscombe! Nothing to worry even the most sex-repulsed asexual here although, with hindsight, these stories can seem problematic in other ways: Dalziel is so non-woke. However, it was being a fan of Wield and Hill’s books that got me writing my own gay mysteries, so I’m ever grateful.
For suspense, ingenuity and sheer comic effrontery this takes the absolute, appetizing biscuit' Sunday Times
High in the Mid-Yorkshire Dales stands the traditional village of Enscombe, seemingly untouched by the modern world. But contemporary life is about to intrude when the disappearance of a policeman brings Detective Superintendent Andy Dalziel and DCI Peter Pascoe to its doors.
As the detectives dig beneath the veneer of idyllic village life a new pattern emerges: of family feuds, ancient injuries, cheating and lies. And finally, as the community gathers for the traditional Squire's Reckoning, it looks as if the simmering tensions will erupt…
My mother was an avid reader of Agatha Christie, and she gave me my first Nancy Drew book when I was nine, so I’ve loved mysteries all my life—not the ‘true crime’ kind, more the ‘cozy village’ kind, where the focus is on the characters and how they solve the mystery because of who they are and how they understand the people around them. After I wrote an historical novel about John Singer Sargent and his friends, I couldn’t stop thinking about them, even hearing their voices continuing to talk—I missed them! So naturally, I decided I’d turn John and his friend Violet into detectives and write mysteries.
Talk about feisty women who advance against tremendous odds! Despite the stultifyingly constrained life of “almost-poor” women in early Victorian England, out in the moor country, the three Brontë sisters (Charlotte, Emily, and Anne) slip around the rules, their father, and manage their wayward but beloved brother—all while being determined to become writers—and solve the occasional murder that happens in their neighborhood. Great period details and fascinating information about these three remarkable sisters, along with a great mystery read. This is the first book in the series.
Before they became legendary writers, Charlotte Brontë, Emily Brontë, and Anne Brontë were detectors in this charming historical mystery...
Yorkshire, 1845. A young wife and mother has gone missing from her home, leaving behind two small children and a large pool of blood. Just a few miles away, a humble parson’s daughters—the Brontë sisters—learn of the crime. Charlotte, Emily, and Anne Brontë are horrified and intrigued by the mysterious disappearance.
These three creative, energetic, and resourceful women quickly realize that they have all the skills required to make for excellent “lady detectors.” Not yet published novelists, they have well-honed imaginations…
For as long as I can remember, I have been fascinated with the unbroken chain of storytelling that stretches from the ancient world to the present day, which is why I write mythological retellings. So many myths tackle grief and families in all their myriad forms and shapes, and their continued existence shows us how storytelling is a healing process and always has been. We can see our own complicated family relationships and the profound impact of love and loss reflecting back to us across the centuries. Fiction continues to do this for us today too and I’ve chosen the modern books which I think do this the best.
My copy of this book is battered, dog-eared, and creased from the sheer number of times I’ve read and re-read it. It’s an absolutely glorious family saga, recounted by Ruby who narrates her own conception in the first chapter and takes us back through generations weaving together all the different stories that lead up to the events of her own life. It’s brilliantly funny and heartbreaking and it skewers the oddities and dysfunction of family relationships so perfectly. Characters wrestle with their grief, they deny it and suppress it and it rears up to overwhelm them but ultimately they find their way through. I’m with them every step of the way, unable to put the book down whenever I pick it up again…and again!
Whitbread Book of the Year, 1995. Ruby was born while her father was in the pub. Her mother, Bunty, had never wanted to marry him, and dreamt of being swept off to America by a romantic hero, but instead, was stuck in a flat with her three children. This is the family's story.
I am a writer and academic based at Loughborough University specialising in the lives, works, and afterlives of the Brontës. As a Lecturer in English, I teach and research different aspects of the Brontës writings. Alongside my own biography of Emily, I have published widely on the Brontës, including material on Jane Eyre, The Tenant of Wildfell Hall, Emily Brontë’s poetry, and Charlotte's letters. I have also written about how the Brontës inspire contemporary authors, poets, and screenwriters. As well as rereading the siblings’ novels (I love Charlotte’s Shirley!), I’m fascinated by the many biographies and bio-fictions generated about this great Yorkshire family. I hope you enjoy these recommendations!
Another incredible rewriting of Wuthering Heightsand one that’s as dark and Gothic as Emily’s momentous original. In Ill Will, Michael Stewart picks up Emily’s narrative at the point when Heathcliff, having heard Cathy declare that it would degrade her to marry him, departs the Heights. Stewart unravels the tale of where Heathcliff went during the three years that he was missing from Cathy’s world and imagines what happened to him to make him return in such a vengeful guise.Ill Will is also a rewriting that takes up the issue of race, for here, Heathcliff is a young black man and his departure from the Heights prompts him to trace Mr. Earnshaw’s walk to Liverpool in the hope of finding out who he is.
I am William Lee: brute; liar, and graveside thief.
But you will know me by another name.
Heathcliff has left Wuthering Heights, and is travelling across the moors to Liverpool in search of his past.
Along the way, he saves Emily, the foul-mouthed daughter of a Highwayman, from a whipping, and the pair journey on together.
Roaming from graveyard to graveyard, making a living from Emily's apparent ability to commune with the dead, the pair lie, cheat and scheme their way across the North of England.
And towards the terrible misdeeds - and untold riches…
