76 books like Nineteen Seventy Four

This wonderful novel features a journalist, Mikala Blomkvist, searching for a highly respected, long-lost member of a notable family. Once again, government corruption is rampant in the investigation.

A special aspect of this novel is the introduction of Lisbeth Salander, a brash, tattooed young woman with an abrasive personality matched only by her singular skills. I loved this character, who is incredibly unique.

Maureen O’Donnell’s married lover is found dead in her living room. Suspected of the killing, she decides to find the culprit herself. Along the way, we find out what happened to her and how badly let down she was by the system that should have protected her.

I found this a tough read, a woman’s perspective, casting a forensic eye on male behavior and its consequences.

I suspect one of the reasons I enjoy reading (and writing) about amateur detectives is that I’m instinctively drawn to stories of the dispossessed – those without a voice, forced to take matters into their own hands because the proper authorities won’t listen. Kirstin Innes’ debut novel, about a woman investigating the disappearance of her sex worker sister, is not for the fainthearted: a deep dive into a parallel world that foregrounds the voices of the women who inhabit it and challenges widely-held conceptions about them – namely that they’re all poor, pathetic victims in need of rescuing. Innes’ thorough research shines throughout, and the result is a compelling, informative, and thought-provoking novel that avoids the common tropes associated with the “dead hooker” subgenre of crime fiction.

Though easy to mock for their repetitive plots and outdated societal attitudes, children of all ages devoured Enid Blyton’s mystery stories ravenously, and I was no exception. Blyton was an absurdly prolific writer, and it’s tough to pick a favourite from her expansive catalogue, but if you twisted my arm, I’d have to go with 1945’s The Mystery of the Secret Room. I still remember my excitement as I followed the five intrepid “find-outers” (and dog!) on their quest to uncover the mystery behind a fully furnished room in a supposedly abandoned house, all the while outsmarting the dim-witted local policeman, Mr. Goon. An unusual choice, perhaps, but this book, and indeed Blyton’s entire oeuvre, were a formative influence on me and sparked a lifelong love of amateur detectives.

This book has great warmth and humour. The characters feel so real. It’s set in Yorkshire in the UK, which happens to be where I spent most of my life, so that made it extra enjoyable. I feel not enough people know about Jane Lovering and her books deserve more readers. This is not just another romance, but a romance with heart and depth. I defy anyone not to fall in love with Phinn.

When Peter Robinson passed away in 2022, he had written 28 novels in the Detective Chief Inspector Alan Banks series.

Robinson needs no introduction here, but I have included him on this list because he sets these novels in a fictional town in the Yorkshire Dales, close to where I grew up, and also because he was very encouraging to me personally when I wrote my first Joe Romano novel.

Whereas the books are very much mainstream crime novels, they also have a literary quality to them. He manages to achieve a fine balance between genre fiction and a more literary style. You often forget that you’re reading crime at all.

The series was also made into TV series (DCI Banks) starring Stephen Tompkinson, which ran for five series, and really captures the essence of the books.

I very much doubt that Reginald Hill intended Pictures of Perfection to appear on a Best M/M list! It’s a quintessentially English tale with a backdrop of class-based snobbery and the threat to rural life from development. It’s also the sole book in Hill’s Dalziel and Pascoe mystery series wherein Hill’s gay detective sergeant, Edgar Wield, takes centre stage. Wield finds more than a missing policeman when he’s sent to the village of Enscombe! Nothing to worry even the most sex-repulsed asexual here although, with hindsight, these stories can seem problematic in other ways: Dalziel is so non-woke. However, it was being a fan of Wield and Hill’s books that got me writing my own gay mysteries, so I’m ever grateful.

Talk about feisty women who advance against tremendous odds! Despite the stultifyingly constrained life of “almost-poor” women in early Victorian England, out in the moor country, the three Brontë sisters (Charlotte, Emily, and Anne) slip around the rules, their father, and manage their wayward but beloved brother—all while being determined to become writers—and solve the occasional murder that happens in their neighborhood. Great period details and fascinating information about these three remarkable sisters, along with a great mystery read. This is the first book in the series.

My copy of this book is battered, dog-eared, and creased from the sheer number of times I’ve read and re-read it. It’s an absolutely glorious family saga, recounted by Ruby who narrates her own conception in the first chapter and takes us back through generations weaving together all the different stories that lead up to the events of her own life. It’s brilliantly funny and heartbreaking and it skewers the oddities and dysfunction of family relationships so perfectly. Characters wrestle with their grief, they deny it and suppress it and it rears up to overwhelm them but ultimately they find their way through. I’m with them every step of the way, unable to put the book down whenever I pick it up again…and again! 

Another incredible rewriting of Wuthering Heights and one that’s as dark and Gothic as Emily’s momentous original. In Ill Will, Michael Stewart picks up Emily’s narrative at the point when Heathcliff, having heard Cathy declare that it would degrade her to marry him, departs the Heights. Stewart unravels the tale of where Heathcliff went during the three years that he was missing from Cathy’s world and imagines what happened to him to make him return in such a vengeful guise. Ill Will is also a rewriting that takes up the issue of race, for here, Heathcliff is a young black man and his departure from the Heights prompts him to trace Mr. Earnshaw’s walk to Liverpool in the hope of finding out who he is.