72 books like Behind the Scenes at the Museum

Ever since reading this book, I *can’t* think of the original version of the Iliad without referencing his haunting retelling from Patroclus’ perspective. Miller did such an incredible job putting me in the story and making the characters so real that I actively missed them when I put the book down.

It doesn’t hurt that it has some of the most beautiful poetic language I’ve encountered in story form. Helen is more of a background character playing her classic role, but I was still fascinated because Miller plays on the demigod aspect of both Helen and Achilles in a way that makes them steal any scene they’re in. There’s a quiet power to them that transcends the page.    

I didn’t want to read this book (it was a gift). I thought I’d read just a few pages to be polite… And then I couldn’t put it down! The quote on the cover says, “a thing of shimmering wonder,” which sums it up perfectly.

Hamnet takes place during 1580, another plague year (see my first recommendation!). This book's dance of love and loss, grief and forgiveness is breathtaking. And woven through it is the simple magic of herbs and medicines made by a healer’s hands.

These everyday acts become the stitches that bind this soaring novel to earth and make it a thing us mere mortals can understand.

I’m a sucker for post-apocalyptic fiction and the premise of this one – a woman survives the end of the world by hiding inside a whale – had me desperate to read it. And this is a book that really lives up to that intriguing hook. I loved the character of Ruth, who runs away from a complicated relationship to the other side of the world, only for civilisation to collapse in an unexplained series of catastrophes. I grieved alongside her for all the abrupt endings and terrible losses, but found so much hope in her survival. It’s a really beautiful book that I still think about now. 

This is my favourite book from my all-time favourite author. I will never forget reading this for the first time, in my then-boyfriend’s flat at the start of our relationship. I ignored him all day (it’s ok, we ended up married) until I’d read it cover to cover. Marian Keyes knows how to pack a devastating emotional punch within her witty, entertaining novels and this is one of the most brutal. It’s a crystal-clear insight into grief, a book that made me sob uncontrollably, and there is no one better at presenting the frustrations and comforting joy of family dynamics and friendships. I don’t think there is any other book that has wrought so many tears from me, both of sadness and laughter.  

This is the seventh book in the Dales Detectives series and, in spite of some of the serious issues covered, is by far the most humorous and action-packed.

What I love about this book is the tremendous sense of community that leaps from the pages and really makes you think about small-town/village life. The quirky characters are all well-drawn and vivid descriptions of wayward sheep, fellside walks and twisty lanes bring the Yorkshire Dales to life.

The characters all come together in a wild west style climax which is some of the best writing I’ve ever read. How I’d love to have a beer with them all in The Fleece.

First of all, the title. Intriguing, original, enigmatic. That is what first drew me to this book. I had to find out more about it.

This book is much more in the style of traditional ghost stories, which I love. A spooky, desolate setting in an old house with a long history. I love the build-up of suspense, the remote location adding to the sense of isolation and helplessness, everything cold, chilly. 

The ghostly happenings, whilst perhaps not original, are very well done, which is just fine with me. Traditional ghost stories are meant to have certain elements that are standard, just as fantasy stories must have certain magical aspects. As far as ghost stories are concerned, as long as they make the hair on the back of my neck stand on end, I’m happy. This book does that extremely well, I thought. Absolutely dripping with spooky atmosphere.

This book is perfect for looking at on your own or sharing. The wealth of detail is amazing! Open any page and I am absorbed for hours looking for various people and objects and enjoying the funny scenes of massive crowds. I still have my original copy from 1987 and am delighted anew whenever I take a peek. The other Where’s Waldo books in the series are equally entertaining.

As entertaining as the PBS series about Yorkshire veterinarian James Herriott (pseudonym for author James Alfred Wight) is, the book is even better.

A blend of memoir, travelogue, and journal, Herriott’s tales of life among the farmers of England’s Yorkshire Dales are heartwarming, hilarious, and riveting. From his familial relationships with the Farnon brothers, with whom he lives, to the sometimes endearing, sometimes mercurial encounters with his patients—both the 2-legged and 4-legged variety—reading the adventures of this country vet is both informative and engaging.

You’ll go places you never imagined, want to watch the series—original and remake—all over again, and will, if you’re like me, make a solemn pledge to visit the Dales before you die! 

Juliet Barker’s monumental biography, The Brontes (Abacus), certainly falls into the category of the tried and tested which will not let you down. A fiercely revisionist, meticulously researched reassessment of the background, landscape, and events that shaped and formed Patrick, Charlotte, Emily, Branwell, and Anne, it breathes fresh air and common sense into the dark myths and fantasies which envelop the sisters in particular. I love it for the hard work that the author invested in it, her detail, her scrupulous integrity, and her determination to get at the truth about the individuals and the family as a whole. She argues well and powerfully that "without this intense family relationship, some of the greatest novels in the English language might never have been written."

Another incredible rewriting of Wuthering Heights and one that’s as dark and Gothic as Emily’s momentous original. In Ill Will, Michael Stewart picks up Emily’s narrative at the point when Heathcliff, having heard Cathy declare that it would degrade her to marry him, departs the Heights. Stewart unravels the tale of where Heathcliff went during the three years that he was missing from Cathy’s world and imagines what happened to him to make him return in such a vengeful guise. Ill Will is also a rewriting that takes up the issue of race, for here, Heathcliff is a young black man and his departure from the Heights prompts him to trace Mr. Earnshaw’s walk to Liverpool in the hope of finding out who he is.