I’ve loved stories of space, and especially space operas, since I was a child watching Star Trek reruns with my dad. I love the ways very different cultures can work together toward a common goal, but also the many ways those cultures can butt into each other and cause friction. While you can certainly tell stories about that kind of thing on Earth, science fiction lets you tell it writ large, without smacking any particular human group over the head with their differences. I love the way you can tell a story about humans today by focusing on struggles between alien cultures that aren’t a part of our everyday experience.
One of my writing mentors says, “history is the trade secret of science fiction.” They’re not wrong—my own work is based on Irish history—and Tanya Huff’s A Confederation of Valor series, beginning with Valor’s Choice, is another in that vein. The series centers on marine sergeant Torin Kerr. In these books, humans and two other races were brought into the peaceful Confederation to fight a war. What I love about this book is the way the various new races work together—each has their own idiosyncrasies, and Torin, whose job it is to keep her people alive in the middle of this war, is an expert at dealing with the varying needs of her soldiers, whether they’re human, Krai, or Taykan. This is a series about living with others in peace, even in the middle of a war.
The first book in Tanya Huff's action-packed military sci-fi adventure Confederation series
Staff Sergeant Torin Kerr was a battle-hardened professional. So when she and her platoon were yanked from a well-deserved leave for what was supposed to be "easy" duty as the honor guard for a diplomatic mission to the non-Confederation world of the Silsviss, she was ready for anything. Sure, there’d been rumors of the Others—the sworn enemies of the Confederation—being spotted in this sector of space. But there were always rumors. The key thing was to recruit the Silsviss into the Confederation before the Others attacked or claimed…
This is a self-published author, who I’m glad I discovered. The characters she paints are really intriguing and likeable.
I loved how their professions interlinked and the crimes being investigated became a shared mission. The characters bounce off each other well, too. The criminal in the book was also fascinating to spend time with and I kept turning the pages to get to the end!
When newspaper journalist Grace Rampling learns that the Pride Choir has been banned from performing in the cathedral, she rushes to the church to get some answers.
Instead, she literally stumbles onto a grisly crime scene: the bishop is lying in a pool of his own blood before the altar. Suddenly, Grace is no longer the observer and reporter. She finds herself central to the case — not only as the key witness, but a suspect and even potential victim.
Lead investigator Detective Sergeant Adam Davis is thrown by the fierce attraction he…
I’m agnostic to book genre. If I see it, I will try it. I read all over the place. I just finished a book on online dating and race, the buzzy fiction of the moment, and a self-help book. There are two genre’s that are my absolute favorites, though, women’s fiction, and police procedurals. I’ve read Elizabeth George, Julia Spencer Fleming, Michael Connelly, and Tana French since they started publishing. While I enjoy the whodunit nature of the books, my favorite parts are those quiet moments of pure, unfettered relations between people who care for each other in an otherwise chaotic world. It’s what I write and what I read.
In this ninth installment of the Inspector Lynley series, Detective Sergeant Barbara Havers is recovering from a broken nose and ribs she earned on the job.
Throughout the series, Havers, has become friendly with the neighbors who lives in the front house, single father Taymullah Azhar, and his eight-year-old daughterKhalidah Hadiyyah. After the book’s opening scene of murder, there’s this lovely moment where Havers and Hadiyyah discuss the latter’s invitation to take the police detective for ice cream.
The little girl comes over, reads about ‘throbbing members’ in one of Haver’s romance novels, then announces she has to take back her invitation because she and her father are traveling to an Essex seaside town.
This scene, and this book, really delve into the relationship between a motherless girl and a loner cop, two people who unexpectedly need each other.
Balford-le-Nez is a dying seaside town on the coast of Essex. But when a member of the town's small but growing Asian community is found dead near its beach, the sleepy town ignites. Working without her long-time partner, Detective Inspector Lynley, Sergeant Barbara Havers must probe not only the mind of a murderer and a case very close to her own heart, but also the terrible price people pay for deceiving others . . . and themselves.
I am the author of the Black Viking and Hellbent Riffraff Thrillers and several volumes of dirty realism poetry. I am also the Founder and editor-in-chief of Bristol Noir, an indie publisher and ezine specialising in curiously dark fiction and crime noir. Since 2017 Bristol Noir has been publishing up-and-coming and best-selling authors from around the world. I’m a writer originally from Northumberland in Northern England. In the late 90s, I studied in Greater Manchester when the IRA bomb went off and during the infamous years of the Hacienda club. I now live in Bristol. I’ve devoted my writing to exploring my heritage and the environments I’ve been in.
Derek Raymond’s 4th book in his Factory Seriesis sublimely dark and poetic. It’s brit-grit with an industrial, dirty backdrop and hard feel. Some lines are funny in their harshness with a cliched bad PI turned up to max.
This is a British hard-boiled, hard-drinking, and damaged detective with all the atmosphere of a French noir clashing with Ted Lewis’ Get Carter.
I Was Dora Suarez is a prime example of brit-noir with a flawed protagonist chasing clues and signs in an equally damaged world. Despite the bleakness of the characters and situations it’s impossible not to be gripped and have your face thrust against the glass to see.
An axe-wielding psychopath carves young Dora Suarez into pieces and smashes the head of Suarez's friend, an elderly woman. On the same night, in the West End, a firearm blows the top off the head of Felix Roatta, part-owner of the seedy Parallel Club. The unnamed narrator, a sergeant in the Metropolitan Police's Unexplained Deaths division, develops a fixation on the young woman whose murder he investigates. And he discovers that Suarez's death is even more bizarre than suspected: the murderer ate bits of flesh from Suarez's corpse and ejaculated against her thigh. Autopsy results compound the puzzle: Suarez was…
As a youngster, my single mom’s bedtime stories did not come out of children’s books. They came out of real history—Hannibal and his elephants, the marauding Huns, or Captain Cook. It seemed preordained that I’d have a life-long love of history, that I’ve written three published historical novels, and am on the review team of the Historical Novel Society. My immersion in history and historical novels provides constant learning and pleasure.
This fictionalized, but mostly true, account covers enigmatic author J. D. Salinger’s little-known WWII years (1942-47). Salinger is conscripted by the US Counter Intelligence Corps. These hard-edged soldiers interrogate captives, seek out hidden danger (poisoned pretzels, booby-trapped toilet seats), and uncover traitors. Salinger absorbs deeply the carnage close to him. At war’s end, he has become “a guy made of glass” with a facial tic and trembling hand. In the novel’s last scenes, his older sister helps him set up in the suburban loft where he can live alone, write, and heal. J. D. Salinger’s time immersed in the horrors of War helps explain his reclusive life and out-of-the-mainstream but best-selling creations.
"Charyn skillfully breathes life into historical icons." -New Yorker
J.D. Salinger, mysterious author of The Catcher in the Rye, is remembered today as a reclusive misanthrope. Jerome Charyn's Salinger is a young American WWII draftee assigned to the Counter Intelligence Corps, a band of secret soldiers who trained with the British. A rifleman and an interrogator, he witnessed all the horrors of the war-from the landing on D-Day to the relentless hand-to-hand combat in the hedgerows of Normandy, to the Battle of the Bulge, and finally to the first Allied entry into a Bavarian death camp, where corpses were piled…
I spent 20 years in the US Army with 10 of those years in Korea. Everybody thought I was crazy. Why would you like being stationed in such an odd country as Korea? Whenever I tried to explain, their noses would crinkle and they’d stare at me as if I were mad. I started collecting books that explained better than I did. To supplement it I purchased a manual Smith Corona typewriter at the PX and to assuage my angst began writing mystery stories about two 8th Army investigators in Seoul, Korea. Fifteen novels and over 50 short stories later I’m still attempting to explain the odd beauty of GI life through the eyes of a GI.
I’ve known plenty of GIs like Master Sergeant Maxwell Slaughter. Non-commissioned Officers who hustle and make deals and wrap military bureaucracy around their little fingers. Slaughter’s supply room had air conditioning, plenty of pristine underwear, socks, and long johns to bargain with, and his own vending machine to satisfy his addiction to cold bottles of soda. He also had a protégé, in this case, the young Eustis Clay, who tried to out-hustle his mentor but never quite made it. He did, however, introduce Master Sergeant Slaughter to the even younger Bobby Jo Pepperdine, but instead of kindling a romance, the two lost souls started a father/daughter affection that the teenage girl had never before experienced.
Ultimately tragic, Goldman shows his dramatic flair with the simple line of farewell uttered by Slaughter: “Until that time, Eustis. Until that time.”
Unbelievable as it may sound, William Goldman has pulled off a minor miracle by writing at this late date a genuinely funny and touching novel about barracks life. If nothing else, the book is worth the price of admission for its explanation of the ground rules of a game called 'Grading Women'... There is a full, rich measure of reading pleasure in this book that expertly runs the gamut from belly laughs to tearjerking. Long after you've forgotten the details of the incidents, you'll remember the warm thread of compassion that runs through the book. Soldier in the Rain, to…
This is a list for those who love a tough guy with a soft heart. If you crave a story with passion, heat, and that zing of a good thriller, then this is the list for you. I love a romance wrapped around a strong plot. I need a book to stimulate my mind and give my old heart its “Aw, shucks,” moment. I’ve been fascinated by those who serve and the long-term effects it has on mental health. These books tackle the effects of PTSD, trauma, and its consequences. I believe the romance genre, when done well, is one of the best for examining this darkness.
I stumbled over this book and soon found myself hooked. It’s a romance, yes, but the research into conflict and its effects put it up there on my list of thrillers. It’s not strictly speaking a thriller, it’s more of a military action story and romance, but the characters are wonderful. The way they react to the war zone conflict, the effect it has on the unit and the reporter embedded with them, it has a wonderful ring of truth. And that’s what I’m always looking for in a good romance, the ring of truth. You have to really feel the RPGs coming in, and Garrett does an amazing job of making you really feel it.
There are a hundred reasons why falling for a gorgeous, tattooed soldier is a terrible idea. An office romance with tanks and guns?
No thanks.
Besides, Connor Regan has other things on his mind. After his brother’s death, he finds himself bound for Iraq to embed with an elite SAS team. He sets his boots on the ground looking for closure and solace—anything to ease the pain of James’s death.
Instead he finds Sergeant Thompson—a moody, inked Adonis with a sinfully rare smile.
Nat is a veteran commander, hardened by years of combat and haunted by the loss of his…
There’s a saying in England: It’s grim up north! Largely used pejoratively (by the south), it’s true to say it is generally colder and wetter, the landscape more unforgiving, the people – friendlier in my opinion – are more outspoken and candid. The cities of Liverpool, Manchester, Newcastle, with their declining industries and rising unemployment, provide fertile ground for crime writers. So when I started my own series following the investigations of DS Adam Tyler and his cold case team it didn’t take long to settle on my adopted home of Sheffield as the setting. Be warned: we’re a long way from the sleepy villages of Agatha Christie here.
The first book in Rob Parker’s excellent Thirty Miles Trilogy sees twenty-seven bodies discovered, vacuum-packed, and buried in a woodland trench. DI Brendan Foley and his newly established police force are the ones tasked with cracking the case but is it a coincidence that these bodies have been buried in Foley’s hometown? Set in the historic town of Warrington, located midway between Manchester and Liverpool, the book explores the murky underworlds of the two cities and the consequences of a war between two drug-dealing gangs as it spills out into the surrounding area.
Brendan Foley has worked to balance the responsibilities of a demanding job and a troublesome family. He's managed to keep these two worlds separate, until the discovery of a mass grave sends them into a headlong collision. When one of the dead turns out to be a familiar face, he's taken off the case.
Iona Madison keeps everything under control. She works hard as a detective sergeant and trains harder as a boxer. But when her superior, DI Foley, is removed from the case, her certainties are tested like never before.
With stories of the Warrington 27 plastered over the…
As someone who’s never been allowed to drive, but gets motion-sick reading in a bus or car, I’ve been a lover of audiobooks since I had my Walkman and a backpack full of audiobook cassettes. As a queer man, I’m always looking for more immersive stories about people like me. Finding queer voices and queer narratives is so important to me as a way to offset how queer people don’t have an inherited continuance of our culture as most marginalized people do; books are a way to fill that gap. I do own a rescued husky, and there’s nothing like an engrossing audiobook to get me through those minus-forty Canadian winter walks with a dog.
Cari Hunter never fails to invoke Northern England with every sense, and Nicola Victoria Vincent’s performances continue to be among the absolute best experiences. This story starts off with an EMT, Grace, being taken hostage by a wounded woman at gunpoint, and then manages to twist and shift the entire time you’re listening. Hunter’s ability to weave in a secondary romantic plot while people are dodging bullets, outwitting villains, and desperately trying to stay alive is brilliant, and my dog always gets a longer walk while I’ve got a Hunter thriller to listen to. If you’re a fan of thrillers and audiobooks, and have yet to bump into Hunter or Vincent, thank me later, once you’ve enjoyed the whole backlist.
Dr. Grace Kendal never stands a chance. The injured woman comes out of nowhere, bleeding heavily and holding a gun. Compelled to help her, Grace is dragged into Elin Breckenridge’s nightmare. Their fight to survive will take them across the country and to the limits of their endurance. But who is Elin running from? As Grace struggles for answers, one thing becomes clear—Elin is somehow connected to a dead man, and Grace could be next.
For Detective Sergeant Safia Faris, the case should have been easy: one dead body, one suspect. But the deeper she digs, the more obvious it…
I picked this up cheaply in a second-hand
bookstore. What a bargain it was. It introduced me to Detective Sergeant
Washington (there is a subplot here) Poe of the National Crime Agency’s
Serious Crime Analysis Section and his offsider Matilda ‘Tilly’ Bradshaw, a brilliant mathematician and programmer extraordinaire.
I immediately spent much
more per copy (see homo economicus in my third
choice entry) buying all of Craven’s books: and consuming (I am an economist at
heart) them avidly.
I appreciated the anti-authority stance of Detective Poe
but fell in love with the socially naïve Tilly: it was good to see a role-model
female geek taking center stage.
The writing is outstanding: the darkest crimes
are lightened by humor, and clever solutions are thrown by unexpected twists.
Winner of the prestigious CWA IAN FLEMING STEEL DAGGER AWARD 2022
Longlisted for the Theakston Old Peculiar Crime Novel of the Year 2022
'Heart-pounding, hilarious, sharp and shocking, Dead Ground is further proof that M.W. Craven never disappoints. Miss this series at your peril.' Chris Whitaker
'Dark and entertaining, this is top rank crime fiction.' Vaseem Khan, Author of the Malabar House series and the Baby Ganesh Agency series
'M. W. Craven is one of the best crime writers working today. Dead Ground is a cracking puzzle, beautifully written, with characters you'll be behind every step of the way. It's…
