Patricia Hruby Powell’s former careers include dancer/choreographer, storyteller, and librarian. She is the author of the YA documentary novel Loving vs. Virginiawhich is on ALA, NCTE, Indie Pics, and Kirkus ‘best books lists’. From a young age, her parents instilled in her a social conscience and a will to try to right injustice. She attempts to do this, in part, by writing books that might shine a light on injustice, for young readers, such that they will care and perhaps become activists—for whatever impassions them. Her books have earned Sibert, Boston Globe-Horn Book, International Bologna/Ragazzi, Parent’s Choice Honors among others.
This book, on the younger range of YA, features twelve-year-old King in Louisiana bayou country. Not only is King Black, but he thinks he might be gay. He has a special friendship with Sandy, who is white and whose father is a known KKK member. The story opens with the sudden and unexpected death of King’s big brother Khalid, a soccer star. Khalid had told King not to hang with Sandy because he would appear to be gay and be shunned by his classmates. While suffering deep grief, King complies for a time, but without Khalid, without Sandy, he has no one to help him sort out his uncertainty and loneliness. He retreats to the bayou and the many dragonflies in this poetic winner of the National Book Award for Young Readers 2020.
Winner of the 2020 National Book Award for Young People's Literature!
Winner of the 2020 Boston Globe-Horn Book Award for Fiction and Poetry!
In a small but turbulent Louisiana town, one boy's grief takes him beyond the bayous of his backyard, to learn that there is no right way to be yourself.
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Twelve-year-old Kingston James is sure his brother Khalid has turned into a dragonfly. When Khalid unexpectedly passed away, he shed what was his first skin for another to live…
This is a self-published author, who I’m glad I discovered. The characters she paints are really intriguing and likeable.
I loved how their professions interlinked and the crimes being investigated became a shared mission. The characters bounce off each other well, too. The criminal in the book was also fascinating to spend time with and I kept turning the pages to get to the end!
When newspaper journalist Grace Rampling learns that the Pride Choir has been banned from performing in the cathedral, she rushes to the church to get some answers.
Instead, she literally stumbles onto a grisly crime scene: the bishop is lying in a pool of his own blood before the altar. Suddenly, Grace is no longer the observer and reporter. She finds herself central to the case — not only as the key witness, but a suspect and even potential victim.
Lead investigator Detective Sergeant Adam Davis is thrown by the fierce attraction he…
I’ve had a long career, publishing books that have won the highest awards in the industry, including two books that won Caldecott Medals. I’m best known as the editor of the Harry Potter books. But my expertise in this area also comes from being a father, a reader, and the author of several books with Jewish and intersectional themes.
This inspiring picture book is based on the true story of a little boy whose family is the target of an anti-semitic incident during Hanukkah. The community responds not with aggression but solidarity, with hundreds of homes displaying menorahs in their windows.
This book illustrates the idea that kindness and faith can turn one light into many, an echo of the Hanukkah miracle.
The art by Caldecott Medalist Paul Zelinksy is powerful and gorgeous. Inspirational!
On a block dressed up in Red and Green
one house shone Blue and White.
It's a holiday season that both Isaac, whose family is Jewish, and Teresa, whose family is Christian, have looked forward to for months! They've been counting the days, playing in the snow, making cookies, drawing (Teresa) and writing poems (Isaac). They enjoy all the things they share, as well as the things that make them different.
But when Isaac's window is smashed in the middle of the night, it seems like maybe not everyone appreciates "difference."
I am an Associate professor of history at Washington University in St. Louis who is primarily interested in crime, illicit leisure, masculinity, American cities, and imprisonment. I grew up both in New York City and Orlando, Florida, and I received a PhD from the University of Rochester. Most of the books I read have to do with understanding the American criminal justice system, criminality itself, and the part societies play in constructing crime. Currently I am researching and writing a book about African American men and the carceral state, tentatively entitledJim Crow Prison.
Muhammad’s study of ideas and discourse about real and imagined crime among African Americans is a touchstone for anyone seeking to understand this history.
He has painstakingly assembled the intellectual, pseudo-scientific, and popular conversations Americans had about the subject from the end of slavery until well into the 20th century.
This work has been particularly important for me because he brings our attention to the urban North and the use of census data, statistics, eugenics, etc., to condemn blackness as a dangerous threat to be contained.
There is no way to truthfully understand race and crime in America without consulting this essential text.
Winner of the John Hope Franklin Prize A Moyers & Company Best Book of the Year
"A brilliant work that tells us how directly the past has formed us." -Darryl Pinckney, New York Review of Books
How did we come to think of race as synonymous with crime? A brilliant and deeply disturbing biography of the idea of black criminality in the making of modern urban America, The Condemnation of Blackness reveals the influence this pernicious myth, rooted in crime statistics, has had on our society and our sense of self. Black crime statistics have shaped debates about everything from…
I’m a writer, theatre artist and calligrapher who has spent a lifetime dedicated to the look, sound, texture and meaning of words. Writing in verse and prose poetry gives me a powerful tool to explore hard themes. Poetry is economical. It makes difficult subjects personal. Through poetry, I can explore painful choices intimately and emerge on a different path at a new phase of the journey. While my semi-autobiographical novel These Are Not the Words “is about” mental health and drug addiction, I’ve shown this through layers of images, sounds, textures, tastes—through shards of memories long submerged, recovered through writing, then structured and fictionalized through poetry.
In A Wreath for Emmett Till, Marilyn Nelson reminds us of the unique beauty of a life, of the vibrancy of youth at 14 years old. Written as a “crown of sonnets,” where the last line of one sonnet becomes the first of the next, it is a book that bears witness and conveys huge themes of justice, loss, and remembrance while focussing on small moments, gestures, and images. I am in awe of Nelson’s ability to use a very formalized writing style to depict one of the most brutal murders of the twentieth century.
In 1955, people all over the United States knew that Emmett Louis Till was a fourteen-year-old African American boy lynched for supposedly whistling at a white woman in Mississippi.The brutality of his murder, the open-casket funeral, and the acquittal of the men tried for the crime drew wide media attention.
Award-winning poet Marilyn Nelson reminds us of the boy whose fate helped spark the civil rights movement.This martyr's wreath, woven from a little-known but sophisticated form of poetry, challenges us to speak out against modern-day injustices, to 'speak what we see.'
I’ve been studying dehumanization, and its relationship to racism, genocide, slavery, and other atrocities, for more than a decade. I am the author of three books on dehumanization, one of which was awarded the 2012 Anisfield-Wolf award for non-fiction, an award that is reserved for books that make an outstanding contribution to understanding racism and human diversity. My work on dehumanization is widely covered in the national and international media, and I often give presentations at academic and non-academic venues, including one at the 2012 G20 economic summit where I spoke on dehumanization and mass violence.
Most people’s idea of lynching is the sanitized version that they have picked up from movies and TV. However, the practice of lynching, as it was carried out in the United States from the late 19th to well into the 20th century, was far more hideous than a few people hanging a man from a tree. This classic contribution concentrates on spectacle lynchings. These were public lynchings attended by hundreds or even thousands of spectators. They involved hours of torture and bodily mutilation, often culminating in the victim being burned alive. Lynching and Spectacleis a vital read for anyone wishing to understand the full horror of American Racism.
This title presents public reinforcement of white supremacy. Lynch mobs in late nineteenth- and early twentieth-century America often exacted horrifying public torture and mutilation on their victims. In ""Lynching and Spectacle"", Amy Wood explains what it meant for white Americans to perform and witness these sadistic spectacles and what they derived from them. Lynching, Wood argues, overlapped with a wide range of cultural practices and performances, both traditional and modern, including public executions, religious rituals, photography, and cinema. The connections between lynching and these practices encouraged the horrific violence committed and gave it social acceptability.Wood expounds on the critical role…
Some writers (and readers) prefer the sledgehammer to the scalpel.
I prefer the scalpel and find that Elizabeth Strout consistently wields her blade with skill, subtlety, and soul. As we travel with brothers Jim and Bob from NYC back to the small New England town of their childhood, Strout unravels mysteries that will feel familiar to everyone with siblings.
Their mission is to save their nephew – son of their sister Susan – who has been accused of a hate crime. I find realism a key ingredient in Strout’s writing. These characters are flawed, but that is what makes them relatable.
Families are not neat and clean. They’re messy. Everyone knows that. Stout never shies from it. It’s what kept me reading, this book and everything else she’s written.
NEW YORK TIMES BESTSELLER • “What truly makes Strout exceptional . . . is the perfect balance she achieves between the tides of story and depths of feeling.”—Chicago Tribune
This edition includes an original essay by Elizabeth Strout about the origins of The Burgess Boys.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • NPR • Good Housekeeping
Haunted by the freak accident that killed their father when they were children, Jim and Bob Burgess escaped from their Maine hometown of Shirley Falls for New York City as soon as they possibly could. Jim, a…
