I am an Associate professor of history at Washington University in St. Louis who is primarily interested in crime, illicit leisure, masculinity, American cities, and imprisonment. I grew up both in New York City and Orlando, Florida, and I received a PhD from the University of Rochester. Most of the books I read have to do with understanding the American criminal justice system, criminality itself, and the part societies play in constructing crime. Currently I am researching and writing a book about African American men and the carceral state, tentatively entitledJim Crow Prison.
I wrote
Uncontrollable Blackness: African American Men and Criminality in Jim Crow New York
I first read Hick’s history of black women in New York’s criminal justice system while I was in graduate school, and I was fascinated by how she brought stories to life in a city I was so familiar with.
Along with Kali Gross’s Colored Amazons, which looks at black women in Philadelphia, it inspired me to imagine what a similar study on black men could look like.
Hicks masterful use of the New York State prison archives and her attention to the details in the lives of the women in her work makes this an essential book for anyone interested in race, gender, and the carceral state.
With this book, Cheryl Hicks brings to light the voices and viewpoints of black working-class women, especially southern migrants, who were the subjects of urban and penal reform in early-twentieth-century New York. Hicks compares the ideals of racial uplift and reform programs of middle-class white and black activists to the experiences and perspectives of those whom they sought to protect and, often, control. In need of support as they navigated the discriminatory labor and housing markets and contended with poverty, maternity, and domestic violence, black women instead found themselves subject to hostility from black leaders, urban reformers, and the police.…
Heather Ann Thompson’s Blood in the Water is a tremendously important once-in-a-lifetime study of the Attica prison insurrection in 1971.
At 752 pages, it is investigative and cinematically written, making it one of the most fundamental new works on the American carceral state. The research that went into this book also renders it uniquely significant.
It is rare that a historian can merge such profound and complete analysis with richly detailed storytelling without either suffering. Blood in the Water has raised the bar on studies of the carceral state and permanently advanced our understanding of the ecosystem of prison control and protest.
PULITZER PRIZE WINNER • The definitive history of the infamous 1971 Attica Prison uprising, the state's violent response, and the victim's decades-long quest for justice. • Thompson served as the Historical Consultant on the Academy Award-nominated documentary feature ATTICA
“Gripping ... deals with racial conflict, mass incarceration, police brutality and dissembling politicians ... Makes us understand why this one group of prisoners [rebelled], and how many others shared the cost.” —The New York Times
On September 9, 1971, nearly 1,300 prisoners took over the Attica Correctional Facility in upstate New York to protest years of mistreatment. Holding guards and civilian…
Kali N. Gross innovated many aspects of thinking about, researching, and writing about African Americans and the criminal justice system in Colored Amazons.
Released in 2006, this work forged a path for subsequent scholars, including myself, to look squarely at crime and race while also breaking down racial stereotypes. Gross brings the experiences of black women to life through brilliant sources and tells a complex story of violence and crime that is at times beautiful and emotional.
Colored Amazons is a groundbreaking historical analysis of the crimes, prosecution, and incarceration of black women in Philadelphia at the turn of the twentieth century. Kali N. Gross reconstructs black women's crimes and their representations in popular press accounts and within the discourses of urban and penal reform. Most importantly, she considers what these crimes signified about the experiences, ambitions, and frustrations of the marginalized women who committed them. Gross argues that the perpetrators and the state jointly constructed black female crime. For some women, crime functioned as a means to attain personal and social autonomy. For the state, black…
This book has been important to me in the work I do, which has straddled the carceral space and the world outside of prison.
Hinton does an amazing job of making it clear how the two are linked; how the world outside feeds the world inside; and how mass incarceration was the result of a bipartisan effort, not simply a response to a seemingly “disordered” world that conservatives feared after the Civil Rights movement.
It was the product of distinct efforts to control and contain populations in novel ways; and along lines of race. Hinton’s research is second to none, and the stories she tells about what drove the War on Crime are captivating.
Co-Winner of the Thomas J. Wilson Memorial Prize A New York Times Notable Book of the Year A New York Times Book Review Editors' Choice A Wall Street Journal Favorite Book of the Year A Choice Outstanding Academic Title of the Year A Publishers Weekly Favorite Book of the Year
In the United States today, one in every thirty-one adults is under some form of penal control, including one in eleven African American men. How did the "land of the free" become the home of the world's largest prison system? Challenging the belief that America's prison problem originated with the…
Muhammad’s study of ideas and discourse about real and imagined crime among African Americans is a touchstone for anyone seeking to understand this history.
He has painstakingly assembled the intellectual, pseudo-scientific, and popular conversations Americans had about the subject from the end of slavery until well into the 20th century.
This work has been particularly important for me because he brings our attention to the urban North and the use of census data, statistics, eugenics, etc., to condemn blackness as a dangerous threat to be contained.
There is no way to truthfully understand race and crime in America without consulting this essential text.
Winner of the John Hope Franklin Prize A Moyers & Company Best Book of the Year
"A brilliant work that tells us how directly the past has formed us." -Darryl Pinckney, New York Review of Books
How did we come to think of race as synonymous with crime? A brilliant and deeply disturbing biography of the idea of black criminality in the making of modern urban America, The Condemnation of Blackness reveals the influence this pernicious myth, rooted in crime statistics, has had on our society and our sense of self. Black crime statistics have shaped debates about everything from…
This book came out of a desire to understand the forces in American society that encouraged or forced early twentieth-century African American men to reconsider their relationships with the law. Illegality, in some cases, became a way to meet the expectations of gender roles and identities, and to recuperate a sense of humanity within the contradictory demands and restrictions of living under Jim Crow.
It was important in this work to avoid reproducing stereotypes about black criminality while being sure to recover the voices of the men I write about. In order to do both of these things, I developed a theoretical framework calledthe Crucible of Black Criminality.The Cruciblehypothesizes that a number of forces and dynamics in American history have produced black criminality.
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of concerts across Wisconsin and the Midwest, and opening Shank Hall, the beloved Milwaukee venue named after a club in the cult film This Is Spinal Tap.
Jest established lasting friendships with John Prine, Arlo Guthrie, and others, but ultimately, this book tells a universal story of love and hope…
We Had Fun and Nobody Died: Adventures of a Milwaukee Music Promoter
The entertaining and inspiring story of a stubbornly independent promoter and club owner
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus at UW–Milwaukee, booking thousands of concerts across Wisconsin and the Midwest, and opening Shank Hall, the beloved Milwaukee venue named after a club in the cult film This Is Spinal Tap.
This funny, nostalgia-inducing book details the lasting friendships Jest established…
