I am a strong, independent woman (*snaps fingers through the air*), yet I adore a soul-sucking romance. Many might think this is a contradiction, but it’s not! A woman can be both loving and stubborn…both enamored by her partner yet still strong enough to speak up for herself. Sadly, I think historical fiction often defaults to portraying dependent and subjugated women, and this isn’t necessarily wrong—in fact, it’s probably more accurate. However, when I’m getting lost in the magic of a novel, I want to experience the all-consuming love without sacrificing the resiliency and independence of the women involved, and these books spin stories where both outcomes are possible!
There is so much going on in this book in terms of plot, drama, and relationships, but why I especially love it is because Caris, one of the protagonists, breaks the mold of the typical powerless medieval woman. When the Black Plague comes to Kingsbridge, Caris is the only one who uses observation and common sense to realize that the disease spreads by contact. In a world that revolves around religion and superstition, this doesn’t go over well. Though forced to sacrifice the love of her life, and put on trial as a witch, Caris sticks to her guns and enacts the medical policies she knows will save lives. Eventually, she gains the townspeople’s trust, ultimately ascending into a position of power within the town. Get it, girl!
On the day after Halloween, in the year 1327, four children slip away from the cathedral city of Kingsbridge. They are a thief, a bully, a boy genius and a girl who wants to be a doctor. In the forest they see two men killed. As adults, their lives will be braided together by ambition, love, greed and revenge. They will see prosperity and famine, plague and war. One boy will travel the world but come home in the end; the other will be a powerful, corrupt nobleman. One girl will defy the might of the medieval church; the other…
When I published Orphan, Agent, Prima, Pawn, in which Soviet-era psychological warfare plays a heavy role, I happily washed my hands of Russian intrigue and turned to more benign, pastoral inspirations – my life-long relationship with an idyllic cathedral town in Wiltshire, for example. Just days later, the world learned that a certain Ruslan Boshirov and Alexander Petrov shared my fondness for Salisbury’s “world-famous 123-metre spire,” the glories of which prompted their 72-hour visit from Moscow (and overlapped with the botched poisoning of a KGB defector living down the road). Since then, I find myself drawn to works that explore the interstices of morality, criminality, and great construction projects.
Golding was living in Salisbury when he wrote The Lord of the Flies, and his day job as a teacher at a local boys' school left a clear imprint on his dystopic view of young men left to their own hierarchical devices. But the classroom also provided a very literal view of the inspiration for The Spire, a dense and disturbing parable in which rationality and physics crumble under evangelical mania and corporal lust. It is the story of Jocelin, Dean of a medieval cathedral, who, obsessed with a divine “vision in stone,” insists that the spire be raised to impossible heights. There is no happy ending in this cautionary tale of construction hubris, yet I return to it regularly in search of solace.
Succumb to a churchman's apocalyptic vision in this prophetic tale by the radical Nobel Laureate and author of Lord of the Flies, introduced by Benjamin Myers (narrated by Benedict Cumberbatch as an audiobook).
There were three sorts of people. Those who ran, those who stayed, and those who were built in.
Dean Jocelin has a vision: that God has chosen him to erect a great spire. His master builder fearfully advises against it, for the old cathedral was miraculously built without foundations. But Jocelin is obsessed with fashioning his prayer in stone. As his halo of hair grows wilder and…
I once saw a play at the renowned Oregon Shakespeare Theatre. A play about Sor Juana. It was a good play, but it felt like something was missing like jalapenos left out of enchiladas. The play kept nudging me to look further to find Sor Juana, and so for the next five years, I did so. I read and read more. I listened for her voice, and that is where I heard her life come alive. This isn’t the only possibility for Sor Juana’s life; it is just the one I heard.
Sor Juana wrote hundreds and hundreds of poems in all manner of styles, from short, spiffy, and even humorous ones to elaborate villancicos performed in a cathedral. Here is a brief collection in both Spanish and English, a few of her shorter love poems. The poems may have been written for her lover, la Vicereine Maria Louisa, or as a commission for a gentleman’s wife or lover. In any event, they are magnificent, such as:
Oh, how I went up in flames
In your lovely Sun!
Hungry for the bait,
I forgot the danger.
Reading these poems, I could not doubt the depth of Sor Juana’s passion.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
I write romantic historical fiction and am a lifelong lover of the works of Jane Austen. I am English, love historical novels but dislike books that give you “great lumps of facts” that slow up the storyline. I like stories and characters that capture your attention and your heart. Plots and backgrounds that make you think about what it might really have been like to live in those times.
Elizabeth Goudge’s novels have a touch of magic about them.
Set in the 1870s, in an English town, dominated by a great cathedral, it's the story of an unlikely friendship between an obscure watchmaker and the mighty but shy Dean Ayscough which touches and shapes the lives of many people. A novel peopled by characters that are hard to forget.
I’m a Korean American author who believes life is too short to read books that bore you, classics or otherwise. I’ve always had eclectic tastes and like to pick out books the way customers choose bonbons at my chocolate shop (which I’ve co-owned since 1984). And while I do read and often write longer works, I’ve always preferred to fall into a world from the opening line and bow out soon thereafter. By nature, I’m a minimalist – and maybe don’t have the greatest attention span – so I’m in awe of short works that stand on their own. They’re just more dramatic and memorable to me.
Every work I’ve read by Carver reminds me of his singular gift; others may write in the same vein by creating stories with characters whose cigarettes and drinks lure them deeper into their desperation. But these writers, however good, lack the gift, the blood, to run so deeply that, well, one line in and you’re haunted. This particular collection contains my two favorite Carver stories: “Cathedral” and “A Small, Good Thing.” Indeed, in everyday conversation, I often use the phrase a small, good thing – as if everyone knows the story.
A collection of short stories which includes 'Vitamins' and 'A Small Good Thing', which were used in Robert Altman's film, 'Short Cuts'. First published in the US and now available in paperback in the UK.
I’m an executive coach, personal branding consultant, and reputation management expert helping global executives, entrepreneurs, and thought leaders manage how they’re perceived and drive towards ideal opportunities. A long-time passionate supporter of the military, I volunteer to help veterans transitioning to civilian careers. My work with veterans comes from gratitude for their sacrifice. I regularly speak at military installations, podcasts, and events on veteran transition and hiring, teach in the TAP program at the US Air Force Academy, and serve on the Board of Directors at Project Sanctuary, which focuses on healing military families. Since 2012, I’ve also been a writer for Military.com.
If you’ve watched my TEDx Talk, you know that my core values are gratitude and generosity, and I live these by giving back to those who've served.
This book showed me through real-life examples how to live a life of service and purpose. In Cathedral, Shore illustrates the importance of vision-setting and long-term planning – after all, he says, cathedrals take decades to complete, and having one vision that transcends all who work on the construction is an art and commitment.
Bill Shore has written a wise and inspiring book that shows us how to make the most of life and do something that counts.
Like the cathedral builders of an earlier time, the visionaries described in this memoir share a single desire: to create something that endures. The great cathedrals did not soar skyward because their builders discovered new materials or financial resources; rather, the builders had a unique understanding of the human spirit that enabled them to use those materials in a new way. So, too, have the extraordinary people Bill Shore has met in his travels as one…
I’m not a big fan of 800-page biographies, sprawling histories, or overweight novels that tell me everything about a subject but give me no place to sit down and enjoy the view. I want something that anchors my interest, that holds my imagination, that shows me the general through the particular — something that hints at a bigger meaning, a bigger world without shoving my nose in it. To me, great writing is all about compression — not the number of words but the richness of every word. I want a book that opens up like a flower as I read it.
By its very nature, poetry is about compression. At its best — again, at least to me — a great poem opens up over and over as you read and reread it. It’s a constant journey of discovery. And Northern Ireland’s Philip Larkin, the best English-speaking poet of the 20th century that most Americans have never read, is a master of the compressive arts. I’m recommending his entire Collected Poems here, but if you read only one Larkin poem, make it “Church Going.” In 474 carefully chosen words describing his visit to a mostly abandoned country cathedral, Larkin delivers the equivalent of a 10,000-word treatise on the state of religion in the Western World today.
Since its publication in 1988, Philip Larkin's Collected Poems has become essential reading on any poetry bookshelf. This new edition returns to Larkin's own deliberate ordering of his poems, presenting, in their original sequence, his four published books: The North Ship, The Less Deceived, The Whitsun Weddings and High Windows. It also includes an appendix of poems that Larkin published in other places, from his juvenilia to his final years - some of which might have appeared in a late book, if he had lived.
Preserving everything that he published in his lifetime, this new Collected Poems returns the reader…
This is a self-published author, who I’m glad I discovered. The characters she paints are really intriguing and likeable.
I loved how their professions interlinked and the crimes being investigated became a shared mission. The characters bounce off each other well, too. The criminal in the book was also fascinating to spend time with and I kept turning the pages to get to the end!
When newspaper journalist Grace Rampling learns that the Pride Choir has been banned from performing in the cathedral, she rushes to the church to get some answers.
Instead, she literally stumbles onto a grisly crime scene: the bishop is lying in a pool of his own blood before the altar. Suddenly, Grace is no longer the observer and reporter. She finds herself central to the case — not only as the key witness, but a suspect and even potential victim.
Lead investigator Detective Sergeant Adam Davis is thrown by the fierce attraction he…
I became fascinated with history when I moved to Gloucester in the nineties. The city is hugely historical from the early Roman settlers through to the industrial age of the nineteenth century. What is more fascinating is that many of the streets and buildings I write about still exist in the city today. I carried out extensive research when writing my first historical fiction novel to immerse myself in the medieval city as it would have been in 1497. When I came to write my second novel, listed below, the first book in the Hebraica Trilogy, I already had a good idea of the layout of the city.
I loved this book because the story and characters in it were so fascinating, and I learned a lot about the history of the time and how ordinary people lived.
Although the book is a hefty tome, I really didn’t want it to end. I couldn’t put it down and read the whole book in a couple of days. I was so delighted when Ken Follett wrote a sequel.
I loved how Follett weaved the stories of ordinary people around what was happening with the kings and queens of the day.
I also loved how he created strong female characters in an era where you would not expect to find such characters.
Pillars of the Earth inspired me to write historical fiction and lit a passion for history within me.
The "extraordinary . . . monumental masterpiece" (Booklist) that changed the course of Ken Follett's already phenomenal career-and begins where its prequel, The Evening and the Morning, ended.
"Follett risks all and comes out a clear winner," extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett's unassailable command of the written word and to his universal appeal.
As the authors of 27 hand-illustrated books, we are acutely aware of the time and skill required for good rendering. We are old-schoolers ourselves, having cut our teeth on “how-to” books before computers came into vogue. Our readers often tell us that a computer drawing does not have the same appeal and clarity as hand drawing. We are able to ‘talk’ a reader through the process of building something with our drawings. We have also found that the best illustrated books often have the best content!
We love all of David Macauley’s books. He uses hand-drawn black-and-white illustrations to describe the enormous effort and complicated processes involved in building some of the most magnificent structures in the world, from cathedrals to castles to pyramids. Cathedral was his first, and we think the best. Although intended for young readers, there are many builders, engineers, and architects that find wonder in Macauley’s work.
Readers worldwide recognize Caldecott Medal winner David Macaulay's imaginary Cathedral of Chutreaux. This critically acclaimed book has been translated into a dozen languages and remains a classic of children's literature and a touchstone for budding architects. Cathedral's numerous awards include a prestigious Caldecott Honor and designation as a New York Times Best Illustrated Book of the Year for Macaulay's intricate pen-and-ink illustrations.
Journey back to centuries long ago and visit the fictional people of twelfth-, thirteenth-, and fourteenth-century Europe whose dreams, like Cathedral, stand the test of time.
