When I published Orphan, Agent, Prima, Pawn, in which Soviet-era psychological warfare plays a heavy role, I happily washed my hands of Russian intrigue and turned to more benign, pastoral inspirations – my life-long relationship with an idyllic cathedral town in Wiltshire, for example. Just days later, the world learned that a certain Ruslan Boshirov and Alexander Petrov shared my fondness for Salisbury’s “world-famous 123-metre spire,” the glories of which prompted their 72-hour visit from Moscow (and overlapped with the botched poisoning of a KGB defector living down the road). Since then, I find myself drawn to works that explore the interstices of morality, criminality, and great construction projects.
Golding was living in Salisbury when he wrote The Lord of the Flies, and his day job as a teacher at a local boys' school left a clear imprint on his dystopic view of young men left to their own hierarchical devices. But the classroom also provided a very literal view of the inspiration for The Spire, a dense and disturbing parable in which rationality and physics crumble under evangelical mania and corporal lust. It is the story of Jocelin, Dean of a medieval cathedral, who, obsessed with a divine “vision in stone,” insists that the spire be raised to impossible heights. There is no happy ending in this cautionary tale of construction hubris, yet I return to it regularly in search of solace.
Succumb to a churchman's apocalyptic vision in this prophetic tale by the radical Nobel Laureate and author of Lord of the Flies, introduced by Benjamin Myers (narrated by Benedict Cumberbatch as an audiobook).
There were three sorts of people. Those who ran, those who stayed, and those who were built in.
Dean Jocelin has a vision: that God has chosen him to erect a great spire. His master builder fearfully advises against it, for the old cathedral was miraculously built without foundations. But Jocelin is obsessed with fashioning his prayer in stone. As his halo of hair grows wilder and…
I write romantic historical fiction and am a lifelong lover of the works of Jane Austen. I am English, love historical novels but dislike books that give you “great lumps of facts” that slow up the storyline. I like stories and characters that capture your attention and your heart. Plots and backgrounds that make you think about what it might really have been like to live in those times.
Elizabeth Goudge’s novels have a touch of magic about them.
Set in the 1870s, in an English town, dominated by a great cathedral, it's the story of an unlikely friendship between an obscure watchmaker and the mighty but shy Dean Ayscough which touches and shapes the lives of many people. A novel peopled by characters that are hard to forget.
I’m a Korean American author who believes life is too short to read books that bore you, classics or otherwise. I’ve always had eclectic tastes and like to pick out books the way customers choose bonbons at my chocolate shop (which I’ve co-owned since 1984). And while I do read and often write longer works, I’ve always preferred to fall into a world from the opening line and bow out soon thereafter. By nature, I’m a minimalist – and maybe don’t have the greatest attention span – so I’m in awe of short works that stand on their own. They’re just more dramatic and memorable to me.
Every work I’ve read by Carver reminds me of his singular gift; others may write in the same vein by creating stories with characters whose cigarettes and drinks lure them deeper into their desperation. But these writers, however good, lack the gift, the blood, to run so deeply that, well, one line in and you’re haunted. This particular collection contains my two favorite Carver stories: “Cathedral” and “A Small, Good Thing.” Indeed, in everyday conversation, I often use the phrase a small, good thing – as if everyone knows the story.
A collection of short stories which includes 'Vitamins' and 'A Small Good Thing', which were used in Robert Altman's film, 'Short Cuts'. First published in the US and now available in paperback in the UK.
I’m not a big fan of 800-page biographies, sprawling histories, or overweight novels that tell me everything about a subject but give me no place to sit down and enjoy the view. I want something that anchors my interest, that holds my imagination, that shows me the general through the particular — something that hints at a bigger meaning, a bigger world without shoving my nose in it. To me, great writing is all about compression — not the number of words but the richness of every word. I want a book that opens up like a flower as I read it.
By its very nature, poetry is about compression. At its best — again, at least to me — a great poem opens up over and over as you read and reread it. It’s a constant journey of discovery. And Northern Ireland’s Philip Larkin, the best English-speaking poet of the 20th century that most Americans have never read, is a master of the compressive arts. I’m recommending his entire Collected Poems here, but if you read only one Larkin poem, make it “Church Going.” In 474 carefully chosen words describing his visit to a mostly abandoned country cathedral, Larkin delivers the equivalent of a 10,000-word treatise on the state of religion in the Western World today.
Since its publication in 1988, Philip Larkin's Collected Poems has become essential reading on any poetry bookshelf. This new edition returns to Larkin's own deliberate ordering of his poems, presenting, in their original sequence, his four published books: The North Ship, The Less Deceived, The Whitsun Weddings and High Windows. It also includes an appendix of poems that Larkin published in other places, from his juvenilia to his final years - some of which might have appeared in a late book, if he had lived.
Preserving everything that he published in his lifetime, this new Collected Poems returns the reader…
This is a self-published author, who I’m glad I discovered. The characters she paints are really intriguing and likeable.
I loved how their professions interlinked and the crimes being investigated became a shared mission. The characters bounce off each other well, too. The criminal in the book was also fascinating to spend time with and I kept turning the pages to get to the end!
When newspaper journalist Grace Rampling learns that the Pride Choir has been banned from performing in the cathedral, she rushes to the church to get some answers.
Instead, she literally stumbles onto a grisly crime scene: the bishop is lying in a pool of his own blood before the altar. Suddenly, Grace is no longer the observer and reporter. She finds herself central to the case — not only as the key witness, but a suspect and even potential victim.
Lead investigator Detective Sergeant Adam Davis is thrown by the fierce attraction he…
A long time ago, when I was in hospital awaiting an
operation, a fellow patient told me in times of trouble, you can’t go wrong
with a Mills & Boon published book (Harlequin if you are in the US) to whisk you away. Wise advice, which I have used over and over again. And one of my go-to authors
is Michelle Smart.
This book has everything I require for a complete escape – avrunaway bride, a resourceful heroine, and a broody hero who may not have loved the
heroine to begin with but by the end is head over heels and a fabulous location
as well.
This book allowed me some time to escape for a few hours on a bad day.
It gave me the strength to carry on
A Florence cathedral, a fairy tale dress…a runaway bride!
Discovering that her billionaire fiancé, Enzo Beresi, will receive her inheritance if they wed, Rebecca Foley leaves him at the altar! She refuses to marry a man who keeps secrets from her.
Innocent Rebecca is devastated, yet she can’t let go of their powerful connection. So when Enzo arrives on her doorstep, she gives him twenty-four hours to tell her everything. The brooding Italian vows his feelings for her are real, but dare Rebecca believe in him enough to give into the temptation of their wedding night?
My ultimate read is when the action is fast, but the character's discovery of self is slow. Besides, being engrossed in the challenges of others makes my own pale by comparison. The author needs to get me to empathize with the characters - even if their struggles are nothing like my own - and once they’ve done that, I’ll be in for the long haul! Journeying through life’s mire and finding the rainbow with a character you believe - and believe in - makes for the ultimate in vicarious living. And ‘Heck, YES’ to a satisfying ending!
OMG. I have recommended this book to more people than any other. It’s truly a historical fiction masterpiece. I read slowly but my eyes flew over these titillating pages as if I was a famished glutton and had to devour them quickly lest they disappear. The intrigue! The avarice! The anarchy!
It is an ambitious literary project that splashes over the colorful canvas set in 12th-century England. If, like me, you love the complexities of the human condition, read this book and prepare for the rapture that is virtuoso storytelling.
The "extraordinary . . . monumental masterpiece" (Booklist) that changed the course of Ken Follett's already phenomenal career-and begins where its prequel, The Evening and the Morning, ended.
"Follett risks all and comes out a clear winner," extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett's unassailable command of the written word and to his universal appeal.
For much too long a perennial student, I hold degrees in Anthropology, Arabic Studies, and Library Science. I’ve studied nine languages and lived or traveled on five of the seven continents. I do not hunt tangible treasure—gold or jewels or sunken ships; I hunt knowledge. My love for rooting out treasure troves of information began with my first job. I held passes to the Library of Congress stacks, where I tracked down sources on Ethiopian history. After months of unearthing mostly obscure references, I came upon the mother lode—the great explorers’ accounts. It was like finding a chest of doubloons. I was hooked on the treasure of the mind.
Not all treasure is gold—in Map of Bones, one of Rollins’ many excellent novels, it is bones. Ancient bones. In the aftermath of a horrific crime, the bones of the Three Magi are stolen from a German cathedral. A Vatican investigator and an American covert operative chase the thieves—an ancient cult of assassins—across two continents to recover the relics. Map of Bones is especially appealing to me, being a sucker for historic or exotic settings with which I’m familiar. Rollins’ books are all page-turners, fast-paced and compelling, and the Sigma Force series is perfect for those of us who love heroes who can extricate themselves from any predicament. I like my hero complex, yes. Sexy, yes. But above all, really, really good at what he does.
When a group of parishioners is burned to death in a German cathedral, the US sends in Sigma force. For this tragedy is more than a case of arson - someone has stolen the priceless treasure stored in the cathedral's golden reliquary: the bones of the biblical Three Kings. Commander Gray Pierce leads a team on the hunt for the Royal Dragon Court, a clandestine aristocratic fraternity of alchemists that dates back to the Middle Ages and seeks to establish a new world order using the mystical bones. Pierce and his team follow a trail that leads from Europe's Gothic…
I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhere–new planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of characters–men and some women who made a mark on the world through their wit and wisdom–and some just by being rogues. There are no dull moments in Tudor times.
I love this because Ken Follett is a master storyteller. It spans the Elizabethan era and captures the intrigue, international conspiracies, horrors of religious persecution, and the opening up of the world through trade and exploration.
Yet again, Follett takes you to the town of Kingsbridge and into the world and lives of the characters who live there. You are engaged and invested in them and even feel you know them. I loved the reality, the emotion, the highs of joy, and the lows of sadness.
"Absorbing . . . impossible to resist." -The Washington Post
As Europe erupts, can one young spy protect his queen? #1 New York Times bestselling author Ken Follett takes us deep into the treacherous world of powerful monarchs, intrigue, murder, and treason with his magnificent new epic, A Column of Fire.
In 1558, the ancient stones of Kingsbridge Cathedral look down on a city torn apart by religious conflict. As power in England shifts precariously between Catholics and Protestants, royalty and commoners clash, testing friendship, loyalty, and love.
As the authors of 27 hand-illustrated books, we are acutely aware of the time and skill required for good rendering. We are old-schoolers ourselves, having cut our teeth on “how-to” books before computers came into vogue. Our readers often tell us that a computer drawing does not have the same appeal and clarity as hand drawing. We are able to ‘talk’ a reader through the process of building something with our drawings. We have also found that the best illustrated books often have the best content!
We love all of David Macauley’s books. He uses hand-drawn black-and-white illustrations to describe the enormous effort and complicated processes involved in building some of the most magnificent structures in the world, from cathedrals to castles to pyramids. Cathedral was his first, and we think the best. Although intended for young readers, there are many builders, engineers, and architects that find wonder in Macauley’s work.
Readers worldwide recognize Caldecott Medal winner David Macaulay's imaginary Cathedral of Chutreaux. This critically acclaimed book has been translated into a dozen languages and remains a classic of children's literature and a touchstone for budding architects. Cathedral's numerous awards include a prestigious Caldecott Honor and designation as a New York Times Best Illustrated Book of the Year for Macaulay's intricate pen-and-ink illustrations.
Journey back to centuries long ago and visit the fictional people of twelfth-, thirteenth-, and fourteenth-century Europe whose dreams, like Cathedral, stand the test of time.
