Here are 100 books that Cathedral fans have personally recommended if you like
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As the authors of 27 hand-illustrated books, we are acutely aware of the time and skill required for good rendering. We are old-schoolers ourselves, having cut our teeth on “how-to” books before computers came into vogue. Our readers often tell us that a computer drawing does not have the same appeal and clarity as hand drawing. We are able to ‘talk’ a reader through the process of building something with our drawings. We have also found that the best illustrated books often have the best content!
Watson is both a talented artist and woodworker. He combines those skills in a number of books, but our favorite is Hand Tools. Everyone needs at least some hand tools in their shop, and they should know how to use them properly. Watson’s book contains 450 beautiful hand-drawn illustrations, in pencil, that beg to be framed and hung on the wall. The writing is close behind.
For those who would like to have the benefit of a woodworker's extensive experience with hand tools, this is the book to own. Crammed with practical information, it is the next best thing to looking over a craftsman's shoulder as he works with his tools, asking questions and getting straight answers in plain language, seeing how each tool is held and manipulated to get the best work out of it. From bit brace, chisel, and mallet to saws, specialized planes, drawknife, and spokeshave, Aldren Watson describes in detail the actions of the tools basic to good woodworking. All the procedures…
As the authors of 27 hand-illustrated books, we are acutely aware of the time and skill required for good rendering. We are old-schoolers ourselves, having cut our teeth on “how-to” books before computers came into vogue. Our readers often tell us that a computer drawing does not have the same appeal and clarity as hand drawing. We are able to ‘talk’ a reader through the process of building something with our drawings. We have also found that the best illustrated books often have the best content!
Eric Sloane’s books are a celebration of early American life and have a historical bent that nicely complements the artwork. Here, too, it was hard to pick which of his books rose to the top for us. Reverence for Wood speaks to values that are enduring through the ages and will resonate with other traditional builders as they do with us. Sloane’s writing, and his illustrations, are beautiful.
Refreshingly written, delightfully illustrated book remarks expansively on the resourcefulness of early Americans in their use of this valuable commodity - from the crafting of furniture, tools, and buildings to the use of such by-products as charcoal and medicine. "One of Sloane's best books." -Library Journal.
As the authors of 27 hand-illustrated books, we are acutely aware of the time and skill required for good rendering. We are old-schoolers ourselves, having cut our teeth on “how-to” books before computers came into vogue. Our readers often tell us that a computer drawing does not have the same appeal and clarity as hand drawing. We are able to ‘talk’ a reader through the process of building something with our drawings. We have also found that the best illustrated books often have the best content!
This is an outlier that maybe not many have heard about or read. It features two award-winning designers who define, and illustrate, some 200 “rules of good architecture”. The artwork and lettering are by Malcolm Wells—an architect well-known for his sharp wit and off-beat leanings (underground houses being one). The messaging is accurate and timeless. The tone is light, as is the author’s back-and-forth banter. Wells’s illustrations bring the message home with clarity and force. It is a book that is at the same time funny, useful, and beautiful. Good luck finding one!
As the authors of 27 hand-illustrated books, we are acutely aware of the time and skill required for good rendering. We are old-schoolers ourselves, having cut our teeth on “how-to” books before computers came into vogue. Our readers often tell us that a computer drawing does not have the same appeal and clarity as hand drawing. We are able to ‘talk’ a reader through the process of building something with our drawings. We have also found that the best illustrated books often have the best content!
This is an oldie but goodie. It speaks to our own love of simple structures, designed to get you out in nature. The illustrations are simpler but fit in very well with the language of the era, and the personal philosophy of the author. There are floor plans, cabin renderings, and many smaller illustrations of the tools and furnishings that might go into a simple cabin. It is more than a how-to book. It is a celebration of cabin-living writ large.
For 70 years, readers have been enjoying Meinecke's classic odes to the simple life, Your Cabin in the Woods (1943) and Cabin Craft and Outdoor Living (1947). For the first time, these books are combined into a deluxe two-color vintage package, featuring hundreds of charming illustrations by Victor Aures, known for his work with the Boy Scouts of America.
In writing both practical and inspirational, Meinecke details how to turn your dream into a reality, from building plans to choosing land to using tools. However the book's enduring appeal owes in large part to its warmly engaging tone and firm…
I write romantic historical fiction and am a lifelong lover of the works of Jane Austen. I am English, love historical novels but dislike books that give you “great lumps of facts” that slow up the storyline. I like stories and characters that capture your attention and your heart. Plots and backgrounds that make you think about what it might really have been like to live in those times.
Elizabeth Goudge’s novels have a touch of magic about them.
Set in the 1870s, in an English town, dominated by a great cathedral, it's the story of an unlikely friendship between an obscure watchmaker and the mighty but shy Dean Ayscough which touches and shapes the lives of many people. A novel peopled by characters that are hard to forget.
I became fascinated with history when I moved to Gloucester in the nineties. The city is hugely historical from the early Roman settlers through to the industrial age of the nineteenth century. What is more fascinating is that many of the streets and buildings I write about still exist in the city today. I carried out extensive research when writing my first historical fiction novel to immerse myself in the medieval city as it would have been in 1497. When I came to write my second novel, listed below, the first book in the Hebraica Trilogy, I already had a good idea of the layout of the city.
I loved this book because the story and characters in it were so fascinating, and I learned a lot about the history of the time and how ordinary people lived.
Although the book is a hefty tome, I really didn’t want it to end. I couldn’t put it down and read the whole book in a couple of days. I was so delighted when Ken Follett wrote a sequel.
I loved how Follett weaved the stories of ordinary people around what was happening with the kings and queens of the day.
I also loved how he created strong female characters in an era where you would not expect to find such characters.
Pillars of the Earth inspired me to write historical fiction and lit a passion for history within me.
The "extraordinary . . . monumental masterpiece" (Booklist) that changed the course of Ken Follett's already phenomenal career-and begins where its prequel, The Evening and the Morning, ended.
"Follett risks all and comes out a clear winner," extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett's unassailable command of the written word and to his universal appeal.
I’m not a big fan of 800-page biographies, sprawling histories, or overweight novels that tell me everything about a subject but give me no place to sit down and enjoy the view. I want something that anchors my interest, that holds my imagination, that shows me the general through the particular — something that hints at a bigger meaning, a bigger world without shoving my nose in it. To me, great writing is all about compression — not the number of words but the richness of every word. I want a book that opens up like a flower as I read it.
By its very nature, poetry is about compression. At its best — again, at least to me — a great poem opens up over and over as you read and reread it. It’s a constant journey of discovery. And Northern Ireland’s Philip Larkin, the best English-speaking poet of the 20th century that most Americans have never read, is a master of the compressive arts. I’m recommending his entire Collected Poems here, but if you read only one Larkin poem, make it “Church Going.” In 474 carefully chosen words describing his visit to a mostly abandoned country cathedral, Larkin delivers the equivalent of a 10,000-word treatise on the state of religion in the Western World today.
Since its publication in 1988, Philip Larkin's Collected Poems has become essential reading on any poetry bookshelf. This new edition returns to Larkin's own deliberate ordering of his poems, presenting, in their original sequence, his four published books: The North Ship, The Less Deceived, The Whitsun Weddings and High Windows. It also includes an appendix of poems that Larkin published in other places, from his juvenilia to his final years - some of which might have appeared in a late book, if he had lived.
Preserving everything that he published in his lifetime, this new Collected Poems returns the reader…
When I published Orphan, Agent, Prima, Pawn, in which Soviet-era psychological warfare plays a heavy role, I happily washed my hands of Russian intrigue and turned to more benign, pastoral inspirations – my life-long relationship with an idyllic cathedral town in Wiltshire, for example. Just days later, the world learned that a certain Ruslan Boshirov and Alexander Petrov shared my fondness for Salisbury’s “world-famous 123-metre spire,” the glories of which prompted their 72-hour visit from Moscow (and overlapped with the botched poisoning of a KGB defector living down the road). Since then, I find myself drawn to works that explore the interstices of morality, criminality, and great construction projects.
Golding was living in Salisbury when he wrote The Lord of the Flies, and his day job as a teacher at a local boys' school left a clear imprint on his dystopic view of young men left to their own hierarchical devices. But the classroom also provided a very literal view of the inspiration for The Spire, a dense and disturbing parable in which rationality and physics crumble under evangelical mania and corporal lust. It is the story of Jocelin, Dean of a medieval cathedral, who, obsessed with a divine “vision in stone,” insists that the spire be raised to impossible heights. There is no happy ending in this cautionary tale of construction hubris, yet I return to it regularly in search of solace.
Succumb to a churchman's apocalyptic vision in this prophetic tale by the radical Nobel Laureate and author of Lord of the Flies, introduced by Benjamin Myers (narrated by Benedict Cumberbatch as an audiobook).
There were three sorts of people. Those who ran, those who stayed, and those who were built in.
Dean Jocelin has a vision: that God has chosen him to erect a great spire. His master builder fearfully advises against it, for the old cathedral was miraculously built without foundations. But Jocelin is obsessed with fashioning his prayer in stone. As his halo of hair grows wilder and…
I am a strong, independent woman (*snaps fingers through the air*), yet I adore a soul-sucking romance. Many might think this is a contradiction, but it’s not! A woman can be both loving and stubborn…both enamored by her partner yet still strong enough to speak up for herself. Sadly, I think historical fiction often defaults to portraying dependent and subjugated women, and this isn’t necessarily wrong—in fact, it’s probably more accurate. However, when I’m getting lost in the magic of a novel, I want to experience the all-consuming love without sacrificing the resiliency and independence of the women involved, and these books spin stories where both outcomes are possible!
There is so much going on in this book in terms of plot, drama, and relationships, but why I especially love it is because Caris, one of the protagonists, breaks the mold of the typical powerless medieval woman. When the Black Plague comes to Kingsbridge, Caris is the only one who uses observation and common sense to realize that the disease spreads by contact. In a world that revolves around religion and superstition, this doesn’t go over well. Though forced to sacrifice the love of her life, and put on trial as a witch, Caris sticks to her guns and enacts the medical policies she knows will save lives. Eventually, she gains the townspeople’s trust, ultimately ascending into a position of power within the town. Get it, girl!
On the day after Halloween, in the year 1327, four children slip away from the cathedral city of Kingsbridge. They are a thief, a bully, a boy genius and a girl who wants to be a doctor. In the forest they see two men killed. As adults, their lives will be braided together by ambition, love, greed and revenge. They will see prosperity and famine, plague and war. One boy will travel the world but come home in the end; the other will be a powerful, corrupt nobleman. One girl will defy the might of the medieval church; the other…
I once saw a play at the renowned Oregon Shakespeare Theatre. A play about Sor Juana. It was a good play, but it felt like something was missing like jalapenos left out of enchiladas. The play kept nudging me to look further to find Sor Juana, and so for the next five years, I did so. I read and read more. I listened for her voice, and that is where I heard her life come alive. This isn’t the only possibility for Sor Juana’s life; it is just the one I heard.
Sor Juana wrote hundreds and hundreds of poems in all manner of styles, from short, spiffy, and even humorous ones to elaborate villancicos performed in a cathedral. Here is a brief collection in both Spanish and English, a few of her shorter love poems. The poems may have been written for her lover, la Vicereine Maria Louisa, or as a commission for a gentleman’s wife or lover. In any event, they are magnificent, such as:
Oh, how I went up in flames
In your lovely Sun!
Hungry for the bait,
I forgot the danger.
Reading these poems, I could not doubt the depth of Sor Juana’s passion.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
