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Dean's Watch Hardcover – December 1, 1976
Purchase options and add-ons
- Print length320 pages
- LanguageEnglish
- PublisherAmereon Limited
- Publication dateDecember 1, 1976
- Dimensions5.83 x 1.01 x 8.76 inches
- ISBN-100848805097
- ISBN-13978-0848805098
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Product details
- Publisher : Amereon Limited (December 1, 1976)
- Language : English
- Hardcover : 320 pages
- ISBN-10 : 0848805097
- ISBN-13 : 978-0848805098
- Item Weight : 1.26 pounds
- Dimensions : 5.83 x 1.01 x 8.76 inches
- Best Sellers Rank: #1,996,558 in Books (See Top 100 in Books)
- #57,577 in Religious Literature & Fiction
- Customer Reviews:
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The narrative opens with Isaac Peabody, an embittered elderly watchmaker who lives for his craft. Sharing a home with an unlovely sister, broken by a harsh childhood, he has turned his back on religion, despite living by the cathedral... And here is the Dean, one of his clients, an apparently stern man, with a cold-hearted wife... A good natured servant girl, a runaway apprentice, a cruel fishmonger, a delightful child...all come into the story, which is a gentle read with a Christian message.
Set during the 1870s in an unnamed English fen city, whose heart is a medieval cathedral, it tells what happens when an old clock-maker, Isaac Peabody, mistakenly places a printed motto in the antique pocket watch of the grim cathedral Dean, Adam Ayscough, and subsequently meets the Dean.
Isaac is a tradesman and an atheist, brutalised by the hell-fire faith of his father who had been a Church of England priest in one of the city's churches. He is terrified of the cathedral itself, and would never dare presume to speak with such an elevated member of the gentry as the Dean.
Yet, a man of profound faith, and enormous compassion for the suffering poor, the Dean is himself emotionally crippled by shyness. He is as lonely, and as isolated in his marriage to his unloving wife, as Isaac is in the household he shares with his sister, who is embittered by self-sacrificing spinsterdom and her shame for the Peabodys' descent from the professional ranks of clergy-gentry to working class tradespeople.
Many other characters are pulled into the events of a few months; two teenage lovers, a near-decrepit elderly parish priest, a three-year old girl, a brutal fishmonger, and a woman in her eighties who lives amongst her fellow townsfolk as a kind of unrecognised saint.
Goudge also does not hesitate (neither does Victor Hugo) to throw in vigorous chapters of cathedral and town history, and many flashbacks and reminiscences of the earlier years of her characters. The book is packed with incident, character, and landscape, despite its immediate action being comparatively slight and covering a short span of present narrative time.
Of course, like all of Goudge's books, it is heart-warming. But it pulls no punches.
Goudge writes about the hard gritty stuff of real people, complex, flawed and contradictory in a real world of hope, pain, accident, evil and suffering, cherishing the flashes of goodness which can be achieved by human love. The earth closets (one-holers, lavatories) in the slum backyards stink. Young children are forced by brutal masters to climb inside and sweep chimneys. People hate, or love, as their mood leads them, and often do violent things. Senility descends on the extreme elderly. The stormy autumnal tone grows from the book's references to Shakespeare's sonnets and King Lear and A Winter's Tale, to John Donne's sermons and the organ music of Bach, to the callous violence of the Norman Conquests, Henry VIII's brutal dissolution of the monasteries, and Cromwell's puritan destruction of the rich fabric of the ancient church.
In such a dark world the creation of mechanically intricate and faithful watches and clocks, decorated lovingly with charming filigree or Dresden figurines or secret illuminated manuscripts, stands as a covert metaphor of the highest to which humans can aspire. At the same time the ticking of a watch and its sheer mechanical longevity stand as implicit reminders of the mortality of its maker, who labours to make the watch despite foreknowledge of his own death. (In our unthinking age of throw-away mass-produced digital watches Goudge's novel offers fundamental, old-fashioned values we do well to remember.)
Even the title means different significant things: the actual heirloom watch, which triggers the story; the Dean's "ticker" or heart, which physically beats uncertainly, yet passionately loves behind the shyness; the Deans' "watch", as a navy term, in which he faithfully steers the ship of the city and cares for her people.
All of Goudge's novels are "romances" in one important aspect: they hinge on moments of visionary insight for her characters, filled with that romantic longing for a strange beauty and joy which is known in German as "Sehnsucht". Dreams, glimpses of landscape, moments of weather, the sound of a voice or melody when no one else is present, sudden remembering of lost experience, or a poetry quote which stabs to the heart. These are frequently counterbalanced against moments of evil, terror, despair, emotional collapse, irrational rage or blinding hate. Most of her central characters are well educated and intellectually or emotionally gifted, although many are presented as frail, absent-minded, wounded. Yet not only are they bound up in everyday tasks, they are surrounded by salt-of-the-earth uneducated workers, heroic peasants comparable to the subjects of Hopkins' poems "Felix Randall", "Tom" and "Harry Ploughman", people of utter reliability and ancient Hardyesque virtue. Her characters' ages may vary from eighty to eight, or even younger. For Goudge there is little difference between adult and child except length of experience and acquired knowledge - their interests, emotions and needs are fundamentally the same. In some cases the children show greater maturity than the so called "adults", and even the animals, dogs particularly, owned by her characters show unspoken wisdom which may ironically exceed that of their masters and mistresses.
John Gough -- Deakin University -- jagough49@gmail.com
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Le colis était en parfait état ainsi que le livre conforme à la description du vendeur.
Rose