Love Unbreakable? Readers share 100 books like Unbreakable...

You can’t go wrong with any Rebekah Weatherspoon book frankly, but Xeni has a special place in my heart because of the leads: Xeni, a witchy bi lead with a very complicated family bumping into a favourite romantic trope: the marriage of convenience (only, it’s very much not convenient, thank you); and Mason, a burly, bearded, bi bear who, I cannot express this clearly enough, is so instantly cuddle-worthy. That these bisexual characters are thrown into this marriage by someone they both loved as part of her will just adds to the trope joy. Beyond that, there’s so much steamy sex-positivity in this book, alongside Weatherspoon’s always brilliant supportive friend groups and mix of chosen and biological family that I found myself taking the dog for extra walks just to keep listening. 

The way Rey handles butch-femme relationships never fail to impress me, and I think so much of it comes down to how expertly she manages to make her butch characters so non-toxic in their masculinity. They support without taking over, lead without diminishing, and her characters are so often imperfectly doing their best that you root for them even when you know they’re about to do something they’ll regret. Twice Shy puts two women together who’ve both divorced their exes, and listening to Kiera Grace perform Quinn and Amanda tentatively finding their way to each other was as sweet as Amanda’s bakery’s cupcakes. Oh, I should warn you, though: any Rey book will make you hungry. Bring snacks.

Visiting London at its most coal-caked and financially stratified, The Affair of the Porcelain Dog was Holmes-like in its execution, and pulled me into its mystery from the opening so steeped in the time and place and culture, and then never let go. Ira Adler is so charming a character that even when he was being selfish or spoiled I was smitten. An orphan, street thief, pickpocket, and former rent boy now living in luxury at the beck and call of a crime lord, Ira ends up tasked to recover the titular “dog” statue, which contains a secret that could ruin everything, and bring Ira's comfortable new life to an end. Philip Battley’s narration was so completely immersive, and had me there with Ira, hoping he’d somehow pull it off.

You can actually get this novella as part of a four-pack of audio novellas by Cole, which I’d also recommend, but this sapphic historical novella is set against the backdrop of American History—any fans of Hamilton reading this should take note—and manages to be both hopeful and unblinking in the face of reality of what Black queer women face in the time and place in this perfect balance I cannot praise enough. These two women couldn’t be more different: one is a maid to Eliza Hamilton and devoted to as simple a life as possible, the other is a dressmaker who refuses to be anything but audacious, and the result is brilliant. Also, Karen Chilton’s performance is just fantastic.

Okay, first of all, one lead starts off hating the other. Sign me up, right? I like how they’re both lesfic writers but the first two chapters immediately juxtapose where they are in their processes – one is a nobody who can’t write fast enough and the other is a big name with writer’s block. They get roomed together at a writing retreat and then snowed in, so double the forced proximity. We love to see it. For me, this book is a lovely balance of Christmassiness (let me have this word, okay?) and writerliness. It helps me remember why I enjoy writing my queer romances – for the love of storytelling, not for money or fame. (But note: I don’t condone most of the writing opinions put forth in this story.)

This book is a beautiful execution of slow burn, watching a character grow and come into his own and realize that he loves and is loved. The world-building is fantastic, and the story keeps you reading until you realize it's four in the morning and you've got a long day ahead of you. I loved the main character, his love interests, the history, and recent war that provide the setting and drive for much of what happens. It's a beautiful love story, a wonderful fantasy, a fantastic combination of both genres.

This one is technically New Year’s holidays, not Christmas specifically, but it swept me away with the meet cute and resulting fake dating. The main couple is adorable, and so is the side couple whose wedding they’re attending. Beau? Charms my pants off. The kisses (and more) steam up my glasses. I also appreciate the nonbinary representation; Alex is hilarious. It’s funny and cute and ugh, I just love it so much.

I really love books about artists, women who are able to get angry, queer flourishing, and difficult family dynamics, and this book is about all of this. Angelina has recently graduated college when a car accident causes her to lose work and need to move back in with her parents. She and her father have always had a difficult relationship and being under his roof now is harder than ever, especially as she knows he doesn’t appreciate her desire to have a career as an artist. When Angelina meets Janet, a young queer artist, the two begin a friendship that blossoms soon into something more, inspiring Angelina’s own work. The writing is so mesmerizing, and Bogart’s description of the artwork Angelina makes is beautiful. Also – there’s a dog in this book, a very good dog, and she lives. 

I have to admit, although I know a lot about gods, I haven’t spent a ton of time reading about folkloric creatures, like faeries, brownies, and selkies. This book, set in a gothic old house in the English countryside in the 1850s, definitely made me feel my neglect of the topic; luckily, I got to learn alongside magician John Blake and Lord Thornby as they investigate the spell that’s holding Thornby trapped.

One remarkable thing about this book is the intriguing and clever magic system. The romance is great. And the twist at the end—well, I didn’t see it coming.

Although this book is about film, rather than television, it’s impossible to understand the TV landscape without also understanding what was happening at the movies.

And then there’s Vito Russo’s incredible research and activism, which made this book possible – an inspiration for anyone interested in how media can make the world a better place.