Here are 100 books that That Could Be Enough fans have personally recommended if you like
That Could Be Enough.
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As someone who’s never been allowed to drive, but gets motion-sick reading in a bus or car, I’ve been a lover of audiobooks since I had my Walkman and a backpack full of audiobook cassettes. As a queer man, I’m always looking for more immersive stories about people like me. Finding queer voices and queer narratives is so important to me as a way to offset how queer people don’t have an inherited continuance of our culture as most marginalized people do; books are a way to fill that gap. I do own a rescued husky, and there’s nothing like an engrossing audiobook to get me through those minus-forty Canadian winter walks with a dog.
Cari Hunter never fails to invoke Northern England with every sense, and Nicola Victoria Vincent’s performances continue to be among the absolute best experiences. This story starts off with an EMT, Grace, being taken hostage by a wounded woman at gunpoint, and then manages to twist and shift the entire time you’re listening. Hunter’s ability to weave in a secondary romantic plot while people are dodging bullets, outwitting villains, and desperately trying to stay alive is brilliant, and my dog always gets a longer walk while I’ve got a Hunter thriller to listen to. If you’re a fan of thrillers and audiobooks, and have yet to bump into Hunter or Vincent, thank me later, once you’ve enjoyed the whole backlist.
Dr. Grace Kendal never stands a chance. The injured woman comes out of nowhere, bleeding heavily and holding a gun. Compelled to help her, Grace is dragged into Elin Breckenridge’s nightmare. Their fight to survive will take them across the country and to the limits of their endurance. But who is Elin running from? As Grace struggles for answers, one thing becomes clear—Elin is somehow connected to a dead man, and Grace could be next.
For Detective Sergeant Safia Faris, the case should have been easy: one dead body, one suspect. But the deeper she digs, the more obvious it…
As someone who’s never been allowed to drive, but gets motion-sick reading in a bus or car, I’ve been a lover of audiobooks since I had my Walkman and a backpack full of audiobook cassettes. As a queer man, I’m always looking for more immersive stories about people like me. Finding queer voices and queer narratives is so important to me as a way to offset how queer people don’t have an inherited continuance of our culture as most marginalized people do; books are a way to fill that gap. I do own a rescued husky, and there’s nothing like an engrossing audiobook to get me through those minus-forty Canadian winter walks with a dog.
You can’t go wrong with any Rebekah Weatherspoon book frankly, but Xeni has a special place in my heart because of the leads: Xeni, a witchy bi lead with a very complicated family bumping into a favourite romantic trope: the marriage of convenience (only, it’s very much not convenient, thank you); and Mason, a burly, bearded, bi bear who, I cannot express this clearly enough, is so instantly cuddle-worthy. That these bisexual characters are thrown into this marriage by someone they both loved as part of her will just adds to the trope joy. Beyond that, there’s so much steamy sex-positivity in this book, alongside Weatherspoon’s always brilliant supportive friend groups and mix of chosen and biological family that I found myself taking the dog for extra walks just to keep listening.
FROM NEW YORK TIMES ACCLAIMED AUTHOR REBEKAH WEATHERSPOON, COMES THE SECOND INSTALLMENT IN A NEW SERIES THAT BRINGS TRUE HAPPILY EVER AFTERS TO SOME OF YOUR FAVORITE SUPPORTING CHARACTERS.
She just wanted to claim her inheritance. What she got was a husband…
Xeni Everly-Wilkins has ten days to clean out her recently departed aunt’s massive colonial in Upstate New York. With the feud between her mom and her sisters still raging even in death, she knows this will be no easy task, but when the will is read Xeni quickly discovers the decades old drama between the former R&B singers…
As someone who’s never been allowed to drive, but gets motion-sick reading in a bus or car, I’ve been a lover of audiobooks since I had my Walkman and a backpack full of audiobook cassettes. As a queer man, I’m always looking for more immersive stories about people like me. Finding queer voices and queer narratives is so important to me as a way to offset how queer people don’t have an inherited continuance of our culture as most marginalized people do; books are a way to fill that gap. I do own a rescued husky, and there’s nothing like an engrossing audiobook to get me through those minus-forty Canadian winter walks with a dog.
The way Rey handles butch-femme relationships never fail to impress me, and I think so much of it comes down to how expertly she manages to make her butch characters so non-toxic in their masculinity. They support without taking over, lead without diminishing, and her characters are so often imperfectly doing their best that you root for them even when you know they’re about to do something they’ll regret. Twice Shy puts two women together who’ve both divorced their exes, and listening to Kiera Grace perform Quinn and Amanda tentatively finding their way to each other was as sweet as Amanda’s bakery’s cupcakes. Oh, I should warn you, though: any Rey book will make you hungry. Bring snacks.
Sometimes, you get a second chance at love. Sometimes, you hook up with your ex and remember why you broke up in the first place.
Amanda Russo knows better than to give her failed marriage another try, but the brief fling reminds her there’s more to life than work and parenting. When the architect she hires to remodel her bakery turns out to be as charming as she is talented, Amanda finds herself ready to take a chance on new love. The only problem? Her ex-wife didn’t get the memo.
For Quinn Sullivan, the sting of divorce is still fresh.…
As someone who’s never been allowed to drive, but gets motion-sick reading in a bus or car, I’ve been a lover of audiobooks since I had my Walkman and a backpack full of audiobook cassettes. As a queer man, I’m always looking for more immersive stories about people like me. Finding queer voices and queer narratives is so important to me as a way to offset how queer people don’t have an inherited continuance of our culture as most marginalized people do; books are a way to fill that gap. I do own a rescued husky, and there’s nothing like an engrossing audiobook to get me through those minus-forty Canadian winter walks with a dog.
Visiting London at its most coal-caked and financially stratified, The Affair of the Porcelain Dog was Holmes-like in its execution, and pulled me into its mystery from the opening so steeped in the time and place and culture, and then never let go. Ira Adler is so charminga character that even when he was being selfish or spoiled I was smitten. An orphan, street thief, pickpocket, and former rent boy now living in luxury at the beck and call of a crime lord, Ira ends up tasked to recover the titular “dog” statue, which contains a secret that could ruin everything, and bring Ira's comfortable new life to an end. Philip Battley’s narration was so completely immersive, and had me there with Ira, hoping he’d somehow pull it off.
For Ira Adler, former rent-boy and present plaything of crime lord Cain Goddard, stealing back the statue from Goddard's blackmailer should have been a doddle. But inside the statue is evidence that could put Goddard away for a long time under the sodomy laws, and everyone's after it, including Ira's bitter ex, Dr. Timothy Lazarus. No sooner does Ira have the porcelain dog in his hot little hands, than he loses it to a nimble-fingered prostitute.
As Ira’s search for the dog drags him back to the mean East End streets where he grew up, he discovers secrets…
Growing up in an eccentric, liberal family, as a member of the Church of England, under the shadow of the British Government’s homophobic Section 28, the messages I received were distinctly mixed. If I’d heard the word ‘bisexual’ before the age of twenty my life might have been very different. And to this day, the most common assumption is that one can’t be simultaneously queer and Christian. As I’ve discovered, and as these books show, that isn’t true – and moving beyond that assumption reveals new and fascinating horizons.
If ever there was a book that felt like it had been written just for me, this is it. Set in a fictional European country in the early nineteenth century, it has swashbuckling, nights at the opera, complicated family history, politics, magic, and lesbians. The way that Christianity is integrated into the fantastic element won’t be for everybody, but I was won over by Margerit’s earnest insistence on claiming her identity as a queer woman of faith and power. I’d wholeheartedly recommend the rest of the series, too.
Margerit Sovitre did not expect to inherit Baron Saveze’s fortunes—even less his bodyguard, a ruthlessly efficient swordswoman known only as Barbara. Wealth suddenly makes Margerit a highly eligible heiress and buys her the enmity of the new Baron. He had expected to inherit all, and now eyes her fortune with open envy.
Barbara proudly served as the old Baron’s duelist but she had expected his death to make her a free woman. Bitterness turns to determination when she finds herself the only force that stands between Margerit and the new Baron’s greed.
At first Margerit protests the need for Barbara’s…
I’ve adored holiday love stories ever since I was a kid watching Hallmark movies. There’s something about the magic of the holidays that makes two people falling in love even more special. That’s why I chose a contemporary holiday romance for my debut. And we see so much straight romance on TV and in bookstores, but I want to contribute to the queer community with my writing. I write a mix of sexualities;Make the Yuletide Gay features two lesbian women. All that to say, I just love queer holiday romances!
Okay, first of all, one lead starts off hating the other. Sign me up, right? I like how they’re both lesfic writers but the first two chapters immediately juxtapose where they are in their processes – one is a nobody who can’t write fast enough and the other is a big name with writer’s block. They get roomed together at a writing retreat and then snowed in, so double the forced proximity. We love to see it. For me, this book is a lovely balance of Christmassiness (let me have this word, okay?) and writerliness. It helps me remember why I enjoy writing my queer romances – for the love of storytelling, not for money or fame. (But note: I don’t condone most of the writing opinions put forth in this story.)
Samantha Evans, popular lesbian romance author, has writer’s block and a book due by New Year’s Eve. When she signs up for a writing retreat in an attempt to overcome her lack of creativity, she expects a single-occupancy cabin and plenty of silence for crafting her new book.
What she doesn’t expect is a roommate. A gorgeous, woman roommate.
Gia Torres is an aspiring novelist eager to break into the publishing world and leave her horrible day job as a barista behind. She travels to a Colorado retreat to finish her very first novel, not expecting to find beautiful Samantha…
The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights.
An absolutely exhaustive catalog of queer milestones on television, I’m constantly consulting this amazing book.
There’s no more authoritative examination of the people, shows, and trends that shaped queer representation in broadcast media over the 20th century. Exhaustively researched, it’s not just a must-read – it’s a must-read-multiple-times.
I own two copies, each one jam-packed with bookmarks and notes to myself about the best bits.
Definitive, vibrant, and utterly fascinating, Alternate Channels traces the monumental growth of gay, lesbian, and bisexual images on radio and television from the 1930s to the present. Splashed against the tumultuous backdrop of the McCarthy witch hunts, Stonewall and the gay liberation movement, the birth of the 700 Club and the religious right, the outbreak of AIDS and the arrival of in-your-face queer activism, this chatty, authoritative broadcast history tells the stories of such notorious and noteworthy moments as
- 1947: Radio gays--A bitchy fashion photographer throws fits at the drop of a designer hat on the adaptation of Moss…
I loved books as a kid, especially fantasy books, but could never find anyone like me within their pages. I’m a lesbian Chinese writer who adores stories about messed-up, complicated queer people. I’m thrilled by the range of books available now that feature queer, messy characters. We all deserve representation, and to me that means representation that’s complex, that encompasses the ugly and the beautiful. One of my goals as an author is to make you fall in love with monsters—brutal, flawed women who may not deserve love, but who demand it all the same.
This novella is a close retelling of Carmillaby Sheridan Le Fanu, which is theOG sapphic vampire story. It recasts the ending to give the leads a happy ever after, and ups the sapphic content to modern standards, adding a bit of steaminess. Simper’s version retains Laura’s initial ambivalence and horror towards Carmilla, the historical setting, and the gothic flair. It’s a must-read for fans of the original who are looking for a more modern interpretation.
In the late 19th century, Laura lives a lonely life in a schloss by the forest, Styria, with only her doting father and two governesses for company. A chance accident brings a new companion, however – the eccentric and beautiful Carmilla.
With charm unparalleled and habits as mysterious as her history, Carmilla’s allure is undeniable, drawing Laura closer with every affectionate touch and word. Attraction blossoms into a temptation Laura fears to name, a tantalizing passion burning brighter than the fires of hell. But when a mysterious plague begins stealing the lives of young women in her home and the…
Judith Jones became an important mentor and mother figure to me in my twenties, in the wake of my parents’ deaths. Her personal wisdom and guidance, which I received both in knowing her personally and from the incredible archive she left behind, have been invaluable to me during a particularly tumultuous and transformative decade in my own life. I wrote The Editor as I was coming into my full adulthood, and the books on this list helped shape my thinking along the way at times when I felt stagnant or stuck or needed to rethink both how to write Judith’s life and why her story is so vital to tell.
This book fundamentally reshaped my notion of how biography–especially biographies of women–can be written. Shapland felt intimately connected to McCullers as a person and as a writer and also had an inkling there was more to her personhood than previous biographical treatments suggest.
By inhabiting McCullers’s spaces and putting herself in proximity to the writer’s material past, Shapland demonstrates the ways in which convention has limited both the stories we tell and, thus, the possibilities we can envision for our lives as women.
Winner of the Publishing Triangle Judy Grahn Award for Lesbian Nonfiction, Phi Beta Kappa Christian Gauss Award, and a Lambda Literary Award
Finalist for the National Book Award
Longlisted for the Andrew Carnegie Medal for Excellence in Nonfiction
How do you tell the real story of someone misremembered—an icon and idol—alongside your own? Jenn Shapland’s celebrated debut is both question and answer: an immersive, surprising exploration of one of America’s most beloved writers, alongside a genre-defying examination of identity, queerness, memory, obsession, and love.
Shapland is a graduate student when she first uncovers letters written to Carson McCullers by a…
I started in publishing at the Advocate magazine, twenty years ago in its heyday, then moved to Alyson Books, who first published Emma Donoghue among many others, offering a place for queer writers showcasing queer stories to find their audience. Afterwards, I became involved with Gertrude literary journal, a beloved, 25-year-old non-profit, LGBTQA journal that has now evolved to The Gertrude Conference. All the while, I read, wrote, and supported queer stories, like these gems!
This one was made into a long-short documentary (38 minutes) called Jeanne Cordova: Butches, Lies & Feminism that won the Grand Jury Prize at Outfest 2017 for Best Documentary Short, now I’d love to see this as a biopic feature!
Let’s watch Jeanne Cordova come to life—her old school get-er-done butch energy out there in the 1970s fighting for lesbian rights, starting the West Coast Lesbian Conference in 1971 and the first National Lesbian Conference in 1973. Imagine the drama bringing people together and setting the platform for lesbian rights when many were fired if outed.
Maybe Fortune Feimster could play a role!? Oh yes, yes she could.
A sweeping memoir, a raw and intimate chronicle of a young activist torn between conflicting personal longings and political goals. When We Were Outlaws offers a rare view of the life of a radical lesbian during the early cultural struggle for gay rights, Women’s Liberation, and the New Left of the 1970s.
Brash and ambitious, activist Jeanne Córdova is living with one woman and falling in love with another, but her passionate beliefs tell her that her first duty is to the revolution” to change the world and end discrimination against gays and lesbians. Trying to compartmentalize her sexual life,…
