Here are 100 books that Under the Mistletoe fans have personally recommended if you like
Under the Mistletoe.
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I’ve adored holiday love stories ever since I was a kid watching Hallmark movies. There’s something about the magic of the holidays that makes two people falling in love even more special. That’s why I chose a contemporary holiday romance for my debut. And we see so much straight romance on TV and in bookstores, but I want to contribute to the queer community with my writing. I write a mix of sexualities;Make the Yuletide Gay features two lesbian women. All that to say, I just love queer holiday romances!
I learned about the existence of Don’t StopBelieving through Gwen Hayes’ writing craft book Romancing the Beat.She used it as her example outline. It was the first thing I read to pick out story beats, and I meant to focus on writing craft while reading, but I fell in love with the characters. Both leads are precious! It gets me in the holiday mood but I reread this one all year round. Snowed in at Christmastime when they both secretly like the other already? Gimme gimme gimme (this book after midnight). It’s just so festive and cute.
The Ogre from the HillSimon Powell, the town recluse, only comes to town to deliver firewood and get supplies. Two days before Christmas, he sees the new librarian’s car in a ditch and knows he can’t leave him on the road, but it’s too late to take him back to town. He’ll have something he’s never had in his cabin in the ten years that’s he’s lived there…company.
The Book Nerd from the CityAdam Parker moved to the small community to make big changes in his life, but being snowbound with the bearded lumberjack in his rustic cabin was something…
I’ve adored holiday love stories ever since I was a kid watching Hallmark movies. There’s something about the magic of the holidays that makes two people falling in love even more special. That’s why I chose a contemporary holiday romance for my debut. And we see so much straight romance on TV and in bookstores, but I want to contribute to the queer community with my writing. I write a mix of sexualities;Make the Yuletide Gay features two lesbian women. All that to say, I just love queer holiday romances!
This one is technically New Year’s holidays, not Christmas specifically, but it swept me away with the meet cute and resulting fake dating. The main couple is adorable, and so is the side couple whose wedding they’re attending. Beau? Charms my pants off. The kisses (and more) steam up my glasses. I also appreciate the nonbinary representation; Alex is hilarious. It’s funny and cute and ugh, I just love it so much.
Flying solo at a wedding is the absolute last way Aubrey Gill wants to ring in the new year, so when she rolls into Whistler for the event, it’s with one goal in mind—survive the weekend. The Fates have other plans for her, however, as Beau Demers crashes into her life the moment she arrives. Young, gorgeous, and irresistibly charming, Beau quickly slips past her defenses, and Aubrey finds herself with a “date” for the weekend after all. It’s all for show, of course, except for the part where it’s the truest thing she’s ever known. And as the festivities…
I’ve adored holiday love stories ever since I was a kid watching Hallmark movies. There’s something about the magic of the holidays that makes two people falling in love even more special. That’s why I chose a contemporary holiday romance for my debut. And we see so much straight romance on TV and in bookstores, but I want to contribute to the queer community with my writing. I write a mix of sexualities;Make the Yuletide Gay features two lesbian women. All that to say, I just love queer holiday romances!
This book made me not notice the traffic on the drive to and from my day job. I love how petty Kiskeya is, especially in the first few chapters. Also, both the leads are funny in their narration. It’s great for a li’l tee-hee-hee. I also like how the characters manage to be both similar and different – there’s enough to bond over, but they aren’t duplicates or stereotypes. Plus, who’s gonna turn down a grump/sunshine-baking partners story? Not me.
"I had so much fun reading Mangos and Mistletoe and now I want everyone else to read it too. This is Adriana Herrera's first f/f romance and I hope it's not her last..." -The Lesbian Review
One is grumpy. One is sunshine. There is only one bed.
Kiskeya Burgos left the tropical beaches of the Dominican Republic with a lot to prove. As a pastry chef on the come up, when she arrives in Scotland, she has one goal in mind: win the Holiday Baking Challenge. Winning would prove to her family, her former boss, and most importantly to herself,…
I’ve adored holiday love stories ever since I was a kid watching Hallmark movies. There’s something about the magic of the holidays that makes two people falling in love even more special. That’s why I chose a contemporary holiday romance for my debut. And we see so much straight romance on TV and in bookstores, but I want to contribute to the queer community with my writing. I write a mix of sexualities;Make the Yuletide Gay features two lesbian women. All that to say, I just love queer holiday romances!
I opened this book and immediately felt comfortable with the narrative style: dual POV, third person, with a hint of humor right on the first page. It’s a cute little Christmassy novella. One character is a lesfic author and the other is a huge fan of hers (but doesn’t know it’s her) – I enjoyed the “mystery” of Ivy trying to piece together Kit’s pen name. Kit’s young niece was also very cute. Overall, this story just felt like a safe space. I was able to curl up and know that everything was going to be okay.
Ivy Stringer loves Christmas, lesfic, and, secretly, the fact that she shares a first name with her favorite author, Ivy Winters. With every book she reads, she hopes for her own magical holiday love story.
Kit Gunderson is back in Beaumont for the holidays and feeling more at home than she has in a long time, especially when she meets her adorable niece’s teacher, Ms. Stringer. As they bond over the school’s winter production, their distaste of holiday tacos, and Kit learning to ski, everything seems to be falling into place.
The only problem? Ivy’s poked around and figured out…
As someone who struggles with the relentless “Family is everything!” of the holidays—a reality I share in common with a lot of queer people—I’ve been a lover of queer holiday stories that work to counterbalance and center the chosen families so many of us queer people create. As a queer reader, I’m always looking for more immersive stories about people like me, and during the holidays, I’m all the more ready for happy stories of queer holiday joy. I also own a rescued husky, and queer holiday audiobooks help get me through those frosty Canadian winter walks.
The realistic queer characters facing the reality of a long-distance romance made me love this. It’s Country Mouse/City Mouse, with an argument over which place has the better Christmas, resulting in each spending time on the other's turf to decide. But unlike the usual Hallmark trope, no grinches exist here, quite the opposite.
Bex the doctor loves her life in the city, she's warm and welcoming, goes to the Nutcracker, and enjoys fine dining for the holidays. Similarly, Eva has friends, family, community, and major roots in Vermont—everything but love, really. Their careers and settled relationships matter, and permanent relocation is never really up for negotiation. If they're going to find a solution to their situation, it's going to involve compromise—and I loved that.
What makes for the perfect Christmas? Where or how you spend it, or perhaps, who you share it with?
Small-town woodworker Ava Collins and big city doctor Bex Leone both love Christmas. Some might go so far as to call them obsessed. They love Christmas music, Christmas food, Christmas carols, and Christmas movies. When the two women meet over a Thanksgiving dinner, it seems for a second they might have finally found their mistletoe match, but their initial connection goes wildly awry when they realize their versions of what constitutes an ideal Christmas differ as drastically as the places they…
Growing up in an eccentric, liberal family, as a member of the Church of England, under the shadow of the British Government’s homophobic Section 28, the messages I received were distinctly mixed. If I’d heard the word ‘bisexual’ before the age of twenty my life might have been very different. And to this day, the most common assumption is that one can’t be simultaneously queer and Christian. As I’ve discovered, and as these books show, that isn’t true – and moving beyond that assumption reveals new and fascinating horizons.
If ever there was a book that felt like it had been written just for me, this is it. Set in a fictional European country in the early nineteenth century, it has swashbuckling, nights at the opera, complicated family history, politics, magic, and lesbians. The way that Christianity is integrated into the fantastic element won’t be for everybody, but I was won over by Margerit’s earnest insistence on claiming her identity as a queer woman of faith and power. I’d wholeheartedly recommend the rest of the series, too.
Margerit Sovitre did not expect to inherit Baron Saveze’s fortunes—even less his bodyguard, a ruthlessly efficient swordswoman known only as Barbara. Wealth suddenly makes Margerit a highly eligible heiress and buys her the enmity of the new Baron. He had expected to inherit all, and now eyes her fortune with open envy.
Barbara proudly served as the old Baron’s duelist but she had expected his death to make her a free woman. Bitterness turns to determination when she finds herself the only force that stands between Margerit and the new Baron’s greed.
At first Margerit protests the need for Barbara’s…
I loved books as a kid, especially fantasy books, but could never find anyone like me within their pages. I’m a lesbian Chinese writer who adores stories about messed-up, complicated queer people. I’m thrilled by the range of books available now that feature queer, messy characters. We all deserve representation, and to me that means representation that’s complex, that encompasses the ugly and the beautiful. One of my goals as an author is to make you fall in love with monsters—brutal, flawed women who may not deserve love, but who demand it all the same.
This novella is a close retelling of Carmillaby Sheridan Le Fanu, which is theOG sapphic vampire story. It recasts the ending to give the leads a happy ever after, and ups the sapphic content to modern standards, adding a bit of steaminess. Simper’s version retains Laura’s initial ambivalence and horror towards Carmilla, the historical setting, and the gothic flair. It’s a must-read for fans of the original who are looking for a more modern interpretation.
In the late 19th century, Laura lives a lonely life in a schloss by the forest, Styria, with only her doting father and two governesses for company. A chance accident brings a new companion, however – the eccentric and beautiful Carmilla.
With charm unparalleled and habits as mysterious as her history, Carmilla’s allure is undeniable, drawing Laura closer with every affectionate touch and word. Attraction blossoms into a temptation Laura fears to name, a tantalizing passion burning brighter than the fires of hell. But when a mysterious plague begins stealing the lives of young women in her home and the…
The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights.
An absolutely exhaustive catalog of queer milestones on television, I’m constantly consulting this amazing book.
There’s no more authoritative examination of the people, shows, and trends that shaped queer representation in broadcast media over the 20th century. Exhaustively researched, it’s not just a must-read – it’s a must-read-multiple-times.
I own two copies, each one jam-packed with bookmarks and notes to myself about the best bits.
Definitive, vibrant, and utterly fascinating, Alternate Channels traces the monumental growth of gay, lesbian, and bisexual images on radio and television from the 1930s to the present. Splashed against the tumultuous backdrop of the McCarthy witch hunts, Stonewall and the gay liberation movement, the birth of the 700 Club and the religious right, the outbreak of AIDS and the arrival of in-your-face queer activism, this chatty, authoritative broadcast history tells the stories of such notorious and noteworthy moments as
- 1947: Radio gays--A bitchy fashion photographer throws fits at the drop of a designer hat on the adaptation of Moss…
As someone who’s never been allowed to drive, but gets motion-sick reading in a bus or car, I’ve been a lover of audiobooks since I had my Walkman and a backpack full of audiobook cassettes. As a queer man, I’m always looking for more immersive stories about people like me. Finding queer voices and queer narratives is so important to me as a way to offset how queer people don’t have an inherited continuance of our culture as most marginalized people do; books are a way to fill that gap. I do own a rescued husky, and there’s nothing like an engrossing audiobook to get me through those minus-forty Canadian winter walks with a dog.
You can actually get this novella as part of a four-pack of audio novellas by Cole, which I’d also recommend, but this sapphic historical novella is set against the backdrop of American History—any fans of Hamiltonreading this should take note—and manages to be both hopeful and unblinking in the face of reality of what Black queer women face in the time and place in this perfect balance I cannot praise enough. These two women couldn’t be more different: one is a maid to Eliza Hamilton and devoted to as simple a life as possible, the other is a dressmaker who refuses to be anything but audacious, and the result is brilliant. Also, Karen Chilton’s performance is just fantastic.
Mercy Alston knows the best thing to do with pesky feelings like "love" and "hope": avoid them at all cost. Serving as a maid to Eliza Hamilton, and an assistant in the woman's stubborn desire to preserve her late husband's legacy, has driven that point home for Mercy—as have her own previous heartbreaks. When Andromeda Stiel shows up at Hamilton Grange for an interview in her grandfather's stead, Mercy's resolution to live a quiet, pain-free life is tested by the beautiful, flirtatious, and entirely overwhelming dressmaker.
Andromeda is a woman who knows what she wants and resolutely overcomes anything that…
Judith Jones became an important mentor and mother figure to me in my twenties, in the wake of my parents’ deaths. Her personal wisdom and guidance, which I received both in knowing her personally and from the incredible archive she left behind, have been invaluable to me during a particularly tumultuous and transformative decade in my own life. I wrote The Editor as I was coming into my full adulthood, and the books on this list helped shape my thinking along the way at times when I felt stagnant or stuck or needed to rethink both how to write Judith’s life and why her story is so vital to tell.
This book fundamentally reshaped my notion of how biography–especially biographies of women–can be written. Shapland felt intimately connected to McCullers as a person and as a writer and also had an inkling there was more to her personhood than previous biographical treatments suggest.
By inhabiting McCullers’s spaces and putting herself in proximity to the writer’s material past, Shapland demonstrates the ways in which convention has limited both the stories we tell and, thus, the possibilities we can envision for our lives as women.
Winner of the Publishing Triangle Judy Grahn Award for Lesbian Nonfiction, Phi Beta Kappa Christian Gauss Award, and a Lambda Literary Award
Finalist for the National Book Award
Longlisted for the Andrew Carnegie Medal for Excellence in Nonfiction
How do you tell the real story of someone misremembered—an icon and idol—alongside your own? Jenn Shapland’s celebrated debut is both question and answer: an immersive, surprising exploration of one of America’s most beloved writers, alongside a genre-defying examination of identity, queerness, memory, obsession, and love.
Shapland is a graduate student when she first uncovers letters written to Carson McCullers by a…
