100 books like Tipping the Velvet

I’ve always loved reading about women who lived in earlier eras, whether that was through nonfiction or historical fiction. Books gave me access to worlds beyond my own and I loved thinking about what I would do in a particular situation, whether I would have made the same choices as the women I was reading about. I suppose it’s no surprise that I have a Ph.D. in history and teach European history. I love sharing my passion for the past and I hope you love the books I recommended as much as I do!

It’s Saturday, 5 p.m. If you could peer back in time to the late ’60s, you’d find me plunked in front of our new colour RCA Victor, a Swanson TV dinner steaming before me, and the theme…da-da-DAAA-da-da-da-da-DAAAA, announcing my favourite show: Star Trek. I absorbed the logic of Mr. Spock, the passion of Dr. McCoy, and the fantastical world of Klingons, wormholes, and warp drives. Add to that a degree in history and English, and it set the stage for my passion to read and write in genres of science fiction and magical realism. I hope you find these books as stimulating and thought-provoking as I did.  

Let's face it: pirates of the Golden Age are just cool. No one would actually want to encounter them, but they have been the stuff of escapist dreams since childhood. Adventure, fellowship, treasure–the “romantic” aspects of piracy are what make these otherwise nasty individuals anti-heroes par excellence. As an adult and academic and as an occasional crewman on square riggers, I adopted pirates as a favorite sub-set of maritime history. As with other aspects of the past, I view the history of pirates and piracy as really two narratives: what the records tell us happened and why and what our persistent fascination with them reveals about us.

I love mythological creatures! I grew up gravitating toward fantasy books but because I have a narcissistic parent, I got teased for reading them. To avoid the teasing, I ended up reading a lot of mythology because that was a “safe” fantasy option; reading mythology was “educational” rather than “silly.”  When I got older, I discovered that there’s a whole category of fantasy books that retell myths from alternative points of view. This subgenre opened new doors of understanding and empathy for me. Reading old stories from new perspectives opens my eyes to a myriad of different types of people and broadens my view of the world. And I’ve been reading them ever since.

At heart, I’m still just a girl. I don’t think I’ll ever grow out of wanting to experience the excitement of first kisses, first loves, and of coming out, when everything was new and exciting, and the world was full of promise. That’s why we return to YA even as adults. To feel the butterflies of a first crush, the fluttering of first love, and the agony of first loss. Those transformative books, the ones that change the trajectory of our lives, are usually young adult novels. I wrote The Space Between to give readers a story to fall in love with and take with them the rest of their lives.

I am a librarian and a writer with a passion for history and challenging the narrative, because sometimes, the things the history books tell us aren’t the whole story. After all, history belongs to the victor, doesn’t it? Finding and writing stories that explore historical lives beyond royals and the wealthy is what I love, and I’m always looking for more books that do this. I started reading historical fiction as a child, delving into things like the Dear America and American Girl series, that told the stories of everyday people in these grand moments of history, and reading those books inspired me to write my own.

I grew up in a woman-centered household, the youngest with two older sisters. I was the only child of my mother’s second marriage, and a space of ten and twelve years separated me from my sisters. My sisters and mother always felt like an intense unit that didn’t include me, and that yearning and outsider status defined my life and made me a lover of books about mothers and daughters and the female world.

I am by no means an expert on the Victorian era, but I am most certainly passionate – I have written seven novels set in this period and have researched different aspects of the social, domestic, and gender-related issues for each of those books. The Victorian era is such a fascinating time – from the huge differences in money and class, to the beginnings of women starting to initiate (or maybe even demand) change with the first murmurings of women’s suffrage and, of course, the Married Women’s Property Act 1882. Rich in storytelling possibility and the opportunity to bring societal, gender, and sexual issues to the fore, I find writing in the Victorian period immensely exciting.

I’m a filmmaker and writer who made a TV series about street gangs around the world with actor and presenter Ross Kemp. But it was one London street gang, the PDC, that particularly caught my attention. The newspaper reports were full of overblown headlines, terrifying statistics, and quotes from police forces. That’s when I decided to head down to the PDC’s “turf” in a small corner of south London because if you are going to try and tackle this crimewave it’s best to find out who is doing it and why. Right? I spoke to PDC gang members, their friends and families and the surprising truth behind the headlines is revealed in my book.

I am by no means an expert on the Victorian era, but I am most certainly passionate – I have written seven novels set in this period and have researched different aspects of the social, domestic, and gender-related issues for each of those books. The Victorian era is such a fascinating time – from the huge differences in money and class, to the beginnings of women starting to initiate (or maybe even demand) change with the first murmurings of women’s suffrage and, of course, the Married Women’s Property Act 1882. Rich in storytelling possibility and the opportunity to bring societal, gender, and sexual issues to the fore, I find writing in the Victorian period immensely exciting.