100 books like Brain on Fire

I love this because, in many ways, it is a kind of modern take on Sargasso Sea, with a liberal dash of Catcher in the Rye thrown into the soup: an exploration of what happens when you apply the same kinds of patriarchal oppression and expectations Antoinette suffered in the 19th century to a young 20th-century woman living in what is supposedly a more “progressive” and “modern” era.

Esther Greenwood’s unraveling is both brutally relatable and unexpectedly humorous at points, and there are images from it that are so starkly drawn that they stay embedded in your mind like glass shards after an explosion. It’s a modern classic for a reason. 

This is a unique entry in that the cursed place is a framing device, for this collection of mostly disturbing tales. For his first-ever collection of short stories, Palahniuk brings his wretched cast of characters to a haunted house, where each in turn offers his or her own demented tale. They don’t all work, but a number of the stories really stick with you, and this spooky old house at the center of it ratchets the intensity up another level—it’s not a static situation they are in, there, so the plot progresses to its own warped conclusion on this front as well. 

My long-time favorite writer, John Green, is another Swiftie! In 2014, after he posted on social media about her 1989 album, Taylor Swift took to Tumblr to proclaim that John Green was (also) her favorite author. While John is most well-known for The Fault in Our Stars (or more recently, his TikTok), Looking for Alaska, his debut, is always my recommendation. Looking For Alaska is packed with teenage nostalgia that hits you like a gut punch. "Sad, Beautiful, Tragic" for bookworms. I read it early on in high school and it sparked a literary awakening within me. I realized that books can hold deeper, philosophical meaning; that by diving deep and soaking it all in, I could learn more about myself and this crazy thing we call reality. 

When life brings lemons make lemonade, when life dumps a load of garbage sell it on eBay. I can relate to protagonist Sophia, as a former eBay seller and a San Francisco native lost in her own existence. This book reads like a fairy tale; a girl given every opportunity in one of the most expensive cities in the world, but she’s stuck in a filthy apartment filled with thrifted clothes and day-old pizza. Then one day she discovers her passion. Slowly the pieces fall into place allowing her to create the brand, Nasty Gal. 

This book is a must-read for anyone trapped in a daydream; the finish line is out there just waiting for you to find it.

Like the author, I live with mental illness and use humorous writing/reading to process my thoughts and “check out” sometimes. In many instances, her words feel like my words. I can’t help that depression and anxiety affect my daily life, but I do find myself musing about weird happenings—often questioning the reality of situations. And then I laugh.

When I read this book, I didn’t feel so alone in my “weirdness,” I felt validated in giggling at the strange predicaments I’ve found myself in. 

This is a quirky, hilarious, autobiographical coming-of-age story about a lesbian who grows up in a repressive English Pentecostal community.

Winterson’s creation of the mother is the most unique mother I’ve ever encountered—damaged, oppressive, deeply misunderstanding of her genius daughter. I found lots of commonalities between the conflicts Jeanette had with her difficult mother and my own experience, even though we live countries apart.

Winterson’s gusto and humor are inspiring.

If you identify anywhere on the LGBTIQ2+ scale and haven’t heard of Sarah Waters, you’ve likely been living under a rock.

Her debut novel, Tipping the Velvet, is probably better known as the three-part BBC series, but the book is what truly makes the characters come to life. From naïve, small town, oyster-girl in Kent to the life of the London Stage, Waters takes you through Victorian-era England via the point of view of beloved heroine Nan Astley.

If you’re looking for a sexy, sensuous, and downright gritty novel about what life was truly like for a ‘tom’ growing up and coming out in the nineteenth century, this is the book.

I love this book not just because of its enduring importance - Woolf remains a towering feminist figure - but because of its vivid, imaginative writing.

Based on lectures given to female students at Cambridge, Woolf’s essay argues powerfully for the intellectual independence of women. Such independence, she reasons, must first be materially possible, hence the female writer’s need for that famous "room of one’s own."

To exemplify this, Woolf imagines a certain Judith Shakespeare, the playwright’s equally talented sister: would she not be incapable of achieving the same success as her brother owing to the patriarchal structures of society? In our post-Me Too world a century later, the question remains vital.

My book starts with a series of conversations with people who have psychosis and hear voices. Some people described to me a particularly unusual experience: the feeling of a voice being there, even when it wasn’t speaking.

As an undergraduate student one of the books that first got me thinking about these topics was Richard Bentall’s Madness Explained. It really opened my eyes to the possibilities of the mind and how we can think about experiences like hallucinations without necessarily pathologizing them.

This book was my gateway to then learning about things like the International Hearing Voices moment, which argues against an overly medicalized understanding of unusual experiences like voice-hearing. My book is quite wide-ranging, but I’ve tried to retain some of the ethos of Madness Explained in how I’ve approached the world of uncanny presences. 

This is more literary than crime but Chandler has at the heart of her book a woman with serious mental illness; she captures the soul of a troubled woman and the rippling effects of past and psychosis, as well as the vagaries of memory. And there is a mystery to work out; it was short-listed for the Sisters in Crime Davitt’s award.