Here are 100 books that The Persian Boy fans have personally recommended if you like
The Persian Boy.
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I am a novelist, whose Persian family is comprised of a colorful cast of characters, who supply me with invaluable fodder for my historical novels. Years ago, my grandfather, Dr. Habib Levy, recounted how, when he was the dentist of Reza Shah Pahlavi, the King of Iran, the king commanded him to convert to Islam. Aware he might be uttering his last words, my grandfather had replied, “Your Majesty, a man who turns his back to his faith is a traitor, and his Majesty will not want a traitor for a dentist.” Now, after decades, this long past scene became the inspiration for my fifth historical novel, Love and War in the Jewish Quarter.
Dr. Habib Levy, the author of this book, is my grandfather, who spent half a century researching and writing the first comprehensive source on the history of the Jews of Iran.
I have often referred to this wealth of information for my historical novels. But never has it been a more important source and inspiration than for my most recent novel.
I have always been a lover of love stories, yet it can be difficult to find “love stories” that aren’t put into other boxes or aren’t genre romances. My debut is also a family drama that spans sixty years of the twentieth century, but it’s a love story at its core. It’s sometimes classified as a romance because it’s a love story set on a beach. Still, it doesn’t quite fit into typical romance frameworks, which have characters meet and pulled apart before finally ending up back together. My book, instead, explores the reality of loving someone over decades and building a life together.
Continuing with heartbreaking love stories (can you sense a theme? and perhaps the reason my debut is often recommended to be read with tissues), I adore this book. I was listening to the audiobook and enjoying it so much that I bought the print version to inhale the formats in tandem.
It is another love story told over decades, set against the backdrop of political upheaval in Tehran. It will leave you nostalgic for the path not taken while deeply satisfied with the ending Kamali pens (Warning: I bawled). A poignant novel that will stay with you for a long time.
A poignant, heartfelt new novel by the award-nominated author of Together Tea—extolled by the Wall Street Journal as a “moving tale of lost love” and by Shelf Awareness as “a powerful, heartbreaking story”—explores loss, reconciliation, and the quirks of fate.
Roya, a dreamy, idealistic teenager living amid the political upheaval of 1953 Tehran, finds a literary oasis in kindly Mr. Fakhri’s neighborhood stationery shop, stocked with books and pens and bottles of jewel-colored ink.
Then Mr. Fakhri, with a keen instinct for a budding romance, introduces Roya to his other favorite customer—handsome Bahman, who has a burning passion for justice…
I was born in Israel, but spent my formative years in Iran, a country rich in culture, superstition, and a history that is nothing short of an author’s dream. I also joined a large, colorful family, whose members possessed their own quirks and habits, which my future fictional characters inherited in one or another of my novels. Although the Iran I knew during the reign of the Shah was quite different than the Iran I had to flee at the onset of the Islamic revolution and the arrival of Ayatollah Khomeini, her history remains ever timely, and never ceases to captivate me.
The grandson of an eminent ayatollah and the son of an Iranian diplomat, Hooman Majd offers perspective on Iran's complex and misunderstood culture through an insightful tour of Iranian culture, introducing fascinating characters from all walks of life, including zealous government officials, tough female cab drivers, and open-minded, reformist ayatollahs. It's an Iran that will surprise readers and challenge Western stereotypes.
Hooman Majd, acclaimed journalist and New York-residing grandson of an Ayatollah, has a unique perspective on his Iranian homeland. In this vivid, warm and humorous insider's account, he opens our eyes to an Iran that few people see, meeting opium-smoking clerics, women cab drivers and sartorially challenged presidential officials, among others.
Revealing a country where both t-shirt wearing teenagers and religious martyrs express pride in their Persian origins, that is deeply religious yet highly cosmopolitan, authoritarian yet reformist, this is the one book you should read to understand Iran and Iranians today.
I am always drawn to these remarkable books because they illuminate the intricacies of the human experience and the power of resilience. Sparrow in the Razor Wire captivates you with its message of hope and redemption, demonstrating that the human spirit can thrive even in adversity. The Power Elite challenges you to critically examine societal structures, igniting your passion for social justice and change. The 33 Strategies of War empowers you with strategic insights to navigate life's challenges and turn obstacles into opportunities. The Color Purple celebrates love and self-discovery, while Becoming Ms. Burton inspires you with stories of overcoming adversity and personal growth.
This is a powerful and moving novel that tells the story of Celie, an African American woman in the early 20th century who overcomes tremendous adversity. Through letters addressed to God and later to her sister, Celie shares her experiences of abuse, oppression, and isolation. However, her journey transforms as she discovers her own strength, resilience, and voice.
The relationships she forms with other women, particularly with the bold and independent Shug Avery, empower her to reclaim her identity and embrace her sexuality. Ultimately, it is a celebration of sisterhood, self-discovery, and the indomitable spirit of women, reminding us that love and hope can flourish even in the darkest of circumstances.
Winner of the Pulitzer Prize and the National Book Award. Alice Walker's iconic modern classic is now a Penguin Book.
A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence. Through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown, the novel draws readers into its rich and memorable portrayals of Celie, Nettie, Shug…
A New York Times bestselling author, I love excavating the lives of eccentric, strong-willed women. There’s the thrill of the chase—holding handwritten letters and diaries and uncovering, bit by bit, the story of each woman—and the adventure of encountering the unexpected: Wandering through a rattlesnake-infested Montana cabin (Photographing Montana 1894-1928: The Life and Work of Evelyn Cameron); being woken by a ghost while staying at a decaying Astor mansion in the Hudson Valley (Archie and Amélie: Love and Madness in the Gilded Age); climbing 200 stone steps to reach the Royal Archives in Windsor Castle, while the recently-departed Queen Elizabeth was in the courtyard below (Victoria’s Island, in process). Such fun.
Because even its subtitle is subversive. Written as a valentine to Woolf’s lesbian lover, the book is anything but a biography. It is a gender-bending, time-traveling work of fiction that stretches from Elizabethan England to modern times—with the central character never aging, but changing sex. The book explores the fluidity of gender while poking fun at the pageantry and conventions of aristocratic English life, as well as taking to task the English tradition of male primogeniture. Fans of the book must also watch director Sally Potter’s brilliant film adaptation, Orlando, that stars a young, transcendent Tilda Swinton.
HarperCollins is proud to present its new range of best-loved, essential classics.
'The flower bloomed and faded. The sun rose and sank. The lover loved and went. And what the poets said in rhyme, the young translated into practice.'
Written for her lover Vita Sackville-West, 'Orlando' is Woolf's playfully subversive take on a biography, here tracing the fantastical life of Orlando. As the novel spans centuries and continents, gender and identity, we follow Orlando's adventures in love - from being a lord in the Elizabethan court to a lady in 1920s London.
I’m an English professor, a poet, a lover of reading, and a happy husband and father. How did all this happen; what historical processes made my good fortunes possible? I get answers to these questions from great fiction and great nonfiction. It’s hard to find two more sensitive and beautifully written novels about marriage’s personal and social dimensions than Virginia Woolf’s Mrs. Dalloway and E. M. Forster’s Howards End. Their psychological insights are complemented by two marriage historians and one sociologist with broad knowledge about love’s evolution over the centuries. I’ve read these books multiple times and shared them with many students (and friends)! They never get old.
I love this novel because of its ravishingly beautiful prose and deep insights into sexual selfhood. Set one day in June 1923, this book takes us into the mind of its middle-aged heroine, Clarissa Dalloway, as she prepares to host a party and reminisces about her life three decades ago.
As a teenager, she loved a daring, aristocratic woman (Sally), a passionate but troubled man (Peter), and a comparatively boring but dependable man (Richard, to whom she has long been married). What did love mean to her thirty years ago, and what does it mean now? Did she make the right romantic choice, given the constraints of her society? Virginia Woolf leaves her readers space to ponder these questions for themselves.
The working title of Mrs. Dalloway was The Hours. The novel began as two short stories, "Mrs. Dalloway in Bond Street" and the unfinished "The Prime Minister". It describes Clarissa's preparations for a party she will host in the evening, and the ensuing party. With an interior perspective, the story travels forward and back in time and in and out of the characters' minds to construct an image of Clarissa's life and of the inter-war social structure.
In October 2005, Mrs. Dalloway was included on Time's list of the 100 best English-language novels written since Time debuted in 1923.
Horror was never something that appealed to me when I was younger. However, in adulthood, I realised the fascination of the unsettling. As I began writing, I realised that true horror is not all about monsters and gore but about breaking our everyday complacency and realising the possibility that the world is bigger than us and how we are unprepared to deal with it. This is why I write horror. Not to shock you with a jump-scare, but you leave you thinking about my words long after the lights have gone out.
Looking to move past the social shame of her suicide attempt, Margaret Prior begins visiting a woman’s prison to conduct rehabilitative charity work. But when she meets the young spiritualist Selina Dawes, she finds herself pulled into a world of smouldering passion and the realisation the world may be more than she ever realised.
In this book, Sarah Waters takes Victorian gothic romance and brings it into the modern age. Reading this book involves peeling away the layers and interpreting the unspoken. Nothing is spelt out, as none of the characters would ever deign to say such things out loud. But by looking at what isn’t said, we gradually learn the hidden truth.
'Affinity is the work of an intense and atmospheric imagination . . . Sarah Waters is such an interesting writer, a kind of feminist Dickens' Fiona Pitt-Kethley, Daily Telegraph
Set in and around the women's prison at Milbank in the 1870s, Affinity is an eerie and utterly compelling ghost story, a complex and intriguing literary mystery and a poignant love story with an unexpected twist in the tale. Following the death of her father, Margaret Prior has decided to pursue some 'good work' with the lady criminals of one of London's most notorious gaols. Surrounded by prisoners, murderers and common…
It’s no surprise to hear I’m drawn to stories featuring outsiders, people who don’t / won’t conform and are fed up trying to force themselves into the narrow roles society offers. Folk who slide under the radar, and never make it into history books (which is all of us, right?). This springs from being an outsider myself, the weird kid who didn’t fit. I’ve chosen novels where the LGBTQ+ characters strive and struggle but do not die tragically. Put simply, they are real people, complete with flaws and strengths. These books are your very own Time Machines: wonderful stories to transport you into the past.
Set in 19th century England, this novel is aimed at Young Adult readers and is a reminder that a good read is simply good, whatever age bracket it’s aimed at. It resonated with my own teenage struggles to break free of restrictive expectations – even though mine were trifling compared to what the heroine Louisa has to go through! She resists the restrictions of Victorian society and the limited choices available to women, and is locked up in an asylum. It prompted me to read more about the era and discovered the shocking truth of how this really happened to women who stepped out of line…
Seventeen-year-old Louisa Cosgrove has never enjoyed the life of the pampered, protected life girls of wealth were expected to follow in nineteenth century England. It was too confining. She would have much rather been like her older brother, allowed to play marbles, go to school, become a doctor. But little does she know how far her family would go to kill her dreams and desires. Until one day she finds herself locked away in an insane asylum and everyone--the doctors and nurses--insist on calling her Lucy Childs, not Louisa Cosgrove. Surely this is a mistake. Surely her family will rescue…
I have always been a lover of love stories, yet it can be difficult to find “love stories” that aren’t put into other boxes or aren’t genre romances. My debut is also a family drama that spans sixty years of the twentieth century, but it’s a love story at its core. It’s sometimes classified as a romance because it’s a love story set on a beach. Still, it doesn’t quite fit into typical romance frameworks, which have characters meet and pulled apart before finally ending up back together. My book, instead, explores the reality of loving someone over decades and building a life together.
This is one of those books I am in awe of. Deeply immersive, I had to be pried away from this story once I began. The writing is spectacular and an absolute masterclass on writing chemistry between characters and writing young love.
This book falls on nearly any top-five list of mine. It is truly stunning and heartbreaking in turn. (Sorry, this isn’t a very light list, is it??) But to me, what makes love stories powerful is all the ways that love can be lost, the truth that love can be fleeting, impossible to hold onto forever, even if you have spent a lifetime with the one you love, at some point we all have to say goodbye. This is what makes love so beautiful.
Now a Major Motion Picture from Director Luca Guadagnino, Starring Armie Hammer and Timothee Chalamet, and Written by James Ivory
WINNER BEST ADAPTED SCREENPLAY ACADEMY AWARD Nominated for Four Oscars
A New York Times Bestseller A USA Today Bestseller A Los Angeles Times Bestseller A Vulture Book Club Pick
An Instant Classic and One of the Great Love Stories of Our Time
Andre Aciman's Call Me by Your Name is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents' cliffside mansion on the Italian Riviera. Each is unprepared…
Thanks to my mother, I grew up immersed in English literature. I was educated in Delhi and co-founded the first nationwide feminist magazine, but same-sex love was never mentioned either in the classroom or in the women’s movement. I educated myself in Indian literature and discovered that same-sex sexuality had been practiced and written about until the British criminalized it. I wrote several books about same-sex unions in Indian literature and history and translated poetry and fiction from Hindi and Urdu to English. My first novel, Memory of Light, is a love story between two courtesans, based in pre-colonial India, where poets freely wrote about same-sex, as well as cross-sex love.
This intricately plotted semi-comic, semi-tragic novel, riffing off Much Ado about Nothing and A Midsummer Night’s Dream, keeps the reader guessing to the end.
Simon and Axel are the best gay male couple in fiction, for my money, quirky; adorable; absolutely believable characters whose relationship the villain tries to destroy as he does several other relationships.
I love the story of how they first met, their erotic banter, their clothes, their food and wine, and the way they move towards being more open about their relationship.
An exploration of love and its excesses, missteps, and modest triumphs, from the Booker Prize-winning author of The Sea, The Sea
In a dark comedy of errors, Iris Murdoch portrays the mischief wrought by Julius, a cynical intellectual who decides to demonstrate through a Machiavellian experiment how easily loving couples, caring friends, and devoted siblings can betray their loyalties. As puppet master, Julius artfully plays on the human tendency to embrace drama and intrigue and to prefer the distraction of confrontations to the difficult effort of communicating openly and honestly.
For more than seventy years, Penguin has been the leading…
