I grew up in a religion and family where being gay was most definitely more than frowned upon. Now as a queer author and parent (and former academic who studied queer lit and video games!), I’m thrilled to be bringing a “book baby” into the world during Pride Month that is pure historical romantic fantasy in which two women embrace who they are and one another. When I first started reading queer fiction, much of it was gritty and realistic, sure, but also extremely grim. I think we desperately need a balance of the grim and the gleeful and that is what I hope this little list gives you! Happy endings are possible in fiction and reality. Happy Pride Month, dear readers!
Some call Fleur Warburton cold and hard-hearted. Even ruthless. Scarred by a traumatic past that destroyed her family, Fleur believes she has found the man ultimately responsible for her unhappy fate and is out for vengeance. But when the beautiful Lady Julia Pembroke gets in her way, Fleur is soon entangled in a scandal of a different sort. With Julia by her side, Fleur enters a world of tempestuous desires and rebellious hearts.
This book tops my list because it was the very first lesbian fiction I ever read and it is immensely memorable! I went on to binge-read all of the Sarah Waters I could get my hands on (and at that point I think she only had three books out).
Tipping the Velvet is a coming-of-age-and-coming-out story of a working-class heroine in late Victorian London. Nan is a fantastic character and has a series of adventures ranging from the romantic to the titillating to the dark and tragic. Ultimately, however, there is a happy ending for Nan--and that's part of why I love the book so much. Queer folk need more happy endings and that's why this is a "feel good" book list!
'Piercing the shadows of the naked stage was a single shaft of rosy limelight, and in the centre of this was a girl: the most marvellous girl - I knew it at once! - that I had ever seen.'
A saucy, sensuous and multi-layered historical romance set in the 'roaring' 1890s, Tipping the Velvet follows the glittering career of Nan King on her journey from Whitstable oyster-girl to music-hall star to cross-dressing rentboy to East End 'tom'.
A fantastic, quick-read of a novella featuring a class-difference romance between a lady's maid/thief and a prim and proper lady's companion. When the two women find themselves forced to share a room – and a bed! – things quickly become steamy. But there is more to the story than spice. Revenge upon a villain must be enacted. And of course, Alice and Molly must work to achieve their happy ever after.
I loved my first foray into Cat Sebastian because it is pure historical fantasy, yes, but it's tingly, heart-warming wish-fulfillment of the best kind. We don't need more dead Dumbledores. We need stories that show queer love is possible and can win the day. Amiright?!
Lady’s maid Molly Wilkins is done with thieving—and cheating and stabbing and all the rest of it. She’s determined to keep her hands to herself, so she really shouldn’t be tempted to seduce her employer’s prim and proper companion, Alice. But how can she resist when Alice can’t seem to keep her eyes off Molly?
Finds her own heart
For the first time in her life, Alice Stapleton has absolutely nothing to do. The only thing that seems to occupy her thoughts is a lady’s maid with a sharp tongue and a beautiful mouth. Her determination to…
When I first entered the heady world of Regency romance in January 2021 (yes, Bridgerton was the spark but I read the books first!), Merry Farmer soon became an instant inspiration. She writes M/M, F/F, and F/M historical romances and is one of the very few people who manage to write all three and have a beloved following. So, of course, I wanted to become an ARC reviewer for her and managed to snag some of the books in her After the War series, which follows a group of gay men returning back to England for a house party reunion after, you guessed it, the Napoleonic Wars.
This is not the first installment in the series, but it’s the sweetest. Merry Farmer has created a loveable, enchanting hero in Declan Shelton, the reticent, odd young gamekeeper who draws the attention of Lord Spencer Brightling, a gruff and stern man who is actually hiding a secret wound. Declan is a wood sprite in human form who reminded me of Dicken from The Secret Garden. The outdoors and animal kingdom are his domain and he loves all wild things. But like the Beast in Beauty and the Beast, Declan is doomed to be the object of persecution and misunderstanding and he requires a strong and passionate defender. Enter Spencer! And that’s all I’ll say…
I just finished reading this book and if you love witty banter then run don’t walk to grab this. I think it may very well feature the very best banter I’ve yet to read in a historical romance. And the banter is not just between the two heroines! No, Erica Ridley has written in an entire Umbrella Academy-esque family of rogueish, rascally siblings who live double lives. On the one hand, they manage to be an accepted part of the Regency ton (good society) and on the other they’re more comfortable on the rough and tumble streets, doing daring feats of rescue and other good deeds.
Did I mention there are baby hedgehogs? And a mission to bring down the patriarchy?
As a master of disguise, Thomasina Wynchester can be a polite young lady-or a bawdy old man. She'll do whatever it takes to solve the cases her family takes on. But when Tommy's beautiful new client turns out to be the highborn lady she's secretly smitten with, more than her mission is at stake . . .
Bluestocking Miss Philippa York doesn't believe in love. Her heart didn't pitter-patter when she was betrothed to a duke, nor did it break when he married someone else. All Philippa desires is to decode a centuries-old manuscript to keep a modern-day villain from…
So, making this list has rather reminded me that there is a major dearth of queer books in historical romance. Especially of the happy variety—and it’s not a true romance if it doesn’t have an HEA.
I could easily have included The Song of Achilles or Fried Green Tomatoes at the Whistle Stop Café or Patience and Sarah, but they wouldn’t have fit the Regency/Victorian time period I was aiming for and they also either have very hidden/obscured queerness (e.g. Fried Green Tomatoes) or no HEA (Song of Achilles, obvs).
I’m going with Lord John even though he’s Georgian era because 1) he has a happy and fulfilling life despite his One True Love ultimately being unrequited, 2) he has some great love affairs and adventures, and 3) best of all this is a series. And a series is almost as good as an HEA!
If you have enjoyed Outlander, I strongly urge you to give these a try. They’re part mystery, part war historical, but all of them feature Lord John’s trademark sophistication, charm, and dry wit.
NEW YORK TIMES BESTSELLER • Diana Gabaldon weaves a dazzling tale of history, intrigue, and suspense in this first novel featuring one of her most popular characters from the Outlander saga: Lord John Grey.
The year is 1757. On a clear morning in mid-June, Lord John Grey emerges from London’s Beefsteak Club, his mind in turmoil. A nobleman and a high-ranking officer in His Majesty’s army, Grey has just witnessed something shocking. But his efforts to avoid a scandal that might destroy his family are interrupted by something still more urgent: The Crown appoints him to investigate the brutal murder…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
By doing so, he unwittingly exposes his muse to gossip. But when Dolça receives his deathbed note asking to see her, she races across Spain with the intention of unburdening herself of an old secret.
On the journey, she encounters bandits, the Inquisition, illness, and the choices she's made. At its heart, Dulcinea is about how we betray the people we love, what happens when we succumb to convention, and why we squander the few chances we get to change our lives.
