I am a social and legal historian of late 19th and early 20th Century Latin America, and the majority of my work is about the emergence of the middle class. I first got interested in researching dueling because I had the idea that the duel probably played a role in creating and enforcing a social dividing line between the upper elite and the middle class. But once I got immersed in the historical documents I realized how wrong my initial hypothesis had been, how little dueling had to do with social class, and how much it was about maintaining—or sometimes gaming for advantage—the norms of decorum in politics and the press.
This study of Italian dueling from 1860s unification to 1930s Fascism makes a convincing case that the duel was not some holdover from an aristocratic past, but a modern phenomenon that arose out of liberal politics and a free press. The book covers Italy’s long and active debate about how to curb a practice that clearly violated the law but was rarely ever punished in practice. When I first read this book I was in the middle of my own research, and Hughes was the first writer who seemed to get everything right, or at least to have discovered for Italy the same things that I was finding for South America. A great window into dueling and an even better window into liberal Italy and its politics.
Following its creation as a country in 1861, Italy experienced a wave of dueling that led commentators to bemoan a national “duellomania” evidenced by the sad spectacle of a duel a day. Pamphlets with titles like “Down with the Duel” and “The Shame of the Duel” all communicated the passion of those who could not believe that a people supposedly just returned to the path of progress and civilization had wholeheartedly embraced such a “barbaric” custom. Yet these critics were consistently countered by sober-minded men of rank and influence who felt that the duel was necessary for the very health…
Now retired after a full life, I grew up with a passion for history and the people who made it, being very fortunate during over thirty years at sea to visit many locations around the world where the characters I read about lived. I am also fortunate now to write the history novels I like to read.
I enjoyed this from the very first page because it brought to me the nostalgia of a past era. It is so well constructed and a refreshing subject that brings the Madrid of 1868 to life.
Jaime Astarloa is the aging, old-school fencing master and survivor of duels who prides himself on loyalty and honor with an obsession to create the perfect sword thrust but is now aware of his physical decline.
When the cunning Adela de Otero appears as a worthwhile opponent who wants to learn from Jaime, he finds himself caught up in political intrigues where his old-time values have no substance. I found it hard to put it down.
Fencing is not a game but a science. The outcome is invariably the same: triumph or disaster, life or death...
It is 1868; Spain teeters on the brink of revolution. Jaime Astarloa is a master-fencer of the old school, priding himself on the precision, dignity and honour of his ancient art; his friends spend their days in cafes discussing plots at court, but Jaime's obsession is to perfect the irresistible sword thrust. Then Adela de Otero, violet-eyed and enigmatic, appears at his door. When Jaime takes her on as a pupil he finds himself embroiled in dark political intrigues against…
I am a social and legal historian of late 19th and early 20th Century Latin America, and the majority of my work is about the emergence of the middle class. I first got interested in researching dueling because I had the idea that the duel probably played a role in creating and enforcing a social dividing line between the upper elite and the middle class. But once I got immersed in the historical documents I realized how wrong my initial hypothesis had been, how little dueling had to do with social class, and how much it was about maintaining—or sometimes gaming for advantage—the norms of decorum in politics and the press.
I was hesitant to include this title because I’m not fully convinced by McAleer’s argument that the persistence into the 20th Century of violent pistol dueling in Germany signals a uniquely German mentality, an intensely caste-conscious and militaristic cult of violence “divergent from that of other Western nations” and “innately antithetical to classical liberalism,” or in other words, the exact opposite of what Steven Hughes describes for Italy. But the book is a brilliantly compelling read, and people have a right to make up their own minds.
The question of what it takes "to be a man" comes under scrutiny in this sharp, often playful, cultural critique of the German duel--the deadliest type of one-on-one combat in fin-de-siecle Europe. At a time when dueling was generally restricted to swords or had been abolished altogether in other nations, the custom of fighting to the death with pistols flourished among Germany's upper-class males, who took perverse comfort in defying their country's weakly enforced laws. From initial provocation to final death agony, Kevin McAleer describes with ironic humor the complex protocol of the German duel, inviting his reader into the…
Growing up in an eccentric, liberal family, as a member of the Church of England, under the shadow of the British Government’s homophobic Section 28, the messages I received were distinctly mixed. If I’d heard the word ‘bisexual’ before the age of twenty my life might have been very different. And to this day, the most common assumption is that one can’t be simultaneously queer and Christian. As I’ve discovered, and as these books show, that isn’t true – and moving beyond that assumption reveals new and fascinating horizons.
If ever there was a book that felt like it had been written just for me, this is it. Set in a fictional European country in the early nineteenth century, it has swashbuckling, nights at the opera, complicated family history, politics, magic, and lesbians. The way that Christianity is integrated into the fantastic element won’t be for everybody, but I was won over by Margerit’s earnest insistence on claiming her identity as a queer woman of faith and power. I’d wholeheartedly recommend the rest of the series, too.
Margerit Sovitre did not expect to inherit Baron Saveze’s fortunes—even less his bodyguard, a ruthlessly efficient swordswoman known only as Barbara. Wealth suddenly makes Margerit a highly eligible heiress and buys her the enmity of the new Baron. He had expected to inherit all, and now eyes her fortune with open envy.
Barbara proudly served as the old Baron’s duelist but she had expected his death to make her a free woman. Bitterness turns to determination when she finds herself the only force that stands between Margerit and the new Baron’s greed.
At first Margerit protests the need for Barbara’s…
I have been writing fantasy professionally for more than twenty-five years, and have published novels of epic fantasy, contemporary urban fantasy, supernatural thriller, and (as D.B. Jackson) historical fantasy. I have devoted my professional life to the genre because I love writing about magic and the people who wield it. I believe fantasy novels should thrill and intrigue, but also touch our emotions, and carry us through narratives with beautiful writing. That is what I try to do with my books, and that is what draws me to the novels I have listed here. I hope you enjoy them as much as I have.
Ellen Kushner’s Swordspointis a sort of Renaissance-era, alternate-world, urban fantasy.
Intriguing, right? Our hero, Richard St. Vier, is a skilled and successful sword-for-hire, who plies his trade in the city of Riverside, where nobles often settle their feuds with duels.
In the course of the novel, he kills the wrong man and for the first time in his professional life, finds himself reviled rather than revered. The intrigue that follows draws Richard and his lover, Alec, into the court politics of the city as never before.
The story is riveting, and, of course, the writing is gorgeous.
On the treacherous streets of Riverside, a man lives and dies by the sword. Even the nobles on the Hill turn to duels to settle their disputes. Within this elite, dangerous world, Richard St Vier is the undisputed master, as skilled as he is ruthless- until a death by the sword is met with outrage instead a of awe, and the city discovers that the line between hero and villain can be altered in the blink of an eye . . .
I am a social and legal historian of late 19th and early 20th Century Latin America, and the majority of my work is about the emergence of the middle class. I first got interested in researching dueling because I had the idea that the duel probably played a role in creating and enforcing a social dividing line between the upper elite and the middle class. But once I got immersed in the historical documents I realized how wrong my initial hypothesis had been, how little dueling had to do with social class, and how much it was about maintaining—or sometimes gaming for advantage—the norms of decorum in politics and the press.
Covers some of the same ground as Joanne Freeman, regarding dueling, reputation, politics, and the press in the antebellum U.S.A. But what I really like about this book is how it makes those historical issues relatable to our contemporary era by drawing parallels and connections between the politicized press of the 19th century and present-day debates about free speech in social media. If modern Twitter warriors had lived in the 1800s, they would have needed to know how to handle a sword.
This book argues that dueling should be looked at as a fundamental part of the history of journalism. By examining the nineteenth century Code Duello, the accepted standards under which a duel could be conducted, the author examines the causes of combative responses between journalists. Each chapter examines an aspect of this relationship from the nineteenth century until the present, including the connections between the ritualized aggression of the nineteenth century and the feuding among blog journalists today. A comprehensive bibliography as well as an overview of accepted practices under the Code of Honor as faced by nineteenth century journalists…
As an only child, until I was 10, books were a constant companion. I loved entering new worlds and making friends with the characters in them. I always admired the strong female characters who could accomplish anything if they put their mind to it, which is also a notion I share with my own children. With an active imagination, reading and creating stories was a way for me to escape boredom or anxiety, and it has flourished into a need to share the world with others.
I love this book by Cortney L Winn because Nizzara is a strong, no-nonsense FMC. She wants to fight for her own freedom and, in that, falls for a half-ghost. Sounds weird, but trust me, Winn executed it flawlessly and Dae will be your next book boyfriend.
I loved the fast pacing and couldn’t put it down. There is also a new take on magic that I really loved, where Nizzara can speak to spirits. I highly recommend it!
She’s heiress to the throne. The throne her father stole from him.
Nizzara has always been able to perceive spirits better than the average caster. When she enters a deadly tournament to end her betrothal, she's determined to win without succumbing to the addictive spirit magic she channels or taking a life in the duel ring. Finding herself outmatched, Nizzara must face her fear of power and team up with Dagen—an enemy who is half-ghost and all charm—to survive the tournament.
Dagen, the last King of Zarr, was killed by Nizzara’s father ten years ago. Now a half-ghost—able to phase…
I am a social and legal historian of late 19th and early 20th Century Latin America, and the majority of my work is about the emergence of the middle class. I first got interested in researching dueling because I had the idea that the duel probably played a role in creating and enforcing a social dividing line between the upper elite and the middle class. But once I got immersed in the historical documents I realized how wrong my initial hypothesis had been, how little dueling had to do with social class, and how much it was about maintaining—or sometimes gaming for advantage—the norms of decorum in politics and the press.
This is one of the books that inspired and provided source material for the musical Hamilton. Freeman is a Pulitzer prize-winning historian of post-1776 United States. This masterful history of the early American republic shows how dueling needs to be understood as politics by other means, as part of the mad scramble for power and prestige in the context of never-ending “paper wars” in the partisan press. They say you can’t judge a book by its cover, but I’ll never forget how much the cover art captured my imagination, and how brilliantly it reflects what you will find inside.
This book is not just about duels; it also covers political alliances, gossip, insults, and elections. But that is Freeman’s whole point, that they are all interconnected, and dueling is just one piece of a larger picture.
A major reassessment of American political culture in the days of Jefferson, Hamilton, and Burr
"[A] landmark study of Hamilton and the founders."-Jeff Sharlet, Chronicle of Higher Education
"Demands the attention of everyone with a serious interest in the history of American politics."-Pauline Maier, Washington Post
In this extraordinary book, Joanne Freeman offers a major reassessment of political culture in the early years of the American republic. By exploring both the public actions and private papers of key figures such as Thomas Jefferson, Aaron Burr, and Alexander Hamilton, Freeman reveals an alien and profoundly unstable political world grounded on the…
Horror films, radio shows, books, magazines, and comics have been my life ever since I was eight years old. I saw the Texas Chainsaw Massacre one late night on Channel 9, when TVs had but 13 channels. It was love at first scream. The genre put the boogieman outside my window, under my bed, and in my closet. It was terrifying, but there was also a high to be had. An addiction to scaring oneself that I couldn't get enough of. This adrenaline rush got me interested in scaring others. Four movies, sixteen shorts, two novels, I too, am a dark dreamer looking to scare kindred spirits.
What do you get when you cross paths with an unhinged truck driver on a lonely stretch of isolated highway? You get the book Duel, by Richard Matheson. Based on a true event of unprovoked road rage the author himself was put through, Duel is the story of a businessman heading to San Francisco who is confronted and pursued by an unseen psycho behind the wheel of a gasoline tanker and trailer. Subjected to a life-and-death game of cat and mouse, Man, as the protagonist in the book is called, has to out-maneuver this menace, or die trying. If you are into isolation terror, with get-up-and-go pacing, Duel is a must-read.
Duel, Stephen Spielberg’s terrifying first film, was adapted by Richard Matheson from his nail-biting short story of the same name.
But “Duel” is only one of the many classic tales in this outstanding collection of stories by the award-winning author of I Am Legend, Somewhere in Time, What Dreams May Come, and The Incredible Shrinking Man.
Remember that murderous semi chasing a driver down a lonely stretch of desert highway?
Here are over a dozen unforgettable tales of horror and suspense, including several stunning shockers that inspired timeless episodes of The Twilight Zone.
I’ve been working professionally as a writer for twenty-five years. I’m nothing close to a household name, but a number of my articles have gone viral throughout the years. I’ve had educators reach out to mention they’ve taught my work at both the high school and college levels. Writing is an occupation of passion, and the authors I’ve mentioned are all talented and passionate about their craft. It’s rare to find people who speak the truth anywhere in our society. These writers don’t just speak the truth, they make it sing.
Cas Peace is an extremely talented author. Her Artesans of Albia series is a well-realized work of fantasy and magic. Her world-building is exceptional, and the whole series has a tremendous sense of history. This is a series that you can truly sink your teeth into.
Taran Elijah's quest for knowledge uncovers a plot that threatens the world...In Albia, the fourth realm, the precious Artesan gift is dying. Although born to the craft, Taran is struggling to achieve his potential. Against his friends' advice, he embarks on a foolhardy plan to acquire the teaching he craves. Alone, he crosses into Andaryon, the fifth realm, but instead of finding a mentor, he stumbles upon a treacherous plot.In the wake of Taran's actions, Albia suffers a series of vicious raids. Major Sullyan of the High King's forces is sent to oppose them. But a dark and treacherous force…
