73 books like Pistols, Politics and the Press

This is one of the books that inspired and provided source material for the musical Hamilton. Freeman is a Pulitzer prize-winning historian of post-1776 United States. This masterful history of the early American republic shows how dueling needs to be understood as politics by other means, as part of the mad scramble for power and prestige in the context of never-ending “paper wars” in the partisan press. They say you can’t judge a book by its cover, but I’ll never forget how much the cover art captured my imagination, and how brilliantly it reflects what you will find inside.

This book is not just about duels; it also covers political alliances, gossip, insults, and elections.  But that is Freeman’s whole point, that they are all interconnected, and dueling is just one piece of a larger picture.

This study of Italian dueling from 1860s unification to 1930s Fascism makes a convincing case that the duel was not some holdover from an aristocratic past, but a modern phenomenon that arose out of liberal politics and a free press. The book covers Italy’s long and active debate about how to curb a practice that clearly violated the law but was rarely ever punished in practice. When I first read this book I was in the middle of my own research, and Hughes was the first writer who seemed to get everything right, or at least to have discovered for Italy the same things that I was finding for South America. A great window into dueling and an even better window into liberal Italy and its politics.

A recognized classic, and one of the first books to bring gender theory, masculinity studies, and the new cultural history to the academic study of dueling. Nye looks at French dueling in the nineteenth and early twentieth centuries as a manifestation of evolving ideals and norms of masculine honor, at a time when France was becoming less aristocratic and more bourgeois. This is the book that first convinced me that dueling could be a legitimate topic for serious historical research, and not just some quirky random sideshow.

I was hesitant to include this title because I’m not fully convinced by McAleer’s argument that the persistence into the 20th Century of violent pistol dueling in Germany signals a uniquely German mentality, an intensely caste-conscious and militaristic cult of violence “divergent from that of other Western nations” and “innately antithetical to classical liberalism,” or in other words, the exact opposite of what Steven Hughes describes for Italy. But the book is a brilliantly compelling read, and people have a right to make up their own minds.

This is primarily the story of three newspapers--James Gordon Bennett’s New York Herald, Horace Greeley’s New York Tribune, and the merged paper under the ownership of diplomat and politician Whitelaw Reid and his heirs, including his daughter-in-law, Helen Rogers Reid, a firecracker of an executive and woman about town. But it is also a comprehensive story of New York newspapering from the 1830s to the 1960s and about the city and country that served as the focus for news coverage during those decades. It is a poignant tale of soaring triumphs and ultimate decline as new challenges beset the newspaper business and even large cities could no longer support multiple papers.

For creatives, this book is the move. Many writers who find themselves in reading lulls, also find themselves in writing lulls. Over the last two decades, writing professor Susan Shapiro has taught more than 25,000 students of all ages and backgrounds at NYU, Columbia, Temple, The New School, and Harvard University. And now the content from her wildly popular course “Instant Gratification Takes Too Long” is in this book for everyone who wants to get published fast, and with all the best secrets of the trade.

Byline Bible is full of advice for writers on how to break into publishing, but also includes tons of essays and pieces published by Susan Shapiro’s students, which make for great reading in and of themselves. 

Journalism takes many forms, and this readable study by a journalist-turned-academic examines some of the more alternative styles and outlets that operate beyond the corporate mainstream media industries. Alternative they may be, but the projects studied by Forde produce proper journalism rather than the uninformed commentary or aggressive shouting adopted by some who like to style themselves as ‘alternative media.’ None of the journalists she interviews would see themselves as heroes but, by defying the odds to produce independent reporting in the cause of social justice around the world, they engage in countless small acts of heroism every day. 

I had the privilege of talking with Angèle at an event and discussing our different book projects.

The wonderful thing about this book it is reveals that the interaction between technology and journalism is incredibly culturally specific. We tend to think that every newsroom engages with technology in the same way, but Angèle shows that long-standing national journalistic cultures influence how technologies are adopted and used.

The book is also an ethnography, which means that it offers a wonderful insight into the day-to-day practices of the newsroom.

Before Life there was the Saturday Evening Post, a roaring success capturing the spirit of Middle America at a time when Middle America defined the cultural ethos of the nation. But by the late 1950s the potent reach of television advertising undermined the general-interest magazine business model, and the Post slipped into an inexorable spiral of decline that its top executives could never quite handle or even understand. There’s plenty of pathos and human drama as they struggle with forces beyond their control. 

Martha Gellhorn’s blend of reportage and imagination ensnared me when I was barely out of my teens, and her preferred form has come of age in my working life.

Not only do I think Gellhorn is a marvellous writer – at her best, one of the best – but I also identify with Gellhorn the woman. "The open road," she wrote, was "my first, oldest and strongest love." She lived from 1908 to 1998 and was writing the fighting for six decades, and although each conflict was different, her message remained the same: ‘There is neither victory nor defeat; there is only catastrophe."