Now retired after a full life, I grew up with a passion for history and the people who made it, being very fortunate during over thirty years at sea to visit many locations around the world where the characters I read about lived. I am also fortunate now to write the history novels I like to read.
I enjoyed this from the very first page because it brought to me the nostalgia of a past era. It is so well constructed and a refreshing subject that brings the Madrid of 1868 to life.
Jaime Astarloa is the aging, old-school fencing master and survivor of duels who prides himself on loyalty and honor with an obsession to create the perfect sword thrust but is now aware of his physical decline.
When the cunning Adela de Otero appears as a worthwhile opponent who wants to learn from Jaime, he finds himself caught up in political intrigues where his old-time values have no substance. I found it hard to put it down.
Fencing is not a game but a science. The outcome is invariably the same: triumph or disaster, life or death...
It is 1868; Spain teeters on the brink of revolution. Jaime Astarloa is a master-fencer of the old school, priding himself on the precision, dignity and honour of his ancient art; his friends spend their days in cafes discussing plots at court, but Jaime's obsession is to perfect the irresistible sword thrust. Then Adela de Otero, violet-eyed and enigmatic, appears at his door. When Jaime takes her on as a pupil he finds himself embroiled in dark political intrigues against…
I’m a thriller writer with civilian protagonists who find themselves caught in situations way outside their comfort zones. They’re not people to whom guns or regular weapons are accessible or familiar. Consequently, I need my characters to have access to other weapons, and I find these in the environments in which I set my stories – elements that offer both defensive and offensive potential. Whether it be a dangerous natural feature (like a chasm), or a deadly creature, (I love a crocodile or snake), there needs to be something on offer. This is also what I admire in other authors – that harnessing of environmental weaponry that can make stories so exciting.
Sarah Barrie delivers such a great cast of characters – she mixes police, criminals, ex-criminals, and civilians to deliver a melting pot of quirky and process-driven people destined to clash.
Retribution’s urban environment is familiar to us all, but Barrie’s use of various settings and their respective weaponry is highly skilled. From building sites that combine heights, fragile safety fencing, and sharp impaling points, to dark and dangerous train tunnels, I loved being shifted from place to place and the exposure to each individual setting’s armory.
Even before she introduces the guns, there was always choice, and I was kept in suspense about which weapon would prove to be the deadly one.
I believe that creativity has no boundaries and that it is only desire and determination that separate those who succeed from those who don't. I'm equally at home with a paintbrush and canvas, a needle and thread, or a hammer and nails, and am as eclectic in my writing as I am in my other interests. I'm best known for my definitive sociological study, Married Women Who Love Women and More, which began as a catharsis for myself when I realized I was gay. I'm also the author of an autobiographical how-to, an exciting mystery, a lesbian paranormal romance, a rhyming picture book, a cookbook, and a middle grade chapter book.
The Well of Loneliness, written in 1928 was banned upon publication because of its lesbian theme. I think the banning of this book brought it enough publicity to make it a must read. It is the story of Stephen Gordon, an Englishwoman who struggles to be who she knows she is in her upper-class society. Stephen’s strength and compassion, and her courage kept me reading while I was in the early stages of my own discovery.
'As a man loved a woman, that was how I loved...It was good, good, good...'
Stephen is an ideal child of aristocratic parents - a fencer, a horse rider and a keen scholar. Stephen grows to be a war hero, a bestselling writer and a loyal, protective lover. But Stephen is a woman, and her lovers are women. As her ambitions drive her, and society confines her, Stephen is forced into desperate actions. The Well of Loneliness was banned for obscenity when published in 1928. It became an international bestseller, and for decades was the single most famous lesbian novel.…
I’m a young adult fantasy author who’s been in love with pirates since before Pirates of the Caribbean came out…and who then wrote a novel inspired by it. I grew up watching every pirate movie I could and have always wanted to hunt for treasure. I feel my most calm when I’m by the ocean, and I’m a bit of a wanderer myself—having traveled to over 60 countries and to every continent (yes, including Antarctica!). I have a master’s degree in Creative Writing and love sharing my adventures with the world.
What’s a pirate story without a little stolen treasure? Well, modern-day Jill doesn’t exactly steal the broken sword piece she finds on the beach, but it certainly is a treasure—one that transports her back in time to the age of pirates. Who hasn’t wanted to be transported to a pirate ship? I know have…and I still do!
A mysterious broken sword transports a modern teen through time to the deck of a pirate ship. Stranded in the past, and surrounded by strangers, she is forced to sign on as crew. But a pirate's life is bloody and brief, and as she learns about the dark magic that brought her there, she forms a desperate scheme to get home—one that risks everything in a duel to the death with a villainous pirate captain!
I’ve been an elementary school teacher for 14 years. In that time, I’ve read a lot of children’s books. In my classroom, science is one of my students’ favorite subjects. Though they love fantasy and magic, they are inspired by the power of science. Each of the books I’ve recommended is part of my classroom library, is used in a read-aloud or as a mentor text in writing lessons. My students connect with the characters and experience the marvels of science along with them. These books are some of their favorites.
Black Brother, Black Brother doesn’t have science as its main focus, unless you consider the sport of fencing as a science. I’m including this book because of the complexity of the sibling relationship. Trey is white, popular, and athletic. Donte is black and bullied at his school. Even though they share the same parents (Civil Rights lawyer mom and, and computer architect dad), their experiences in school and in the world are completely different because of their skin color. Dante finds his place, his confidence, and himself when he takes up fencing with the help of an inspiring coach.
I am half-Mexican. My siblings present as white, I do not. This story touched on the many complexities faced by siblings who are physically different -- as with me and my siblings, and with the characters in my book.
Donte wishes he were invisible. As one of the few black boys at Middlefield Prep, he feels as if he is constantly swimming in whiteness. Most of the students don't look like him. They don't like him either. Dubbed the "Black Brother," Donte's teachers and classmates make it clear they wish he were more like his lighter skinned brother, Trey. Quiet, obedient.
When an incident with "King" Alan leads to Donte's arrest and suspension, he knows the only way to get even is to beat the king of the school at his own game: fencing. With the help of a…
I am a social and legal historian of late 19th and early 20th Century Latin America, and the majority of my work is about the emergence of the middle class. I first got interested in researching dueling because I had the idea that the duel probably played a role in creating and enforcing a social dividing line between the upper elite and the middle class. But once I got immersed in the historical documents I realized how wrong my initial hypothesis had been, how little dueling had to do with social class, and how much it was about maintaining—or sometimes gaming for advantage—the norms of decorum in politics and the press.
This study of Italian dueling from 1860s unification to 1930s Fascism makes a convincing case that the duel was not some holdover from an aristocratic past, but a modern phenomenon that arose out of liberal politics and a free press. The book covers Italy’s long and active debate about how to curb a practice that clearly violated the law but was rarely ever punished in practice. When I first read this book I was in the middle of my own research, and Hughes was the first writer who seemed to get everything right, or at least to have discovered for Italy the same things that I was finding for South America. A great window into dueling and an even better window into liberal Italy and its politics.
Following its creation as a country in 1861, Italy experienced a wave of dueling that led commentators to bemoan a national “duellomania” evidenced by the sad spectacle of a duel a day. Pamphlets with titles like “Down with the Duel” and “The Shame of the Duel” all communicated the passion of those who could not believe that a people supposedly just returned to the path of progress and civilization had wholeheartedly embraced such a “barbaric” custom. Yet these critics were consistently countered by sober-minded men of rank and influence who felt that the duel was necessary for the very health…
