Fans pick 100 books like The Well of Loneliness

Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque. 

When I was young and just figuring out the whole gay thing, I had to cross state lines to see the one gay movie and smuggle out the one library book I was too afraid to check out. In the 1970s and 80s I grew up knowing I was part of a group that was rarely talked about, aside from jokes. I've enjoyed so many stories that didn't represent me. If the struggle is real, I want to see, hear, and feel the whole messy bunch of it. I like the uncomfortable process of writing, and make promises that I later break: I can always tone this part down later…and then I never do.

I believe that creativity has no boundaries and that it is only desire and determination that separate those who succeed from those who don't. I'm equally at home with a paintbrush and canvas, a needle and thread, or a hammer and nails, and am as eclectic in my writing as I am in my other interests. I'm best known for my definitive sociological study, Married Women Who Love Women and More, which began as a catharsis for myself when I realized I was gay. I'm also the author of an autobiographical how-to, an exciting mystery, a lesbian paranormal romance, a rhyming picture book, a cookbook, and a middle grade chapter book.

I believe that creativity has no boundaries and that it is only desire and determination that separate those who succeed from those who don't. I'm equally at home with a paintbrush and canvas, a needle and thread, or a hammer and nails, and am as eclectic in my writing as I am in my other interests. I'm best known for my definitive sociological study, Married Women Who Love Women and More, which began as a catharsis for myself when I realized I was gay. I'm also the author of an autobiographical how-to, an exciting mystery, a lesbian paranormal romance, a rhyming picture book, a cookbook, and a middle grade chapter book.

In post-Roe America, gay people face the very real possibility of our rights being stripped from us, underscoring the importance of this adage: “Those who forget their history are condemned to repeat it.” That's why years ago, when I realize that many gay men were ignorant about gay history before Stonewall, I began editing anthologies of gay writings from the past. That led me to writing biographies and histories in which I explore gay men’s experiences, hoping my work shines a light on our forgotten past.

Thanks to my mother, I grew up immersed in English literature. I was educated in Delhi and co-founded the first nationwide feminist magazine, but same-sex love was never mentioned either in the classroom or in the women’s movement. I educated myself in Indian literature and discovered that same-sex sexuality had been practiced and written about until the British criminalized it. I wrote several books about same-sex unions in Indian literature and history and translated poetry and fiction from Hindi and Urdu to English. My first novel, Memory of Light, is a love story between two courtesans, based in pre-colonial India, where poets freely wrote about same-sex, as well as cross-sex love. 

Thanks to my mother, I grew up immersed in English literature. I was educated in Delhi and co-founded the first nationwide feminist magazine, but same-sex love was never mentioned either in the classroom or in the women’s movement. I educated myself in Indian literature and discovered that same-sex sexuality had been practiced and written about until the British criminalized it. I wrote several books about same-sex unions in Indian literature and history and translated poetry and fiction from Hindi and Urdu to English. My first novel, Memory of Light, is a love story between two courtesans, based in pre-colonial India, where poets freely wrote about same-sex, as well as cross-sex love. 

When I was young and just figuring out the whole gay thing, I had to cross state lines to see the one gay movie and smuggle out the one library book I was too afraid to check out. In the 1970s and 80s I grew up knowing I was part of a group that was rarely talked about, aside from jokes. I've enjoyed so many stories that didn't represent me. If the struggle is real, I want to see, hear, and feel the whole messy bunch of it. I like the uncomfortable process of writing, and make promises that I later break: I can always tone this part down later…and then I never do.

Halfway through my first novel, I realized that I was writing in a genre that had received little critical study and had almost no visibility. To find my way around the genre—and my place within it—I began reading heavily and before I knew it, I had read well over 200 lesbian mystery novels and devoured almost every serious review and critical study The dozen books I have written over the last decade reflect this study. In them, I hope I have succeeded in expanding the genre in some small way and adding to the menu of a hungry and discerning LGBTQ audience. 

In my day job I’m a professor in a hard science and, unsurprisingly, a lesbian. I love sapphic fiction, especially speculative sapphic fiction, but it can be hard to find as the books are seldom labeled as such. Because I write in this genre I’ve been able to ferret out a lot of them, and have made it a mini mission to read as many as possible. I’m particularly drawn to those that get science right (bad science to a science professor is like nails on a chalk board), and those that have at least a little bit of kissing.