Here are 100 books that Rubyfruit Jungle fans have personally recommended if you like
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I'm a gay cartoonist and editor who lives and breathes graphic novels. As an editor at Graphix, Scholastic's graphic novel imprint, I've worked with Dav Pilkey, Jamar Nicholas, Angeli Rafer, Kane Lynch, and many others. As a cartoonist, I'm the author and illustrator of Out of Left Field, which is based on my experiences as a closeted kid on the high school baseball team. So many wonderful books have influenced my journey and career, but these are some of my favorites: groundbreaking graphic novels that helped make Out of Left Field possible.
This book is almost 400 pages long, but it absolutely does not feel like it. It’s one of the most riveting and absorbing books I’ve ever read, in part because of its relatively simple art style and small number of words per page.
It stars Aiden, a teenager who struggles with homophobia and suicidal thoughts as he comes to realize that he’s gay. So much of the dialogue and behavior in this book resonated with my own teenage experiences dealing with toxic “bros,” who made me feel like coming out would be an unsafe thing to do.
Curato creates an incredibly sympathetic character in Aiden, and his two-color artwork—grayscale with well-placed pops of orange and red—deftly supports the book’s thematic and emotional content.
Award-winning author and artist Mike Curato draws on his own experiences in Flamer, his debut graphic novel, telling a difficult story with humor, compassion, and love.
"This book will save lives." ―Jarrett J. Krosoczka, author of National Book Award Finalist Hey, Kiddo
I know I’m not gay. Gay boys like other boys. I hate boys. They’re mean, and scary, and they’re always destroying something or saying something dumb or both.
I hate that word. Gay. It makes me feel . . . unsafe.
It's the summer between middle school and high school, and Aiden Navarro is away at camp. Everyone's…
As a journalist, author and screenwriter, my work has always pondered loss and grief. I think this has something to do with the fact that of my mother’s religion; she was a convert to Hinduism and started conversations about the inevitability of death and how the soul and the body aren’t the same when us children were at a very young age. It probably also has something to do with the constant presence of death within my family and communities as a Black and queer person in a violently anti-Black and queerantagonistic world. I currently volunteer at a hospice, and provide community-building programming to death workers from diverse communities.
This novel is a soul-stirring journey of resilience and self-discovery.
Reminding us that loss of connection to a loved one shares many of the same aspects as death, The Color Purple is a testament to the strength of the human spirit, particularly in the face of adversity. Along the way, you’ll come to a deeper understanding of gendered violence, the healing power of sisterhood and the enduring nature of love.
Winner of the Pulitzer Prize and the National Book Award. Alice Walker's iconic modern classic is now a Penguin Book.
A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence. Through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown, the novel draws readers into its rich and memorable portrayals of Celie, Nettie, Shug…
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque.
Leslie Feinberg’s story is a powerful response to the notion that simply discarding sexist gender expectations ought to be enough. Feinberg’s main character Jess was still a young adult when modern feminism exploded onto the scene in the 1970s but Jess isn’t merely androgynous or resisting sexist limitations. She’s butch.
Published in 1993, this brave, original novel is considered to be the finest account ever written of the complexities of a transgendered existence.
Woman or man? That’s the question that rages like a storm around Jess Goldberg, clouding her life and her identity. Growing up differently gendered in a blue--collar town in the 1950’s, coming out as a butch in the bars and factories of the prefeminist ’60s, deciding to pass as a man in order to survive when she is left without work or a community in the early ’70s. This powerful, provocative and deeply moving novel sees Jess…
The stories I’ve loved the most in my life have all been about the richness of human relationships, told by a memorable narrator who can find humor and hope in almost everything, no matter how screwed up. Whether it’s Charles Dickens poking fun at his contemporaries in Victorian England or Armistead Maupin sending up friendship and love in San Francisco in the 1980s, I’m a sucker for well-told, convoluted, and funny tales about people who find life with other human beings difficult, but still somehow manage to laugh about it and keep on going. As the author of six novels myself, these are the kinds of stories I always try to tell.
This is a peculiar and marvelous book about birth families, adopted families, and “found” families, and how each of these can be equally screwed up.
Starting in Ireland in the 1940s, the story is peppered with sharp, clever dialog and vivid, fully-human characters. I love how the narrator struggles with his own heart for decades, unable to decide what he wants, who he loves, what’s right, what’s wrong, etc.—in other words, all the stuff I haven’t figured out yet myself.
Coincidence also plays a huge role in this book, basically making an ass of everyone, which I find oddly comforting since it reminds me that part of being human is having very little control over my own life. Painfully funny and brilliant from cover to cover.
'Compelling and satisfying... At times, incredibly funny, at others, heartrending' Sarah Winman, author of When God Was a Rabbit
Forced to flee the scandal brewing in her hometown, Catherine Goggin finds herself pregnant and alone, in search of a new life at just sixteen. She knows she has no choice but to believe that the nun she entrusts her child to will find him a better life.
Cyril Avery is not a real Avery, or so his parents are constantly reminding him. Adopted as a baby, he's never quite felt at home with the family that treats him more as…
I like books driven by characters who ride the same emotional rollercoaster as we all do in real life. Characters who love the wrong people or who lose the people they were right to love or who fail to match the norms expected by society. Characters I can empathise with, root for, and learn from. A fairytale happy ending is not necessary and can detract from the magic of a book. But I do like to be left with a feeling of hope. If a fictional character can learn to approach life more positively, then maybe I can too! This is what I try to achieve in my own books.
A Man Called Ovewas recommended to me by my husband. He is a voracious reader who has no qualms in casting a book to one side if it doesn’t immediately grab him – so I take his recommendations seriously.
Ove is a grumpy old man who doesn’t want to continue living after the death of his wife. It sounds depressing and I nearly didn’t bother. But Backman’s skill as an author turns Ove’s story into an absolute delight. Ove may be grumpy, intolerant, and set in his ways but he is unable to turn his back on anyone in need – including an unattractive, large cat.
The book is a testament to everyone’s need for community.
'A JOY FROM START TO FINISH' - Gavin Extence, author of THE UNIVERSE VERSUS ALEX WOODS
There is something about Ove.
At first sight, he is almost certainly the grumpiest man you will ever meet. He thinks himself surrounded by idiots - neighbours who can't reverse a trailer properly, joggers, shop assistants who talk in code, and the perpetrators of the vicious coup d'etat that ousted him as Chairman of the Residents' Association. He will persist in making his daily inspection rounds of the local streets.
When I was young and just figuring out the whole gay thing, I had to cross state lines to see the one gay movie and smuggle out the one library book I was too afraid to check out. In the 1970s and 80s I grew up knowing I was part of a group that was rarely talked about, aside from jokes. I've enjoyed so many stories that didn't represent me. If the struggle is real, I want to see, hear, and feel the whole messy bunch of it. I like the uncomfortable process of writing, and make promises that I later break: I can always tone this part down later…and then I never do.
Groundbreaking at the time, simply because it featured a happy ending between two women…what a concept! Seems like this should not have been a tall order, yet, in 1952, it was a revolutionary idea that a lesbian love story would not end with tragedy which was the recipe of the day if a writer dared to write about forbidden love.
If you are addicted to push/pull in romance stories where the stakes are high but the characters are willing to jump higher, you may fall in love with this book.
The novel was mesmerizing and lovingly translated into film. Hollywood learned that if you want a straight audience to easily imagine how a woman who had been living a straight life previously (though not authentically) could fall for another woman, simply cast Cate Blanchett in the film and, boom, everyone gets it.
Therese is just an ordinary sales assistant working in a New York department store when a beautiful, alluring woman in her thirties walks up to her counter. Standing there, Therese is wholly unprepared for the first shock of love. Therese is an awkward nineteen-year-old with a job she hates and a boyfriend she doesn't love; Carol is a sophisticated, bored suburban housewife in the throes of a divorce and a custody battle for her only daughter. As Therese becomes irresistibly drawn into Carol's world, she soon realizes how much they both stand to…
It’s often been said of musical theatre that the point when the characters begin to sing is the point their emotions become too much to express in words alone. I think that’s one reason I’m so obsessed with books about people connecting over music, art, and performance—it allows for so much passion and intensity. Having sung and played instruments over the years, I know how powerful it can feel to make music with other people, even when you’re not in love! These days, though, I spend more time reading and writing about music than I do playing it.
This Young Adult romance takes place over the course of a single weekend, and it captures the urgency of young love perfectly. Sure Olivia and Toni fall hard and fast, but it’s no wonder—a great music festival can pull you far enough from your day-to-day that you feel as though you’ve been there a lifetime, even as an adult. And this book captures that so clearly, bringing you right into both girls’ perspectives, letting you feel every triumph and every moment of despair as they chase their dreams, musical and otherwise, and figure out who they are.
A stunning novel about being brave enough to be true to yourself, and learning to find joy even when times are unimaginably dark. Three days.
Two girls.
One life-changing music festival.
Toni is grieving the loss of her roadie father and needing to figure out where her life will go from here - and she's desperate to get back to loving music. Olivia is a hopeless romantic whose heart has just taken a beating (again) and is beginning to feel like she'll always be a square peg in a round hole - but the Farmland Music and Arts Festival is…
I’m a psychologist by profession and I’m fascinated by the way personalities develop and change with life events. In novels, I’m drawn towards wounded characters who are searching for something to make them feel whole. Common issues I see in my psychotherapy work include imposter syndrome, low self-esteem, feelings of not being good enough. Many people try to hide their vulnerability behind a mask, faking confidence or bravado, or pretending to be something they’re not. But these fictional characters take it up a level, one small step at a time, until the lies build and they end up in a web of deceit with no way out.
This book is aimed at a young adult audience, and it’s a fun pacey read. The author uses a ticking clock in her chapter titles – ‘(12 minutes captive) 1 lighter; no plan’ – which ups the tension. There are two stories running in parallel – the current events in a bank and the back story of Nora’s life. I enjoyed the small glimpses of the protagonist’s childhood and I was dying to know more about the relationship with her mother. Why did the mother force Nora to assume so many different identities? Who is Nora really?
Soon to be a Netflix film starring Stranger Things' Millie Bobby Brown - this must-read psychological thriller, perfect for fans of One of Us Is Lying, will leave you guessing until the final page. 'Unlike anything I've read before... immediate, gripping, incredibly tense, heart-breaking, heart-warming and FUN! ' - Holly Jackson, author of A Good Girl's Guide to Murder
As an ex con artist, Nora has always got herself out of tricky situations. But the ultimate test lies in wait when she's taken hostage in a bank heist. And this time, Nora doesn't have an escape plan ...
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque.
Kobabe is a person who doesn’t recognize herself in any of the available identities.
Definitely one of the different ones... Lesbian? Transgender man? Nothing that’s out there and available to choose from seems to fit. This book really encapsulates what it’s like to have to weave your identity yourself instead of being able to get it ready-made.
In 2014, Maia Kobabe, who uses e/em/eir pronouns,
thought that a comic of reading statistics would be the last autobiographical
comic e would ever write. At the time, it was the only thing e felt comfortable
with strangers knowing about em. Now, Gender Queer is here. Maia's intensely
cathartic autobiography charts eir journey of self-identity, which includes the
mortification and confusion of adolescent crushes, grappling with how to come
out to family and society, bonding with friends over erotic gay fanfiction, and
facing the trauma and fundamental violation of pap smears. Started as a way to
explain to eir family…
I’m a gay Midwestern novelist who finds that literary fiction is often humorless, with a narrow emotional range that begins with ennui and ends in despair. If you're weary of trauma porn and want to read books with a broad emotional range, this list of recommendations is for you. My favorite writers ably mix laughter and tears, and are able to find the funny in just about anything life can throw at us.
If you’re older, you probably read O’Connor’s short story “A Good Man is Hard to Find” for one or more lit classes; if you’re younger, you may have never heard of her as she is now “problematic” according to the unfunny woke-on-steroids crowd. I love O’Connor because I love characters with moral failings, I love mordant humor, and I love the possibility that even the most irredeemable among us can experience moments of grace. The brief details in her stories do such heavy lifting in terms of irony, for example when a Wellesley undergrad hits Mrs. Turpin in the head with a copy of Human Developmentin the short story “Revelation.” The action itself – a privileged white college student from an elite school inflicting violence upon a rural white woman – also speaks to our ongoing culture wars.
In her short lifetime, Flannery O’Connor became one of the most distinctive American writers of the twentieth century. By birth a native of Georgia and a Roman Catholic, O’Connor depicts, in all its comic and horrendous incongruity, the limits of worldly wisdom and the mysteries of divine grace in the “Christ-haunted” Protestant South. This Library of America collection, the most comprehensive ever published, contains all of her novels and short-story collections, as well as nine other stories, eight of her most important essays, and a selection of 259 witty, spirited, and revealing letters, twenty-one published here for the first time.…
