100 books like Rubyfruit Jungle

This book is almost 400 pages long, but it absolutely does not feel like it. It’s one of the most riveting and absorbing books I’ve ever read, in part because of its relatively simple art style and small number of words per page.

It stars Aiden, a teenager who struggles with homophobia and suicidal thoughts as he comes to realize that he’s gay. So much of the dialogue and behavior in this book resonated with my own teenage experiences dealing with toxic “bros,” who made me feel like coming out would be an unsafe thing to do.

Curato creates an incredibly sympathetic character in Aiden, and his two-color artwork—grayscale with well-placed pops of orange and red—deftly supports the book’s thematic and emotional content. 

This is a powerful and moving novel that tells the story of Celie, an African American woman in the early 20th century who overcomes tremendous adversity. Through letters addressed to God and later to her sister, Celie shares her experiences of abuse, oppression, and isolation. However, her journey transforms as she discovers her own strength, resilience, and voice.

The relationships she forms with other women, particularly with the bold and independent Shug Avery, empower her to reclaim her identity and embrace her sexuality. Ultimately, it is a celebration of sisterhood, self-discovery, and the indomitable spirit of women, reminding us that love and hope can flourish even in the darkest of circumstances.

Leslie Feinberg’s story is a powerful response to the notion that simply discarding sexist gender expectations ought to be enough. Feinberg’s main character Jess was still a young adult when modern feminism exploded onto the scene in the 1970s but Jess isn’t merely androgynous or resisting sexist limitations. She’s butch.  

This is a peculiar and marvelous book about birth families, adopted families, and “found” families, and how each of these can be equally screwed up.

Starting in Ireland in the 1940s, the story is peppered with sharp, clever dialog and vivid, fully-human characters. I love how the narrator struggles with his own heart for decades, unable to decide what he wants, who he loves, what’s right, what’s wrong, etc.—in other words, all the stuff I haven’t figured out yet myself. 

Coincidence also plays a huge role in this book, basically making an ass of everyone, which I find oddly comforting since it reminds me that part of being human is having very little control over my own life. Painfully funny and brilliant from cover to cover. 

It is rare for a story to stay with me as long as this one has. The weaving together of grief and hope was both heartwrenching and heartwarming. We are created and called to love God and love others. That isn’t always easy or convenient. This story showed what loving your neighbor can look like and how it can change a life. 

Groundbreaking at the time, simply because it featured a happy ending between two women…what a concept! Seems like this should not have been a tall order, yet, in 1952, it was a revolutionary idea that a lesbian love story would not end with tragedy which was the recipe of the day if a writer dared to write about forbidden love. 

If you are addicted to push/pull in romance stories where the stakes are high but the characters are willing to jump higher, you may fall in love with this book. 

The novel was mesmerizing and lovingly translated into film. Hollywood learned that if you want a straight audience to easily imagine how a woman who had been living a straight life previously (though not authentically) could fall for another woman, simply cast Cate Blanchett in the film and, boom, everyone gets it.

This Young Adult romance takes place over the course of a single weekend, and it captures the urgency of young love perfectly. Sure Olivia and Toni fall hard and fast, but it’s no wonder—a great music festival can pull you far enough from your day-to-day that you feel as though you’ve been there a lifetime, even as an adult. And this book captures that so clearly, bringing you right into both girls’ perspectives, letting you feel every triumph and every moment of despair as they chase their dreams, musical and otherwise, and figure out who they are.

This book is aimed at a young adult audience, and it’s a fun pacey read. The author uses a ticking clock in her chapter titles – ‘(12 minutes captive) 1 lighter; no plan’ – which ups the tension. There are two stories running in parallel – the current events in a bank and the back story of Nora’s life. I enjoyed the small glimpses of the protagonist’s childhood and I was dying to know more about the relationship with her mother. Why did the mother force Nora to assume so many different identities? Who is Nora really?

Maia Kobabe’s book is the book I wish I could’ve read growing up. I was struck so many times by the similarities Kobabe’s story shared with mine, as a kid with many of the same questions and feelings about my gender that e did.

With immersive and evocative illustrations that I couldn’t help but linger over, Kobabe’s graphic memoir took me on a refreshingly frank gender journey that was never afraid to delve into the uncomfortable.

It is also the most challenged and banned book in the country at the moment, which I think speaks volumes about the story’s capacity to change lives.

If you’re older, you probably read O’Connor’s short story “A Good Man is Hard to Find” for one or more lit classes; if you’re younger, you may have never heard of her as she is now “problematic” according to the unfunny woke-on-steroids crowd. I love O’Connor because I love characters with moral failings, I love mordant humor, and I love the possibility that even the most irredeemable among us can experience moments of grace. The brief details in her stories do such heavy lifting in terms of irony, for example when a Wellesley undergrad hits Mrs. Turpin in the head with a copy of Human Development in the short story “Revelation.” The action itself – a privileged white college student from an elite school inflicting violence upon a rural white woman – also speaks to our ongoing culture wars.