Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque.
Jacob Tobia’s genderqueer coming-out story is the first real genderqueer memoir to be published and carried by a mainstream press.
He’s passionately serious about it but also entertaining and funny, and he makes the concept ‘genderqueer’ easy to understand. He’s a good teacher. And by having already previously come out as gay, he underlines the distinction between sexual orientation and gender identity.
"Transformative ... If Tobia aspires to the ranks of comic memoirists like David Sedaris and Mindy Kaling, Sissy succeeds." --The New York Times Book Review
A heart-wrenching, eye-opening, and giggle-inducing memoir about what it's like to grow up not sure if you're (a) a boy, (b) a girl, (c) something in between, or (d) all of the above.
"A beautiful book . . . honest and funny."--Trevor Noah, The Daily Show "Sensational."--Tyler Oakley "Jacob Tobia is a force." --Good Morning America "A trans Nora Ephron . . . both honest and didactic." --OUT Magazine "A rallying cry…
Leslie Feinberg’s story is a powerful response to the notion that simply discarding sexist gender expectations ought to be enough. Feinberg’s main character Jess was still a young adult when modern feminism exploded onto the scene in the 1970s but Jess isn’t merely androgynous or resisting sexist limitations. She’s butch.
Published in 1993, this brave, original novel is considered to be the finest account ever written of the complexities of a transgendered existence.
Woman or man? That’s the question that rages like a storm around Jess Goldberg, clouding her life and her identity. Growing up differently gendered in a blue--collar town in the 1950’s, coming out as a butch in the bars and factories of the prefeminist ’60s, deciding to pass as a man in order to survive when she is left without work or a community in the early ’70s. This powerful, provocative and deeply moving novel sees Jess…
Kobabe is a person who doesn’t recognize herself in any of the available identities.
Definitely one of the different ones... Lesbian? Transgender man? Nothing that’s out there and available to choose from seems to fit. This book really encapsulates what it’s like to have to weave your identity yourself instead of being able to get it ready-made.
In 2014, Maia Kobabe, who uses e/em/eir pronouns,
thought that a comic of reading statistics would be the last autobiographical
comic e would ever write. At the time, it was the only thing e felt comfortable
with strangers knowing about em. Now, Gender Queer is here. Maia's intensely
cathartic autobiography charts eir journey of self-identity, which includes the
mortification and confusion of adolescent crushes, grappling with how to come
out to family and society, bonding with friends over erotic gay fanfiction, and
facing the trauma and fundamental violation of pap smears. Started as a way to
explain to eir family…
Here’s a story focused on a gender-atypical main character where the book isn’t about being genderqueer or being nonbinary or whatever.
Birdie’s gender characteristics are just there, the same way that a book set in Manhattan can have Manhattan in the foreground without being a book about Manhattan. I like the way that being gay and being trans are discarded as not really applicable to Birdie without some other replacement identity being pushed forward instead.
An emotional and uplifting debut about a girl named Jack and her gender creative little brother, Birdie, searching for the place where they can be their true and best selves.
After their mama dies, Jack and Birdie find themselves without a place to call home. And when Mama's two brothers each try to provide one--first sweet Uncle Carl, then gruff Uncle Patrick--the results are funny, tender, and tragic.
They're also somehow . . . spectacular.
With voices and characters that soar off the page, J. M. M. Nuanez's debut novel depicts an unlikely family caught in a situation none of…
In this autobiographical sketch, the author describes being assumed by people he meets on Grindr to be either a drag queen or a trans woman.
He is neither; Princess WaWa is femme. It’s different. The passion of his life is Derek Island, his romantic obsession. But caring about someone, or even caring about the outcome, is frightening when your primary way of coping with how life treats you is to refuse to care.
A loud-mouth, black, gay teenager struggles to find himself in rural America. After having realized his inability to attend his top-choice school, Waldell Goode embarks on a journey to reevaluate why the grand departure appealed to him in the first place. He learns that as much as he can control his nonexistent love life, there are other factors that aren’t as easily mutable. He comes to terms with his peculiar relationship with his mother, the inevitable heartbreak in store for him no matter how hard he’s tried avoiding it, and the voice of God, in all her beguiling glory.
Derek’s a girl. He wasn't one of the boys as a kid. He admired, befriended, and socialized with the girls, always knew he was one of them, despite being male. That wasn't always accepted or understood, but he didn't care—he knew who he was. Now he's a teenager and boys and girls are flirting and dating and his identity has become a lot more complicated: he's attracted to the girls. The other girls. The female ones.
This is the story of a different kind of male hero—a genderqueer person's tale. It follows Derek from his debut as an eighth grader until his unorthodox coming out at the age of twenty-one.
When Elliot finds herself dead for the third time, she can't remember her past, is getting the cold shoulder from her best friend, and has no idea why she keeps repeating the same mistakes across her previous lives. Elliot just wants to move on, but first, she'll be forced to look at her past and delve into the painful memories she’d rather keep buried. She'll also have to face the person she’s killed.
As she pieces together the secrets and mistakes of her previous lives, Elliot must find a way to earn the forgiveness of the person she’s hurt most…
Experience the afterlife in this lyrical, paranormal debut novel that will send your heart soaring.
When Elliot finds herself dead for the third time, she knows she must have messed up, big-time. She doesn't remember how she landed in the afterlife again, but she knows this is her last chance to get things right.
Elliot just wants to move on, but first she will be forced to face her past and delve into the painful memories she'd rather keep buried. Memories of people she's hurt, people she's betrayed...and people she's killed.
As she pieces together the secrets and mistakes of…
