Here are 100 books that Queen Called Bitch fans have personally recommended if you like
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Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque.
Leslie Feinberg’s story is a powerful response to the notion that simply discarding sexist gender expectations ought to be enough. Feinberg’s main character Jess was still a young adult when modern feminism exploded onto the scene in the 1970s but Jess isn’t merely androgynous or resisting sexist limitations. She’s butch.
Published in 1993, this brave, original novel is considered to be the finest account ever written of the complexities of a transgendered existence.
Woman or man? That’s the question that rages like a storm around Jess Goldberg, clouding her life and her identity. Growing up differently gendered in a blue--collar town in the 1950’s, coming out as a butch in the bars and factories of the prefeminist ’60s, deciding to pass as a man in order to survive when she is left without work or a community in the early ’70s. This powerful, provocative and deeply moving novel sees Jess…
As a kid, I didn’t identify with the gender I was assigned at birth. Even without the language to describe who I really was, I was always on the lookout for stories about other people who felt like I did—for stories, in other words, like the ones on this list. But I never found them. As the books below beautifully illustrate, the spectrum of transgender experience, and our childhoods in particular, are so rich and diverse. My hope is for these and other books like Cactus Country to encourage more trans and queer people to tell their stories so that kids like us can find characters that represent them.
Maia Kobabe’s book is the book I wish I could’ve read growing up. I was struck so many times by the similarities Kobabe’s story shared with mine, as a kid with many of the same questions and feelings about my gender that e did.
With immersive and evocative illustrations that I couldn’t help but linger over, Kobabe’s graphic memoir took me on a refreshingly frank gender journey that was never afraid to delve into the uncomfortable.
It is also the most challenged and banned book in the country at the moment, which I think speaks volumes about the story’s capacity to change lives.
In 2014, Maia Kobabe, who uses e/em/eir pronouns,
thought that a comic of reading statistics would be the last autobiographical
comic e would ever write. At the time, it was the only thing e felt comfortable
with strangers knowing about em. Now, Gender Queer is here. Maia's intensely
cathartic autobiography charts eir journey of self-identity, which includes the
mortification and confusion of adolescent crushes, grappling with how to come
out to family and society, bonding with friends over erotic gay fanfiction, and
facing the trauma and fundamental violation of pap smears. Started as a way to
explain to eir family…
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque.
Jacob Tobia’s genderqueer coming-out story is the first real genderqueer memoir to be published and carried by a mainstream press.
He’s passionately serious about it but also entertaining and funny, and he makes the concept ‘genderqueer’ easy to understand. He’s a good teacher. And by having already previously come out as gay, he underlines the distinction between sexual orientation and gender identity.
"Transformative ... If Tobia aspires to the ranks of comic memoirists like David Sedaris and Mindy Kaling, Sissy succeeds." --The New York Times Book Review
A heart-wrenching, eye-opening, and giggle-inducing memoir about what it's like to grow up not sure if you're (a) a boy, (b) a girl, (c) something in between, or (d) all of the above.
"A beautiful book . . . honest and funny."--Trevor Noah, The Daily Show "Sensational."--Tyler Oakley "Jacob Tobia is a force." --Good Morning America "A trans Nora Ephron . . . both honest and didactic." --OUT Magazine "A rallying cry…
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque.
Here’s a story focused on a gender-atypical main character where the book isn’t about being genderqueer or being nonbinary or whatever.
Birdie’s gender characteristics are just there, the same way that a book set in Manhattan can have Manhattan in the foreground without being a book about Manhattan. I like the way that being gay and being trans are discarded as not really applicable to Birdie without some other replacement identity being pushed forward instead.
An emotional and uplifting debut about a girl named Jack and her gender creative little brother, Birdie, searching for the place where they can be their true and best selves.
After their mama dies, Jack and Birdie find themselves without a place to call home. And when Mama's two brothers each try to provide one--first sweet Uncle Carl, then gruff Uncle Patrick--the results are funny, tender, and tragic.
They're also somehow . . . spectacular.
With voices and characters that soar off the page, J. M. M. Nuanez's debut novel depicts an unlikely family caught in a situation none of…
Growing up, I hardly ever saw books written by people who looked like me, about people who looked like me. When I did, the Asians were often side characters, typecast as nerds (and not in a good way). I didn’t get to see Asians being “cool” kids, and I definitely didn’t see them as love interests. When I went to a performing arts boarding school, it was the first time I wasn’t the only Asian student in my class, and it was life-changing. I think if I had had these books when I was a kid, it would’ve been easier to be confident about who I was.
I fell for this book because of its lyrical sentences, multiple narratives uncovering long-buried secrets, and exploration of the tensions and traumas of family, friendship, romantic love, and the immigrant experience. The people in this novel are all memorable and well-developed—even the adults, which can sometimes be hard to come by in YA books.
I was swept up in the world of the high-pressure Cupertino suburbs, and I love that nearly all the characters were Asian American. It also didn’t hurt that it’s narrated by a talented and troubled teen artist.
"Picture me madly in love with this moving, tender, unapologetically honest book."—Becky Albertalli, #1 best-selling author of Simon Vs. the Homo Sapiens Agenda
Danny Cheng has always known his parents have secrets. But when he discovers a taped-up box in his father's closet filled with old letters and a file on a powerful Bay Area family, he realizes there's much more to his family's past than he ever imagined.
Danny has been an artist for as long as he can remember and it seems his path is set, with a scholarship to RISD and his family's blessing to pursue the…
I'm a gay cartoonist and editor who lives and breathes graphic novels. As an editor at Graphix, Scholastic's graphic novel imprint, I've worked with Dav Pilkey, Jamar Nicholas, Angeli Rafer, Kane Lynch, and many others. As a cartoonist, I'm the author and illustrator of Out of Left Field, which is based on my experiences as a closeted kid on the high school baseball team. So many wonderful books have influenced my journey and career, but these are some of my favorites: groundbreaking graphic novels that helped make Out of Left Field possible.
This book is almost 400 pages long, but it absolutely does not feel like it. It’s one of the most riveting and absorbing books I’ve ever read, in part because of its relatively simple art style and small number of words per page.
It stars Aiden, a teenager who struggles with homophobia and suicidal thoughts as he comes to realize that he’s gay. So much of the dialogue and behavior in this book resonated with my own teenage experiences dealing with toxic “bros,” who made me feel like coming out would be an unsafe thing to do.
Curato creates an incredibly sympathetic character in Aiden, and his two-color artwork—grayscale with well-placed pops of orange and red—deftly supports the book’s thematic and emotional content.
Award-winning author and artist Mike Curato draws on his own experiences in Flamer, his debut graphic novel, telling a difficult story with humor, compassion, and love.
"This book will save lives." ―Jarrett J. Krosoczka, author of National Book Award Finalist Hey, Kiddo
I know I’m not gay. Gay boys like other boys. I hate boys. They’re mean, and scary, and they’re always destroying something or saying something dumb or both.
I hate that word. Gay. It makes me feel . . . unsafe.
It's the summer between middle school and high school, and Aiden Navarro is away at camp. Everyone's…
I grew up a closeted gay in a very straight world. I enjoy reading both true and fictional stories about how others grew up and came out. I decided to write about coming-out and coming-of-age because this mixture of topics just didn’t exist when I was a teen. The books that I have listed here are ones that I feel capture both the realism of what is, what we wished had been, and the hope of what could be—a world where "coming out" wouldn’t be necessary.
I loved this book because Jay Bell has done, successfully, what authors are warned against – have a large cast of characters. Each one of his characters is fully drawn and stands apart from any of the others. I love the variety of backgrounds, cultures, and orientations; each character’s thread wound expertly into the story's overall tapestry.
I was grateful to learn that there are more books in the series because I didn’t want the story to end when I reached the last page!
The Pride series is intended for mature teenagers and nostalgic adults who enjoy sex-positive stories, realistic relationships, and gorgeous guys.
What’s it like growing up in the 90s? Let’s ask the students of Pride High:
Anthony Cullen: My life would be perfect if I wasn’t in the closet. And in love with my straight best friend. Do you think he’ll ever notice me?
Omar Jafari: I’m flunking out of most of my classes, but hey, a girl talked to me. And she’s like… insanely pretty! So maybe I should stop secretly hooking up with a dude.
I’m passionate about young adult sapphic romance books because this is something I wished I would have read in high school. If I had novels similar to these when I was growing up I might have realized that I identify as queer sooner and it could have helped me understand more about myself. Because of this, I’ve been an avid reader, and writer, of sapphic young adult romances. If it’s sapphic, send it my way. I hope you enjoy these sapphic novels as much as I have!
I flew through The Lesiana’s Guide to Catholic School book.
It was set, as the title suggests at a Catholic School. There were a lot of themes that I really related to, such as growing up in a religious family and being scared to reveal yourself true identity to your family and friends. I thought the family dynamics were very realistic, as were the characters.
No one knows Yami is gay, least of all her mum, and Yami intends to keep it that way . . . Until, uh oh, she's falling in love again.
Yami prefers to be known for her killer eyeliner, not for being one of the only Mexican kids at her new, mostly white, rich Catholic school - or for being gay. So after being outed by her ex-best friend, before transferring to Slayton Catholic, Yami decides to lie low, make her mum proud and definitely NOT fall in love. The thing is, it's hard to fake being straight when Bo,…
Ever since coming out as gay in my early 20s, I’ve sought out books that tell queer stories. Seeing ourselves reflected in the stories we read is so important, as it helps you learn and discover new things about yourself and makes you realise you’re not alone. I don’t limit myself to LGBT stories, but I always get a thrill when I find one in the bookstore and I do my best to support queer fiction. I’m now the author of gay uplit novel A Man and His Pride, which draws from some of my own experiences and explores what it means for gay people today to find their pride and learn to love themselves.
Okay, so this book isn’t exactly ‘feel good’ ... far from it. But it is a realistic and unflinching portrayal of gay life in the Grindr era, and for that reason I couldn’t not include it. I read this book at a time when I myself was exploring the world of online gay dating, and boy did it leave an impression. The story follows a gay man who lives a superficial, unfulfilled life of self-destruction and fleeting connections with men on Grindr. It’s beautifully handled and holds up a mirror to a section of the gay community that I had never seen depicted in a book before. It’s quite brutal in its honesty, but any novel that depicts gay life in today’s modern world in an authentic way – no matter how ugly that might be – is a winner in my book!
Between London and Los Angeles, the gym and the gay scene, Instagram and Grindr, what it means to be a gay man has never been so bisected. North Morgan's third novel moves beyond the confines of fiction to examine how homosexuality's acceptance into society has created a new breed of demons for a generation of men born as outsiders yet living at the forefront of popular culture. Heartbreaking but never far from humour, Love Notes to Men Who Don't Read confirms Morgan's place as the leading interpreter of gay culture on either side of the Atlantic.
Growing up gay in Missouri in the 1970s, it was LGBTQ novels that opened the door to the unraveling and discovery of my best self, my true queer identity. Initially potboilers with side gay characters (I hid my copy of Valley of the Dolls from the nuns in grade school) I soon discovered writers that unlocked worlds I did not know existed representing choices, loves, and adventures I would later make my own. As a writer, it was risk-taking, gorgeous LGBTQ novels that urged me along in my literary journey and helped me find and define my voice.
The fact that this queer masterpiece was written entirely in the solitude of a prison cell is only the first of many awe-inspiring truths about the book and its author. The drag queen Divine, a pimp named Darling Daintyfoot and Our Lady populate the book (published in 1943) offering a glimpse into a voluptuous Parisian fringe world. It was the thrilling—at times disturbing—story that first drew me in as a budding writer, but ultimately it was my realization that a book can be at once highly artful and literary as well as deeply erotic. It opened up a new freedom that I draw on every day as a novelist.
Jean Genet's masterpiece, composed entirely in the solitude of his prison cell. With an introduction by Jean-Paul Sartre.
Jean Genet's first, and arguably greatest, novel was written while he was in prison. As Sartre recounts in his introduction, Genet penned this work on the brown paper which inmates were supposed to use to fold bags as a form of occupational therapy. The masterpiece he managed to produce under those difficult conditions is a lyrical portrait of the criminal underground of Paris and the thieves, murderers and pimps who occupied it. Genet approached this world through his protagonist, Divine, a male…
