Here are 100 books that Sissy fans have personally recommended if you like
Sissy.
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Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque.
Leslie Feinberg’s story is a powerful response to the notion that simply discarding sexist gender expectations ought to be enough. Feinberg’s main character Jess was still a young adult when modern feminism exploded onto the scene in the 1970s but Jess isn’t merely androgynous or resisting sexist limitations. She’s butch.
Published in 1993, this brave, original novel is considered to be the finest account ever written of the complexities of a transgendered existence.
Woman or man? That’s the question that rages like a storm around Jess Goldberg, clouding her life and her identity. Growing up differently gendered in a blue--collar town in the 1950’s, coming out as a butch in the bars and factories of the prefeminist ’60s, deciding to pass as a man in order to survive when she is left without work or a community in the early ’70s. This powerful, provocative and deeply moving novel sees Jess…
As a kid, I didn’t identify with the gender I was assigned at birth. Even without the language to describe who I really was, I was always on the lookout for stories about other people who felt like I did—for stories, in other words, like the ones on this list. But I never found them. As the books below beautifully illustrate, the spectrum of transgender experience, and our childhoods in particular, are so rich and diverse. My hope is for these and other books like Cactus Country to encourage more trans and queer people to tell their stories so that kids like us can find characters that represent them.
Maia Kobabe’s book is the book I wish I could’ve read growing up. I was struck so many times by the similarities Kobabe’s story shared with mine, as a kid with many of the same questions and feelings about my gender that e did.
With immersive and evocative illustrations that I couldn’t help but linger over, Kobabe’s graphic memoir took me on a refreshingly frank gender journey that was never afraid to delve into the uncomfortable.
It is also the most challenged and banned book in the country at the moment, which I think speaks volumes about the story’s capacity to change lives.
In 2014, Maia Kobabe, who uses e/em/eir pronouns,
thought that a comic of reading statistics would be the last autobiographical
comic e would ever write. At the time, it was the only thing e felt comfortable
with strangers knowing about em. Now, Gender Queer is here. Maia's intensely
cathartic autobiography charts eir journey of self-identity, which includes the
mortification and confusion of adolescent crushes, grappling with how to come
out to family and society, bonding with friends over erotic gay fanfiction, and
facing the trauma and fundamental violation of pap smears. Started as a way to
explain to eir family…
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque.
Here’s a story focused on a gender-atypical main character where the book isn’t about being genderqueer or being nonbinary or whatever.
Birdie’s gender characteristics are just there, the same way that a book set in Manhattan can have Manhattan in the foreground without being a book about Manhattan. I like the way that being gay and being trans are discarded as not really applicable to Birdie without some other replacement identity being pushed forward instead.
An emotional and uplifting debut about a girl named Jack and her gender creative little brother, Birdie, searching for the place where they can be their true and best selves.
After their mama dies, Jack and Birdie find themselves without a place to call home. And when Mama's two brothers each try to provide one--first sweet Uncle Carl, then gruff Uncle Patrick--the results are funny, tender, and tragic.
They're also somehow . . . spectacular.
With voices and characters that soar off the page, J. M. M. Nuanez's debut novel depicts an unlikely family caught in a situation none of…
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque.
In this autobiographical sketch, the author describes being assumed by people he meets on Grindr to be either a drag queen or a trans woman.
He is neither; Princess WaWa is femme. It’s different. The passion of his life is Derek Island, his romantic obsession. But caring about someone, or even caring about the outcome, is frightening when your primary way of coping with how life treats you is to refuse to care.
A loud-mouth, black, gay teenager struggles to find himself in rural America. After having realized his inability to attend his top-choice school, Waldell Goode embarks on a journey to reevaluate why the grand departure appealed to him in the first place. He learns that as much as he can control his nonexistent love life, there are other factors that aren’t as easily mutable. He comes to terms with his peculiar relationship with his mother, the inevitable heartbreak in store for him no matter how hard he’s tried avoiding it, and the voice of God, in all her beguiling glory.
I grew up in a time when it was nearly unheard of to be out in high school. This led to a very lonely and isolating childhood, with few role models and almost no queer fiction. I'm dedicated to making it easier for the next generation by providing joyful stories about queer people living their best lives. My stories feature proud queer people, where being queer is simply an aspect of their personalities and doesn't dominate the plot. People imitate art, and by providing positive examples of happy queer people, I hope to make the world a more accepting place, one story at a time.
I love a book that pushes my boundaries and allows me to see things from a different perspective in an intimate way, and this book certainly does that.
It features Ander, a non-binary main character who deals with issues of racism and immigration. Despite the heavy topics, the book is filled with tender moments, a wonderful look at Mexican American culture, and is largely a joyous and emotional love story.
The Santos Vista neighbourhood of San Antonio, TX is all Ander Lopez has ever known. The smell of pan dulce, the laughter of kids hitting a pinata at the park, the mixture of Spanish and English filling the streets. And, especially, their job at the family's taqueria. So as the days count down on their gap year until the day they'll leave for art school in Chicago, their head is filled with one relentless question: am I really ready to leave it all behind?
Their family, however, has the opposite worry: to keep them from becoming complacent, they "fire" Ander…
In my 25 years of writing short stories, novels, and plays, I have explored my Mexican and Chicano roots in a variety of genres, from literary fiction to horror to magical realism to science fiction and everything in between. In the end, I do not discriminate when it comes to genre because a well-told story is key for me, regardless of the mode chosen by the author. My most recent novel, Chicano Frankenstein, is a case in point. In it, I blend genres: horror, science fiction, political satire, and a bit of romance. So, too, I love reading fiction that bravely challenges conventional storytelling.
I had already sold my novel when my publisher highly recommended that I read this book, which—like my own novel—is a modern retelling of Mary Shelley’s Frankenstein. I devoured it in two sittings.
Tsai’s story is a biracial, queer, gender-fluid retelling that modernizes and expands Shelley’s themes of alienation and the dangers of unchecked scientific experimentation.
While Tsai explores such weighty themes as gender identity, racism, and medical ethics, there is no skimping on the horror that will haunt your dreams.
Unwieldy Creatures, a biracial, queer, nonbinary retelling of Mary Shelley's classic novel Frankenstein, follows the story of three beings who all navigate life from the margins: Plum, a queer biracial Chinese intern at one of the world's top embryology labs, who runs away from home to openly be with her girlfriend only to be left on her own; Dr. Frank, a queer biracial Indonesian scientist, who compromises everything she claims to love in the name of science and ambition when she sets out to procreate without sperm or egg; and Dr. Frank's nonbinary…
As the oldest of nine kids, I can’t remember a time before I had siblings. When I was younger, I had a habit of writing protagonists who were only children—but as I finished the final book in my Sãoni Cycle trilogy, I discovered that each protagonist was processing a sibling connection! The older I get, the more curious I become about how these bonds shape and transform people, especially as they age. Speculative fiction provides countless contexts to explore notions of family. Perhaps siblings don’t have magic powers in the real world, but we might understand one another better if we did.
I listened to this audiobook on my drive to and from work—and often found myself taking the long route home! Narrator Fajer Al-Kaisi brought an incredible story to the next level. This was an exhilarating five hours of blood magic, deeply nuanced explorations of axes of oppression, and queer normative, Persian-inspired worldbuilding.
One of my favorite parts of this book is the relationship between trans siblings Firuz and Parviz as they navigate trying to get Parviz access to gender-affirming healthcare. I appreciated being able to sit with this very real challenge outside of the context of the transphobia I see every day.
The love between these siblings (and I haven’t even mentioned found sibling Afsoneh!!) shines through the pages, even and especially during their toughest challenges.
“I loved this gorgeous book about blood magic, chosen family and refugees in a hostile city. Naseem Jamnia has created a rich, complex world.” ―Charlie Jane Anders, author of All the Birds in the Sky
[STARRED REVIEW] “A delight to read. Highly recommended.” ―Library Journal
In this intricate debut fantasy introducing a queernormative Persian-inspired world, a nonbinary refugee practitioner of blood magic discovers a strange disease that causes political rifts in their new homeland. Persian-American author Naseem Jamnia has crafted a gripping narrative with a moving, nuanced exploration of immigration, gender, healing, and family. Powerful and fascinating, The Bruising of…
I'm a historian of gender in colonial Latin America. I'm always looking for surprises in these stories: men's and women's lives in the past were not narrower than ours, and I love to find their strategies for dealing with a system that was often stacked against them. I enjoy learning that my expectations were wrong, and thinking about the past as a living world. As a researcher who is always stumbling on unusual documents that I have to confront with fresh eyes, I really love a book that challenges me to think about how we can even know about the past, especially in terms of race and gender.
Truly one of the most exhilarating and surprising books I have read in a long time!
Abercrombie found a cache of documents left from the trial of Antonio Yta, born María Yta, who lived as a man after being tossed out of five different Spanish convents in the late eighteenth century. Yta ended up in South America, where he became a petty bureaucrat and married a Spanish woman who eventually turned him in to authorities. Along the way, Yta received permission from the Vatican to live and dress as a man. The story is not only full of ups and downs, but Abercrombie has transcribed a lot of the documentary record to show readers how Yta's family, friends, and colleagues struggled with who he was.
The book is divided into parts that tell the story, engage with different academic literature, and imagine Yta's life so that a reader can tailor…
In 1803 in the colonial South American city of La Plata, Dona Martina Vilvado y Balverde presented herself to church and crown officials to denounce her husband of more than four years, Don Antonio Yta, as a "woman in disguise." Forced to submit to a medical inspection that revealed a woman's body, Don Antonio confessed to having been Maria Yta, but continued to assert his maleness and claimed to have a functional "member" that appeared, he said, when necessary.
Passing to America is at once a historical biography and an in-depth examination of the sex/gender complex in an era before…
Growing up, I wasn't aware of many books or stories featuring characters outside the gender binary. There was George from The Famous Five (whom I loved), and later, there were the films The Silence of the Lambs and Boys Don’t Cry. Not exactly a heartening picture! Nowadays, there is a library’s worth of literature examining the interplay of gender and identity and featuring trans and non-binary characters. This is a list of five of my absolute favorite books by trans and non-binary writers that explore gender and identity–I hope that they speak to you in the way they did to me.
This is the only book on my list aimed primarily at younger readers, but there is much here for adult readers as well. Jamie follows a non-binary kid who realizes that they have to choose to attend either a boys’ or girls’ secondary school–and decides to try to change things instead.
I didn’t have a story like this when I was young, and I am so glad that young readers have it now. So many young people will see themselves in Jamie, but I also think that reading fiction like this will help children and adults who are not trans or non-binary to understand the people in their lives who are. Funny, sweet, and uplifting, Jamie has a special place in my heart.
1
author picked
Jamie
as one of their favorite books, and they share
why you should read it.
This book is for kids age
8,
9,
10, and
11.
What is this book about?
One of the Guardian's best children's and YA books of 2023
'FABULOUS, HOPEFUL, IMPORTANT' - Emma Carroll
'A sensitive, moving 9+ story about fighting for acceptance and change' - Guardian
'An inspirational story of a young person finding the strength and resilience to be exactly who they are' - The Scotsman
A beautiful and uplifting story from L.D. Lapinski, author of The Strangeworlds Travel Agency, about how to make your own place when the world doesn't think you fit anywhere. For fans of Me, My Dad and The End of The Rainbow.
Jamie Rambeau is a happy 11-year-old non-binary kid…
I'm a trauma psychologist and intergenerational trauma expert who’s listened to countless client stories of generational pain and healing. I also write a weekly newsletter, called Break the Cycle, where I offer coping skills to cycle breakers and have the opportunity to read about the multitude of ways in which they are breaking away from trauma and creating legacies of abundance. It is in these stories, I believe, that we're able to see all the possibilities of how we may heal. I hope you enjoy these multilayered stories as much as I did!
This book at times feels like poetry and written with such profundity.
Grappling with deep physical pain, Jen Soriano, a daughter of a neurosurgeon, comes upon a hard truth about the origins of her physical pain; a history of generational trauma and her family’s absorption of a painful history of colonization of the Phillipines.
This poignant memoir helped me understand, at a personal level, how the body starts to give up when we carry the emotional wounds of the past, how neurodivergence intersects with historical trauma, and reminds us that freedom from pain is indeed possible.
As a trauma psychologist, it was both humbling and enlightening to receive the author’s personal accounts of intergenerational trauma and intergenerational healing.
Activist Jen Soriano brings to light the lingering impacts of transgenerational trauma and uses science, history, and family stories to flow toward transformation in this powerful collection that brings together the lyric storytelling, cultural exploration, and thoughtful analysis of The Argonauts, The Woman Warrior, What My Bones Know, and Minor Feelings.
The power of quiet can haunt us over generations, crystallizing in pain that Jen Soriano views as a form of embodied history. In this searing memoir in essays, Soriano, the daughter of a neurosurgeon, journeys to understand the origins of her chronic pain and mental health struggles. By the…
