As a historical romance reader, I’m a sucker for stories about the glamorous aristocracy falling in love. While Regency and Victorian romances have explored feminism for at least the last two decades, the genre often falls short of asking more of itself. Of course the debutante shouldn’t need a man – but while the story liberates her, it doesn’t take any notice of the non-aristocratic, non-Anglican, non-White, less-abled, and/or non-cishet straight characters around her. I yearned for stories that required my favorite aristocrats to acknowledge, examine, and leverage their privilege. All five of these authors deliver – without forgetting our favorite tropes and genre conventions!
When I pick up a Courtney Milan historical romance, I know I will be hit in the heart with a story that is as insightful as it is moving.
The only question was which of her books to include in this list!
I choseThe Duke Who Didn’t because it explores class, race, and gender roles in the delightful setting of a small town in the English countryside hosting an annual sports festival.
The plot reckons with the aristocrat’s responsibility to his people, the challenges and joys of a working-class community, and the exploitation of non-British identities for profit.
And because it is a Courtney Milan novel, it does so with plenty of clever tropes and swoon-worthy romance!
Since the age of seven, I've been conscious of the need to bypass how one is supposed to do things. I realized then that my grandmother could not pursue a writing career because she was also a woman and a wife; a cautionary tale I took to heart since I was already beginning to identify as an artist. I'm driven to uncover how we recognize what we see, and how forces beyond our control engender or foreclose upon new ways of being in the world. A professional life lived in the arts has allowed the fullest flexibility for exploring these ideas as one is generally encouraged to think differently.
Through the skillful interweaving of personal experiences mixed with scholarly observations and references, Kern catalogs all the ways that cities have historically been designed for men by men.
Stories all women recognize, like the extra costs of keeping oneself safe in the city, or the boundaries imposed on women with young children who can’t get strollers up staircases or into trolley cars, or the discomfort with dining alone at restaurants, remind readers of how urban planners could and must do better.
Kern is attentive to race, ability, and gender in her observations and references as she seeks to balance the here-and-now with pragmatic solutions for future feminist cities capable of serving everyone equally.
What should a metropolis for working women look like? A city of friendships beyond Sex and the City. A transit system that accommodates mothers with strollers on the school run. A public space with enough toilets. A place where women can walk without harassment.
Through history, personal experience and popular culture Leslie Kern exposes what is hidden in plain sight: the social inequalities are built into our cities, homes, and neighbourhoods. She maps the city from new vantage points, laying out a feminist intersectional approach to urban histories and proposes that the city is perhaps also our best hope for…
My mom was an anthropologist, and when I was two, she took me to Sri Lanka, the island off the tip of India. After years of insisting that I wanted nothing to do with any social science, let alone anthropology, I ended up in graduate school studying… anthropology. Long story. Having taken up the family mantel, I returned to the village where I lived as a child and asked what had changed in the intervening years. Since then, my Sri Lankan interlocutors have suggested book topics that include labor migration, the use and abuse of alcohol, the aftermath of the Indian Ocean Tsunami, and the challenges of aging.
This book gets at questions near and dear to my own ethnographic explorations, namely how migration changes gender roles in households. Women don’t leave home without figuring out care for young children and frail elders. Tanja Bastia looks at how Bolivian families handle the challenge of transnational parenting. Grandmothers often fill in for their migrant daughters (there’s the aging connection!), and migrant women struggle to balance their financial opportunities with the social stigma of having ‘abandoned’ their children in search of wealth.
Intersectionality can be used to analyse whether migration leads to changes in gender relations. This book finds out how migrants from a peri-urban neighbourhood on the outskirts of Cochabamba, Bolivia, make sense of the migration journeys they have undertaken.
Migration is intrinsically related to social transformation. Through life stories and community surveys, the author explores how gender, class, and ethnicity intersect in people's attempts to make the most of the opportunities presented to them in distant labour markets. While aiming to improve their economic and material conditions, migrants have created a new transnational community that has undergone significant changes in…
Halfway through my first novel, I realized that I was writing in a genre that had received little critical study and had almost no visibility. To find my way around the genre—and my place within it—I began reading heavily and before I knew it, I had read well over 200 lesbian mystery novels and devoured almost every serious review and critical study The dozen books I have written over the last decade reflect this study. In them, I hope I have succeeded in expanding the genre in some small way and adding to the menu of a hungry and discerning LGBTQ audience.
Nikki Baker is the first African-American writer of lesbian mysteries and her character Virginia Kelly—who works as a financial analyst in Chicago—is the first African-American lesbian sleuth. This makes it important, but what makes the book outstanding is the writing, especially the voice of the protagonist. The plots are slick and entertaining, but it is Virginia’s internal musings and interpersonal relationships that make this—and the other 3 books in the series—a clear 5-star winner.
When businesswoman Virginia Kelly meets her old college chum Bev Johnson for drinks late one night, Bev confides that her lover, Kelsey, is seeing another woman. Ginny had picked up that gossip months ago, but she is shocked when the next morning's papers report that Kelsey was found murdered behind the very bar where Ginny and Bev had met. Worried that her friend could be implicated, Ginny decides to track down Kelsey's killer and contacts a lawyer, Susan Coogan. Susan takes an immediate, intense liking to Ginny, complicating Ginny's relationship with her live-in lover. Meanwhile Ginny's inquiries heat up when…
As a historical romance reader, I’m a sucker for stories about the glamorous aristocracy falling in love. While Regency and Victorian romances have explored feminism for at least the last two decades, the genre often falls short of asking more of itself. Of course the debutante shouldn’t need a man – but while the story liberates her, it doesn’t take any notice of the non-aristocratic, non-Anglican, non-White, less-abled, and/or non-cishet straight characters around her. I yearned for stories that required my favorite aristocrats to acknowledge, examine, and leverage their privilege. All five of these authors deliver – without forgetting our favorite tropes and genre conventions!
Whenever I read a Cat Sebastian, I sigh in envy at how well she writes nuanced characters with nuanced emotions.
InSoldier’s Scoundrel, two heroes from very different backgrounds unite around a single goal.
From Jack’s perspective, we see the challenges of poverty and classism. From Oliver, we see a veteran trying to adjust to everyday life.
Together, they try to protect and defend women from physical, emotional, and economic abuse. Their love story is beautiful, requires them to pierce layers of their psyches to find vulnerability, and makes you feel all of the feels.
Even better, by the end of the novel, I had a new perspective on how the patriarchy works in societal systems. This is a read that made my empathy grow like the Grinch’s heart!
Jack Turner grew up in the darkness of London’s slums, born into a life of crime and willing to do anything to keep his belly full and his siblings safe. Now he uses the tricks and schemes of the underworld to help those who need the kind of assistance only a scoundrel can provide. His distrust of the nobility runs deep and his services do not extend to the gorgeous high-born soldier who personifies everything Jack will never be.
A soldier untarnished by vice
After the chaos of war, Oliver Rivington craves the…
As a historical romance reader, I’m a sucker for stories about the glamorous aristocracy falling in love. While Regency and Victorian romances have explored feminism for at least the last two decades, the genre often falls short of asking more of itself. Of course the debutante shouldn’t need a man – but while the story liberates her, it doesn’t take any notice of the non-aristocratic, non-Anglican, non-White, less-abled, and/or non-cishet straight characters around her. I yearned for stories that required my favorite aristocrats to acknowledge, examine, and leverage their privilege. All five of these authors deliver – without forgetting our favorite tropes and genre conventions!
True Pretensesis a novel that took me by surprise.
The hero, Ash, is a Jewish man hiding his identity because of personal experience with violent antisemitism. Lydia is a well-meaning aristocrat who is more than a little out of touch with the rest of society.
Since Ash is a con man, there are some fun capers and misunderstandings – even more so once Lydia embraces him for who he is. For anyone looking for a tender historical romance that opens your eyes to a fresh slice of history – namely, Judaism in 19th century England – this is a book you can’t miss.
Something borrowed...Through wit and sheer force of will, Ash Cohen raised himself and his younger brother Rafe out of the London slums and made them (in his unbiased opinion) the best confidence men in England. Ash is heartbroken when Rafe decides he wants an honest life, but he vows to give his beloved brother what he wants. When Ash hears of a small-town heiress scrambling to get her hands on the dowry held in trust for when she marries, he plans one last desperate scheme: con her and his brother into falling in love. After all, Rafe deserves the best,…
Jenny Jaeckel is the award-winning author and illustrator of several books including her historical fiction companion novelsHouse of RougeauxandBoy, Falling, a collection of illustrated short fiction entitled For the Love of Meat, and the graphic novel memoir Spot 12: Five Months in the Neonatal ICU. She has a special passion for coming-of-age stories for their power in capturing the stories of life that are the most specific and most vivid. When not writing, Jaeckel works as an editor and translator. She lives in Victoria, British Columbia, with her family. Eighteenis her third novel.
Like all the young girls in this shortlist of coming-of-age stories, Ashley C. Ford (one of Angelou’s literary children) is a survivor hell-bent on finding a life better than the one she was handed, and, like the others, she is remarkably sensitive, imaginative, and able to paint her world for us in the most tender and unique shapes and colors. How does a young girl weather such brutal realities, experience beauty, and splice together a space for her soul? Ford’s memoir is one such contemporary story.
INSTANT NEW YORK TIMES BESTSELLER NBCC John Leonard Prize Finalist Indie Bestseller
“This is a book people will be talking about forever.” —Glennon Doyle, #1 New York Times bestselling author of Untamed
“Ford’s wrenchingly brilliant memoir is truly a classic in the making. The writing is so richly observed and so suffused with love and yearning that I kept forgetting to breathe while reading it.” —John Green, #1 New York Times bestselling author
One of the most prominent voices of her generation debuts with an extraordinarily powerful memoir: the story of a childhood defined by the looming absence of her…
Amidst COVID-19, HIV/AIDS is a touchpoint for journalists, scholars, writers, and a public who seek a usable past in understanding the present and making an uncertain future less so. The challenge of how to love, live, and survive amidst pandemics isn't new, I play here on the title of one of the first safer sex books,How to Have Sex in an Epidemic. As someone who studies how activists document their work and how they bring those materials to life today, I'm both fascinated and troubled by pandemic comparisons. These books offer crucial stories and productive tools to think with as we navigate questions of how to survive, and maybe even thrive amidst intersecting pandemics.
In We Are Having This Conversation Now, Alexandra Juhasz and Theodore Kerr blow up the conventions of academic work on epidemics.
In a series of thirteen short dialogues they reflect as activists, media-makers, and scholars on the history, present, and future of AIDS. The reflections on AIDS-related culture and conversation they share, will spark for readers critical questions about how personal experiences, community, cultural production, and interpersonal relations come together.
Doing this kind of reflective work is particularly important now, as we need to begin to understand not only HIV/AIDS, but how it impacts the experience of living amidst other viral pandemics including COVID-19.
We Are Having This Conversation Now offers a history, present, and future of AIDS through thirteen short conversations between Alexandra Juhasz and Theodore Kerr, scholars deeply embedded in HIV responses. They establish multiple timelines of the epidemic, offering six foundational periodizations of AIDS culture, tracing how attention to the crisis has waxed and waned from the 1980s to the present. They begin the book with a 1990 educational video produced by a Black health collective, using it to consider organizing intersectionally, theories of videotape, empowerment movements, and memorialization. This video is one of many powerful yet overlooked objects that the…
There have always been disabled people shaping my worldview and understanding, however, I am an expert only about my own disabilities. Disabled storytellers, including Helen Keller, sometimes utilize tactical silence to scream… I value that! However, barriers confronting the disabled require broad and sometimes loud collective action from many people in many communities and not just a marginalized few. Disability activism is a complex, tactical fight over time for self-determination that touches all of us at some point. COVID, world events, and experiencing some barriers disabled and marginalized groups face all the time have compelled me to share a few of my favorite reads related to disability and inclusion.
I believe a society’s resilience does not happen by coddling, oppressing, or marginalizing the disabled (or any minority group), but by fostering holistic, inclusive communities that move in cinque. We Move Together is a picture book about disability justice designed for intergenerational sharing. It is appropriate for all ages as it simply states we as a society move best together no matter of disability, race, gender, or age. The brilliance of this straightforward assertion is its universal intersectionality. The book contains helpful explanations of statements in the verses along with resources for learning more in the back. I love this message! Removing barriers to access, communication, work, relationships, and living independent and self-determined lives helps everyone and fosters healthy democracy.
A bold and colorful exploration of all the ways that people navigate through the spaces around them and a celebration of the relationships we build along the way. We Move Together follows a mixed-ability group of kids as they creatively negotiate everyday barriers and find joy and connection in disability culture and community. A perfect tool for families, schools, and libraries to facilitate conversations about disability, accessibility, social justice and community building. Includes a kid-friendly glossary (for ages 3–10). This fully accessible ebook includes alt-text for image descriptions, a read aloud function, and a zoom-in function that allows readers to…
Having worked on college campuses for 25 years as a professor, administrator, and first-year experience program designer, I’ve seen first-hand how freshmen are increasingly failing at “adulting” because they are unprepared for the realities of campus life. I take on this needed preparation as co-author of How to College: What to Know Before You Go (and When You’re There) and as the creator of the Talking College™ Card Deck, discussion prompts for college-bound students and their parents/guardians. I share my insider knowledge with college-bound students and their parents at talks and workshops throughout the U.S. My goal is to help both groups thrive as they prepare for the upcoming transition.
The editors and contributing authors present research and theory interspersed with unique personal experiences of the journey taken by first-generation students as they move through college. The volume provides the reader with up-to-date data on two- and four-year colleges, and discusses the intersection of first-generation status with varied student identities including LGBT, low-income, African-American, Latinx, Native American, and undocumented. The last section of the book offers an introduction to practices, policies, and programs across the U.S., and directs educators, policymakers, and administrators to make campuses inclusive for diverse first-generation college students. At the Intersection is a resource for understanding and effectively responding to first-generation students’ divergent, shared, and intersectional identities in order to understand and alter their access, retention, learning, and well-being on the college campus.
The experiences of first-generation college students are not monolithic. The nexus of identities matter, and this book is intended to challenge the reader to explore what it means to be a first-generation college student in higher education. Designed for use in classrooms and for use by the higher education practitioner on a college campus today, At the Intersections will be of value to the reader throughout their professional career.
The book is divided into four parts with chapters of research and theory interspersed with thought pieces to provide personal stories to integrate the research and theory into lived experience. Each…
