I graduated from Wheaton College, MA, at the time, a women’s college where I developed a heightened appreciation of the power of women’s abilities to strive for more and achieve more. After learning about an ancestor’s involvement in founding the first women’s only medical school, I knew those graduates’ stories needed to be unearthed from the shadows of history by writing my book. Every March, to coincide with Women’s History Month, I celebrate these women, other glass-ceiling smashers, and the authors who write about them through my list of #31titleswomeninhistory. I have presented to the American Medical Women’s Association, local chapters of AAUW, ADK sorority, and Soroptimist International, among others.
I sincerely thank Ruth P. Watson for sharing Maggie Lena Walker's story to celebrate Walker’s accomplishments, including being the first African American woman to charter a bank and serve as a bank president.
I stood in awe learning about this unknown woman of history: an entrepreneur, civic leader, philanthropist, and visionary who believed in the power of people. I love historical fiction because a talented author like Watson can also weave in references to other people and historical events.
Watson succeeds in this respect when she mentions other influential African Americans like W. E. B. Du Bois and Booker T. Washington as she highlights Walker’s role in challenging Jim Crow-era norms.
In the vein of The Personal Librarian and The House of Eve, a “remarkable and stirring novel” (Patti Callahan Henry, New York Times bestselling author) based on the inspiring true story of Virginia’s Black Wall Street and the indomitable Maggie Lena Walker, the daughter of a formerly enslaved woman who became the first Black woman to establish and preside over a bank in the United States.
Maggie Lena Walker was ambitious and unafraid. Her childhood in 19th-century Virginia helping her mother with her laundry service opened her eyes to the overwhelming discrepancy between the Black residents and her mother’s affluent…
I’m an old lawyer, a writer, and now I’ve stumbled into acting, but reading, just plain old sitting on the couch and reading, has always been my personal slice of heaven. I was a history major but not a history buff like those folks that can rattle off dates or win $287,000 on Jeopardy. These stories from history can be told realistically, romantically, impressionistically, philosophically, and lots of other ways. But satirically is how stories capture and move me the most. Nothing stirs me or grows goosebumps on me as effectively as a story of hard times and hard-hearted people who deserve a bit of exposure from some well-aimed wit.
I read Imperium in an Afro-American Literature course in college. The instructor was excellent. I was the only non-Afro-American male in the class. I sat in the back. As soon as I finished reading Imperium I said to myself “This would make a great movie.” About ten years later I adapted the book into a screenplay. I typed it myself on my old typewriter. There was gunk on some of the keys and they needed cleaning. I realized that around Scene Five. If you ever read my old manuscript, I apologize for the first twenty pages. You can tell Sutton Griggs I’m sorry, also.
Imperium in Imperio (1899) is a novel by Sutton E. Griggs. Written while Sutton was at the beginning of his career as a Baptist minister, Imperium in Imperio was sold door to door and earned modest praise upon publication. Although Griggs' novels were largely forgotten by the mid-twentieth century, scholars have recently sought to emphasize his role as an activist and author involved with the movement for Black nationalism in the United States. Critics since have recognized Griggs as a pioneering political figure and author whose utopian themes and engagement with contemporary crises constitute some of the era's most radical…
Improbable trailblazers have fascinated me ever since I told the story of Black cardiac surgery pioneer Vivien Thomas in a 1989 Washingtonian Magazine article that won the National Magazine Award and inspired the Emmy-winning HBO film Something the Lord Made. My passion for chronicling unheralded genius has led me from one of the most remote corners of the American west to Baltimore operating rooms to the classrooms and courtrooms of Washington, DC. My decade-long collaboration with civil rights pioneer Dovey Johnson Roundtree in co-writing her autobiography Mighty Justice whetted my interest in a host of fierce African American women pathbreakers.
Cemented in popular consciousness by the 2020 Netflix series starring Octavia Spencer, African American millionaire and philanthropist Madam C.J. Walker stands as one of the foremost emblems of Black economic achievement. The woman born Sarah Breedlove to former slaves in 1867 transformed herself from cotton picker to washerwoman to direct sales pioneer to iconic beauty empire head and social activist at a time when even educated Black women of privilege were constrained by the white male hierarchy. The bare bones of this narrative would be sufficient for a book. But in the hands of Walker’s great-great-granddaughter, journalist A’Lelia Bundles, the rags-to-riches story becomes a window into the social, economic, and racial realities of the times and a riveting portrait of the shrewd, unflinching and ambitious woman who triumphed despite them.
The book behind the Netflix series, starring Octavia Spencer
'One of the most fabulous African-American figures of the twentieth century' Ishmael Reed
Madam Walker was the first free-born child in her family, growing up in abject poverty in post-Civil War America. From humble beginnings, she overcame societal prejudice, family betrayals and epic business rivalries to pioneer cosmetics that revolutionised black hair care, build a beauty empire, and become one of the wealthiest self-made women in America.
Not only an astute businesswoman, but a passionate activist and philanthropist, Madam Walker provided jobs and training for thousands of African American women across…
Finally, if we are to understand the intellectual foundations of
the post-Western world in terms of IR isms, then we ought to study the
power/culture intersection well.
For these reasons, as this book does, it’s
important to consider the potential dialogue between classical realism of
scholars such as E.H. Carr and Hans Morgenthau, on the one hand, and
post-colonial theorists including Frantz Fanon, W. E. B. Du
Bois, and Aimé Césaire, on the other. Both sides have much to benefit from each
other in understanding the phenomena of race, imperialism, and war.
This book highlights important parallels between Carr and three influential figures in the first wave of post-colonialism-DuBois, Cesaire and Fanon-on the analysis of imperialism and the causes of war. Specifically, Carr's analysis of imperialism and war parallels the first wave post-colonial thinkers in two respects. First, Carr's work historically situates imperialism in the context of the social question in Western democracies. Second, Carr's work provides an ideology critique to Enlightenment rationalism, which postulates that 'reason could determine what [are] the universally valid moral laws' and thus 'by the voice of reason men could be persuaded both to save their own…
I was born and raised in Nyack, New York, and all of my degrees are from colleges and universities in New York. I have always been interested in race relations in America and understanding their causes and consequences. Hope and despair are two themes that run through the experiences of people of African ancestry in America. The books I selected include fiction and nonfiction works that highlight promises made and promises unfulfilled.
I think WEB DuBois is one of the greatest scholars ever to live. I recommend this book because DuBois eloquently tackles some of American society's greatest challenges. I like that DuBois is not satisfied with contemporary explanations about racial inequities. I am grateful to DuBois for encouraging American society to explore the roles of race and racism and explaining the experiences of people of African ancestry in America.
The Souls of Black Folk: Essays and Sketches is a 1903 work of American literature by W. E. B. Du Bois. It is a seminal work in the history of sociology and a cornerstone of African-American literature.
The book contains several essays on race, some of which had been published earlier in The Atlantic Monthly. To develop this work, Du Bois drew from his own experiences as an African American in American society. Outside of its notable relevance in African-American history, The Souls of Black Folk also holds an important place in social science as one of the early works…
I have been reading about W.E.B. Du Bois since graduate school. He’s a fascinating character in American history who is always surprising me.
In this book, Chad Williams finds an unpublished 800-page manuscript in the archives at the University of Massachusetts, Amherst, and gives the reader a peak into the complexities of Du Bois’s brain. Having read nearly everything Du Bois wrote as I use his work in my own historical writings, I had never seen this side of Du Bois.
For the first time, followers of Du Bois’s work can see how World War I shaped him, his political evolution, and his later work. Williams’ book tackles Du Bois’s notion of double consciousness (being Black and American) within the context of fighting for one’s country and demonstrates how Du Bois originally thought he could reconcile being Black and American during the war but eventually became disillusioned.
The dramatic story of W. E. B. Du Bois's reckoning with the betrayal of Black soldiers during World War I―and a new understanding of one of the great twentieth-century writers.
When W. E. B. Du Bois, believing in the possibility of full citizenship and democratic change, encouraged African Americans to “close ranks” and support the Allied cause in World War I, he made a decision that would haunt him for the rest of his life. Seeking both intellectual clarity and personal atonement, for more than two decades Du Bois attempted to write the definitive history of Black participation in World…
To me, political and moral questions have always seemed intertwined. My career as a political theorist is dedicated to using philosophical argument to untangle the moral questions surrounding real-world politics. I am especially interested in ethics and international affairs, including the ethics of intervention, what a just world order would look like, and how our understandings of familiar ideals—like justice, democracy, and equality—would change if we thought they were not only meant to be pursued within each nation-state, but also globally, by humanity as a whole. As faculty in Political Science and International Affairs at The George Washington University, I explore these issues with colleagues and students alike.
The first half of this book offers a rich, careful textual engagement with the works of Immanuel Kant and his intellectual descendants. It is sure to be rewarding to those interested in Kant’s cosmopolitanism and its present-day variants.
But, to me, the real beauty of Valdez’s book lies in its second half, where she discusses W.E.B. Du Bois’s political thought and the history of his transnational activism against racism and empire.
Drawing on Du Bois, Valdez presents a radical vision of what democracy and political community can look like beyond the nation-state. She also offers an excellent model of how to discuss oppressed people not as helpless victims, but as political agents in their own right with lessons to teach the world about how best to struggle for justice.
Based on the theoretical reconstruction of neglected post-WWI writings and political action of W. E. B. Du Bois, this volume offers a normative account of transnational cosmopolitanism. Pointing out the limitations of Kant's cosmopolitanism through a novel contextual account of Perpetual Peace, Transnational Cosmopolitanism shows how these limits remain in neo-Kantian scholarship. Ines Valdez's framework overcomes these limitations in a methodologically unique way, taking Du Bois's writings and his coalitional political action both as text that should inform our theorization and normative insights. The cosmopolitanism proposed in this work is an original contribution that questions the contemporary currency of Kant's…
I have been doing research in the Caribbean for twenty-five years. The region is diverse and magnificent. Caribbean people have sought creative solutions for racial inequality, climate and sustainability, media literacy and information, women’s and family issues. The transnational connections with the US are complex and wide-ranging, and knowing more about this region is an urgent matter. I work to understand how sound and media work because they structure our reality in important ways. Listening as a way of approaching relationships in work and play is key to our survival. So is understanding how media works, where we get our information from, and how to tell what’s relevant, significant, and true, and what is not.
The author points to the ways American media designated sound as “black” or “white” even as “colorblindness” became the dominant paradigm for liberal attitudes towards race. While Americans claimed that they didn’t “see race”, they were exposed to an increasingly segregated soundscape and media environment. Stoever opens up new ways for us to listen to familiar voices, such as those of WEB du Bois, Lena Horne, Lead Belly, Richard Wright, and many more.
The unheard history of how race and racism are constructed from sound and maintained through the listening ear.
Race is a visual phenomenon, the ability to see "difference." At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear-voices, musical taste, volume-as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only…
I was not trained in African American history, but first developed a passion for it during my first teaching job in Pittsburgh, where a number of my colleagues were interested in locating the origins of Black Nationalism and began researching the life of a local black physician, Martin R. Delany. That led me to a wider exploration of nineteenth-century African American history.
A penetrating story of the person many considered the intellectual leader of nineteenth-century African American.
A man who rose from poverty in New York City to gain a degree from Cambridge University, spent almost thirty years in Liberia, wrote some of the most incisive analyses of African civilization before returning to America where he mentored W.E. B. DuBois and other leaders of the new Civil Rights Movement.
Alexander Crummell (1819-1898) was one the most prominent Afro-American intellectuals of the nineteenth-century. This biography places Crummell's ideas within the context of his life and times.
At school I fell in love philosophy. But at university, as I grew older, I started to feel out of place: all the authors we read were men. I loved Plato, but there was something missing. It didn’t occur to me until I was in my thirties to look for women in the history of philosophy! I read Wollstonecraft first, then Olympe de Gouges, and the other women I wrote about in my book, and now I’m looking at women philosophers from the tenth to the nineteenth century. There is a wealth of work by women philosophers out there. Reading their works has made philosophy come alive for me, all over again.
Anna Julia Cooper is one of the nineteen and twentieth American philosophers I find most exciting.
Her book, A Voice from the South, is the first feminist book to introduce the idea of intersectionality! She spent her very long lifetime writing about education, women’s rights, racism, and she has a fascinating correspondence with the intellectuals of her time, including W.E.B Dubois.
But until recently getting hold of her writings wasn’t terribly easy, unless you were willing to read online, or had access to a good academic library.
This beautiful and cheap edition is a godsend and everyone should buy it.
A collection of essential writings from the iconic foremother of Black intellectual history, feminism and activism
The Portable Anna Julia Cooper will introduce a new generation of readers to an educator, public intellectual and community activist whose prescient insights and eloquent prose underlie some of the most important developments in modern American intellectual thought and African-American social and political activism.
This volume brings together, for the first time, Anna Julia Cooper's major collection of essays, A Voice from the South, along with several previously unpublished poems, plays, journalism and selected correspondences, including over thirty previously unpublished letters between Anna Julia…
