The most recommended Ralph Waldo Emerson books

South to Freedom tells the relatively unknown story of Americans who moved to Mexico for the most existential of reasons: to flee slavery in the 1840s-1850s.

Although Mexico has its own history of slavery, it abolished that evil earlier than the United States did, and this book provides accounts of Mexican officials and ordinary citizens risking their lives to protect fugitive slaves from pursuing slaveholders.

Southern states believed that annexing Texas and invading Mexico would ensure slavery's continuation, but as Baumgartner shows, those actions were instead among the proximate causes of the Civil War. Baumgartner’s important book enhances the sanitized version of Civil War history I learned in school and sheds light on this noble aspect of Mexican history.

I love this book, which was published in 1903, because of how timeless it is and because of how relevant Du Bois’ words are to our present moment in which racial inequality and racism persist.

I appreciate the historical perspective Du Bois provides his readers so the past is not forgotten, so the past helps us understand the historical trajectory that led us to right now. The writing is clear, smart, and beautiful, offering a blend of genres—from music to memoir—that keeps readers engaged as they read Du Bois’ astute analyses of the past and his suggestive projections about the future.

As an English professor, I love introducing my students to this classic text, which inevitably evokes empathy from them and, in some, elicits a desire for activism. This is a text that moves people. 

My admiration for this book is demonstrated by the way in which I quite shamelessly ripped off its title for my own. It has been said that America is the only nation that began perfect and hoped to improve. The engine of that improvement, from the earliest days of the Republic, had been new technologies but by the middle of the pre-Civil War period some Americans began to realize that the “improvement” they had unleashed was beginning to erode the very “perfection” that they had hoped to enshrine in the nation’s foundation. Writers, artists, and creative intellectuals in general are society’s canaries in the mine shaft, and the great names of the American Renaissance—Ralph Waldo Emerson, Henry David Thoreau, Washington Irving, Herman Melville, George Innes, Charles Sheeler, and their colleagues—attempted to describe, understand, and perhaps heal the destructive effects of the machine. As Marx concludes, “what was a grim possibility… show more.

I recommend this book because it had a great influence on me as a young child. Moving through the world, particularly as a black woman, requires a great deal of self-reliance and resourcefulness. This book/essay speaks to universal truths that are often forgotten.

I found myself equipping my toolbox with quotes that have been relevant to my present day working life. I learned how to relate in a deeper way to myself and society while crafting a value system that, as I age, is allowed to become malleable.

Proust’s passion for the English writers George Eliot and John Ruskin is well known, as is his scrutiny of the Anglophilia of Parisians at the turn of the twentieth century, but his connection with American thinkers and painters has been less carefully scrutinized. ”It is strange," Proust wrote in 1909, "that, in the most widely different departments . . . there should be no other literature which exercises over me so powerful an influence as the English and American.” Ralph Waldo Emerson, Edgar Allen Poe, and James McNeill Whistler are examined as Proust's key American influences. Critic Michael Murphy also investigates the previously overlooked influence of the American neurologist George Beard, whose writings on neurasthenia and "American nervousness” helped contribute to the essential modernity of In Search of Lost Time.

Ralph Waldo Emerson is recalled as one of the great essayists and speakers of the nineteenth century.

In a time of extraordinary change, Emerson helped forge a universal voice through the prism of the emerging American experience. Emerson ultimately conjured a unique, unmistakable American narrative.

This renders his work timeless. His essays—such as “Self-Reliance”—have been rediscovered by new audiences in the early 21st century.

In another moment of tumult and evolution, Emerson continues to offer actionable inspiration, encouraging everyone to cultivate the courage to experience life and work as a great adventure.

This was one of my two favorite books I listed by Geraldine Brooks. I often find that when I love a book, I immediately read more by the same author.

I found it fascinating that Brooks based her novel on a fictional character, in this case, the mostly distant father of the March family, made famous in Louisa May Alcott’s novel Little Women. 

I enjoy reading novels that take minor characters from well-known books and reimagine the stories from their points of view. 

As Valerie Martin did in Mary Reilly (based on a character from Stevenson’s Dr. Jekyll and Mr. Hyde), Brooks brings the main character, as well as other characters, real and fictional, to vivid life in a story about the Civil War, an era I find of great personal interest and about which I’ve written a novel myself.   

This is a complete biography of Muir that according to the Journal of American History “Supplants all earlier Muir biographies and will undoubtedly stand the test of time for its sophisticated interpretations and impressive narrative power.” The journal added that it’s also “a pleasure to read.” Worster knows his stuff. He’s Hall Distinguished Professor of American History at the University of Kansas.

This obscure 1896 book is a collection of interviews with dead luminaries. At least, that’s what the psychic author alleges. Inside you’ll find conversations with Benjamin Franklin, Abraham Lincoln, Charles Darwin, Ralph Waldo Emerson, Edgar Allan Poe, and others. Discover their wisdom from beyond the veil, and in the case of Ben Franklin, you can enjoy a new set of his famous aphorisms, including this one: “Spiritual knowledge, like gems hidden in the bowels of the earth, is only to be reached by patient upturning of the soil.”

Though it focuses on dreams and the occult, the ulterior subject of Emerson’s Demonology is the arcane inversions, doublings, and “unconscious” of transcendentalism. Between many of Emerson’s pronouncements falls this shadow of Demonology, which provides key tenets of his philosophy. Demonology is the cumulative residue of an attempt to explain away that which resists Emerson’s theory that nature is consistent, explicable, rational, and benign. Encapsulating the uncanny, and the inexplicable forces of dreams, animals, and pseudosciences, Demonology consolidates all that is “outside” and negated for Emerson—everything that is, in his terminology, “not me.” Demonology locates the cracks in Emerson’s consciousness, as well as the hobgoblins in his notion of Reason. Emerson’s conception of nature here is notably modern, and often sounds Lacanian—the demonological exception or irrational, that which cannot be fully understood or described, is the necessary anomaly or remainder on which the universality of nature depends.