Colin Koopman researches and teaches about technology ethics at the University of Oregon, where he is a Professor of Philosophy and Director of the interdisciplinary certificate program in New Media & Culture. His research pursuits have spanned from the history of efforts in the early twentieth century to standardize birth certificates to our understanding of ourselves as effects of the code inscribed into our genes. Koopman is currently at work on a book that will develop our understanding of what it takes to achieve equality and fairness in data systems, tentatively titled Data Equals.
I wrote...
How We Became Our Data: A Genealogy of the Informational Person
We are now acutely aware, as if all of the sudden, that data matters enormously to how we live. How We Became Our Data excavates the early moments of our rapidly accelerating data-tracking technologies and their consequences on how we think of and express our selfhood today. The book explores the emergence of mass-scale record-keeping systems like birth certificates and social security numbers, as well as early data techniques for categorizing personality traits, measuring intelligence, and even the production of racializing data. This all culminates in the “informational person” and the “informational power” we are all now subject to.
Blending philosophy, history, political theory, and media theory, How We Became Our Data presents an illuminating perspective on how we have come to think of our personhood—and how we can resist its erosion.
Harcourt’s Exposed takes the reader inside the contemporary social, political, and legal configurations that haunt our online lives by paradoxically pulling on the strings of our desires and wants. Harcourt exposes how the insidious technologies of mega-cap high-tech coax out of us a desire to expose ourselves, that too-familiar desire to share so much (and so often too much) online. Harcourt is one of the leading voices in contemporary critical theory and at the same time a practicing death-penalty lawyer. He knows both the inside of our political-legal systems and can gain a broad view of the wider social dynamics of social media.
Social media compile data on users, retailers mine information on consumers, Internet giants create dossiers of who we know and what we do, and intelligence agencies collect all this plus billions of communications daily. Exploiting our boundless desire to access everything all the time, digital technology is breaking down whatever boundaries still exist between the state, the market, and the private realm. Exposed offers a powerful critique of our new virtual transparence, revealing just how unfree we are becoming and how little we seem to care.
Bernard Harcourt guides us through our new digital landscape, one that makes it so…
Race After Technologydevelops a crucial perspective on the ethical and political fault lines of both contemporary social media and their longer history. Far from functioning as the neutral technologies that they are often presented as, Benjamin shows how “default discrimination” is built into platform after platform, algorithm after algorithm, and therefore expressed in click after click. If you hold out any hope for technological neutrality in a racially-unequal society, this book will transform your expectations and sober your stance. It will also inspire you to redouble your commitments to building a more equal technological future.
From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity.
Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the "New Jim Code," she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by…
This book dazzles me every time I read it. It will change the way you think about files and how such humble little documents can help rule our lives. Vismann’s Files is not the easiest going, but it is filled with enough history and detail that one can just join for the ride and follow along. The late Cornelia Vismann died too young but she still managed to leave us with this truly transformative account of the relation between law and the data systems upon which all law always relies. Through a careful history that stretches from parchment scrolls to mid-twentieth-century secret intelligence files to the desktop computer, Vismann excavates the way in which the ethics, politics, and legality of social systems are highly dependent upon data designs.
Quod non est in actis, non est in mundo. (What is not on file is not in the world.) Once files are reduced to the status of stylized icons on computer screens, the reign of paper files appears to be over. With the epoch of files coming to an end, we are free to examine its fundamental influence on Western institutions. From a media-theoretical point of view, subject, state, and law reveal themselves to be effects of specific record-keeping and filing practices. Files are not simply administrative tools; they mediate and process legal systems. The genealogy of the law described…
W.E.B. Du Bois is widely acknowledged as the leading activist for racial equality of his generation. But until very recently little had been known of his deep commitment to the pursuit of equality within and through data technology. As Du Bois was preparing notes for his famous 1903 book The Souls of Black Folk, he was also preparing an exposition of what we would today call “infographics” (or what the editors of this volume aptly call “data portraits”) for exhibition at the 1900 Paris Exposition world’s fair. This volume handsomely reproduces for the first time a full-color complete set of Du Bois’s charts, graphs, maps, and ingenious spirals. A beautiful book to live with, it also subtly transforms one’s understanding of the history of racial progress and inequality in America.
"As visually arresting as it is informative."-The Boston Globe
"Du Bois's bold colors and geometric shapes were decades ahead of modernist graphic design in America."-Fast Company's Co.Design
W.E.B. Du Bois's Data Portraits is the first complete publication of W.E.B. Du Bois's groundbreaking charts, graphs, and maps presented at the 1900 Paris Exposition.
Famed sociologist, writer, and Black rights activist W.E.B. Du Bois fundamentally changed the representation of Black Americans with his exhibition of data visualizations at the 1900 Paris Exposition. Beautiful in design and powerful in content, these data portraits make visible a wide spectrum of African American culture, from…
This book offers a beautiful data portrait of one of the most energetic polyglots of the first half of the twentieth century. Otto Neurath is famous among philosophers for his monumental effort to unify the sciences in an encyclopedic presentation. His metaphor of science as a massive flotilla out at sea repairing itself as it goes beautifully encapsulates the self-correcting enterprise of the sciences. This book offers another angle into Neurath’s life and work. Isotype was conceived by Neurath and collaborators as a universal picture language that can transcend borders, tongues, and divisions. Another grand dream of early-twentieth-century unification, with all its inevitable failings, is beautifully reproduced in this book.
From 1943 until his death in December 1945, Austrian sociologist Otto Neurath worked tirelessly on numerous versionsof an innovative visual autobiography entitled From Hieroglyphics to Isotype. Now, sixty-five years later, comes the first publication of his full text, carefully edited from the original manuscripts. This edition highlights the important role visual material played in Neurath's life—from his earliest years to his professional work on the Isotype picture language. This engaging and informal account gives a rich picture of Central-European culture aroundthe turn of the twentieth century, seen through the eyes of Neurath's insatiable intelligence, as well as a detailed exposition…
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. This book traces the story of the bull in the sky, a journey through the history of what has become known as the sacred bull.
Each of the sections is written from the perspective of the mythical Taurus, from the beginning at Lascaux to Mesopotamia, Ancient Egypt, and elsewhere. This is not just a history of the bull but also a view of ourselves through the eyes of the bull, illustrating our pre-literate use of myth, how the advent of writing and the urban revolution changed our view of ourselves, and how even bullfighting in Spain is a variation on the ancient sacrifice of the sacred bull.
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. In I Am Taurus, author Stephen Palmer traces the story of the bull in the sky, starting from that point 19,000 years ago - a journey through the history of what has become known as the sacred bull. Each of the eleven sections is written from the perspective of the mythical Taurus, from the beginning at Lascaux to Mesopotamia, Ancient Egypt, Greece, Spain and elsewhere. This is not just a history of the bull but also an attempt to see ourselves through…
