Here are 100 books that Race After Technology fans have personally recommended if you like
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Colin Koopman researches and teaches about technology ethics at the University of Oregon, where he is a Professor of Philosophy and Director of the interdisciplinary certificate program in New Media & Culture. His research pursuits have spanned from the history of efforts in the early twentieth century to standardize birth certificates to our understanding of ourselves as effects of the code inscribed into our genes. Koopman is currently at work on a book that will develop our understanding of what it takes to achieve equality and fairness in data systems, tentatively titled Data Equals.
W.E.B. Du Bois is widely acknowledged as the leading activist for racial equality of his generation. But until very recently little had been known of his deep commitment to the pursuit of equality within and through data technology. As Du Bois was preparing notes for his famous 1903 book The Souls of Black Folk, he was also preparing an exposition of what we would today call “infographics” (or what the editors of this volume aptly call “data portraits”) for exhibition at the 1900 Paris Exposition world’s fair. This volume handsomely reproduces for the first time a full-color complete set of Du Bois’s charts, graphs, maps, and ingenious spirals. A beautiful book to live with, it also subtly transforms one’s understanding of the history of racial progress and inequality in America.
"As visually arresting as it is informative."-The Boston Globe
"Du Bois's bold colors and geometric shapes were decades ahead of modernist graphic design in America."-Fast Company's Co.Design
W.E.B. Du Bois's Data Portraits is the first complete publication of W.E.B. Du Bois's groundbreaking charts, graphs, and maps presented at the 1900 Paris Exposition.
Famed sociologist, writer, and Black rights activist W.E.B. Du Bois fundamentally changed the representation of Black Americans with his exhibition of data visualizations at the 1900 Paris Exposition. Beautiful in design and powerful in content, these data portraits make visible a wide spectrum of African American culture, from…
I am saddened and frustrated by polarization in American life today, and I believe that the Civil War has lessons to teach us about how we can avoid deeper divisions in our country. I grew up in Maryland, a border state, and have relatives that fought for the North, as well as relatives who fought for the South. In addition, I have Quaker ancestors who hated slavery and supported the Union, but who would not fight because they were pacifists. I am passionate about understanding the tensions that have always run through American life, and want to explore the topic deeply in my reading and writing.
I had appreciated the author as a writer of insightful essays and opinion pieces, so I was intensely curious about his first work of fiction. He blew me away with his imaginative telling of the liberation of enslaved people during the Civil War. Fact and fiction dance back and forth in this book, which reveals the horrors of slavery while celebrating the joy of the unstoppable human quest for freedom.
'One of the best books I have ever read in my entire life. I haven't felt this way since I first read Beloved . . .' Oprah Winfrey
Lose yourself in the stunning debut novel everyone is talking about - the unmissable historical story of injustice and redemption that resonates powerfully today
Hiram Walker is a man with a secret, and a war to win. A war for the right to life, to family, to freedom.
Born into bondage on a Virginia plantation, he is also born gifted with a…
Colin Koopman researches and teaches about technology ethics at the University of Oregon, where he is a Professor of Philosophy and Director of the interdisciplinary certificate program in New Media & Culture. His research pursuits have spanned from the history of efforts in the early twentieth century to standardize birth certificates to our understanding of ourselves as effects of the code inscribed into our genes. Koopman is currently at work on a book that will develop our understanding of what it takes to achieve equality and fairness in data systems, tentatively titled Data Equals.
Harcourt’s Exposed takes the reader inside the contemporary social, political, and legal configurations that haunt our online lives by paradoxically pulling on the strings of our desires and wants. Harcourt exposes how the insidious technologies of mega-cap high-tech coax out of us a desire to expose ourselves, that too-familiar desire to share so much (and so often too much) online. Harcourt is one of the leading voices in contemporary critical theory and at the same time a practicing death-penalty lawyer. He knows both the inside of our political-legal systems and can gain a broad view of the wider social dynamics of social media.
Social media compile data on users, retailers mine information on consumers, Internet giants create dossiers of who we know and what we do, and intelligence agencies collect all this plus billions of communications daily. Exploiting our boundless desire to access everything all the time, digital technology is breaking down whatever boundaries still exist between the state, the market, and the private realm. Exposed offers a powerful critique of our new virtual transparence, revealing just how unfree we are becoming and how little we seem to care.
Bernard Harcourt guides us through our new digital landscape, one that makes it so…
Colin Koopman researches and teaches about technology ethics at the University of Oregon, where he is a Professor of Philosophy and Director of the interdisciplinary certificate program in New Media & Culture. His research pursuits have spanned from the history of efforts in the early twentieth century to standardize birth certificates to our understanding of ourselves as effects of the code inscribed into our genes. Koopman is currently at work on a book that will develop our understanding of what it takes to achieve equality and fairness in data systems, tentatively titled Data Equals.
This book dazzles me every time I read it. It will change the way you think about files and how such humble little documents can help rule our lives. Vismann’s Files is not the easiest going, but it is filled with enough history and detail that one can just join for the ride and follow along. The late Cornelia Vismann died too young but she still managed to leave us with this truly transformative account of the relation between law and the data systems upon which all law always relies. Through a careful history that stretches from parchment scrolls to mid-twentieth-century secret intelligence files to the desktop computer, Vismann excavates the way in which the ethics, politics, and legality of social systems are highly dependent upon data designs.
Quod non est in actis, non est in mundo. (What is not on file is not in the world.) Once files are reduced to the status of stylized icons on computer screens, the reign of paper files appears to be over. With the epoch of files coming to an end, we are free to examine its fundamental influence on Western institutions. From a media-theoretical point of view, subject, state, and law reveal themselves to be effects of specific record-keeping and filing practices. Files are not simply administrative tools; they mediate and process legal systems. The genealogy of the law described…
Colin Koopman researches and teaches about technology ethics at the University of Oregon, where he is a Professor of Philosophy and Director of the interdisciplinary certificate program in New Media & Culture. His research pursuits have spanned from the history of efforts in the early twentieth century to standardize birth certificates to our understanding of ourselves as effects of the code inscribed into our genes. Koopman is currently at work on a book that will develop our understanding of what it takes to achieve equality and fairness in data systems, tentatively titled Data Equals.
This book offers a beautiful data portrait of one of the most energetic polyglots of the first half of the twentieth century. Otto Neurath is famous among philosophers for his monumental effort to unify the sciences in an encyclopedic presentation. His metaphor of science as a massive flotilla out at sea repairing itself as it goes beautifully encapsulates the self-correcting enterprise of the sciences. This book offers another angle into Neurath’s life and work. Isotype was conceived by Neurath and collaborators as a universal picture language that can transcend borders, tongues, and divisions. Another grand dream of early-twentieth-century unification, with all its inevitable failings, is beautifully reproduced in this book.
From 1943 until his death in December 1945, Austrian sociologist Otto Neurath worked tirelessly on numerous versionsof an innovative visual autobiography entitled From Hieroglyphics to Isotype. Now, sixty-five years later, comes the first publication of his full text, carefully edited from the original manuscripts. This edition highlights the important role visual material played in Neurath's life—from his earliest years to his professional work on the Isotype picture language. This engaging and informal account gives a rich picture of Central-European culture aroundthe turn of the twentieth century, seen through the eyes of Neurath's insatiable intelligence, as well as a detailed exposition…
I write about race and technology, and specifically the histories of Black folks as they influence online activities, from memes and community-building to care networks and activist efforts. I use theory, research, and most importantly lived experiences to tell the story of Black digital practices. The books I choose here represent how diverse my thinking is when it comes to this topic: from fiction to non-fiction, these works are as fluid yet meaningful as I think identity is, on and offline.
I fell in love with this book as a young graduate school student at the University of Iowa. Curled up in my tiny 500-square-foot apartment, I devoured the book, not realizing morning had turned into afternoon and then evening.
At a time in the early 2000s when "serious" scholarship largely included Black people using technology in condescending and pathologizing ways, I read Everett sharply responding with counter-evidence of Black publics' involvement at every turn of media developments.
The book, I remember, made me feel like writing a counter-history that places "us" at the center is not only possible but transformational.
I write about race and technology, and specifically the histories of Black folks as they influence online activities, from memes and community-building to care networks and activist efforts. I use theory, research, and most importantly lived experiences to tell the story of Black digital practices. The books I choose here represent how diverse my thinking is when it comes to this topic: from fiction to non-fiction, these works are as fluid yet meaningful as I think identity is, on and offline.
As a young Black and West Indian academic and, importantly, an avid early Twitter user, I finally saw myself in the world of nonfiction works about technology when I first read this book.
Before I even got through the introduction, I dog-eared every other page and ran out of room in the margins for my notes (most of which included an embarrassing number of exclamation points on my part). Digital Black Feminism’s wit and historical heft weaves through multi-generational negotiations with Black feminism and beautifully writes Black women’s contributions back into existence.
Winner, Diamond Anniversary Book Award, awarded by the National Communication Association
Winner, 2022 Nancy Baym Book Award, given by the Association of Internet Researchers
Traces the longstanding relationship between technology and Black feminist thought
Black women are at the forefront of some of this century's most important discussions about technology: trolling, online harassment, algorithmic bias, and influencer culture. But, Catherine Knight Steele argues that Black women's relationship to technology began long before the advent of Twitter or Instagram. To truly "listen to Black women," Steele points to the history of Black feminist technoculture in the United States and its ability…
I write about race and technology, and specifically the histories of Black folks as they influence online activities, from memes and community-building to care networks and activist efforts. I use theory, research, and most importantly lived experiences to tell the story of Black digital practices. The books I choose here represent how diverse my thinking is when it comes to this topic: from fiction to non-fiction, these works are as fluid yet meaningful as I think identity is, on and offline.
I grew up with Miss Lou, or the famous poet Louise Bennett. With wit and humor that is simply unparalleled, Miss Lou’s writing taught me about the importance of language.
In this collection, Miss Lou shows rather than tells the importance of “labrish” or “gossip”, a quintessential Jamaican practice. While the book, on the surface, isn’t about the Internet, the foregrounding of language, culture, and community here is directly related to the digital practices that I know and love.
This book made me feel hopeful, sad, angry, and most of all, secure, knowing that it was okay for me–and others like me–to hold all of that and let it go.
My professional work has always been inspired by the personal journey I've gone on–which means that my interest in religious trauma stems from my own healing as well as client work and research. Previous research and therapeutic interventions have suggested atheism as a cure for religious trauma which is often unhelpful and can create just as much rigidity as someone experienced in a high control religion. I approach religious trauma as trauma–which means that resolving religious trauma can occur in the same ways that we use to resolve other trauma. Understanding religious trauma this way opens the door for a decrease in shame, more compassion towards self, and ultimately living a whole life.
Resmaa’s book is one of the more influential books for me.
Though his focus is on racialized and generational trauma, he begins by helping the reader understand where biases, fears, and oppression become lodged in the nervous system–generations before us–and how this shapes the way we interact with anyone who is different than us.
Mixed in with excellent content are effective practices for the reader to find a sense of grounding and safety in their current surroundings which is key in being able to resolve the trauma that is living in our bodies.
The body is where our instincts reside and where we fight, flee or freeze and it endures the trauma inflicted by the ills that plague society. In this ground-breaking work, therapist, Menakem, examines the damage caused by racism in America from the perspective of body-centred psychology. He argues this destruction will continue until Americans learn to heal the generational anguish of white supremacy, which is deeply embedded in all American bodies. This collective agony doesn't just affect African Americans. White Americans suffer their own secondary trauma as well. So do blue Americans - the police.
I’m a writer and a Shakespeare and critical race studies scholar who’s always been intrigued by the invisible, artificial race-based boundaries in our world. I love analyzing the lives of literary characters and seeing how they can serve as mirrors for us along lines of gender, mental health, and more. My critical interests are informed by the fact that I grew up in a predominantly Black/Latino low-income neighborhood and attended an affluent, predominantly white private school from the sixth to twelfth grade. My adolescent experiences with inclusion/exclusion dynamics required me to reflect on race, for example, so I could understand and navigate the kinds of socio-cultural dynamics that affect us all.
I love this book not only because of the hard truths it tells in relation to racial whiteness and racism but also because of how Rankine’s writerly voice reverberates through one’s mind long after finishing the book.
As someone who sometimes finds it hard to sit still to finish a book, I did not have that issue with Just Us partly because of how diverse and stimulating the content is. In addition to including poetry and prose within the text, there are many images to see and study as one internalizes the urgent points made by a witty, seasoned author whose overall tone demands that readers be part of and sit with this “American conversation” that asks us to think deeply about power, privilege, inequality, whiteness and more.
Now in paperback, Claudia Rankine's "skyscraper in the literature on racism" (Christian Science Monitor)
In Just Us, Claudia Rankine invites us into a necessary conversation about Whiteness in America. What would it take for us to breach the silence, guilt, and violence that arise from addressing Whiteness for what it is? What are the consequences if we keep avoiding this conversation? What might it look like if we step into it? "I learned early that being right pales next to staying in the room," she writes.
This brilliant assembly of essays, poems, documents, and images disrupts the false comfort of…