Here are 100 books that Women, Art, and Society fans have personally recommended if you like
Women, Art, and Society.
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With over 20 years of experience as a professional artist and a successful track record of earning six figures a year from my art, I know firsthand what it takes to build a thriving artistic career. As the host of the Inspiration Place podcast, and founder of the Artist Incubator program, I’ve dedicated my life’s work to helping artists everywhere achieve their full potential and reach their goals. When you overcome the common challenges and mindset blocks that hold so many artists back and learn the practical tools and strategies you need for selling your art, you too find the same success.
This is an in-depth and well-researched exploration of the abstract expressionist movement, with a particular focus on the female artists who played a crucial role in shaping the movement. This book offers a fresh perspective on a significant period in the history of modern art and provides readers with a deeper understanding of the contributions made by women artists during this time. What I liked most about this book was the spotlight it shines on the critical role of key female artists in the abstract expressionist movement, who often get overlooked in traditional art historical narratives. Overall, Ninth Street Women is a must-read for anyone interested in learning about the groundbreaking contributions of female artists in the 20th century, and the impact of the abstract expressionist movement on contemporary art.
NINTH STREET WOMEN is the impassioned, wild, sometimes tragic, always exhilarating story of five women who dared to enter the male-dominated world of twentieth-century abstract painting--not as muses but as artists. From their cold-water lofts, where they painted, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and groundbreaking artists to come.
They include Lee Krasner and Elaine de Kooning, whose careers were at times overshadowed by the fame of their husbands, Jackson Pollock and Willem de Kooning, but who emerged as stunning talents in their own right, as well as a younger…
As a teenager, I found the layered poetry of Sylvia Plath as riveting as an impasto-layered canvas by Vincent Van Gogh. A love for the rhythm of words and paint, as well as the power of art to tell stories and critique history led me to study art history. Influential college professors opened my eyes to the systematic exclusion of women from art and history. Today, I’m a professor at the University of San Francisco, where I specialize in modern, contemporary, and African art, with an emphasis upon issues of gender, race, ethnicity, and class. I’m particularly interested in women artists and artists who cross cultural boundaries.
If you want to learn about the history of African American women artists from the era of slavery to the 21st century, this is the book to read. Lisa E. Farrington astutely analyzes this fraught history with a style of writing that’s available to both scholars and non-scholars alike. It’s for anyone who has an interest in how images of Black women have evolved over time from racist stereotypes in art and popular culture to empowering images created by Black women artists who “contested society’s insistence on their subservience and vulgarity.” Farrington’s groundbreaking book, which was published in 2005, makes it clear that when Black women artists control their own images, it changes the trajectory of both art history and popular culture.
Hailed as "a captivating and thorough study of a long-ignored aspect of America's art history" (CHOICE), Creating Their Own Image offers the first comprehensive history of African-American women artists, spanning from slavery to the Harlem Renaissance and the tumultuous civil rights era, right up to the present day. Lavishly illustrated throughout with color illustrations, this magnificent volume richly details hundreds of important works-including some images never before published-to present a portrait of artistic creativity unprecedented in its scope and ambition. Weaving together an expansive collection of artists, styles, and periods, Lisa Farrington argues that for centuries African-American women artists have…
As a teenager, I found the layered poetry of Sylvia Plath as riveting as an impasto-layered canvas by Vincent Van Gogh. A love for the rhythm of words and paint, as well as the power of art to tell stories and critique history led me to study art history. Influential college professors opened my eyes to the systematic exclusion of women from art and history. Today, I’m a professor at the University of San Francisco, where I specialize in modern, contemporary, and African art, with an emphasis upon issues of gender, race, ethnicity, and class. I’m particularly interested in women artists and artists who cross cultural boundaries.
Ruth Asawa’s art and life are inspirational and anyone reading this book will discover why. The Japanese American artist’s life was filled with challenges from contracting diphtheria, to being forced to live in a concentration camp, to marrying across racial lines when most states banned it, to contracting lupus in middle age. Yet, her strong work ethic and creative passion prevailed, spawning a new art form of hanging looped-wire sculptures. The last two photos in the book show Asawa inside and surrounded by her organic-looking sculptures, conveying a symbiotic relationship between the artist and her art. There is a meditative mood to these Imogen Cunningham photos that match the experience of seeing Asawa’s pieces in real life. When I finished reading this book, I felt bathed in Asawa’s beautiful spirit.
Everything She Touched recounts the incredible life of the American sculptor Ruth Asawa.
This is the story of a woman who wielded imagination and hope in the face of intolerance and who transformed everything she touched into art. In this compelling biography, author Marilyn Chase brings Asawa's story to vivid life. She draws on Asawa's extensive archives and weaves together many voices-family, friends, teachers, and critics-to offer a complex and fascinating portrait of the artist.
Born in California in 1926, Ruth Asawa grew from a farmer's daughter to a celebrated sculptor. She survived adolescence in the World War II Japanese-American…
As a teenager, I found the layered poetry of Sylvia Plath as riveting as an impasto-layered canvas by Vincent Van Gogh. A love for the rhythm of words and paint, as well as the power of art to tell stories and critique history led me to study art history. Influential college professors opened my eyes to the systematic exclusion of women from art and history. Today, I’m a professor at the University of San Francisco, where I specialize in modern, contemporary, and African art, with an emphasis upon issues of gender, race, ethnicity, and class. I’m particularly interested in women artists and artists who cross cultural boundaries.
Before reading this book, I had never heard of Mary Sully. I’m thrilled that I now know about her stunning “personality prints,” abstract designs arranged in horizontal triptychs. Sully, who was born on the Standing Rock reservation in 1896, was largely a self-taught artist who never achieved wide recognition. Philip Deloria, a professor of history and a relative of Sully’s, delves into the complexities of what it meant to be a Dakota Sioux woman artist working with an innovative style of abstract art that didn’t fit into neat categories. This mirrors, Deloria says, the “scramble for survival” that an “Indian” woman had to navigate in a “difficult world.” That difficult world is still with us today, making this story a throughline to the present and a must-read.
Dakota Sioux artist Mary Sully was the great-granddaughter of respected nineteenth-century portraitist Thomas Sully, who captured the personalities of America's first generation of celebrities (including the figure of Andrew Jackson immortalized on the twenty-dollar bill). Born on the Standing Rock reservation in South Dakota in 1896, she was largely self-taught. Steeped in the visual traditions of beadwork, quilling, and hide painting, she also engaged with the experiments in time, space, symbolism, and representation characteristic of early twentieth-century modernist art. And like her great-grandfather Sully was fascinated by celebrity: over two decades, she produced hundreds of colorful and dynamic abstract triptychs,…
I’m an Australian author and artist who is quite cautious and introverted by nature, but very curious and playful at heart. I make books that help people untangle what’s on their mind today and shift their thinking in creative ways, often using visual metaphors. My latest book, Guidebook to the Unknown, was created during the long lockdowns we had in Melbourne (and all over the world of course) during the pandemic. It was my way of exploring how to calm an anxious mind and find meaning in my daily life, right here and now, without knowing what tomorrow will bring.
As it says on the packet, this is a collection of quick peeks into how 140 brilliant women lived (or are living) their version of a creative life. I loved reading a few pages each morning. It helped to soothe the perfectionist in me, being reminded of the endless ways a life can be lived, in both circumstance and choice. Also to read how the messiness of life is sort of ironed out with hindsight made me feel more welcoming to the current unknown of it all.
'That word, "vacation," makes me sweat.' Coco Chanel on taking a break 'You must do it irregardless, or it will eat its way out of you.' Zora Neale Hurston on writing 'One has to choose between the Life and the Project.' Susan Sontag on choosing art
From Vanessa Bell and Charlotte Bronte to Nina Simone and Jane Campion, here are over one hundred and forty female writers, painters, musicians, sculptors, poets, choreographers, and filmmakers on how they create and work.
Barbara Hepworth sculpted outdoors and Janet Frame wore earmuffs as she worked to block out noise. Kate Chopin wrote with…
I adore all things ghostly, from TV shows to books to movies. I immerse myself. For me, I think it began as a young girl with poems from my grandmother’s favorite book and films or programs we’d watch together. The what-if factor and the vast unknown is addicting. It chronically makes us think or sit at the edge of our seats. I’ve even visited haunted locations before and had a couple of experiences. Romance ties into that for me. We all strive for it and hope to find it. It can be as elusive as fog. By combining the two genres, readers like me get the best of all worlds.
Though this is a romantic suspense, it has that haunted house theme in the backdrop, and I was captivated. I’ve always been fascinated by a home’s history. Who lived there? What were they like? Did they die there? Do they still roam the halls? This took those elements, plus romance, and got me thinking about writing a similar book with that kind of twist. The setting is Boston’s north shore in a 19th-century carriage house, and wow. I wanted the place to be real, to go there and explore myself. There are more books in the series. Carla is a wonderfully warm and engaging author, also. She always responds to her readers.
Revisit the Carriage House series with this classic tale of romantic suspense from New York Times bestselling author Carla Neggers.
Fun and a little hard work. That’s all Tess Haviland has in mind when Ike Grantham pays her for her graphic design work on the run-down nineteenth-century carriage house on Boston’s North Shore.
Then Ike disappears and Tess finds herself with much more than a simple weekend project to get her out of the city. It’s not just the rumors that the carriage house is haunted—it’s the neighbors: six-year-old Dolly Thorne, her reclusive babysitter, Harley Beckett…and especially Dolly’s father, Andrew…
I’m a writer interested in the odd areas where science and consumerism touch – particularly where this intersects with women workers. My debut book Half Lives: The Unlikely History of Radium tells the history of radioactivity through the eyes of the people who made, bought, and sold products laced with radium in the 20th century. The follow-up title will explore the deadly element Uranium.
This is the true story of Phyllis Pearsall who (amongst other adventures in a remarkable life that was also filled with personal tragedy) decided to chart and map the geographical districts of London – a project which eventually tuned into the A-Z map. Over a year Pearsall walked 23,000 London streets to achieve this remarkable feat and set up the Geographers’ Map Company. Pearsall is complex and flawed and Hartley wasn’t always able to separate fact from the fiction (Mrs P was a wonderful storyteller but sometimes contradicted herself). Ultimately Hartley concludes ‘If there is a scene, or a word, or a character, you believe to be too fantastical, it is likely they are real.’ Mrs P did have an extraordinary life.
MRS P'S JOURNEY is the enchanting story of Phyllis Pearsall. Born Phyllis Isobella Gross, her lifelong nickname was PIG. The artist daughter of a flamboyant Hungarian Jewish immigrant, and an Irish Italian mother, her bizarre and often traumatic childhood did not restrain her from becoming one of Britain's most intriguing entrepreneurs and self-made millionaires.
After an unsatisfactory marriage, Phyllis, a thirty-year-old divorcee, had to support herself and so became a portrait painter. It is doing this job and trying to find her patron's houses that Phyllis became increasingly frustrated at the lack of proper maps of London. Instead of just…
At heart, I believe every one of us is creative. It doesn’t matter if you express your creativity through words, notes, metal, wood, food, fabric, or paint. Personally, I love to sketch, paint, write, and sculpt. There is something magical about bringing your imagination to life and sharing it with the world! Our art allows us to share our emotions, dreams, memories, and culture with the world. As a fantasy author, I wanted to create a place where art can transform the physical world too.
If you haven’t read any of Charles de Lint’s stories, you’re in for a treat!
Each of his stories feels so fresh and original. His characters jump off the page… but will also break your heart. This novel is about a young artist named Isabelle Copley (Izzy) whose whimsical paintings seem so real they could come to life. But is her art just… art? The writing is beautiful and lyrical, but also dark and scary.
Memory and Dream is also a great entry into de Lint’s story world of “Newford”.
From her mentor, Rushkin, Isabell Copley had learned to paint creatures that come to life--literally--and years after these creatures have ruined her life, Isabelle returns to painting, haunted by memories, dreams, and the threat of her mentor's return.
As an author, one of my goals is to encourage kids to fall in love with reading–but I’m not an illustrator. I wish I practiced art more as a kid. If I had, maybe I’d be illustrating my own books. If only these five books existed forty years ago, perhaps I wouldn’t have given up on art. So, in addition to falling in love with reading, I’d love to inspire those same kids to keep exploring their artistic sides. I’ve seen how these books invigorate the artistic spirit of creatives and I hope they do the same for you.
Sometimes art is pretty to look at and sometimes art is powerful.
Ignotofsky shares short bios and gorgeous pictures of fifty female artists throughout history and across the globe, most of whom I wasn’t familiar with prior to reading the book. Not only will this book inspire young artists to create, but Women in Art will inspire them to research these artists further, as each one deserves her own picture book biography (some of which already exist!).
THIS BEAUTIFUL BOOK WITH A GOLD FOIL COVER IS THE PERFECT CHRISTMAS PRESENT FOR YOUNG BUDDING ARTISTS.
Women in Art is an EMPOWERING and INSPIRATIONAL celebration of some of the most iconic and fearless women who paved the way for the next generation of artists.
From well-known figures such as Frida Kahlo and Dame Vivienne Westwood to lesser-known artists including Harriet Powers (the nineteenth-century African American quilter) and Yoyoi Kusama (a Japenese sculptor), this charmingly illustrated and inspiring book highlights the achievements of 50 notable women in the arts.
Covering a wide array of artistic mediums, this fascinating collection also…
I grew up in a creative family. My father was an illustrator before becoming a children’s book author and novelist. My mother, a trained dancer, became my father’s collaborator, illustrating their internationally-known Frances books. They inspired me and encouraged me to develop my own talent. I started writing at nine, and have never stopped since. I became a journalist, writing about culture and art for The New York times, New York Magazine, The Wall Street Journal, and Vogue, among others. I am also the author of three well-received artist biographies: Basquiat: A Quick Killing in Art; Lucian Freud: Eyes Wide Open; and Alice Neel: The Art of Not Sitting Pretty.
Hustvedt creates a very compelling picture of the inner and outer life of a female artist in the contemporary art world, notorious for both its sexism and ageism. The protagonist comes up with a clever ploy for achieving the same success as a male artist: she takes on a male artist’s persona and name, and hires a male artist to impersonate her in public, a convoluted ploy with great potential to ultimately backfire. Don’t want to provide any plot spoilers!
Named one of the New York Times Book Review’s 100 Notable Books of the Year ** Publishers Weekly’s Best Fiction Books of 2014 ** NPR Best Books of 2014 ** Kirkus Reviews Best Literary Fiction Books of 2014 ** Washington Post Top 50 Fiction Books of 2014 ** Boston Globe’s Best Fiction of 2014 ** The Telegraph’s Best Fiction to Read 2014 ** St. Louis Post Dispatch’s Best Books of 2014 ** The Independent Fiction Books of the Year 2014 ** One of Buzzfeed’s Best Books Written by Women in 2014 ** San Francisco Chronicle’s Best of 2014 ** A…
