10 books like Mrs. P's Journey

Am starting with a tiny cheat as this book isn’t just about women – although it is about the beauty industry which is usually associated with women. What this book is -however – is an exploration about the history of beauty, consumption and gender in Victorian and Edwardian London. It is packed with stories of women beauty salon owners like Sarah “Madame” Rachel Leverson, Helen Rubinstein and Anna Ruppert. I’ve been working on a book that features Anna Rupert and Clark’s book has been an invaluable resource and a great in depth study on the subject.

This fantastic creative non fiction book tells the story of two unlikely friends – the dancer Loïe Fuller and the scientist Marie Curie. Through my research for Half Lives I have read a lot about both of these women – Marie Curie isolated the element and Loïe Fuller developed a fascination with it as she wanted to incorporate its glow in the dark properties into her stage costumes. Heinecke does an amazing job of bringing the late nineteenth and early twentieth centuries alive with this book and shines a light on two fascinating women pioneers.

When, in the course of my research for my book, I first came across a newspaper article from 1939 reporting on the work of physicist Florence Bell with the stunned headline "Woman Scientist Explains," I think it took me about 5 minutes to recover from laughing. It’s a pity that the local press were more interested in the fact that Bell was a woman rather than her actual science, because only a year earlier she had shown for the first time how X-rays could reveal the regular, ordered structure of DNA. And as an undergraduate of Girton College, Cambridge, Bell’s talents as a physicist should have come as no surprise. For as historian Patricia Fara shows, Girton and the other all-female college, Newnham, were both intellectual crucibles from which emerged a generation of distinguished scientists such as physicist Hertha Ayrton, campaigning chemists Ida Smedley and Martha Whiteley, to name but… show more.

In the 1910s and 20s in the USA, young women were employed to illuminate the numbers on dials with radium paint. In the years that followed the women began to suffer mysterious agonising illnesses as their jaws rotted and their spines collapsed. So far so tragic – but what I found totally devastating and gripping were the monumental battles that followed as the companies and their paid doctors and scientists fought to deny what was happening to protect their profits. And I was absolutely inspired by the courage of the women who kept fighting for the truth even as one by one they died. What so shocks me is all the moves in the “corporate denial” playbook feel so modern – because hey, they’re still in use today.

As an undergrad, I was blessed to have two professors who changed the course of my life: Angela Davis and Whitney Chadwick. Both of these professors discussed the intersectionality of gender, race, and class. Women, Art, and Society was published in 1990, and in 2020, the sixth edition was released. Although women artists’ representation in art history pedagogy has improved since 1990, the art world in general still favors men over women, making Chadwick’s book a relevant read. It provides a historical and critical look at women artists from the Middle Ages to the present, covering a range of media and artists from various cultural and geographical backgrounds. It challenges the assumption that great women artists are the exception to the rule and charts the evolution of feminist art history. 

As it says on the packet, this is a collection of quick peeks into how 140 brilliant women lived (or are living) their version of a creative life. I loved reading a few pages each morning. It helped to soothe the perfectionist in me, being reminded of the endless ways a life can be lived, in both circumstance and choice. Also to read how the messiness of life is sort of ironed out with hindsight made me feel more welcoming to the current unknown of it all.

This book should be considered the bible of women’s artistic expression. Built on the idea of physical spaces and how they nurture the creative endeavor a woman does there, Where Women Create introduces you to dozens of extraordinary artists, textile designers, mixed media artists, book producers, entrepreneurs, and product designers. You get lost in their stories and inspired by their ingenious outlook on organization, clutter, and ways to keep the artistic spark alive.

Though this is a romantic suspense, it has that haunted house theme in the backdrop, and I was captivated. I’ve always been fascinated by a home’s history. Who lived there? What were they like? Did they die there? Do they still roam the halls? This took those elements, plus romance, and got me thinking about writing a similar book with that kind of twist. The setting is Boston’s north shore in a 19th-century carriage house, and wow. I wanted the place to be real, to go there and explore myself. There are more books in the series. Carla is a wonderfully warm and engaging author, also. She always responds to her readers.

This is such a fun read―a fictionalised account of the real-life husband and wife’s experience of walking the Camino de Santiago. I love how the two protagonists, who start as strangers, take turns to tell their stories, especially the hilarity in the ‘he said–she said’ of their relationship―they really are opposites but both bring out something remarkable in the other. Romantic in a very real way.

If you haven’t read any of Charles de Lint’s stories, you’re in for a treat!

Each of his stories feels so fresh and original. His characters jump off the page… but will also break your heart. This novel is about a young artist named Isabelle Copley (Izzy) whose whimsical paintings seem so real they could come to life. But is her art just… art? The writing is beautiful and lyrical, but also dark and scary.

Memory and Dream is also a great entry into de Lint’s story world of “Newford”.