100 books like Memory and Dream

If you haven’t read anything by Brian Sanderson, this novella is a great place to start.

It is a fast read with a hopeful tone and satisfying ending. In this story, Shai is caught forging a priceless artifact. As punishment, she must forge a soul for the emperor who is in a coma. If her forgery doesn’t work, the empire will fall into chaos.

The magic of Shai’s forging is very cool; she creates stamps that can rewrite the nature of an object’s existence. The Emperor’s Soul spoke to me on a personal level. My stepmother is a Japanese artist, and I grew up watching her carefully seal her pieces with her custom, red stamp.

Highly recommended to anyone looking for that quick, feel-good punch that great fantasy can provide!

Like many fantasy novels, The Paper Magician revolves around a character who feels small, lost, and powerless.

Although Ceony Twill desperately wants metal magic, she gets assigned to paper and decides to make the most of it. Since I’m half-Japanese, I immediately thought “origami!” when I read about the folding magic. It is the first book in a trilogy and I found the story to be a light, fast read.

Holmberg’s Victorian, gas-lamp world feels familiar, and though I found the characters a little thin (paper joke intended!), I enjoyed Ceony’s adventure. My favorite characters were two of the paper creatures, Fennel and Jonto, and I dare you not to adore them too!

If you like slice-of-life fantasy featuring art-based magic, check out Imager by L.E. Modesitt, Jr.

The novel centers around a character named Rhenn who has spent several years apprenticing to become a master artisan. But when his patron is killed and he almost loses the opportunity of becoming an artist, he learns the true power of his art. I enjoyed the “classic fantasy” feeling of the world, and the interactions between the characters.

Bonus, if you love this story, there are eleven more books to enjoy in the series! 

This novel is dense, rich, and chewy.

It’s the first book I’ve read with three authors, but I thought they did a great job at crafting the story of Tira Virte, where art is created to record history,  marriages, and treaties. But how safe is a society where only men from a specific family can create the art?

 Each author wrote one section of the book, and I definitely noticed each change in author voice, but it didn’t detract from my enjoyment of the story. The vibe is creepy and lush, like the old gothic horror novels. The art-based magic introduced in this novel is interesting (and icky!).

It won a ton of awards, and though it’s not an easy read, it shouldn’t be missed!

I always find books about artists intriguing, and this one adds a bit of forgery, too. In 1631 Amsterdam, Sara de Vos is widowed, inheriting her husband’s debt. She paints to eke out a living, though that is not easy for a woman of that time and place. In 1957, a young art student agrees to forge one of de Vos’s works, only to be haunted by her crime in Sydney in 2000, when she becomes a famous art historian and curator.

I loved this book when I read it and went back to it again when I later decided to write The Map Colorist, my own novel set in seventeenth-century Amsterdam.

This book was on the bedside table at a friend’s house where I was staying. I picked it up, started it, and stayed up much later than I had planned!

I was so engaged with the idea of an eighteenth-century woman who began making these botanical paper cut-outs and achieved attention for her work in late life, and I was drawn along by Peacock’s clear, lyrical prose and how she wove in aspects of her own life as a poet.

I loved Mary Delaney’s creativity, spirit, and grit, and she now feels to me like a friend from 250 years ago. 

This book should be considered the bible of women’s artistic expression. Built on the idea of physical spaces and how they nurture the creative endeavor a woman does there, Where Women Create introduces you to dozens of extraordinary artists, textile designers, mixed media artists, book producers, entrepreneurs, and product designers. You get lost in their stories and inspired by their ingenious outlook on organization, clutter, and ways to keep the artistic spark alive.

Sometimes art is pretty to look at and sometimes art is powerful.

Ignotofsky shares short bios and gorgeous pictures of fifty female artists throughout history and across the globe, most of whom I wasn’t familiar with prior to reading the book. Not only will this book inspire young artists to create, but Women in Art will inspire them to research these artists further, as each one deserves her own picture book biography (some of which already exist!).

This is the true story of Phyllis Pearsall who (amongst other adventures in a remarkable life that was also filled with personal tragedy) decided to chart and map the geographical districts of London – a project which eventually tuned into the A-Z map. Over a year Pearsall walked 23,000 London streets to achieve this remarkable feat and set up the Geographers’ Map Company. Pearsall is complex and flawed and Hartley wasn’t always able to separate fact from the fiction (Mrs P was a wonderful storyteller but sometimes contradicted herself). Ultimately Hartley concludes ‘If there is a scene, or a word, or a character, you believe to be too fantastical, it is likely they are real.’ Mrs P did have an extraordinary life.

Though this is a romantic suspense, it has that haunted house theme in the backdrop, and I was captivated. I’ve always been fascinated by a home’s history. Who lived there? What were they like? Did they die there? Do they still roam the halls? This took those elements, plus romance, and got me thinking about writing a similar book with that kind of twist. The setting is Boston’s north shore in a 19th-century carriage house, and wow. I wanted the place to be real, to go there and explore myself. There are more books in the series. Carla is a wonderfully warm and engaging author, also. She always responds to her readers.