I am fifty-five years old, and I’ve been active in the BDSM lifestyle since my early twenties. My Safeword series was written because, at the time, most of the BDSM hitting the ebook market was clearly written by people who’d never felt the sting of a whip. I was certain I could do better, and eventually, after six attempts, I wrote something I thought a publisher might be interested in. Fifteen years later, I write mostly paranormal romance, but a fair amount of kink and power exchange still sneaks in. Vampires and werewolves aren’t known for submitting to others, after all.
The Beauty Series is actually three books, written as one long story: The Claiming of Sleeping Beauty, Beauty's Punishment, Beauty's Release.
When I read the books, sometime around 1989, I didn’t know Anne Rice had written them. I only knew this was proof that yet another person felt the same as me about sex.
These books aren’t written as consensual sex, but they’re pure fantasy, so it worked okay for me then and still does today.
Before E.L. James' Fifty Shades of Grey and Sylvia Day's Bared to You, there was Anne Rice's New York Times best seller The Claiming of Sleeping Beauty
In the traditional folktale of "Sleeping Beauty," the spell cast upon the lovely young princess and everyone in her castle can only be broken by the kiss of a Prince. It is an ancient story, one that originally emerged from and still deeply disturbs the mind's unconscious. In the first book of the series, Anne Rice (author of Beauty's Kingdom), writing as A.N. Roquelaure, retells the Beauty story and probes the unspoken implications…
I’m a writer interested in the odd areas where science and consumerism touch – particularly where this intersects with women workers. My debut book Half Lives: The Unlikely History of Radium tells the history of radioactivity through the eyes of the people who made, bought, and sold products laced with radium in the 20th century. The follow-up title will explore the deadly element Uranium.
Am starting with a tiny cheat as this book isn’t just about women – although it is about the beauty industry which is usually associated with women. What this book is -however – is an exploration about the history of beauty, consumption and gender in Victorian and Edwardian London. It is packed with stories of women beauty salon owners like Sarah “Madame” Rachel Leverson, Helen Rubinstein and Anna Ruppert. I’ve been working on a book that features Anna Rupert and Clark’s book has been an invaluable resource and a great in depth study on the subject.
The Business of Beauty is a unique exploration of the history of beauty, consumption, and business in Victorian and Edwardian London. Illuminating national and cultural contingencies specific to London as a global metropolis, it makes an important intervention by challenging the view of those who-like their historical contemporaries-perceive the 19th and early 20th centuries as devoid of beauty praxis, let alone a commercial beauty culture.
Contrary to this perception, The Business of Beauty reveals that Victorian and Edwardian women and men developed a number of tacit strategies to transform their looks including the purchase of new goods and services from…
I’ve always been drawn to stories where characters discover the magic within and channel it to confront overwhelming odds. Dystopian fantasies meld the intricate worldbuilding of an oppressive world with a character’s unique abilities to fight back. When I was a young adult, these types of books made the most challenging moments in life manageable, not only for the escapism but for their message of hope. They reminded me I wasn’t alone and that my voice mattered. At their core, they’re made for the dreamer in all of us. They inspired me to become an author and write about the transformative power of self-discovery.
The descriptions blew me away; it was like I was really in Orléans, eating buckets of rainbow macaroons. Dhonielle Clayton’s prose envelopes your senses in this glittering world and works as a plot device to make the characters’ dark acts even more jarring.
Camellia is a Belle with the coveted power to manipulate skin and bone to transform others. Her greatest ambition is to be chosen to serve the Queen and her court, but Camellia learns the court’s splendor masks a rotten core. We follow her journey to save her fellow Belles and the kingdom.
The narrative explores the dark underbelly of a society obsessed with external beauty and the wicked lengths characters will go to possess it. In true dystopian form, this book prompted me to think deeply.
As the Black American daughter of Jamaican immigrants born and raised in Anchorage, Alaska, I love stories that depict the beauty of being multifaceted human beings. Stories steeped in broad understandings of place and home. Stories that encourage us to delight in being the people we are. I also believe our children are natural poets and storytellers. Lyrical picture books filled with rich language and sensory details encourage the thriving of such creativity. In addition to writing All the Places We Call Home, I'm the author ofAll the Colors We Will See, an essay collection about race, immigration, and belonging.
Oh my, oh my, oh my!!! What a celebration indeed!! Such gorgeous, lyrical language. And the illustrations—often connected to the seasons—are vibrant and alive. This story is a poem that encourages a child to celebrate the people they come from and the color they are. I love how the specific words, the soothing alliteration, and the connections with nature and family invite us to read further. And the descriptions of the color brown sing. Finally, as someone who spent a childhood hiking trails and connecting with the outdoors, one of my favorite spreads is where the father and daughter take a mountain hike. We do not see enough brown families spending time in nature in children’s books. What a joy to see this representation.
Magnificent Homespun Brown is an exploration of the natural world and family bonds through the eyes of young, mixed raced heroines-a living, breathing, dazzlingly multi-faceted, exuberant masterpiece, firmly grounded in a sense of self-worth and belonging. This is a story-a poem, a song, a celebration- about feeling at home in one's own beloved skin.
If Walt Whitman were reborn as a young woman of colour, this is the book he might write. With vivid illustrations by Kaylani Juanita, Samara Cole Doyon sings a carol for the plenitude that surrounds us and the self each of us is meant to inhabit.
Throughout my journey, I’ve had to endure many challenges coming from humble beginnings so I wrote my book based on my experiences of being the 1st generational college graduate to overcoming many obstacles that affected my self-esteem while running a multimillion-dollar branch in the banking industry. Writing My Broken Stiletto allowed me to showcase that being resilient is a mindset that can be challenging but worth the reward when you get out of your own way.
As a black woman who has had to explain my hair texture, color, and why my hair does what it does has affected my self-esteem at times. This process was simplified with the help of Curly Nikki’s, Better Than Good Hair which is a must-read.
It doesn’t matter if you struggle with kinky, coiled, or straight having a hair problem can be problematic. This book has changed my life in the sense of how I show up in my truth. If you have ever second-guessed yourself or are in a pinch and unsure what to do with your hair, products, or styling this is your book to grab.
Curly Nikki has changed the game on how women are seen in corporate and not only that hair is an extension of our outfits but tied to our souls. Therefore, it is super important to protect your hair piece and your…
A revolution is sweeping through the homes, offices, and salons of black American women. Relaxers are out. Weaves are so yesterday. Tired of the expense and damage of chemical treatments and artificial enhancers, women of color are going natural thanks to Nikki Walton of CurlyNikki.com, the natural hair blogger and expert on online hair therapy. In "Better Than Good Hair", this gifted curl whisperer educates women on how to transition from relaxed to completely natural hair, with advice and styles for every length, from fierce braid-n-curls to fancy faux buns. She also counsels those considering the big chop-cutting it all…
As a child, I was always drawn to stories told through both words and illustrations. Why should that have to end in adulthood? Spoiler: it doesn’t, because there are SO many incredible graphic memoirs and novels written with adult audiences in mind. As a graphic memoirist myself, I love to see how other artists explore the form. I share recommendations in this genre every month in my newsletter, Haley Wrote This.
If ever a book made me want to give myself a massive hug after reading it, this one is it. As someone who has suffered with body image, this book spoke right to my soul, making even the most deeply seeded insecurities feel like parts of me worth loving.
The illustrations are silly and beautiful and moving, which brings to life so much of the messaging! I keep this on my shelf for an instant confidence boost. A total antidote to body shame!
A Beat Most Anticipated Graphic Novel of Fall 2020
The funny, exuberant, inspiring antidote to body shame--a full-color graphic memoir celebrating the imperfections of the author's female body in all its glory.
Too tall. Too short. Too fat. Too thin. The message is everywhere--we need to pluck, wax, shrink, and hide ourselves, to not take up space, emotionally or literally; women are never “just right.” Well, Ariella Elovic, feminist and illustrator extraordinaire, has had enough. In her full-color graphic memoir Cheeky, she takes an inspiring and exuberant head-to-toe look at her own body self-consciousness, and body part by body part,…
I am a curious, passionate, and introspective woman. My values have led me to a quest to have a profound impact on the world and leave a legacy of healing. Each book on my list has profoundly impacted me and led me to challenge my values, rethink my priorities, heal my inner turmoil, and use my lived experience to help others lead a more meaningful life.
This book profoundly moved me, opening my eyes to a concept I had never contemplated. This book explores the origins of weight stigma and anti-fatness while linking them to the history of the development of racism.
Patriarchy, white supremacy, and the false conclusion that black people who were brought to Europe to be slaves were inferior because of their “larger appetite for sex and food” is a stunning revelation. This book rocked my world and incited inner rage and a quest to right this wrong.
Winner, 2020 Body and Embodiment Best Publication Award, given by the American Sociological Association
Honorable Mention, 2020 Sociology of Sex and Gender Distinguished Book Award, given by the American Sociological Association
How the female body has been racialized for over two hundred years
There is an obesity epidemic in this country and poor black women are particularly stigmatized as "diseased" and a burden on the public health care system. This is only the most recent incarnation of the fear of fat black women, which Sabrina Strings shows took root more than two hundred years ago.
Strings weaves together an eye-opening…
I’ve been fascinated by the way people respond to physical beauty since childhood—my teachers heaped praise on the pretty kids, reserving hard words for the less genetically blessed. This experience drove me to explore the pervasive ways in which unconscious beauty bias perpetuates injustice, and how it intersects with racism and privilege. Prison plastic surgery might sound like a punchline but for many, it was a lifeline. UK-born, I now live in San Francisco and have a master’s degree in journalism from Columbia University, New York. My work has been published by The Atlantic, The New York Times, The Washington Post, Wired, and Fast Company, among others.
This book is an eye-opening, mind-boggling, data-driven analysis of just how skewed society is against those who don’t conform to the standard of pretty. The author, a Stanford law professor, takes a deep dive into how legally ingrained physical discrimination has become, drawing on pertinent examples to illustrate what could, in other hands, be dry reading.
The examples will fire you up – a Reno bartender fired for not wearing makeup, a New Jersey cocktail waitress fired for gaining a dress size, a straight-A student expelled due to a high BMI…none of whom had any legal recourse, as it stands today. The lack of legal protection for appearance bias has clear social and psychological costs, and this book is a great call to arms for change.
"It hurts to be beautiful" has been a cliche for centuries. What has been far less appreciated is how much it hurts not to be beautiful. The Beauty Bias explores our cultural preoccupation with attractiveness, the costs it imposes, and the responses it demands.
Beauty may be only skin deep, but the damages associated with its absence go much deeper. Unattractive individuals are less likely to be hired and promoted, and are assumed less likely to have desirable traits, such as goodness, kindness, and honesty. Three quarters of women consider appearance important to their self image and over a third…
My debut novel is a Beauty and the Beast retelling because I’ve been obsessed with fairy tales all my life, and I’m thrilled to share some of my favorite retellings with you! When I was a child, my grandma gave me an illustrated collection of fairy tales. She had grown up reading stories from Hans Christian Andersen and the Grimm brothers, and she wanted to share that with me. It was an interest I gladly adopted. I love seeing my favorite fairy tales told with new twists and elements that bring the stories to life all over again and let me fall in love with them one more time.
Gail Carson Levine has been one of my favorite authors all my life. She and my maternal grandmother are jointly responsible for my deep obsession with fairy tales.
While Ella Enchanted is more well known, Fairest is my favorite of her fairy tale novels. It’s a Snow White retelling that made me truly fall in love with the main character. Aza’s insecurities felt real to me, and I loved the twist that she is not fairest in all the land because of looks but, rather, because of her voice.
This story breaks me down and builds me back up again. I’ve reread it many times and intend to reread it many more.
Once upon a time, there was a girl who wanted to be pretty ...Aza's singing is the fairest in all the land, and the most unusual. She can "throw" her voice so it seems to come from anywhere. But singing is only one of the two qualities prized in the Kingdom of Ayortha. Aza doesn't possess the other: beauty. Not even close. She's hidden in the shadows in her parents' inn, but when she becomes lady-in-waiting to the new queen, she has to step into the light-especially when the queen demands a dangerous favor. A magic mirror, a charming prince,…
I’ve always been fascinated by the stories of outsiders. I’m probably attracted to the topic because I come from a couple of misfits who reared me in a small town in the deeply conservative South. My mom is an irreverent, Socialist, Croatian immigrant with half a dozen kids, and my dad a curmudgeonly polyglot who loves books more than people. First as a journalist, then as a historian, I’ve long studied the economies and cultures created by those systematically marginalized or merely with a healthy disdain for the mainstream—enslaved people, queers, disenfranchised women, downtrodden artists, poor immigrants. The books here all capture things that make our society beautifully textured, diverse, and resilient.
This book shows how fashion can be a powerful political tool and how subcultures can effectively fight back against oppression. From the civil rights movement to anti-apartheid activism in the 1980s, Black women all over the world used elements of “soul style” to physically defend themselves and advocate for equality. Along the way, they forged a universal identity that helped create solidarity and refute ideologies of racial inferiority.
I personally value how Ford’s insight into the expressive power of fashion has cleared a sartorial path for cultural historians working in all areas. I also deeply admire her clear and captivating storytelling chops, which make this book feel perpetually relevant.
From the civil rights and Black Power era of the 1960s through antiapartheid activism in the 1980s and beyond, black women have used their clothing, hair, and style not simply as a fashion statement but as a powerful tool of resistance. Whether using stiletto heels as weapons to protect against police attacks or incorporating African-themed designs into everyday wear, these fashion-forward women celebrated their identities and pushed for equality.
In this thought-provoking book, Tanisha C. Ford explores how and why black women in places as far-flung as New York City, Atlanta, London, and Johannesburg incorporated style and beauty culture into…
