The most recommended singing books

I grew up playing in nature: body surfing the waves in Southern California, backpacking in the Sierra Nevada Mountains, swimming in rivers. For the past thirty years, I’ve lived in the redwoods of Northern California. Spending so much time in the peace and beauty of nature has filled me with joy and deep respect for the incredibly interconnectedness of living ecosystems. I’ve also had a lifelong passion for reading, especially fairy tales, fables and fantasies. Combining nature and fantasy in my writing allows me to explore ideas and inspirations about how we can live in harmony on our one beautiful planet.

One of the reasons I wanted to write about and explore mental health was because I was always fascinated by how the mind works and how it can turn on you without provocation. How and why some people can power through dark times, while others struggle is a topic that, within the African American community, isn't frequently discussed.  Often the advice given to someone about how to get through depression or anxiety is to pray or just dig deep and power through. It is the idea that because our ancestors suffered so much, those of us living in "easier" times should have nothing to be sad about that seems to prevent us from asking for help or getting therapy. 

I’m from East Texas, which is closer in culture and climate to the South than the Southwest. The southern voice in American literature has given us countless classics, specifically when it comes to dealing with our very dark, very human nature. Violence, racism, religion, and redemption are all explored under the Southern Gothic umbrella. My own upbringing exposed me to much of the darkness that still exists in these shadowed pockets of the country. I want to illuminate some of those places, and each of these books serves as a massive spotlight. 

Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.

Ever since I was a kid, I’ve been more drawn to nonfiction than fiction. I remember spending hour after hour with my mother’s World Book Encyclopedias, memorizing breeds of dogs, US state capitals, and how to sign the alphabet. I loved reading books to learn about all kinds of things, and still do. But when it comes to fiction, unless the words are arranged like musical notes on the page, I struggle to read past chapter three. I need the narrator’s voice to make my brain happy and interested. While reading, I need to feel something deeply—to laugh, cry, or have my thoughts dance so rhythmically I find myself fast-blinking.  

I’m a fantasy author and an obsessive world builder (my World of Vindor has 12 diverse nations developed over 20 years), and I love cinematic fantasy that places realistic people in exotic settings. To me, the best fantasy is beautiful in its own right—not merely allegory—but asks deep questions and influences the way we approach real life. I choose to write clean fantasy (without graphic violence, sexual situations, or profanity) to keep my work accessible to readers of all ages and sensitivity levels. The likewise clean fantasy books below have all moved me in some way, helping me see the world around me in a wondrous new light. 

I’m the author of two novels, a memoir, and numerous essays and humor pieces. As a reader, I’ve always been drawn to strong, flawed, funny female characters and voices. The pull is even stronger now that I’m at midlife, a phase that’s equal parts misery, hilarity, and night sweats. I read a wide range of books, from literary fiction and classics to psychological thrillers to graphic novels that I steal from my teenagers when they’re not looking. But I have a special place in my heart for books that explore the many facets of what it means to be a woman “of a certain age” today, while making me laugh—and sometimes cringe—with recognition. 

In fifth grade, I chose to play the clarinet. After a lot of cracked reeds and squeaky notes, I switched to choir. I still love to sing! I love books that explore young people’s first experiences with music, whether it’s as a star or as a way to express one’s true self. Music takes many forms, and for me, that includes the arrangement of sounds in a sentence. When I write for young people, I look for the musicality of words, how they flow, and how variety can make a story pop. Try reading aloud your own work or a favorite book and listen to the rhythm of language.

I graduated law school in 2015 with over $200,000 of debt. As the daughter of immigrants, born and raised in a low-income community in the Bronx, I was overwhelmed by how little I knew about money. I turned to books to build healthy money management habits, improve my credit, and, importantly, pay down my debt. I have since read dozens of personal finance books, built a community of over 60,000 on social media, and spoken to audiences nationwide about personal finance. Given the impact that books have had on my journey, I wrote my own from the perspective of a first-generation Latina that went from six figures of debt to a six-figure net worth. 

Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.