100 books like Emma Oliver and the Song of Creation

Running away to live for a year alone in the woods–as a kid, I couldn’t have dreamed up a better fantasy.

Twelve-year-old protagonist Sam Gribley makes the dream feel realistic. Carving your own home in a huge hollow tree? Check. Learning how to set traps for fish and game? Check. Stitching your own clothes out of a deer hide “borrowed” from a reckless hunter who couldn’t find the carcass? Check. Learning the daily rhythms of wildlife, from chickadees to raccoons to stoats? Oh yes. I could have lived in Sam’s world forever.

Plus, the author’s line illustrations perfectly evoke an outdoor notebook worthy of a young Thoreau. It broke my heart when Sam’s year of wild freedom drew to a close.

A fable about forest creatures coming together and putting differences aside to save their home from the Smashbasher. This book is an early chapter book for 7-9-year-olds and includes beautiful illustrations. The trees have names and are inhabited by various creatures. Heartwood will bring children closer to the magic of the forest and nature. 

I recommend this book because I live in the redwood forest and love trees myself. The book captures the essence of the magic we feel when we enter an unspoiled forest, and how important it is to protect these sacred and life-giving places. The fact that the only way for the forest creatures to save their home is to find their similarities and work together strikes me as particularly relevant today.

Though I admire her classic work, The Left Hand of Darkness, it’s The Word For World Is Forest that most lingers in the mind.

Ursula Le Guin worried that the book was too simple and that its portrait of the mad colonialist soldier, Captain Davidson, was too unshaded a vision of militarist evil. Well, perhaps. However, men like Davidson can be found in equally brutal forms in accounts of the European invasion of the Americas or in Roger Casement’s report on the Belgians in the Congo.

But it is the otherworldly Selver who possesses my imagination, that archetypal ‘little green man,’ that strange new god of a person, poised between the innocent world he seeks to protect and the violence he must unleash to ensure its survival.

I love the way A Long Walk to Water follows two characters in two different timelines to reinforce the importance of water to survival. It’s an exciting combination of a true story and fictionalized one that intersect in an unexpected but wonderful way. Readers of any age, but especially younger ones, will be shocked by what one 11-year-old girl must do to obtain just a minimal daily amount of water for her family’s survival. They will also be inspired by how one 11-year-old boy, after barely surviving wartime experiences in his African homeland, returns years later to make a lasting impact on the lives of others. The double-pronged impact of these characters and their suspenseful stories will instantly engage readers, keep them enthralled to the final page, and leave a long-lasting impression.

This is more than a story, although it is a wonderful one. It is an eye-opener to the… show more.

Because Mr. Newcomb’s book (above) covers only herbs, shrubs, and vines, the survival student needs a good tree identifier (field guide) to cover “the standing people.” (The Cherokee name for “trees.”) Because I live in Georgia, this book serves me well. If you live outside of the Southeast, you’ll want to find a book germane to your area. Trees of Georgia contains good photographs of leaves, bark, flowers, buds, and fruits of over 200 species.

Here’s a book to sample and savor again and again!

I loved the combination of poetry bolstered with clear, well-sourced nonfiction text on every single spread. This tribute song to forests is based on groundbreaking work about how trees create communities and sustain the places where they grow.

While placing trees in the context of the “wood wide web,” this book transports us to a glorious range of places. Beeches in Germany, an elm tree in Central Park, tualang saplings in Malaysia, kapoks in Brazil, silver birch in China, diverse forests in Colorado—all of it brings us closer to the wisdom of trees in the places we each call home.  

This booklet is thin, smaller than a kindle, small enough to fit in an outer pocket or any small bag. I bought my copy in 2011 and ever since I have given copies of the booklet as a present to those who would connect with his ideas about trees. He wants us to forget the trimmed apple trees of his father and urges us to fall in love with the overgrown trees in a scrap of ancient woods in the English countryside. He hated Victorian botanists for their passion for naming and classification. He sounded like a heretic when he takes on Carl Linnaeus (1707-1778), the Swedish botanist, who continues to be famous for the binomial system for naming all the plants in the Vegetable Kingdom.

He actually takes his readers to Uppsala, the university town in Sweden where Linnaeus was a professor, to underscore what he calls the “bitter… show more.

Trees and us. We’re bound together from breath to shelter and beyond, bound together in every way. That’s the truth of this poem in words and pictures from author-illustrator Corinna Luyken.

The words are as delicate as the rustle of leaves but they’re also completely centered on the child reader. Even the punctuation is placed with care, adding pause and breath, mediating the transition from shade to light, as if the words and their accessories were meant to float off the page as the text is read out loud.

Readers probably know Pulley best through her amazing best seller, The Watchmaker of Filigree Street. That’s how I first encountered her work too, but she became my favorite writer with Bedlam Stacks.

It is the story of Merrick Tremayne, an experienced wilderness traveler whom British colonial authorities hope can help discover new troves of quinine, a material essential for the British colonization of India. Set in the mid-nineteenth century, the story follows Tremayne as he reluctantly journeys into Peru’s distant and remote forests. 

Once there, he enters a magical world that retains just enough realism to make the truths of European colonization vividly clear. Violence and self-interest create unexpected and far-reaching consequences. Peoples at the fringes of empire guard their borders at the peril of those who intrude.

At the same time, Pulley’s deft imagination counterbalances harsh historical realities with magical threads. She brings Tremayne into a place of humanity… show more.

I did not buy this book because I thought it was a grief book. I got it to do a tree unit for my kids’ preschool. But a year after my father-in-law (also named Steve) died unexpectedly, I couldn’t finish reading this book aloud without crying.

While not a traditional grief book, this is the story of a tree that has become inextricably intertwined with a family’s daily life, until one day a storm blows it over and the children come home to Steve in a new form, as a treehouse. A great way to discuss how we can find our lost loved ones in new ways.