Here are 78 books that Heartwood fans have personally recommended if you like
Heartwood.
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To this day, I love stories and books that bring a sense of nostalgia to my heart. As I read now, many of these bring me back to my youth and those early days when I really started to love reading. For the most part, books on this list are seen through the eyes of a middle-grade protagonist—stories of overcoming obstacles and finding family in unexpected places. And characters who overcome mistakes, ultimately lending a hand. I love kindness and empathy in these books, whether spread throughout the story or reaching those qualities by the end, more than anything.
I love this book because it’s one I can return to time and time again. The story was a favorite of mine as a youth and one I rediscovered as an adult, enjoying it all the same. There is a symbiosis of life and nature in this story, and the overcoming of obstacles, learning to survive, and finding balance are aspects that always bring a smile to my face when reading this book.
"Should appeal to all rugged individualists who dream of escape to the forest."-The New York Times Book Review
Sam Gribley is terribly unhappy living in New York City with his family, so he runs away to the Catskill Mountains to live in the woods-all by himself. With only a penknife, a ball of cord, forty dollars, and some flint and steel, he intends to survive on his own. Sam learns about courage, danger, and independence during his year in the wilderness, a year that changes his life forever.
"An extraordinary book . . . It will be read year after…
I grew up playing in nature: body surfing the waves in Southern California, backpacking in the Sierra Nevada Mountains, swimming in rivers. For the past thirty years, I’ve lived in the redwoods of Northern California. Spending so much time in the peace and beauty of nature has filled me with joy and deep respect for the incredibly interconnectedness of living ecosystems. I’ve also had a lifelong passion for reading, especially fairy tales, fables and fantasies. Combining nature and fantasy in my writing allows me to explore ideas and inspirations about how we can live in harmony on our one beautiful planet.
Soon to be a musical, this enchanting story is about an eleven-year-old girl who doesn’t know she can sing until she gets to know an oak tree in her garden, Annie Oakly, who becomes her best friend and is actually a tree spirit. As the story unfolds, and Emma is confronted with family troubles, she learns of her own vital role in saving the trees; Emma must sing!
I’m recommending this book because of my own love for both trees and music. In fact, I often sing to the redwoods where I live and sometimes imagine they are singing along with their rustling squeaks and creaks. The author tells a story grounded in everyday problems, such as living with a grandmother with dementia, while bringing the fantastical and magical world of nature vividly alive.
Eleven-year-old Emma doesn't know that she comes from generations of tree singers, passed from mother to daughter. She doesn't believe she can sing. Her ailing grandmother has just come to live with the family. Her father is hardly ever at home. Her mother has been acting strange. To add to Emma's troubles, her mother's great uncle from England is coming to stay. Then, a strange old woman wearing a hat full of feathers appears mysteriously in her garden. She gives Emma a white swan feather that emits a haunting melody. Emma's only solace is the oak tree in her garden,…
I am a cultural historian, film critic, literary critic, editor, and essayist–and a frustrated fiction writer–fascinated by ‘the fantastic’ in art or in life. Answering that fascination, I wrote Savage Girls and Wild Boys: A History of Feral Children (2002), and I’ve written two books for the BFI Film Classics series on two great movies of the fantastic, Rosemary’s Baby (2020) and It’s A Wonderful Life (2023). I also edited three anthologies of Victorian and Edwardian fantasy, The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (2010) and Victorian Fairy Tales (2015), and now an anthology, Origins of Science Fiction (2022) for Oxford World’s Classics.
Though I admire her classic work, The Left Hand of Darkness, it’s The Word For World Is Forest that most lingers in the mind.
Ursula Le Guin worried that the book was too simple and that its portrait of the mad colonialist soldier, Captain Davidson, was too unshaded a vision of militarist evil. Well, perhaps. However, men like Davidson can be found in equally brutal forms in accounts of the European invasion of the Americas or in Roger Casement’s report on the Belgians in the Congo.
But it is the otherworldly Selver who possesses my imagination, that archetypal ‘little green man,’ that strange new god of a person, poised between the innocent world he seeks to protect and the violence he must unleash to ensure its survival.
When the inhabitants of a peaceful world are conquered by the bloodthirsty yumens, their existence is irrevocably altered. Forced into servitude, the Athsheans find themselves at the mercy of their brutal masters.
Desperation causes the Athsheans, led by Selver, to retaliate against their captors, abandoning their strictures against violence. But in defending their lives, they have endangered the very foundations of their society. For every blow against the invaders is a blow to the humanity of the Athsheans. And once the killing starts, there is no turning back.
I have no wilderness survival skills and certainly no wish to be thrown into any of the scenarios in the books I’ve recommended. What I do have is great empathy for those who struggle to survive loss—in whatever form it might come—be it loss of home, or security, or family. I know what it is to struggle through darkness and survive what I would have previously thought “unsurvivable.” That’s why two of my middle grade books, but especially MacKenzie’s Last Run, are about speaking up when you’re hurting or frightened. Lost in the dark woods or lost in grief–it’s all ultimately about survival.
I love the way A Long Walk to Waterfollows two characters in two different timelines to reinforce the importance of water to survival. It’s an exciting combination of a true story and fictionalized one that intersect in an unexpected but wonderful way. Readers of any age, but especially younger ones, will be shocked by what one 11-year-old girl must do to obtain just a minimal daily amount of water for her family’s survival. They will also be inspired by how one 11-year-old boy, after barely surviving wartime experiences in his African homeland, returns years later to make a lasting impact on the lives of others. The double-pronged impact of these characters and their suspenseful stories will instantly engage readers, keep them enthralled to the final page, and leave a long-lasting impression.
This is more than a story, although it is a wonderful one. It is an eye-opener to the…
Cherished by millions of readers, this #1 New York Times bestselling novel is a powerful tale of perseverance and hope. Newbery Medalist Linda Sue Park interweaves the stories of two Sudanese children who overcome mortal dangers to improve their lives and the lives of others.
A Long Walk to Water begins as two stories, told in alternating sections, about two eleven-year-olds in Sudan, a girl in 2008 and a boy in 1985. The girl, Nya, is fetching water from a pond that is two hours’ walk from her home: she makes two trips to the pond every day. The boy,…
I have had a long, fruitful career as a business leader, entrepreneur, and inventor in the energy and chemicals industry with seven scientific patents. I'm the founder/CEO of Chem Systems, Inc., lectured at MIT about entrepreneurship and innovation, and recently wrote a book exploring industrial inventions tracing back to the Industrial Revolution. All inventors share the same qualities: they see opportunities, stay persistent, and maintain their faith in the value of their innovation. The books on this list celebrate those qualities and honor the innovators who embody them. The authors highlight the common threads binding past, present, and future together, showing how humanity's progress depends on innovation.
This book changed my perspective on human history. Ennos mixes history and science to tell a sweeping tale about how our relationship with wood enormously influenced civilization.
I love the way Ennos takes readers all over the world—to its forests and cities—to trace this fascinating true story. He goes all that way back to our origins to show that discovering how to use wood propelled us forward. This is a wonderful book that serves as a reminder of just how critical materials are to humanity and how learning how to best employ them has propelled us forward.
A “smart and surprising” (Booklist) “expansive history” (Publishers Weekly) detailing the role that wood and trees have played in our global ecosystem—including human evolution and the rise and fall of empires—in the bestselling tradition of Yuval Harari’s Sapiens and Mark Kurlansky’s Salt.
As the dominant species on Earth, humans have made astonishing progress since our ancestors came down from the trees. But how did the descendants of small primates manage to walk upright, become top predators, and populate the world? How were humans able to develop civilizations and produce a globalized economy? Now, in The Age of Wood, Roland Ennos…
Jeff Miller is one of the country’s leading furniture designer/craftsmen. He is also a dedicated teacher and a prolific writer, with over 40 articles and 4 books (with a fifth in preparation). Jeff has exhibited furniture in shows from coast to coast, and has a piece in the permanent collection of the Chicago History Museum. Jeff’s work is heavily influenced by his former career as a professional musician, and he strives to make each of his pieces feel musical in some way.
Jeff is a runner and – despite the hindrance of living in the flat mid-west – an avid skier. A substantial chunk of his time is taken up by dialysis treatments, but he tries not to let that slow him down too much.
This is a foundational text on wood as a material for building furniture, written by someone who knows the material thoroughly as both a wood scientist and as a woodworker. The combined insights give you the information you need to work with wood effectively. It reads well if you feel like plowing through it, but you can also use it as a resource for answering specific questions about wood and its behavior.
Understanding Wood is the definitive reference on wood technology, and is a keystone of every woodworker's library. The first edition (1980) sold over 128,000 copies: this new edition updates the classic text with new information on new materials: composite board, adhesives and finishes which have been developed since the original edition. There are also 225 brand new colour photographs! Up-to-date and Comprehensive: revised and updated edition of a woodworking classic (Taunton Press, 1980; 1-918804-05-1) which continues to sell thousands of copies a year to this day. New four colour photography is clearer and more informative. Comprehensive: everything you know about…
I fell in love with reading as a child and have carried that sense of magic and possibility with me ever since. As an adult and a writer, I believe passionately in the power of story to foster empathy, understanding, and greater human connection – and I still turn to children’s literature whenever I need reminding of all that we are capable of becoming and doing as human beings. This list has a strong environmental bent to it – partly because Wildoak is a book about caring for the natural world, and partly because I believe that stories shape our sense of purpose.
This is a gorgeous picture book! It’s poetic and lyrical and bridges the distance between science and story. I especially love the center spread – it brought me right back to that feeling of climbing a strong, solid tree as a child, of being held by a tree. It’s the kind of book that I would want to share with little ones because it’s inspiring and hopeful. I’m a big fan of Dr. Jane Goodall and believe in her mission of inspiring hope when it comes to caring for the environment.
A lyrical, gorgeously illustrated look at the majesty of trees-and what humans can learn from them
Stand tall.
Stretch your branches to the sun.
Be a tree!
We are all like trees: our spines, trunks; our skin, bark; our hearts
giving us strength and support, like heartwood. We are fueled by air and
sun.
And, like humans, trees are social. They "talk" to spread
information; they share food and resources. They shelter and take care
of one another. They are stronger together.
In this gorgeous and
poetic celebration of one of nature's greatest creations, acclaimed
author Maria Gianferrari and illustrator…
As a teenager, I worked on cars and motorcycles in my spare time while apprenticing in an architectural millwork shop, paneling the homes of the rich and famous. Thus I discovered the great joys and satisfactions of working with my hands. After a long stint in graduate school, then four years as an editor at Fine Woodworking magazine and for Taunton Press books, I opened a custom design furniture business in 2000. Travel, writing, and reading are aligned passions, and I’ve lived, taught English, and woodworking here and abroad in France, Slovakia, India, and Japan.
There are more comprehensive and detailed books on green woodworking, but none with Alexander’s unedited, liberating spirit, or his pioneering work. Lines such as “You need very few tools to go into the woods and bust a chair out of a tree” gave me a kind of permission to be bold, experiment, and just have fun (which is what he did, and is where the book comes from). You’ll learn how to make chairs (chairs!) with a small set of tools. You’ll likely put the book down before finishing it, and run into the woods to get started.
When a tree is felled, the wood is green and is easy to cut, split, shave and shape. As it dries, the wood shrinks and hardensQand it becomes vastly more difficult to work. In the old days, wood-workers relied on the ease with which green wood could be worked to make the parts they needed, and on the way wood shrinks to hold these parts together. These old ways have almost been lost, but are revived here for the modern woodworker. Make a Chair From a Tree is a lively and informative introduction to the old ways of splitting and…
Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
This is the book that got me hooked on Japanese carpentry when I was in college in the late 1970s. There’s not much explanation, really, but the black-and-white photos convey the sheer beauty of Japanese joinery in an evocative and compelling way. The drawings resolve some of the mystery.
This lively introduction to Japanese joinery not only delves lovingly into the unique history and development of Japanese carpentry, but also reveals many secrets of Japanese joinery. Presenting 48 joints, selected from among the several hundred known and used today, this visually exciting book will please anyone who has ever been moved by the sheer beauty of wood.
With the clear isometric projections complementing the 64 pages of stunning photographs, even the weekend carpenter can duplicate these bequests from the traditional Japanese carpenter, which can be applied to projects as large as the buildings for which most of them were…
I’ve been a children’s author for over 35 years, had over 150 books published, and won a number of awards. But I began my professional life as Editorial Director of a major children’s book club, during which time I read thousands of books for young readers, from tiny tots to teenagers. As for scary books, I’ve written quite a number and read them to hundreds of children during school visits. I know what works, and I understand how to control scariness so that it delivers a delightful frisson that leaves children wanting to experience more of the same over and over again.
Scary is sometimes what we anticipate rather than what is actually there, and that’s definitely the case in this wonderful tease of a story. The text is simplicity itself and the accompanying illustrations are beautifully gothic and atmospheric. We follow a black cat across a dark, dark moor, through a dark, dark wood, into a dark, dark house – you get the drift? – but just what is at the end of this dark, dark journey? The surprise is genius and has children tumbling over themselves to go back to the beginning once they are in on the secret. This is a book I must now find for my granddaughter because I know it will be a firm favourite.
Children will delight in following the black cat's progress through the dark wood, into the dark house, and eventually to the surprise discovery at the back of the toy cupboard, in this mysterious, beautifully illustrated picture book.
