100 books like Heartwood

I love this anthology for its activism, all too necessary now! Poets, both settler and Indigenous, pay tribute to trees through reflections on the past, connections to the present, and calls for the protection of our future. In Worth More Standing: Poets and Activists Pay Homage to Trees, celebrated poets and activists pay homage to the ghosts of lost forests and issue a rallying cry to protect remaining ancient giants and restore uncolonized spaces. Themes of connection, ecology, grief, and protection are explored through poems about trees and forests written by an impressive number of influential poets.

This anthology is as powerful as it is still necessary: beware. Some pieces may be triggering, but they raised my awareness and empathy. These collected poems from writers across the globe declare one common theme: resistance. By exploring sexual assault and violence in their work, each writer resists the patriarchal systems of power that continue to support a misogynist justice system that supports abusers. In doing so, they reclaim their power and their voice. Resistance underscores the validity of all women’s experiences, and the importance of dignifying such experiences in voice, however that may sound. Because once survivors speak out and disrupt their pain, there is no telling what else they can do.

Voicing Suicide is a collection of poems about suicide and its impact on lives. When my stepdaughter killed herself, I desperately needed an anthology like this. Decades later, the poems here still resonate and console me. The book arises out of a conviction that poetry offers an opportunity to understand some of the difficult aspects of suicide by allowing us to give it voice; through memory, and elegy, through an honest declaration of the draw of death. In poetry, we can enter the spaces suicide shapes around loss and sorrow and give it voice. Poems can speak to the loss of a loved one, to considering suicide, to struggling to make sense of suicide and poems can offer the words of those who have suicided. Although intense and sometimes painful, the book is honest, in moments delicate and tender. It offers an important exploration of suicide by writers who have… show more.

This anthology attempts to answer ongoing questions about struggle in poems that engaged, challenged, and comforted me. What might survival sound or look like to us in our daily lives? Is it loud, refusing silence, demanding action? Or quiet, interior? What does surviving feel like in the body, this long into the pandemic? What techniques have helped us exist, continue to bear witness, learn to live with illness, grief, and pain? Is survival the continual interrogation of inequity and oppressive structures? What happens when we get tired of fighting?

Survival may very well be a composite of things; both a tending to one’s inner life and to the processing of life events, as well as the will to act, retrieve momentum. It is also a plurality/multiplicity of practices that serve to keep us well—as persons and with respect to our communities, the ongoing project of social justice/civil rights, which involves… show more.

I contacted Gilbert Moore in 2014 to share how valuable his book Rage was to my perspective as an author writing about the ground-breaking defense in the 1968 “trial of the century”, People v. Newton. Moore covered that headliner for LIFE magazine as its first black reporter. He agreed to be interviewed for our documentary project American Justice on Trial. Tragically, he died before the interview occurred. Watching that extraordinary trial caused Moore to engage in soul-searching, quit his plum job, and write his critically acclaimed book about the epiphany he experienced. Rage is considered a classic in African-American literature – an unparalleled window into the impact of that unprecedented Movement trial on pioneering black professionals in a white supremacist environment – through the eyes and pen of a firsthand observer.   

This book is unlike anything I’d ever read, but I desperately needed it. As the title suggests, the book flows with deep wisdom from within oceans. As a long-time resident of a landlocked state, I’ve always approached large bodies of water with a sense of awe (and, quite honestly, fear).

This creative nonfiction tells the story of possibility, kinship, and collective kindness available in the depths. The book itself is a technology for living well with others and ourselves.

Mounk’s book is not about mental health per se, but I found that he provided a clear, compassionate framework for understanding the current obsession with identity politics – which, in my experience, relates to our current mental health crisis.

Prioritizing race, gender, and other aspects of identity means that we focus less on universal aspects of the human experience. As a therapist, I know that understanding our suffering from a universal perspective brings healing and transformation. We lose so much when we lose this.

Mounk’s book helped clarify my thinking about identity politics, and I didn’t find it narrow or polemical. 

This book is a profound reflection on the relationship between Christianity and social justice.

Thurman argues that Jesus was himself a member of an oppressed minority and that his teachings were aimed at empowering the disenfranchised. He goes on to explore the ways in which the African American community can draw on the teachings of Jesus to find strength and hope in the face of systemic injustice.

One of the most striking aspects of the book is the way in which Thurman uses language; his writing is poetic and evocative, and he has a gift for articulating complex ideas in a way that is both accessible and profound. It's no wonder that this book was such an important influence on Martin Luther King, Jr. and the civil rights movement as a whole.

For kids who think that "history" is made only by old people who lived long ago, this accessible anthology showcases fourteen of today's young people who are speaking up. It profiles a diverse range of contemporary activists (starting at eight years old) throughout the United States, kids who have worked on issues from climate change to safe water to social justice.

The book's creative format is particularly engaging for children and educators and makes it stand out in the field of anthologies. It provides a brief biography of every young person included, followed by a poem. Each poem is written by a different poet (including such excellent writers as Nikki Grimes and Lesléa Newman) and in a different form. The back matter explains the various poetic forms used and provides additional information about the editors' research and ideas about how young people can improve their communities.

This is the best book I read in 2023. If you’d asked me if it was possible to write a book entirely in second-person voice and poetic form, I would’ve said it’s impossible. Yet Ani Tuzman has done exactly that and done it with perfection and passion.

Tuzman writes as the daughter of Holocaust survivors, something I personally relate to. Even though she doesn’t shy away from describing intergenerational trauma, her words continually uplift through remembrance of the highest truths.