I write novels for adults, young adults (My Life as a Bench won the International Rubery Book of the Year), and children. Using my experience as an art student in Nottingham, I wanted to look at the dark side of Sex in the City. The sexual revolution of the 60s gave women freedom, but at what cost? Conviction rates for sexual assault remain depressingly low and our streets remain unsafe for women at night.
Emma O’Donovan is a pretty and popular 18-year-old whose life completely changes after she attends a couple of parties and the following day is found semi-conscious on her doorstep. Unaware of what she has been through the night before, Emma struggles to cope with the public shaming that ensues. This is a brilliant examination of consent, rape culture, and how hard it can be to speak out and seek justice.
'A soul-shattering novel that will leave your emotions raw. This story will haunt me forever. Everyone should read it' Guardian
In a small town where everyone knows everyone, Emma O'Donovan is different. She is the special one - beautiful, popular, powerful. And she works hard to keep it that way.
Until that night . . .
Now, she's an embarrassment. Now, she's just a slut. Now, she is nothing.
And those pictures - those pictures that everyone has seen - mean she can never forget.
For fans of Caitlin Moran, Marian Keyes and Jodi Picoult.
As an investigative journalist, I’ve spent my career interviewing and trying to understand the worst of humanity: murderers, child molesters and rapists. They are all predators, but rape is personal for me. I was a young journalist starting my career when a serial rapist assaulted my neighbor. He entered many things uninvited—homes, bedrooms, and my mind. For twenty years, I was obsessed—learning everything I could about him and sexual assault. I read these books to understand why the justice system and society sometimes fail survivors. Yet these remarkable survivors still manage to heal their trauma–at least, that’s what I found in each of these books.
This is a story about a fight for justice—a fight that even Erika Krouse may not have anticipated when she embarked on this five-year journey.
I was captivated by how Krouse walks a delicate tightrope, blending her narrative of her own sexual violence with her crusade for justice for a remarkable young college woman who was attacked at a party by football players and recruits.
Winner of the 2023 Edgar Award for Best Fact Crime • A New York Times Book Review Editors' Choice
Part memoir and part literary true crime, Tell Me Everything is the mesmerizing story of a landmark sexual assault investigation and the female private investigator who helped crack it open.
Erika Krouse has one of those faces. “I don’t know why I’m telling you this,” people say, spilling confessions. In fall 2002, Erika accepts a new contract job investigating lawsuits as a private investigator. The role seems perfect for her, but she quickly realizes she has no idea what she’s doing.…
My interest in serial killers began when I was a teen watching horror movies with my mom. I learned all I could about them—even became a horror special-effects makeup artist. Eventually, I had to quit due to my connective tissue disorder (Hypermobile Ehlers-Danlos Syndrome). It put me on a path of writing. I love digging into the darker side of humanity—murder or mental illness. The story of a serial killer who could challenge the reader to see disability in a new light came to me, and I had to write her story, if not just so I could dive into the psyche of another serial killer.
Scarlett Clark is a bi serial killer who kills bad men. Carly Schiller is a queer student who just escaped an abusive father. Their storylines are equally gripping, with moments of unexpected intensity in both lust and fear. Layne Fargo creates a world so grounded in reality that, as a woman, it was painful to read at times—micro-aggressions, normalized inappropriate touching. Fargo doesn’t exaggerate it, she just exposes it as part of the narrative. Better yet, she gives a glimmer of equalization in the form of Scarlett who focuses her urge to kill in a direction that’s easy to root for, to want to read. It was wanting a serial killer to go on with her work that made this book and Scarlett a standout.
From the author of the “raw, ingenious, and utterly fearless” (Wendy Walker, USA TODAY bestselling author) Temper comes a dynamic psychological thriller about two women who give bad men exactly what they deserve.
Scarlett Clark is an exceptional English professor. But she’s even better at getting away with murder.
Every year, she searches for the worst man at Gorman University and plots his well-deserved demise. Thanks to her meticulous planning, she’s avoided drawing attention to herself—but as she’s preparing for her biggest kill yet, the school starts probing into the growing body count on campus. Determined to keep her enemies…
I grew up reading mysteries and quickly realized that, for me, the best stories were those that peered into the very heart and soul of the protagonist. I also favored books with deep roots; I wanted the present-day crime to be linked to the past. Through work and personal experience, I also understood the heavy toll of loss and grief and found myself drawn to writing a mystery series that related both in a way that was honest and real. When readers tell me that my protagonist’s pain is their pain, that his story is their story, I am both humbled and honored.
Lark Chadwick is my kind of protagonist – gutsy, smart, and burdened with a past that won’t let go.
When the aunt who raised her dies, Chadwick refuses to believe that suicide was the cause. Digging into the circumstances surrounding one death she discovers the truth about the deaths of her parents who were killed in an accident that only she survived.
A fledgling journalist, Chadwick talks herself into a job with the local paper, a first step in the many adventures that follow her in an exciting series that takes her all the way to the White House. Author John DeDakis, a former veteran CNN journalist, infuses the award-winning series with real-life drama and authenticity.
Orphaned as an infant, sexually assaulted as a naïve college student, strong-willed, impulsive Lark Chadwick is vexed and trying to figure out what to do with her mixed-up life. When she discovers the body of the aunt who raised her, Lark goes on a search for answers.
She is stunned to learn from a 25-year-old newspaper clipping that she’s the “miracle baby” who survived a suspicious car accident that killed her parents at a rural railroad crossing in southern Wisconsin. Lark convinces Lionel Stone, the crusty Pulitzer-Prize winning editor, to let her do a follow-up investigation of the crash. Two…
I fell in love with reading in fourth grade but felt like real girls weren't reflected in young adult books. The characters had friend problems and boy problems, but books about really big problems like sexual assault were rare because most people thought subjects like addiction and abuse weren't appropriate for young readers. It's one of those weird dichotomies: we know kids deal with big problems, but we're afraid to broach the subject. I used books to help me understand stuff I didn't feel comfortable talking about so I appreciate books that show people how to claw themselves out of a bad place and be their own hero.
The Fixis tough to read at moments, but so, so necessary. The Me Too movement showed us that just about every female has been subject to assault on some level. Childhood sexual assault is so common that many survivors don't disclose because they don't want to seem weak. Telling someone is the best thing survivors can do for themselves, and The Fix shows that sometimes you can't whisper the truth. Sometimes you have to shout it.
One conversation is all it takes to break a world wide open.
Seventeen-year-old Macy Lyons has been through something no one should ever have to experience. And she's dealt with it entirely alone.
On the outside, she's got it pretty good. Her family's well-off, she's dating the cute boy next door, she has plenty of friends, and although she long ago wrote her mother off as a superficial gym rat, she's thankful to have allies in her loving, laid-back dad and her younger brother.
But a conversation with a boy at a party one night shakes Macy out of the…
When my family moved from sunny Florida to the cold, rugged mountains of Montana when I was in eighth grade, I thought I would hate it. Instead, I fell in love with Montana and its arresting landscape, especially Glacier National Park, which was only about a half-hour drive from our small town. When I began writing crime novels, I considered setting before plot or character because landscape was so central to me. I decided to place my stories in and around Glacier National Park where the backdrop is stunning, stark, and sometimes haunting. The following books allow you to luxuriate in atmosphere while being propelled by dynamic characters and interesting plots.
Hemingway once said that a writer should “convey everything to the reader so that he remembers it not as a story he had read but something that happened to himself.” As a reader, I don’t always need to feel like the story has happened to me, but when a book is written in first-person narrative, I do enjoy feeling like it really happened to the narrator. I love it when the main character sounds authentic and the author fades to the background, making it seem like a memoir. Such a book is Faith, by Jennifer Haigh. AlthoughFaithisn’t categorized as crime-fiction, it involves an Irish Catholic family in Boston in 2002 during the height of the church’s pedophile scandals. As the narrator navigates her family dynamics after her half-brother is accused of sexual assault, she becomes a woman caught between faith and doubt, and she explores this limbo…
One woman's search for the truth after scandal rocks her family, and the explosive family secrets she uncovers, in this complex, moving novel from award-winning author Jennifer Haigh.
In Faith, Jennifer Haigh explores the repercussions of one family's history of silence, when a priest's sex scandal forces his family's untold past to surface. Art, Sheila, and Mike are siblings in a large extended Irish-American family from the Boston suburbs. Though their father is a non-believer, their mother is lace curtain Irish-Catholic, having raised her children to keep family secrets just that - secret - in a home where most subjects…
I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I worked for thirty five years as a psychologist and my late wife, Rosie Larner, was a social worker and lecturer. We have both dealt with cases of domestic abuse and have recognised the extent of the problem worldwide and the misery that it causes. We offer these tales under the pen-name of Rosy Stewart to show the diversity of the problems and to bring hope to the sufferers with the hope of resolution of each case to reach a wider audience.
This is told in the voice of a young girl living in a household of domestic violence in the 1960s in UK.
She is regarded as presenting difficulties for her parents right from the beginning with her difficult birth. It is written in short scenes and excerpts from her childhood. She adores her mother, but she is sexually assaulted by one of her mother’s boyfriends. The writing of this is realistic as seen by an innocent four-year-old girl.
When the mother marries another boyfriend the family dynamics change from being kind at first to much stricter. It is clear that the little girl will develop psychological problems in later life.
Cursed by her grandmother and trapped in domestic violence in 1960s Britain, Evelyn must find a way to protect her five young daughters. Aware that her firstborn, Kim, is doomed to repeat her own disastrous life choices, Evelyn places her in the care of one of her admirers to protect her from her fate.
Meanwhile, her daughter Bess carries a deep-rooted sense of shame and guilt that her birth nearly killed her beloved mother. Subjected to sexual abuse, she tries to make sense of her feelings and her place within the secretive family she grows up in, desperately seeking love…
I am a lover of champagne and popular culture and am fascinated with how humor can be used to confront taboo topics and subvert familiar orthodoxies. As a cultural critic, I study how visual artists challenge notions of childhood innocence by adding images of drinking and drunkenness to their adaptations of children’s texts and childish objects. Through these re-imaginings, we see how children’s culture is drinking culture. The most important lessons about alcohol and childhood in the drinking curriculum walk a fine line between humor and dread. My other books include Graphic Girlhoods: Visualizing Education and Violence and Witnessing Girlhood: Toward an Intersectional Tradition of Life Writing (with Leigh Gilmore).
I love all of Lynda Barry’s comics, but It’s So Magic! is my favorite collection.
Barry’s adolescent heroines steal wine from parents and from synagogues; they drink the cheap stuff like Boones Farm Apple Wine, and concoctions of mixed hard liquor made from whatever they can find in their houses that give the reader a hangover just thinking about it.
Barry’s graphic narratives also include stories of sexual abuse that are visually overlaid with gross-out drinking humor that will make some laugh and others turn away. Through visual humor, she brings into view both drinking girls and knowledge about sexual assault often hidden from view.
Barry’s alternative lessons remain radical in this politically fraught time when neo-temperance advocates attempt to tie #MeToo to abstinence, once again trying to enforce the idea that girls and women are to blame if they drink too much alcohol.
Lynda Barry s Ernie Pook s Comeek... made the world look wild, ugly, joyful, and mysterious.' The New Yorker. Maybonne Mullen is 'riding on a bummer' according to her little sister, Marlys. As much as teenage Maybonne prays and tries she just can t connect to the magic of living. How can she when there s so much upheaval at home and school, not to mention the world at large? And yet Marlys always seems able to tap into it. In It s So Magic, the Mullen family dynamics are in flux. Uncle John makes a brief return to town…
I love gathering poets together to celebrate different causes. In fact, I hosted a weekly literary radio show, Gathering Voices, for seven years and published a book/cd collection, Gathering Voice. Since 1972, I have been publishing poetry as well as editing anthologies that collect differing voices, as an activist and poet/editor: gathering voices for women, nature, and social justice is my passion. Given the immensity of suffering in the war on Ukraine, I was galvanized to gather together poems in solidarity with Ukrainians. The anthology, co-edited with Richard-Yves Sitoski, was launched 3 months after the invasion began: a huge endeavor that included 48 activist poets.
This anthology is as powerful as it is still necessary: beware. Some pieces may be triggering, but they raised my awareness and empathy. These collected poems from writers across the globe declare one common theme: resistance. By exploring sexual assault and violence in their work, each writer resists the patriarchal systems of power that continue to support a misogynist justice system that supports abusers. In doing so, they reclaim their power and their voice. Resistance underscores the validity of all women’s experiences, and the importance of dignifying such experiences in voice, however that may sound. Because once survivors speak out and disrupt their pain, there is no telling what else they can do.
Writers across the globe speak out against sexual assault and abuse in this powerful new poetry anthology, edited by Sue Goyette. These collected poems from writers across the globe declare one common theme: resistance. By exploring sexual assault and violence in their work, each writer resists the patriarchal systems of power that continue to support a misogynist justice system that supports abusers. In doing so, they reclaim their power and their voice. Created as a response to the Jian Ghomeshi case, writers including Joan Crate, Ashley-Elizabeth Best, and Beth Goobie are, as editor Sue Goyette explains, a "multitude, resisting." The…
The truth is, I’ve never fit in. I'm always asking questions like: Why do we do it that way? And, what if we tried this instead? These types of questions, however, though intriguing to me and other creatives, make the keepers of the status quo really nervous. As a professor and narrative inquiry researcher, I study the stories of people who've been silenced—extracting the characters, plot, and setting these narratives have in common. For workplace abuse survivors, a salient theme is they think big! To support this mission, I'm on the Executive Board and serve as the Education Director for the National Workplace Bullying Coalition and am a regular contributor to Psychology Today.
As a narrative inquiry researcher, I study stories of people who have experienced a shared phenomenon, such as workplace bullying, sexual assault, or a natural disaster. Almost without exception, the initial plotlines are ones of devastation.
Over the years, I have attempted to come to a deeper understanding of where the hurt resides. Cohen answers that question, documenting for the reader how our desire to be a contributing member of a community is at the center of our striving, and how the surest way to wound another is by pushing them outside the inner circle. The cruelest of all acts is to revoke someone’s belonging to their community, and more tragically, themselves.
In Cohen’s masterful book, he shares stories and details the research on why our need to belong is an essential ingredient of being human and offers the reader fruitful ways to form more meaningful connections.
Stanford University psychology professor Geoffrey L. Cohen has used science to show that when people don't have a sense of belonging, negative consequences often follow: diminished performance at school and work, poorer health, increased levels of hostility and more divisive politics. This book offers concrete steps that we can all take to foster belonging.
Cohen is known for major studies revealing practical actions ("wise interventions") that creatively reduce conflict in all areas of life. Something as simple as affirming your core values before a test can markedly increase your score. Helping others in even small matters can improve health and…
