Here are 72 books that Those Who Knew fans have personally recommended if you like
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I grew up in Uganda and Kenya, and when I moved to the United States, I felt separated from myself. Learning how to be American was exhausting and so I disappeared into books. I’m now more settled, but I still travel through fiction. These days, I am reading fiction by African women. You should be, too! There is so much stunning literature out there. These five books are just the beginning, but they are novels I can’t stop thinking about.
What does environmental racism look like? ReadHow Beautiful We Wereby Imobolo Mbue for a vital, searing answer. An American oil company is destroying the land and water of the fictional village of Kosawa. Children are dying. The company does this because they can, spouting only empty words about restitution. The novel narrates the village’s fight back, using alternating points of view to electric, pulsing effect.
'Sweeping and quietly devastating' New York Times 'A David and Goliath story for our times' O, the Oprah Magazine
Set in the fictional African village of Kosawa, this is the story of a people living in fear amidst environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of clean-up and financial reparations are made - and broken. Left with few choices, the people of Kosawa decide to fight back. But it will come at a steep price - one which generation after generation…
As much as I enjoy traveling to real places in fiction, I find that authors who ask me to inhabit a world of their own making make me think more deeply, and these are also the novels I dream about when I’m not actually reading them, the pages I cannot wait to return to when I can pick up the book again. By exiting the world we inhabit, and occupying a world very much like our own, I end up reflecting more thoughtfully about the contemporary moment, and in a way, feel more connected. I tried to create such a world in The Stranger Game, and this is something I hope to do again in a future novel.
In conjuring a nation's refugees and writing in his typically austere style, the South African Nobelist JM Coetzee asks us to reflect on our current world with all of its harsh and maddening disparities. In three novels, Coetzee tells a fable-like story of one charismatic boy who can never be understood, never followed, never appreciated fully for his wisdom. Coetzee’s distillation of everyday suffering is haunting, yet ultimately cathartic.
From the Nobel Prize-winning author of Waiting for the Barbarians, The Life & Times of Michael K and Disgrace.
Nobel laureate and two-time Booker Prize winner J. M. Coetzee returns with a haunting and surprising novel about childhood and destiny that is sure to rank with his classic novels.
Separated from his mother as a passenger on a boat bound for a new land, David is a boy who is quite literally adrift. The piece of paper explaining his situation is lost, but a fellow passenger, Simon, vows to look after the boy. When the boat docks, David and Simon…
As a creative writer, I think it is important for me to put myself into the bodies and minds of people, unlike myself, and imagine how they move about in the world. In my book, I write about Blind Tom, a person from the nineteenth century who has little in common with me. However, there are some affinities and connections between Tom and myself. Although I am not blind, I suffer from a disability. Also, I like writing about music and musicians. I chose to write about Tom in part because he was a great musician who has never received the proper credit he deserves from musicologists and historians.
I like this disturbing novel written by a winner of the Nobel Prize in Literature. It was also adapted into a fine feature film with a stellar cast of actors. The book is a study of darkness as the driving force of human nature. Be prepared: this is not an easy read. I can tell you that you will find many unsettling scenes in the book. I think anyone who enjoys dystopian novels will like this book.
No food, no water, no government, no obligation, no order.
Discover a chillingly powerful and prescient dystopian vision from one of Europe's greatest writers.
A driver waiting at the traffic lights goes blind. An ophthalmologist tries to diagnose his distinctive white blindness, but is affected before he can read the textbooks. It becomes a contagion, spreading throughout the city. Trying to stem the epidemic, the authorities herd the afflicted into a mental asylum where the wards are terrorised by blind thugs. And when fire destroys the asylum, the inmates burst forth and the last links with a supposedly civilised society…
As much as I enjoy traveling to real places in fiction, I find that authors who ask me to inhabit a world of their own making make me think more deeply, and these are also the novels I dream about when I’m not actually reading them, the pages I cannot wait to return to when I can pick up the book again. By exiting the world we inhabit, and occupying a world very much like our own, I end up reflecting more thoughtfully about the contemporary moment, and in a way, feel more connected. I tried to create such a world in The Stranger Game, and this is something I hope to do again in a future novel.
Anyone who reads one Peter Cameron book will read them all. In his latest novel, a married couple ends up at a grand hotel in a strange European country of fading glory, amid guests who are both eccentric and troubling. At times it’s hard to know whether what is happening is really happening; at times it’s all too acid and real. I hesitate to call this book a comedy, because it’s unsettling. But it’s also magical and memorable, and you won’t want to check out and depart its pages.
A couple find themselves at a fading, grand European hotel full of eccentric and sometimes unsettling patrons in this "faultlessly elegant and quietly menacing" allegorical story that examines the significance of shifting desires and the uncertainty of reality (Garth Greenwell, author of Cleanness).
An unnamed American couple travels to a strange, snowy European city to adopt a baby. It’s a difficult journey that leaves the wife, who is struggling with cancer, desperately weak, and her husband worries that her illness will prevent the orphanage from releasing their child.
On arrival, the couple checks into the cavernous and eerily deserted Borgarfjaroasysla…
I am a lifelong fan of all things post-apocalyptic. Books, movies, television, games – I have enjoyed all of it. I knew I wanted to write post-apocalyptic fiction before I was ten years old. I had to wait almost three decades before life gave me the opportunity to do it. I’ve always been fascinated by the many different ways people can survive these kinds of catastrophes. As dark and visceral as the genre can sometimes be, I will always look for the elements of hope.
This might be the ultimate post-apocalyptic road trip. I enjoyed the fast pacing and irreverent humor. The urgency of the task at hand is there from start to finish. I liked the plot and the pacing. This story made me appreciate the lighter side of the genre. Even though the world has gone to pot, people are still people, and fun is part of the human experience.
Hell Tanner isn't the sort of guy you'd mistake for a hero: he's a fast-driving car thief, a smuggler, and a stone-cold killer. Facing life in prison for his various crimes, he's given a choice: Rot away his remaining years in a tiny jail cell, or drive cross-country and deliver a case of antiserum to the plague-ridden people of Boston, Massachusetts. The chance of a full pardon does wonders for getting his attention. And don't mistake this mission of mercy for any kind of normal road trip-not when there are radioactive storms, hordes of carnivorous beasts, and giant, mutated scorpions…
In my own writing, the setting always is an important backdrop to the novel. Sometimes, it is the element that drives the plot forward. The seedy nature of Atlantic City, where most of my first mystery takes place, is essential to the story. I want my readers to be able to feel that they are witnessing a scene first-hand, whether on the Boardwalk, in a pawn shop on Atlantic Avenue, or in Damien’s favourite hangout. I also want them to identify with the characters. To root for the good guy in spite of his flaws–or for the bad guy if that is their preference.
Keyes was a journalist (she died in 1970), and her background informed every novel she wrote.
Joy Street is set primarily in Boston in the 1930s and 1940s. At the time I read this book, I had never been to Boston. When I finally visited that city several years later, her descriptions of the area in and around Beacon Hill still were so vivid in my mind that I felt as though I already knew the neighbourhood intimately.
Keyes had an equally deft hand with character development and plot. Joy Street is a book populated with characters that seem real and a story that moves forward at a satisfying pace.
The first story I ever wrote was set among warehouse pickers and stockers; the second, a bridge maintenance crew; the third and fifth, office workers, and the sixth, cops on the beat. I’m fascinated by the drama of work. For most people the workplace is a highly structured environment—you can’t wear what you want, you can’t say what you want, you can’t avoid that guy who drives you nuts. Who-You-Really-Are and Who-You-Are-At-Work are not always in harmony, and the tension between those two identities is richly revelatory. I live and write in Moscow, Idaho, and have taught creative writing at the University of Idaho, Stanford University, and the Iowa Writer’s Workshop.
This is the drama of a twenty-second escalator ride, during which the narrator, returning to the office from lunch, ponders his morning at work and his just-ended lunch hour, and reflects upon just about everything that he has observed or handled on this day (sunlight, shoelaces, staplers, doorknobs, carpet, rubber stamps, popcorn, and yes, escalators), and on every seemingly insignificant and fleeting human activity he has engaged in (tying his shoelace, signing a co-worker’s get-well card, replacing a wastepaper basket bag, avoiding another co-worker, ending a conversation). Though an office drone with a boring job, he remains undefeated, and engages the mundane and the routine around him with joy and renewal and wonder. A very funny and heartfelt book.
The Mezzanine is the story of one man's lunch hour. Pondering life's littlest questions - why does one shoelace always wear out before the other? Whatever happened to the paper drinking straw - our narrator interrogates the inner-workings of corporate living as he traipses his way down escalators to the first floor and through the mundaneness of office life.
Mixing humour with the existentialism that surrounds all our working lives, The Mezzanine is a classic work of modern American literature.
Whenever I take on a new short story project, I read other writers to admire them, study them, and be inspired by them; it’s like talking with old friends. These five books took me through the heart and soul of what it is to be or to have a mother, to be or to have children, to love or to lose love, to maintain the rituals and magic of family or let them go. Although I believe men can write female characters and women can write males, I really appreciate the fine-tuned ear for the nuances of motherhood, womanhood, and relationships I find in collections written by women about women.
McCracken was a librarian at my local library before she was a New York Times bestseller, so I’ve always eagerly read her books, beginning with The Giant’s House. I love Thunderstruckbecause it’s typical McCracken – unique, funny, tragic, and smart. In spite of the fact that accidents and death are ubiquitous, that wounds don’t magically heal, and that grief haunts many of the stories, this is not a maudlin book. McCracken can make you laugh out loud. Irony, wry humor, and joy live right next to cruel tragedy throughout the book. Best of all, compassion and tenderness abound.
WINNER OF THE STORY PRIZE • LONGLISTED FOR THE NATIONAL BOOK AWARD • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY NEWSDAY
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • San Francisco Chronicle • O: The Oprah Magazine • The Miami Herald • Publishers Weekly • Kirkus Reviews
Look for special features inside. Join the Random House Reader’s Circle for author chats and more.
From the author of the beloved novel The Giant’s House—finalist for the National Book Award—comes a beautiful new story collection, her first in twenty years. Laced through…
I’m Andy Marx and I am definitely a child of Hollywood. My paternal grandfather was the comic icon, Groucho Marx, and my maternal grandfather was the legendary songwriter, Gus Kahn, who wrote such classic songs as “It Had To Be You,” “Makin’ Whoopee!” and “Dream a Little Dream of Me.” After working as a film publicist on a number of films including, Terminator and Red Dragon, I launched my journalism career writing about Hollywood for such publications as The Los Angeles Times, and Daily Variety. I also co-founded the satirical website, Hollywood & Swine, which poked fun of Hollywood, not a terribly hard thing to do.
This is the third book in the Trip Callaway Gig mystery series written by Phil Swann. While I’ve enjoyed all the Trip Callaway books, I especially like this one because it takes place in 1966 Hollywood. In this story, musician and undercover agent Trip Callaway takes us into the world of Los Angeles studio musicians, who played on all those memorable recordings and variety shows of the time. On top of spending some quality time in great, but sadly long gone, Hollywood hotspots like Shelly’s Manne Hole, The Palomino, and Martoni’s – places I went growing up in Los Angeles – Tinseltown Tango is also a ripping good yarn. If you enjoy a good murder mystery with a dash of music and no shortage of laughs, check out this book. You won’t be disappointed.
Lights, camera, Trip! Los Angeles, 1966. Hot off the heels of his last adventure in Mekong Delta Blues, Trip Callaway, the young, wise-cracking musician with dreams as big as The Golden State itself, takes a break from his steady gig on the Vegas Strip to do some easy undercover work in Hollywood for his secret agency benefactors. It’s Hollywood; how dangerous could it be? But as Trip quickly discovers, The Dream Factory can also be a nightmare. A ruthless gangster, a dubious district attorney, a cantankerous tango band, and a sexy singer from Argentina who elevates the word diva to…
I am an international bestselling author of Strays and a London-based journalist for The Guardian, The Observer, The Sunday Times, and other publications. I've written about animals, conservation, and volunteered at sanctuaries around the world, from tending big cats and baboons in Namibia to wild mustangs in Nevada—a labour of love that has inspired features for The Guardian, The Independent, and Condé Nast Traveller. I've raised hundreds of thousands of dollars for many charities through my investigative animal-cruelty stories; as an activist, I helped shut down controversial breeders of laboratory animals in the UK. I also created Catfestlondon, a sell-out boutique festival that rescues and rehomes Moroccan street kittens in the UK.
I absolutely loved this book. One of the most beautiful stories I’ve ever read, it’s heartfelt and hilarious. After running his own bookshop in Seattle, Andrew Bloomfield moves to Hollywood to become a screenwriter and discovers a colony of feral cats living in his backyard. He was not a cat person. After witnessing one too many raccoon and coyote attacks and hungry, crying kittens, he and his two female housemates intervene and start caring for these wild yet vulnerable cats who transform his life. With his sharp wit and keen eye for detail, Bloomfield is a brilliant storyteller. I got completely caught up in the soap-opera dramas and death-defying moments of these cats, along with the heartaches and triumphs of rescuing them.
When aspiring screenwriter Andrew Bloomfield moved into a bungalow in Southern California he soon discovered that he shared the property with a large colony of feral cats — untamed, uninterested in human touch, not purring pets in waiting. But after a midnight attack by predators that decimated yet another litter of kittens, Bloomfield decided to intervene. He began to name and nurse, feed and house, rescue and neuter. Drawing on his time living in Asia among spiritual teachers, he takes us on the contemplative, humorous, and poignant journey of saving these cats, only to find it was they who saved…
