71 books like Those Who Knew

I grew up in Uganda and Kenya, and when I moved to the United States, I felt separated from myself. Learning how to be American was exhausting and so I disappeared into books. I’m now more settled, but I still travel through fiction. These days, I am reading fiction by African women. You should be, too! There is so much stunning literature out there. These five books are just the beginning, but they are novels I can’t stop thinking about.

As much as I enjoy traveling to real places in fiction, I find that authors who ask me to inhabit a world of their own making make me think more deeply, and these are also the novels I dream about when I’m not actually reading them, the pages I cannot wait to return to when I can pick up the book again. By exiting the world we inhabit, and occupying a world very much like our own, I end up reflecting more thoughtfully about the contemporary moment, and in a way, feel more connected. I tried to create such a world in The Stranger Game, and this is something I hope to do again in a future novel.

I divide my reading between works of imagination and historical nonfiction. All good fiction requires research to enhance it’s authenticity. Several years ago, I published a story set in the 1918 influenza epidemic. The research for the story was fascinating, and led me to John M. Barry’s book included in my recommendations. After editing a memoir for retired screenwriter and film director, Gerald Schnitzer (sadly now deceased), he invited me to co-author a novel set in the Four Corners featuring a virologist who combines science and spirituality to find a cure for a pandemic, which became Blood of the White Bear. 

As much as I enjoy traveling to real places in fiction, I find that authors who ask me to inhabit a world of their own making make me think more deeply, and these are also the novels I dream about when I’m not actually reading them, the pages I cannot wait to return to when I can pick up the book again. By exiting the world we inhabit, and occupying a world very much like our own, I end up reflecting more thoughtfully about the contemporary moment, and in a way, feel more connected. I tried to create such a world in The Stranger Game, and this is something I hope to do again in a future novel.

I am a lifelong fan of all things post-apocalyptic. Books, movies, television, games – I have enjoyed all of it. I knew I wanted to write post-apocalyptic fiction before I was ten years old. I had to wait almost three decades before life gave me the opportunity to do it. I’ve always been fascinated by the many different ways people can survive these kinds of catastrophes. As dark and visceral as the genre can sometimes be, I will always look for the elements of hope.

In my own writing, the setting always is an important backdrop to the novel. Sometimes, it is the element that drives the plot forward. The seedy nature of Atlantic City, where most of my first mystery takes place, is essential to the story. I want my readers to be able to feel that they are witnessing a scene first-hand, whether on the Boardwalk, in a pawn shop on Atlantic Avenue, or in Damien’s favourite hangout. I also want them to identify with the characters. To root for the good guy in spite of his flaws–or for the bad guy if that is their preference.

The first story I ever wrote was set among warehouse pickers and stockers; the second, a bridge maintenance crew; the third and fifth, office workers, and the sixth, cops on the beat. I’m fascinated by the drama of work. For most people the workplace is a highly structured environment—you can’t wear what you want, you can’t say what you want, you can’t avoid that guy who drives you nuts. Who-You-Really-Are and Who-You-Are-At-Work are not always in harmony, and the tension between those two identities is richly revelatory. I live and write in Moscow, Idaho, and have taught creative writing at the University of Idaho, Stanford University, and the Iowa Writer’s Workshop.

Whenever I take on a new short story project, I read other writers to admire them, study them, and be inspired by them; it’s like talking with old friends. These five books took me through the heart and soul of what it is to be or to have a mother, to be or to have children, to love or to lose love, to maintain the rituals and magic of family or let them go. Although I believe men can write female characters and women can write males, I really appreciate the fine-tuned ear for the nuances of motherhood, womanhood, and relationships I find in collections written by women about women.

During my career in law enforcement, I worked in narcotics, violent crimes, criminal intelligence, hostage rescue, SWAT, and internal affairs, to name just a few. I am the recipient of many awards and commendations for heroism. The Sinister is the ninth novel in the best-selling Bruno Johnson Crime series, following The Disposables, The Replacements, The Squandered, The Vanquished, The Innocents, The Reckless, The Heartless, and The Ruthless. I live in the Los Angeles area with my wife, Mary.

I love history and I love to laugh. That’s why I brand myself as a writer of Victorian Whodunits with a touch of humor. I’ve spent decades learning about 1800s America. I began sharing that knowledge by performing in costume as real women of history. But I couldn’t be on stage all the time so I began writing the books I want to read, books that entertain while sticking to the basic facts of history and giving the flavor of an earlier time. I seek that great marriage of words that brings readers to a new understanding. As Albert Einstein said, “Not everything that can be counted counts, and not everything that counts can be counted.”