Here are 100 books that Catch a Kiss fans have personally recommended if you like
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Often, people don’t understand the emotions of a child. The care and keeping of children have been my life focus as a mother of five,4-H leader, Kindergarten aide, religious education teacher, and owner of Whalen’s Country Childcare. I hold dear the awe and wonder seen in the eyes of a child and hope to forever be inspired by the sight. Since my new book, Little Red Rolls Away was released, I have presented at schools, libraries, appeared in newspapers, magazines, and been featured on CBS Good Day Sacramento. Endorsements include filmmaker Joey Travolta, Founderand Creative Director, Inclusion Films, a company that aims to teach the art of filmmaking to people with developmental disabilities.
Loud noises often cause children to cover their ears but sometimes it scares them into a corner. Buster wants to be the best garbage truck and work with his father. He practiced every skill he would need and mastered them all, except one. He was afraid of loud noises, especially air horns! Buster tried not being afraid, but it just didn’t work. He finally broke his fear when his friend was in danger. One of my favorite parts of this book showcases that sometimes fear isn’trational. It just is. Another is when Buster took his thoughts off his fear to help his friend, he found he could become a great garbage truck.
Buster is a sweet little garbage truck. He can't wait to grow up to be a big truck, just like his father. Buster practices driving and lifting and beeping with his friend, Kitty. There's one small problem. Loud noises frighten Buster. When his father takes him to the truck yard to meet the other vehicles, their air-horn blasts and roaring engines send Buster skidding away to hide. He wants to be big and brave, but how can he work with Daddy and his friends when their loud sounds scare him? Buster feels terrible. When Kitty gets into trouble, little Buster…
Often, people don’t understand the emotions of a child. The care and keeping of children have been my life focus as a mother of five,4-H leader, Kindergarten aide, religious education teacher, and owner of Whalen’s Country Childcare. I hold dear the awe and wonder seen in the eyes of a child and hope to forever be inspired by the sight. Since my new book, Little Red Rolls Away was released, I have presented at schools, libraries, appeared in newspapers, magazines, and been featured on CBS Good Day Sacramento. Endorsements include filmmaker Joey Travolta, Founderand Creative Director, Inclusion Films, a company that aims to teach the art of filmmaking to people with developmental disabilities.
Embarrassment is a big emotion that can grab a child with hands of steel. In this beautifully rhyming book, an invitation to picnic with the King calls for new clothes. Told through the eyes of a child the very festive occasion takes a turn when Papa’s pants rip. Papa turned red but one can imagine the embarrassment this child had for her family. Fortunately, the King not only saves the day but makes it better. I think this kind of action is a good example of easing an awkward situation.
An invitation to picnic with the King of France sends a young boy, his papa, two big dogs, and three wild aunts dancing their way across the French countryside. When the time comes to dine with the royals, Papa's energetic dance moves catch up with him and his worn pants burst at the seams. The stage is set for a wild party that finds even the stuffiest nobles getting down in their unmentionables.
Sarah Wilson's uproarious text makes for a boisterous read-aloud, but it's Catherine Stock's hilarious portrayals of cavorting courtiers and gallant guests that will have kids begging for…
Often, people don’t understand the emotions of a child. The care and keeping of children have been my life focus as a mother of five,4-H leader, Kindergarten aide, religious education teacher, and owner of Whalen’s Country Childcare. I hold dear the awe and wonder seen in the eyes of a child and hope to forever be inspired by the sight. Since my new book, Little Red Rolls Away was released, I have presented at schools, libraries, appeared in newspapers, magazines, and been featured on CBS Good Day Sacramento. Endorsements include filmmaker Joey Travolta, Founderand Creative Director, Inclusion Films, a company that aims to teach the art of filmmaking to people with developmental disabilities.
The title explains the way children often feel…much too much! We tend to overdo it when wanting to give our children too much of most things. Children become overwhelmed as Maud did. This book is a wonderful way to show children how this can happen and help them understand more isn’t always better and sometimes a break is best. I especially like the note to caregivers in the back.
Maud the koala can't wait for her birthday party--until everything starts to feel way too overwhelming.
Maud is having a birthday party in her backyard, and she's invited her friends--all fifty-six of them--to celebrate with her. She's not worried, though. After all, you can never have too much birthday! But when the guests arrive and the party gets packed, she isn't so sure. What will happen if Maud can't bear her own birthday?
J. E. Morris's charming illustrations and comic-like panels make this a unique format with a narrative style perfect for storytime.
Often, people don’t understand the emotions of a child. The care and keeping of children have been my life focus as a mother of five,4-H leader, Kindergarten aide, religious education teacher, and owner of Whalen’s Country Childcare. I hold dear the awe and wonder seen in the eyes of a child and hope to forever be inspired by the sight. Since my new book, Little Red Rolls Away was released, I have presented at schools, libraries, appeared in newspapers, magazines, and been featured on CBS Good Day Sacramento. Endorsements include filmmaker Joey Travolta, Founderand Creative Director, Inclusion Films, a company that aims to teach the art of filmmaking to people with developmental disabilities.
“I wish I was any animal but a giraffe,” said Raffi. Disappointment melts through this little(or not so little) guy like butter in the sun. When children set up hope for something and it doesn’t work out, they are devastated. Raffi realizes that while he is not suited for some things, he is just the right answer for another. Where there is a will there is a way.
All of the savanna animals are excited to audition for the school Christmas Play, except Raffi the giraffe. He's too tall to play baby Jesus, or Joseph, or even a manger animal. He feels discouraged, until he realizes that he's just the right size to play the most important part.
This endearing Christmas story for ages 4 to 8 will resonate with children who are still learning to be comfortable in their own skin.
My name is Bri Bruce, writing as B. L. Bruce, and am an award-winning poet and Pushcart prize nominee from California. Over the last decade and a half, my work has appeared in dozens of literary publications. I am the author of four books and Editor-in-Chief of nature-centric magazineHumana Obscura. I was raised with a wildlife biologist/avid gardener for a mother and a forestry major/backpacker/fisherman as a father. Both my parents instilled in me at a young age a love of nature. A lifetime spent outdoors inspires my work—so much so that I’ve been called a “poetic naturalist” and the “heiress of Mary Oliver.”
The majority of Sarton’s work is introspective, giving glimpses into a writer’s creative process, a passion for writing, and one’s observations and emotions. This short collection of Sarton’s poems embodies her work as a nature poet without being overwhelmingly so. It’s a great introduction to her work. For a brief time in my life isolated myself for a month in a small cabin in a remote forest to do nothing but write. I read May Sarton and it was as if my experience paralleled her and my struggles validated by her work.
When they do, the must be treasured as gifts from the White Goddess, "sister of the mirage and echo." To May Sarton, poetry was life's deepest creative passion. It reflected the preoccupations of her mind and emotions as she progressed through more than five decades of experiencing the natural world, love and friendship, and the crises of the times. But for a long while she felt the lyric mood was past. Then, abruptly, her life took a new turn, and a marvelously musical flow of short poems came from her pen. They are collected here, in this small volume.
My interest in propaganda and neutrality was sparked by a study I conducted on British-Irish relations during the Second World War. I was fascinated by the role of press attaché John Betjeman and the way he navigated Irish censorship restrictions, making me question what propaganda was and what could be effective. I later expanded my research to consider British propaganda in other neutrals during the Second World War in A Battle for Neutral Europe; recently co-convened an international conference on propaganda and neutrality to bring together experts across the world. I am now working on a new book about British propaganda in neutral Turkey in the Second World War.
I’ve included Ana, Jan, and María’s book on my list not because it is entirely about neutrality and war (although that theme plays a major part in the book) but because it pushed me to appreciate the effects of the First World War at a more global level.
The modern name of the war, of course, includes the word ‘world’ in it, but the fighting was primarily European-focused. This book shows, however, that the war had a much wider reach–influencing China, Japan, South America, Mexico, and Africa, amongst other places. For example, the book shows that there was a clash of Empires in Africa–between neutral Portugal and belligerent Germany; and in neutral Argentina, Mexico, and Spain, societies were split down the middle between the rival camps supporting the Allies and the Germans.
I found the book to be a really important demonstration that we need to think differently about wars–the…
This volume deals with the multiple impacts of the First World War on societies from South Europe, Latin America, Asia and Africa, usually largely overlooked by the historiography on the conflict. Due to the lesser intensity of their military involvement in the war (neutrals or latecomers), these countries or regions were considered "peripheral" as a topic of research. However, in the last two decades, the advances of global history recovered their importance as active wartime actors and that of their experiences.
This book will reconstruct some experiences and representations of the war that these societies built during and after the…
Reading my great uncle’s war letters home to Kansas City and seeing his artwork—he was a magazine illustrator in civilian life and then editor of the 27th Empire Division’s magazine, Gas Attack—I knew, as a writer, I had to put his story down on paper. What his National Guard regiment did, the 107th, simply blew me away. From writing about what the 107th endured in the Great War, I was carried away to tackle the all-black 369th Regiment, famously known as Harlem’s Hell Fighters. I then had to tell the story of New York City’s most famous regiment, the Fighting 69th. My trilogy of New York’s National Guard in the war is now done.
Pulitzer-Prize winning author Toland, in a riveting style, gives us a detailed account of what it was like on the Western Front in 1918 for the British and French armies, their leaders and their soldiers, but more importantly for America, its crucial role and for its men, from President Wilson and General Pershing down to the mud-splattered private on the frontlines. He also delves into the Russia Revolution. When you finish this book, you get a full understanding of the war and what it was like during that last year.
From freezing infantrymen huddled in bloodied trenches on the front lines to intricate political maneuvering and tense strategy sessions in European capitals, noted historian John Toland tells of the unforgettable final year of the First World War. As 1918 opened, the Allies and Central Powers remained locked in a desperate, bloody stalemate, despite the deaths of millions of soldiers over the previous three and a half years. The arrival of the Americans "over there" by the middle of the year turned the tide of war, resulting in an Allied victory in November. In these pages participants on both sides, from…
My debut novel, Where Ivy Dares to Grow, inherently explores many kinds of grief through the lens of a gothic novel; the grief of losing one’s sense of self to mental illness, of family estrangement, of relationships that have run their course, of illness in loved ones, of beloved places no longer being the beautiful things we remember them as. While this was not something I did consciously while writing, the gothic genre simply seemed to be a natural fit to investigate mourning in so many untraditional senses, using a sentient home and timeslips as metaphors for the way that grief can seem to shift the world and swallow one whole.
This modern gothic follows Ivy Radcliffe as she suddenly inherits an estate house in England, during the tail end of World War I.
Throughout this story grief is explored very intimately through Ivy mourning the loss of her brother to the war, but also the way that the communal grief of the war affects individuals and shapes English society and how it functions.
Without giving away too many spoilers, memory places a huge, multilayered role in the story, and of course we see the way that grief and memory are connected, both through the way Ivy remembers her lost brother and characters mourning the way life once was before the war and, ultimately, will never be again.
"Weaves a spell of darkness that’s mysterious and magical, and binds it with a knot of deathless love." —New York Times bestselling author Susanna Kearsley on A Lullaby for Witches
In post–World War I England, a young woman inherits a mysterious library and must untangle its powerful secrets…
With the stroke of a pen, twenty-three-year-old Ivy Radcliffe becomes Lady Hayworth, owner of a sprawling estate on the Yorkshire moors. Ivy has never heard of Blackwood Abbey, or of the ancient bloodline from which she’s descended. With nothing to keep her in London since losing her brother in the Great War,…
I always wanted to be a spy, but as I scare easily and can’t keep a secret, it was never going to happen. My respect and fascination with the intelligence community has never abated however, and I will never pass up an opportunity to engage with spy-related content. From going to spy museums across the globe to attending lectures to watching the latest entertaining (and totally unrealistic) spy flick, I love it all. I channel that love into writing humorous spy novels that feature fun, fearless females and ripped-from-the-headlines scenarios.
Do I judge a book by its cover? Why yes, yes I do! And the moment I saw this gorgeous cover I put it right into my shopping cart, paid full price, and never looked back.
Luckily for me, Women in Intelligence happens to be an excellent book where the content more than matched the expectations I had from the fabulous artwork. Although there are a few familiar faces that appear, most of the women were completely new to me. Not the femme fatales of popular culture; these were patriotic women who often went unseen in the background.
I love that Fry truly delves into uncovering the unsung heroines of WWI and WWII, giving these quiet, determined women a chance to be recognized and to shine.
A groundbreaking history of women in British intelligence, revealing their pivotal role across the first half of the twentieth century
From the twentieth century onward, women took on an extraordinary range of roles in intelligence, defying the conventions of their time. Across both world wars, far from being a small part of covert operations, women ran spy networks and escape lines, parachuted behind enemy lines, and interrogated prisoners. And, back in Bletchley and Whitehall, women's vital administrative work in MI offices kept the British war engine running.
In this major, panoramic history, Helen Fry looks at the rich and varied…
My entire life has revolved around the military. At seven years old, I decided that I would serve my country as a Marine, so my formative years were spent reading as much as I could about the ideas of service, leadership, combat, and sacrifice. I joined the Corps at seventeen and spent the next twenty-one years trying to live up to those stories I read as a child. Now, I divide my time between training special operations Marines for combat, writing about my experiences, and encouraging veterans of all services to put their stories on paper as a senior editor for the Lethal Minds Journal. I share the lessons I’ve learned in my weekly substack, Walking Point.
This is a book I have read over and over. Jünger, a German infantryman, paints a picture of trench warfare that does nothing to glamorize combat, but I found the ideas of duty, bravery, leadership, and even ethics in its pages.
I appreciate that this memoir began as Jünger’s journal and was re-written and edited over a number of years, which allowed for the level of reflection that I feel is necessary for a memoir.
Originally published in 1920, The Storm of Steel is a first-hand account of World War I trench combat lifted from the diaries of Ernst Jünger, a German infantryman who would become one of Europe's most talented writers. The book was first translated into English in 1929 by Basil Creighton, the acclaimed translator of many other classic works of German literature, and was widely hailed as a masterpiece.
The Storm of Steel remains the definitive account of World War I, following Jünger through several major engagements as he develops from an eager young soldier into a battle-hardened officer. Subsequent revisions by…
