Here are 100 books that The Day We Danced in Underpants fans have personally recommended if you like
The Day We Danced in Underpants.
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Often, people don’t understand the emotions of a child. The care and keeping of children have been my life focus as a mother of five,4-H leader, Kindergarten aide, religious education teacher, and owner of Whalen’s Country Childcare. I hold dear the awe and wonder seen in the eyes of a child and hope to forever be inspired by the sight. Since my new book, Little Red Rolls Away was released, I have presented at schools, libraries, appeared in newspapers, magazines, and been featured on CBS Good Day Sacramento. Endorsements include filmmaker Joey Travolta, Founderand Creative Director, Inclusion Films, a company that aims to teach the art of filmmaking to people with developmental disabilities.
Loud noises often cause children to cover their ears but sometimes it scares them into a corner. Buster wants to be the best garbage truck and work with his father. He practiced every skill he would need and mastered them all, except one. He was afraid of loud noises, especially air horns! Buster tried not being afraid, but it just didn’t work. He finally broke his fear when his friend was in danger. One of my favorite parts of this book showcases that sometimes fear isn’trational. It just is. Another is when Buster took his thoughts off his fear to help his friend, he found he could become a great garbage truck.
Buster is a sweet little garbage truck. He can't wait to grow up to be a big truck, just like his father. Buster practices driving and lifting and beeping with his friend, Kitty. There's one small problem. Loud noises frighten Buster. When his father takes him to the truck yard to meet the other vehicles, their air-horn blasts and roaring engines send Buster skidding away to hide. He wants to be big and brave, but how can he work with Daddy and his friends when their loud sounds scare him? Buster feels terrible. When Kitty gets into trouble, little Buster…
Often, people don’t understand the emotions of a child. The care and keeping of children have been my life focus as a mother of five,4-H leader, Kindergarten aide, religious education teacher, and owner of Whalen’s Country Childcare. I hold dear the awe and wonder seen in the eyes of a child and hope to forever be inspired by the sight. Since my new book, Little Red Rolls Away was released, I have presented at schools, libraries, appeared in newspapers, magazines, and been featured on CBS Good Day Sacramento. Endorsements include filmmaker Joey Travolta, Founderand Creative Director, Inclusion Films, a company that aims to teach the art of filmmaking to people with developmental disabilities.
The title explains the way children often feel…much too much! We tend to overdo it when wanting to give our children too much of most things. Children become overwhelmed as Maud did. This book is a wonderful way to show children how this can happen and help them understand more isn’t always better and sometimes a break is best. I especially like the note to caregivers in the back.
Maud the koala can't wait for her birthday party--until everything starts to feel way too overwhelming.
Maud is having a birthday party in her backyard, and she's invited her friends--all fifty-six of them--to celebrate with her. She's not worried, though. After all, you can never have too much birthday! But when the guests arrive and the party gets packed, she isn't so sure. What will happen if Maud can't bear her own birthday?
J. E. Morris's charming illustrations and comic-like panels make this a unique format with a narrative style perfect for storytime.
Often, people don’t understand the emotions of a child. The care and keeping of children have been my life focus as a mother of five,4-H leader, Kindergarten aide, religious education teacher, and owner of Whalen’s Country Childcare. I hold dear the awe and wonder seen in the eyes of a child and hope to forever be inspired by the sight. Since my new book, Little Red Rolls Away was released, I have presented at schools, libraries, appeared in newspapers, magazines, and been featured on CBS Good Day Sacramento. Endorsements include filmmaker Joey Travolta, Founderand Creative Director, Inclusion Films, a company that aims to teach the art of filmmaking to people with developmental disabilities.
“I wish I was any animal but a giraffe,” said Raffi. Disappointment melts through this little(or not so little) guy like butter in the sun. When children set up hope for something and it doesn’t work out, they are devastated. Raffi realizes that while he is not suited for some things, he is just the right answer for another. Where there is a will there is a way.
All of the savanna animals are excited to audition for the school Christmas Play, except Raffi the giraffe. He's too tall to play baby Jesus, or Joseph, or even a manger animal. He feels discouraged, until he realizes that he's just the right size to play the most important part.
This endearing Christmas story for ages 4 to 8 will resonate with children who are still learning to be comfortable in their own skin.
Often, people don’t understand the emotions of a child. The care and keeping of children have been my life focus as a mother of five,4-H leader, Kindergarten aide, religious education teacher, and owner of Whalen’s Country Childcare. I hold dear the awe and wonder seen in the eyes of a child and hope to forever be inspired by the sight. Since my new book, Little Red Rolls Away was released, I have presented at schools, libraries, appeared in newspapers, magazines, and been featured on CBS Good Day Sacramento. Endorsements include filmmaker Joey Travolta, Founderand Creative Director, Inclusion Films, a company that aims to teach the art of filmmaking to people with developmental disabilities.
It’s a special sadness children have when they lose something given to them by someone they love. Izze misses a kiss blown to her by her mother. No matter how hard she tries to catch it, she can’t. Her mother is wise and doesn’t just tell her it will be alright. Instead, she tells Izze a story and soon Izze is blowing kisses into the wind. The interaction is heartwarming.
Izzie just loves when her mama blows her kisses to catch. Smooch kisses, zig-zag kisses, and even triple decker kisses! But even though she runs and leaps for it, Izzie misses a kiss! Her heart sinks as she watches it zip higher and higher into the sky. When Mama lets Izzie in on a sweet secret she realizes that her mama's love will always come to find her, no matter what! This silly and tender story is a universal one of a parent's love.
Privately and professionally, I've always been addicted to literature and history and stirred by the experiences that these studies reveal. Yet as a novelist (retired from college lecturing) I instinctively assume the comic or satirical mode. Whereas in analysing the poetry of perhaps T.S. Eliot, I'm totally serious, when creating a story I start to giggle. Psychiatrists might label this a defence mechanism – but I suspect it's the result of formative years spent reading social satirists such as Huxley, Greene, Wodehouse, and Waugh. While certainly no imitator, I feel that this type of literature has become insidiously bred in the bone – hence my listed choices being socially directed and often comic or acerbic.
Probably four of my writers would not have suffered the mortification described here, but the scenarios certainly resonated with this pen-pusher!
Seventy contemporary authors – novelists, poets, biographers – describe in wincing detail the embarrassment they had sometimes felt in the course of promotional appearances: book signings, talks, interviews, etc. Their anecdotes are at once funny and cringingly painful. Distinguished names as diverse as Margaret Attwood, Val McDermid, Michael Holroyd, Edna O’Brian, Colm Tóibín, Willian Boyd, poets Thom Gunn and Simon Armitage, and a host of other literary heroes, bravely and vividly recount their worst moments under the public gaze. In some ways the humorous revelations are reassuring – evidently the eminent can be as vulnerable as the lesser known. But in reading this book, comradely laughter is tinged with a frisson of fear!
A collection of stories from some of the world’s greatest writers about their own public humiliation.
Humiliation is not, of course, unique to writers. However, the world of letters does seem to offer a near-perfect micro-climate for embarrassment and shame. There is something about the conjunction of high-mindedness and low income that is inherently comic; something about the very idea of deeply private thoughts – carefully worked and honed into art over the years – being presented to a public audience of dubious strangers that strays perilously close to tragedy.
Here, in over eighty contributions, are stories about the writer’s…
Of all the lessons that we should be teaching kids, I think kindness should be at the top of everyone’s list. If people treated every human and sentient being with kindness and compassion the world would be a better place, which is something we all want. The more we can illustrate this for children the better so that they can understand that we are all in this together and that everyone deserves respect.
Jory John is a hilarious writer and this book is no exception. A bear forgets something but he can’t figure out what (it’s his pants). We see him in his white cotton underwear, but it’s never actually stated so while he mulls over the problem to other animals in the forest, the reader laughs waiting to see what will happen. No one tells him what the problem is. But his good friend, Anders puts on underwear too. He proclaims to the other animals in the forest that it’s cool and the new style. A dose of kindness goes a long way in this funny and surprising tale.
Jeff the bear has definitely forgotten something. He ate his breakfast, he watered his plant, he combed his fur . . . what could it be? Why does he feel so oddly off? So he asks his friend Anders the rabbit what could possibly be wrong. It couldn't have anything to do with the fact that he's wearing underwear . . . over his fur . . . could it? Another read-out-loud, laugh-out-loud picture book from bestselling and beloved author Jory John, paired with rising star illustrator Erin Balzer, about that horrible nagging feeling that it just might not be…
At age five, I was reading under the blankets with a flashlight far past my bedtime. It’s an often told story of how I believed I was getting away with something while my makeshift tent, held up by my head, was lit up like a snowglobe. By age eleven, when I picked up my aunt’s book, I discovered romance novels. I was hooked. I’ve read thousands of romance novels in the almost four decades that have since passed, and I’ve learned that each person who reads a book takes something different from it, and I hope these five books that gave so much to me, might do the same for you.
This story treated my heart like a yo-yo. Jess is hot, Emma is a hot mess. It’s laugh-out-loud funny, and more than once I struggled to read with tears streaming down my face. It’s a story about love and loyalty and what happens when it battles fear and betrayal. Though I did empathize with Jess’s situation, it was Emma who slayed me. Her social awkwardness and lack of filter pinned her heart firmly on the outside of her chest. There it sat, vulnerable and unprotected, alongside mine as I hopped on for the ride. It was her innocence, and the moment that was lost, that killed me. When the jolt hit Emma’s heart, it sent shockwaves through my own. But, by the final chapter, I fell in love with both of them, and what better way for a story to end?
I'm an idiot. Everyone knows that in a fake relationship, you keep it platonic. I knew it too, but I kissed her anyway.
From the first moment I met Emma Caldwell, I knew she was going to be trouble. Hot, adorable, complicated trouble.
So when she propositioned me—and not the sexy kind of proposition—I refused. Because the painfully awkward woman next door wanted lessons in love. I don’t do relationships, and I sure as hell don’t do love—the whole town knows that. But after what happened with my ex-fiancée, they’ve been eager to see me happily settled down.
I didn’t always know that I wanted to be a doctor, perhaps because there were no doctors in my family, and I did not even realize that I wanted to (or could) go to medical school until I was almost done with college. Once I did realize this, however, it became immediately obvious to me that being a physician (a surgeon) was what I wanted to dedicate my life’s work to, and I have been passionate about it ever since. Probably the topics I am most passionate about after surgery are education, books, reading, poetry, etc., so this book lets both these passions dovetail beautifully!
I have read this book scores, if not hundreds, of times to my four kids when they were younger. Just like another favorite in this series, Everyone Poops, both the title and the contents remind and reassure us that we are not alone in our digestive functions of passing gas and pooping! Even though these are normal, they can cause anxiety, embarrassment, etc., but this book does a great job of making learning about digestion fun!
A reassuring and humorous title presents curious readers with a straightforward, relatable look at a natural body function, explaining how and why gas is produced and eliminated. Reprint.
I became fascinated with France and the French as a child, and over the past 40 years I have spent as much time as I can here. I’ve been fortunate to be able to combine my dual passions—for France and for literature—in creating a series of classes for CUNY study abroad programs and for the Politics & Prose bookstore. Through this work, over the past 20+ years I have spent much of my time reading and teaching works of literature that explore France and the French people in depth. I now live in France, and I continue to find the French endlessly fascinating. I think I always will.
This book is a wonderful romp through the adventures and misadventures of a hapless American who speaks very little French (he describes himself as “functionally illiterate”) yet manages to charm his way into a very happy part-time life in a little village in Brittany. Greenside’s self-deprecating sense of humor as he recounts the many awkward situations he finds himself in as he settles into life in France and deals with a variety of everyday challenges is often laugh-out-loud funny. I also recommend the sequel to this book,(not quite) Mastering the Art of French Living, but you should definitely start with this one: the author’s unanticipated, unpredictable, joyful journey into a life in France, told from the very beginning, is too good to miss.
In a story that stands above the throngs of travel memoirs, full of gorgeous descriptions of Brittany and at times hysterical encounters with the locals, Mark Greenside describes his initially reluctant travels in this "heartwarming story" (San Francisco Chronicle) where he discovers a second life.
When Mark Greenside-a native New Yorker living in California, political lefty, writer, and lifelong skeptic-is dragged by his girlfriend to a tiny Celtic village in Brittany at the westernmost edge of France in Finistere, or what he describes as "the end of the world," his life begins to change.
I’m fascinated by these themes – love, France, mystery, women’s lives, war, and peace. My parents took me to France when I was 12 and I’ve spent years there in between and go back whenever I can. I started reading in French when sent to be an au pair in Switzerland when I was 17. My own novel, The Lost Love Letters Of Henri Fournier was absorbing to write as it contains all of the above. I found an unpublished novel of Fournier’s in a village in rural France a few years ago and decided I had to write about him and his lover, Pauline, who was a famous French actress.
Although it begins in California, this novel develops into a story set in France. Two sisters, separated by their father after a violent incident, search for each other and eventually connect via a French recluse, whose life one sister is researching. I love Michael Ondaatje’s writing and this book in particular for its daring sweep of geographical and emotional territory.
It is the 1970s in Northern California. A farmer and his teenage daughters, Anna and Claire, work the land with the help of Coop, the enigmatic young man who lives with them. Theirs' is a makeshift family, until they are riven by an incident of violence - of both hand and heart - that 'sets fire to the rest of their lives'. This is a story of possession and loss, about the often discordant demands of family, love, and memory. Written in the sensuous prose for which Michael Ondaatje's fiction is celebrated, "Divisadero" is the work of a master story-teller.
