100 books like Mortification

CJ Sansom, a renowned historian, released this first fiction novel to huge acclaim. I was fascinated to find the investigator was a London lawyer during the reign of Henry VIII. It ticked all the boxes: history, a juicy murder, crime, and mystery. I was not disappointed. In my own writing, I endeavour to make my characters individual and memorable and, therefore, look for that in books I read.

The protagonist, lawyer Matthew Shardlake, has the brain, persistence, and vision of a Holmes or Poirot in uncovering the clues and is admired by all for his ability to win cases. Despite this, one thing continually erodes his confidence: he is a hunchback. Not restricted by twenty-first-century political correctness, his enemies take delight in reminding him of this. I loved the way the author handled that.

I enjoyed the detective story in an entirely different setting. It is a magnificent first book;… show more.

A wonderful collection of outrageous, yet drily witty, short stories by the mordant satirist Saki (aka H.H. Munro tragically killed in WW1 – a great loss to literature). The milieux may be “cosy”, in that the setting is upper-class England of the early twentieth century, but the style is cuttingly astringent (darker than Wodehouse), yet the situations farcical. To be enjoyed with a generous libation to hand – though a malt whisky rather than a softer gin might be appropriate. A bonus to this edition is the excellent introduction by the late and great Graham Greene.

Part of Benson’s much-loved Lucia series. Gentler than Saki, this comedy of manners (also set in a bygone England) is deliciously entertaining, with its eccentric characters gleefully etched. Miss Mapp herself – prim and genteel but with lethal eyes – is a social snooper par excellence, and whose insidious wiles and steely shafts create havoc among the gossiping residents of sedate Tilling (firmly based on the ancient Sussex town of Rye, once home to Henry James.) As they negotiate the delicate snares of bridge, golf, and “charming” tea parties, cronies and quarries alike are pawns in her ruthless game of one-upmanship. It is a game she plays with relish and practised ease... that is until, elsewhere in the series, she is upstaged by the awesome Lucia. Hilarious.

Other than the odd dry chuckle, no major laughs here – but you certainly ponder. Slim and compact, this selection of four of Orwell’s most compelling essays is a fitting format for the prose within. Typically Orwellian, no word is wasted, none ill-used; statements are incisive, ideas sharply defined, and imagery spare yet vivid. Clarity is the keynote; probing entertainment the effect. The topics – his own literary motivation, the condition of twentieth-century England, a biting attack on sloppy verbiage and on rhetoric for political fudge, the stark yet witty vignette of a public hanging – all are lucid and provocative. His comments are as relevant today as they were in the 1940s. George Orwell and Graham Greene: what masterly writers!

Embarrassment is a big emotion that can grab a child with hands of steel. In this beautifully rhyming book, an invitation to picnic with the King calls for new clothes. Told through the eyes of a child the very festive occasion takes a turn when Papa’s pants rip. Papa turned red but one can imagine the embarrassment this child had for her family. Fortunately, the King not only saves the day but makes it better. I think this kind of action is a good example of easing an awkward situation.

Jory John is a hilarious writer and this book is no exception. A bear forgets something but he can’t figure out what (it’s his pants). We see him in his white cotton underwear, but it’s never actually stated so while he mulls over the problem to other animals in the forest, the reader laughs waiting to see what will happen. No one tells him what the problem is. But his good friend, Anders puts on underwear too. He proclaims to the other animals in the forest that it’s cool and the new style. A dose of kindness goes a long way in this funny and surprising tale.

This story treated my heart like a yo-yo. Jess is hot, Emma is a hot mess. It’s laugh-out-loud funny, and more than once I struggled to read with tears streaming down my face. It’s a story about love and loyalty and what happens when it battles fear and betrayal. Though I did empathize with Jess’s situation, it was Emma who slayed me. Her social awkwardness and lack of filter pinned her heart firmly on the outside of her chest. There it sat, vulnerable and unprotected, alongside mine as I hopped on for the ride. It was her innocence, and the moment that was lost, that killed me. When the jolt hit Emma’s heart, it sent shockwaves through my own. But, by the final chapter, I fell in love with both of them, and what better way for a story to end?

I have read this book scores, if not hundreds, of times to my four kids when they were younger. Just like another favorite in this series, Everyone Poops, both the title and the contents remind and reassure us that we are not alone in our digestive functions of passing gas and pooping! Even though these are normal, they can cause anxiety, embarrassment, etc., but this book does a great job of making learning about digestion fun!

This is a brilliant essay in literary criticism. It traces English ambivalence towards French language and culture in the centuries that followed the Norman Conquest. It does so by delving into major literary texts—by Chaucer and Shakespeare among others—that explore that ambivalence for what it is: the symptom of a fetish. I like the way Williams writes and I find her inspiring in her desire to remain faithful to the complexity of the texts she studies and their attitudes.

The brilliant, searing insights of this book are hard to oversell.

Tóibín is a writer who defies category, and the book—part mini-biographies, part literary criticism, all heart—is a book for anyone who loves writers (not just writing).

He has an incisive yet tender eye for analysis, of not just literature, but of an author’s—dare I say it—soul, and he taught me more about writers I already knew and loved, like James Baldwin and Elizabeth Bishop, while introducing me to authors I’d only heard of, like Thom Gunn and Thomas Mann.

The sections on Oscar Wilde and Roger Casement blew my mind wide open. This book is a must-read for all queer authors writing today—to appreciate how far we’ve come and to celebrate where we’re going.