100 books like Why I Write

I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhere–new planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of characters–men and some women who made a mark on the world through their wit and wisdom–and some just by being rogues. There are no dull moments in Tudor times.

Privately and professionally, I've always been addicted to literature and history and stirred by the experiences that these studies reveal. Yet as a novelist (retired from college lecturing) I instinctively assume the comic or satirical mode. Whereas in analysing the poetry of perhaps T.S. Eliot, I'm totally serious, when creating a story I start to giggle. Psychiatrists might label this a defence mechanism – but I suspect it's the result of formative years spent reading social satirists such as Huxley, Greene, Wodehouse, and Waugh. While certainly no imitator, I feel that this type of literature has become insidiously bred in the bone – hence my listed choices being socially directed and often comic or acerbic. 

Privately and professionally, I've always been addicted to literature and history and stirred by the experiences that these studies reveal. Yet as a novelist (retired from college lecturing) I instinctively assume the comic or satirical mode. Whereas in analysing the poetry of perhaps T.S. Eliot, I'm totally serious, when creating a story I start to giggle. Psychiatrists might label this a defence mechanism – but I suspect it's the result of formative years spent reading social satirists such as Huxley, Greene, Wodehouse, and Waugh. While certainly no imitator, I feel that this type of literature has become insidiously bred in the bone – hence my listed choices being socially directed and often comic or acerbic. 

Privately and professionally, I've always been addicted to literature and history and stirred by the experiences that these studies reveal. Yet as a novelist (retired from college lecturing) I instinctively assume the comic or satirical mode. Whereas in analysing the poetry of perhaps T.S. Eliot, I'm totally serious, when creating a story I start to giggle. Psychiatrists might label this a defence mechanism – but I suspect it's the result of formative years spent reading social satirists such as Huxley, Greene, Wodehouse, and Waugh. While certainly no imitator, I feel that this type of literature has become insidiously bred in the bone – hence my listed choices being socially directed and often comic or acerbic. 

I’ve written across genres, including mysteries like The Last Policeman and big works of alternate history like Underground Airlines. But Bedbugs—now republished as The Bonus Room—was one of my first books, and very dear to my heart. I’ve always loved books that pit a single, relatively helpless protagonist against some inexplicable force that he or she cannot begin to fathom. A force that can’t be reasoned with or bargained with. You just have to beat it. Perhaps that’s why I love these books about man vs. beast—the natural world is our friend, and animal are subservient to us…until suddenly, terrifyingly, they’re not.   

I've benefited from (or perhaps been cursed by) a diverse life. I've lived and worked in six countries on three continents. I've been an English teacher, copywriter, magazine columnist, internet entrepreneur (in Bangkok, of all places), author, and creativity consultant. But before that, I was a child with an overactive imagination. I delighted in science fiction, surrealism, and humor. Outlandish ideas inspire me. And I love absurdity when done well. It is easy to come up with nonsense. Creating meaningful nonsense is far more difficult. But when it works, it is brilliant!

From a young age, I've been captivated by evolution and its implications for the future. I immersed myself in classical works of philosophy and literature that explored human emotions and our relentless drive to succeed against all odds, advancing human knowledge and shaping society. This fascination with understanding the future led me to write op-ed pieces on foreign policy and geopolitics for prominent newspapers in South Asia. My desire to contribute to a better future inspired me to author three nonfiction books covering topics such as the Islamic Social Contract, Lessons from the Quran, and Reflections on God,  Science, and Human Nature. 

I see no distinction between the personal and the political. All art is, therefore, a political act, and literature especially, since the author gets inside the reader's head. In 1984, the use of a pen is punishable, never mind having an unorthodox opinion; novels are written by machines—commodities like jam or bootlaces, to pacify the proles. (A.I. novels outcompeting human ones?) Yes, novels entertain, and that's OK, but the best way to change your outlook is to let you understand the human condition a little better. That is why I want more from a political thriller than just the same old lies, corruption, sex, and power at the heart of government.

When I was twelve years old, my picture appeared in my hometown newspaper. I was holding a huge stack of books from the library, a week’s reading. All science fiction. I’ve read voraciously for the past seventy years—though much more widely as an adult. I’ve also had a life founding several small companies and writing twenty books. But I’ve continued to read science fiction, and, increasingly, dystopian novels. Why? Because, as a history buff, I think about the big trends that shape our lives. I see clearly that climate change, breakthroughs in technology, and unstable politics threaten our children’s future. I want to understand how these trends might play out—for better or for worse.

I've been book-besotted my entire life. I've read, studied, taught, reviewed, and written books. I went to “gradual” school, as John Irving calls it, earning a PhD in literature before gradually realizing that what I really loved was writing. For me, books contain the intellectual challenge of puzzles, the fun of entertainment, the ability to fill souls. They have changed my life, and the best compliments I have received are from readers who say my books have changed theirs. I read widely and indiscriminately (as this list shows) because I believe that good books are found in all genres. But a book about books? What a glorious meta-adventure.