Here are 100 books that Why I Write fans have personally recommended if you like
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I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhere–new planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of characters–men and some women who made a mark on the world through their wit and wisdom–and some just by being rogues. There are no dull moments in Tudor times.
When you turn the pages of this book, you feel you can see, smell, and hear the dark streets and alleys of Tudor London. This book inspired me to place my books in Tudor England and start The Tudor Rose Murders Series.
It is Tudor Crime at its best. I was so captivated by the characters, the detail, the pace, and the plotting that I could not put it down and felt wretched when I turned the last page.
Awarded the CWA Diamond Dagger - the highest honor in British crime writing
From the bestselling author of Winter in Madrid and Dominion comes the exciting and elegantly written first novel in the Matthew Shardlake Tudor Mystery series
Dissolution is an utterly riveting portrayal of Tudor England. The year is 1537, and the country is divided between those faithful to the Catholic Church and those loyal to the king and the newly established Church of England. When a royal commissioner is brutally murdered in a monastery on the south coast of England, Thomas Cromwell, Henry VIII's feared vicar general, summons…
The Secret Order of the Scepter & Gavel
by
Nicholas Ponticello,
Vanderough University prepares its graduates for life on Mars. Herbert Hoover Palminteri enrolls at VU with the hope of joining the Martian colony in 2044 as a member of its esteemed engineer corps. But then Herbert is tapped to join a notorious secret society: the Order of the Scepter and…
Privately and professionally, I've always been addicted to literature and history and stirred by the experiences that these studies reveal. Yet as a novelist (retired from college lecturing) I instinctively assume the comic or satirical mode. Whereas in analysing the poetry of perhaps T.S. Eliot, I'm totally serious, when creating a story I start to giggle. Psychiatrists might label this a defence mechanism – but I suspect it's the result of formative years spent reading social satirists such as Huxley, Greene, Wodehouse, and Waugh. While certainly no imitator, I feel that this type of literature has become insidiously bred in the bone – hence my listed choices being socially directed and often comic or acerbic.
A wonderful collection of outrageous, yet drily witty, short stories by the mordant satirist Saki (aka H.H. Munro tragically killed in WW1 – a great loss to literature). The milieux may be “cosy”, in that the setting is upper-class England of the early twentieth century, but the style is cuttingly astringent (darker than Wodehouse), yet the situations farcical. To be enjoyed with a generous libation to hand – though a malt whisky rather than a softer gin might be appropriate. A bonus to this edition is the excellent introduction by the late and great Graham Greene.
The best of Saki is a collection of short stories by the famed 20th century writer Hector Hugh Munro. Saki is the pen name that Munro wrote his short stories under. Saki was a misogynist, anti-semite, and reactionary, who also did not take himself too seriously. His stories, “true enough to be interesting and not true enough to be tiresome”, were considered ideal for reading. Saki was an Edwardian writer of sharply satirical, cynical short stories set in the milieu of well to do upper class Edwardian England. Born in1870, he started writing around the turn of century and died…
Privately and professionally, I've always been addicted to literature and history and stirred by the experiences that these studies reveal. Yet as a novelist (retired from college lecturing) I instinctively assume the comic or satirical mode. Whereas in analysing the poetry of perhaps T.S. Eliot, I'm totally serious, when creating a story I start to giggle. Psychiatrists might label this a defence mechanism – but I suspect it's the result of formative years spent reading social satirists such as Huxley, Greene, Wodehouse, and Waugh. While certainly no imitator, I feel that this type of literature has become insidiously bred in the bone – hence my listed choices being socially directed and often comic or acerbic.
Part of Benson’s much-loved Lucia series. Gentler than Saki, this comedy of manners (also set in a bygone England) is deliciously entertaining, with its eccentric characters gleefully etched. Miss Mapp herself – prim and genteel but with lethal eyes – is a social snooper par excellence, and whose insidious wiles and steely shafts create havoc among the gossiping residents of sedate Tilling (firmly based on the ancient Sussex town of Rye, once home to Henry James.) As they negotiate the delicate snares of bridge, golf, and “charming” tea parties, cronies and quarries alike are pawns in her ruthless game of one-upmanship. It is a game she plays with relish and practised ease... that is until, elsewhere in the series, she is upstaged by the awesome Lucia. Hilarious.
The acclaimed author of Mapp and Lucia introduces the beloved Miss Elizabeth Mapp, a devious social climber, in this charming British comedy of manners.
In the English seaside village of Tilling, Miss Elizabeth Mapp keeps a thorough notebook about everyone’s business, including her servants. Whatever information she can’t collect through gossip, she discovers with the aid of opera glasses. Looking out from her window over High Street, she pays especially avid attention to her neighbor, Maj. Benjamin Flint, whom she has been planning for years to marry.
The second novel in E. F. Benson’s popular Mapp and Lucia series, which…
Daniel “Dan” Bluford is the Director of Polar City Single Organism Research Lab Facilities. A business he helped to create. The world’s leading architect of sustainable, ecologically conscious products for energy, manufacturing, water treatment, waste management, and environmental clean-up equipment. A company whose mission statement read in part, “Better environment…
Privately and professionally, I've always been addicted to literature and history and stirred by the experiences that these studies reveal. Yet as a novelist (retired from college lecturing) I instinctively assume the comic or satirical mode. Whereas in analysing the poetry of perhaps T.S. Eliot, I'm totally serious, when creating a story I start to giggle. Psychiatrists might label this a defence mechanism – but I suspect it's the result of formative years spent reading social satirists such as Huxley, Greene, Wodehouse, and Waugh. While certainly no imitator, I feel that this type of literature has become insidiously bred in the bone – hence my listed choices being socially directed and often comic or acerbic.
Probably four of my writers would not have suffered the mortification described here, but the scenarios certainly resonated with this pen-pusher!
Seventy contemporary authors – novelists, poets, biographers – describe in wincing detail the embarrassment they had sometimes felt in the course of promotional appearances: book signings, talks, interviews, etc. Their anecdotes are at once funny and cringingly painful. Distinguished names as diverse as Margaret Attwood, Val McDermid, Michael Holroyd, Edna O’Brian, Colm Tóibín, Willian Boyd, poets Thom Gunn and Simon Armitage, and a host of other literary heroes, bravely and vividly recount their worst moments under the public gaze. In some ways the humorous revelations are reassuring – evidently the eminent can be as vulnerable as the lesser known. But in reading this book, comradely laughter is tinged with a frisson of fear!
A collection of stories from some of the world’s greatest writers about their own public humiliation.
Humiliation is not, of course, unique to writers. However, the world of letters does seem to offer a near-perfect micro-climate for embarrassment and shame. There is something about the conjunction of high-mindedness and low income that is inherently comic; something about the very idea of deeply private thoughts – carefully worked and honed into art over the years – being presented to a public audience of dubious strangers that strays perilously close to tragedy.
Here, in over eighty contributions, are stories about the writer’s…
Throughout my life, I’ve moved around quite a bit, and in the process, members of my family and I have encountered many wildly strange people and things. The universe itself is a wild place when you delve into the more exotic aspects: black holes, quantum physics, and measurable differences in subjective realities. It’s hard to say what the real boundaries are, and so I look for stories that stretch my ability to conceive what could be–and that help me find wonder in all the darkness and strangeness around me.
Yoko Ogawa’s dystopian, magical realist novel delves into the darkness underneath our pursuit of—if not the normal—the routine. We witness a protagonist’s world shrink day by day through legally enforced forgetting. As the situation on the isolated island in which the protagonist lives deteriorates, perhaps the most terrifying part is that she finds herself complicit in her own isolation and near-total lack of agency.
Shortlisted for the International Booker Prize 2020, an enthralling Orwellian novel about the terrors of state surveillance from one of Japan's greatest writers.
'Beautiful... Haunting' Sunday Times 'A dreamlike story of dystopia' Jia Tolentino __________
Hat, ribbon, bird rose.
To the people on the island, a disappeared thing no longer has any meaning. It can be burned in the garden, thrown in the river or handed over to the Memory Police. Soon enough, the island forgets it ever existed.
When a young novelist discovers that her editor is in danger of being taken away by the Memory Police, she desperately…
I was sick as a child and bedridden for several months. This was before 24/7 TV and computers. I began to read A LOT. I read everything and anything that I could find, but my favorite topics were animals and nature. I also read science fiction and fantasy. It’s not a surprise that those topics merged into my writing and life. I currently live on five acres that I’ve left mostly for the wildlife. My nephew calls me his aunt who lives in the forest with reindeer. That is way cooler than my real life, so I’m good with that. All my books have nature and friendship as main themes.
I found this a fun and brilliant story. I actually read it to my three nieces when they were 5, 7, and 11. It was great hearing their opinions on the story. It’s one of those books that can be understood on different levels.
In the simplest form, it is exactly what is written on the pages—a story about some farm animals who take over the farm. However, there are many layers to this simple tale.
I love being able to re-read a book and understand it on a different level each time. To me, that is excellent writing, especially when combined with a fun and entertaining tale.
The perfect edition for any Orwell enthusiasts' collection, discover Orwell's classic dystopian masterpiece beautifully reimagined by renowned street artist Shepard Fairey
'All animals are equal. But some animals are more equal than others.'
Mr Jones of Manor Farm is so lazy and drunken that one day he forgets to feed his livestock. The ensuing rebellion under the leadership of the pigs Napoleon and Snowball leads to the animals taking over the farm. Vowing to eliminate the terrible inequities of the farmyard, the renamed Animal Farm is organised to benefit all who walk on four legs. But as time passes, the…
Winner of the Robert F. Lucid Award for Mailer Studies.
Celebrating Mailer's centenary and the seventy-fifth publication of The Naked and the Dead, the book illustrates how Mailer remains a provocative presence in American letters.
From the debates of the nation's founders, to the revolutionary traditions of western romanticism,…
From a young age, I've been captivated by evolution and its implications for the future. I immersed myself in classical works of philosophy and literature that explored human emotions and our relentless drive to succeed against all odds, advancing human knowledge and shaping society. This fascination with understanding the future led me to write op-ed pieces on foreign policy and geopolitics for prominent newspapers in South Asia. My desire to contribute to a better future inspired me to author three nonfiction books covering topics such as the Islamic Social Contract, Lessons from the Quran, and Reflections on God, Science, and Human Nature.
I have always been fascinated by Russian authors because of their command of presenting human nature and its fears. I picked up this book because the author is from Russia.
Yevgeny wrote this novel at the height of the Russian Revolution in the aftermath of the First World War. He projected a society in a distant future, fearing that complete control of the state would turn us into monotonous machines. Anyone daring to be different would be eliminated to ensure compliance and similarity.
My only reservation is that the book borders on science fiction rather than historical fiction.
A seminal work of dystopian fiction that foreshadowed the worst excesses of Soviet Russia, Yevgeny Zamyatin's We is a powerfully inventive vision that has influenced writers from George Orwell to Ayn Rand. This Penguin Classics edition is translated from the Russian with an introduction by Clarence Brown.
In a glass-enclosed city of absolute straight lines, ruled over by the all-powerful 'Benefactor', the citizens of the totalitarian society of OneState live out lives devoid of passion and creativity - until D-503, a mathematician who dreams in numbers, makes a discovery: he has an individual soul. Set in the twenty-sixth century AD,…
As a UK registered lawyer, I have spent most of the past 35 years writing about my work. But what has always excited me, from my childhood, is the science fiction worlds which state a truth which is yet to happen, The worlds of H.G Wells; Huxley; Aldous; Orwell; Bradbury; and Atwell. An individual's struggle against overwhelming odds. Not always somewhere where you would want to go. But from which you will always take something away.
I'd heard about this famous book many years before I actually got around to reading it. What I loved about this book was its originality.
I am always reminded about Orwell's book whenever I hear phrases like ‘ thought police’ or ‘big brother’, which have become part of our everyday language. Probably one of the most influential books ever written. For me, the message of Orwell’s book is that the State will always win.
1984 is the year in which it happens. The world is divided into three superstates. In Oceania, the Party's power is absolute. Every action, word, gesture and thought is monitored under the watchful eye of Big Brother and the Thought Police. In the Ministry of Truth, the Party's department for propaganda, Winston Smith's job is to edit the past. Over time, the impulse to escape the machine and live independently takes hold of him and he embarks on a secret and forbidden love affair. As he writes the words 'DOWN WITH BIG…
Since first reading dystopian novels as a teenager, I’ve been fascinated by the new worlds that authors create and the fight that the protagonist endures to survive a hostile world. The difference from then to now is that it was previously a mostly male-dominated world. We like to see ourselves reflected in the protagonist, so I’ve been delighted to find so many strong and powerful women at the core of many contemporary dystopian novels. I find that they often include more thoughtful and complex characters with subtle storytelling.
As a huge fan of George Orwell’s 1984, I approached this book with trepidation. I was concerned that a retelling from Julia’s perspective may not work. I had nothing to worry about. The author does a great job of filling in gaps and expanding the story. There is much from a woman’s perspective that Orwell might never have considered.
I loved this book at first because there are so many familiar threads to 1984, yet the feminist perspective brings the story even more to life. Julia, no longer a side character, breathes new, colorful life into a story I knew so well. Part of me wanted to re-read 1984 immediately to compare details. Then I realized, there was no need, it stands alone perfectly well.
"a fascinating reflection on totalitarianism as refracted through Orwell's times and our own" The Guardian
London, chief city of Airstrip One, the third most populous province of Oceania. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen - cheerfully cynical, believing in nothing and caring not at all about politics. She knows how to survive in a world of constant surveillance, Thought Police, Newspeak, Doublethink, child…
This climate fiction novel follows four generations of women and their battles against a global giant that controls and manipulates Earth’s water. Told mostly through a diary and drawing on scientific observation and personal reflection, Lynna’s story unfolds incrementally, like climate change itself. Her gritty memoir describes a near-future Toronto…
When I was twelve years old, my picture appeared in my hometown newspaper. I was holding a huge stack of books from the library, a week’s reading. All science fiction. I’ve read voraciously for the past seventy years—though much more widely as an adult. I’ve also had a life founding several small companies and writing twenty books. But I’ve continued to read science fiction, and, increasingly, dystopian novels. Why? Because, as a history buff, I think about the big trends that shape our lives. I see clearly that climate change, breakthroughs in technology, and unstable politics threaten our children’s future. I want to understand how these trends might play out—for better or for worse.
I’m troubled by the way young people today seem to live their lives glued to smartphone and computer screens.
M. T. Anderson gives us a hint of what this might lead to in Feed. It’s one of the scariest books I've read in many years. The six teenagers partying in this novel live in a world of constant distractions. Fashions may change by the hour.
A powerful future version of Virtual Reality allows them to experience novelty and excitement at any time without special equipment—and without pausing for reflection.
And that’s how they live, closed off from life in the real world. As I said, scary.
3
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What is this book about?
Identity crises, consumerism, and star-crossed teenage love in a futuristic society where people connect to the Internet via feeds implanted in their brains. Winner of the LA Times Book Prize.
For Titus and his friends, it started out like any ordinary trip to the moon - a chance to party during spring break and play around with some stupid low-grav at the Ricochet Lounge. But that was before the crazy hacker caused all their feeds to malfunction, sending them to the hospital to lie around with nothing inside their heads for days. And it was before Titus met Violet, a…
