I’ve written across genres, including mysteries like The Last Policeman and big works of alternate history like Underground Airlines. But Bedbugs—now republished as The Bonus Room—was one of my first books, and very dear to my heart. I’ve always loved books that pit a single, relatively helpless protagonist against some inexplicable force that he or she cannot begin to fathom. A force that can’t be reasoned with or bargained with. You just have to beat it. Perhaps that’s why I love these books about man vs. beast—the natural world is our friend, and animal are subservient to us…until suddenly, terrifyingly, they’re not.
The Bonus Room is a psychological thriller about a woman whose perfect new home is tainted by being terrorized by bedbugs that only she can see, and which may or may not be the result of a curse laid on the home.
It probably goes without saying that King is the master of horror. So often what he does so well is conjuring supernatural baddies (The Mist, Salem’s Lot, Pet Sematary, The Stand, etc., etc., etc.) or showing the consequences of ungodly powers (Firestarter, Dead Zone, Carrie, etc., etc., etc.).
Cujo stands out for taking an absolute valid, absolutely realistic fear—because yes, in real life, in certain situations, dogs are scary as hell—and pushing it to the absolute limit.
The #1 New York Times bestseller, Cujo “hits the jugular” (The New York Times) with the story of a friendly Saint Bernard that is bitten by a bat. Get ready to meet the most hideous menace ever to terrorize the town of Castle Rock, Maine.
Outside a peaceful town in central Maine, a monster is waiting. Cujo is a two-hundred-pound Saint Bernard, the best friend Brett Camber has ever had. One day, Cujo chases a rabbit into a cave inhabited by sick bats and emerges as something new altogether.
Meanwhile, Vic and Donna Trenton, and their young son Tad, move…
Moby-Dick is one of those dusty old classics that we feel like we’re supposed to read that when you actually read it turns out to be genuinely goddamn fun.
The book is about—well, it’s about so many goddamn things, including melancholy, the American dream, and the history of whaling—but also it’s about the relationship between one dude and one whale, and the dude is obsessed with the whale and thinks the whale is his enemy, but the whale….well, the whale is a whale.
Is the whale really Ahab’s enemy, or is he more like Don Draper in that classic scene from where he goes, “I don’t think about you at all?” Brutal.
Melville's tale of the whaling industry, and one captain's obsession with revenge against the Great White Whale that took his leg. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes a biography of Herman Melville and study questions, which can be used both in the classroom or at home to further engage the reader in the work at hand.
Jaws is one of those extremely rare cases where the movie is actually better. (Can’t think of another one? Try The Godfather.) It’s a perfectly fun suspense novel, but in the film version Spielberg conjures up by special effects magic (and the magic of Dreyfuss and Scheider’s performances) what Benchley in his novel comes close to but never quite lands: the absolutely terrifying feelings of knowing something is there—and getting closer—and closer—but you can’t actually see.
Peter Benchley's Jaws first appeared in 1974. As well as Steven Spielberg's film adaptation, the novel has sold over twenty million copies around the world, creating a legend that refuses to die.
It's never safe to go back in the water . . .
It was just another day in the life of a small Atlantic resort until the terror from the deep came to prey on unwary holiday makers. The first sign of trouble - a warning of what was to come - took the form of a young woman's body, or what was left of it, washed up…
When we think of scary animals we think of gnashing teeth and tearing claws, but obviously Orwell’s famous parable presents a very different kind of malevolence: that of overweaning ambition and our deep-seated instinct to control.
The pigs that present themselves as heroes and then slowly, greedily, inexorable turn into murderous dictators, forcing the other animals to do their bidding and then slaughtering them when they become too old, are of course not really pig-like at all—they are human-like, and therefore all the more terrifying.
The perfect edition for any Orwell enthusiasts' collection, discover Orwell's classic dystopian masterpiece beautifully reimagined by renowned street artist Shepard Fairey
'All animals are equal. But some animals are more equal than others.'
Mr Jones of Manor Farm is so lazy and drunken that one day he forgets to feed his livestock. The ensuing rebellion under the leadership of the pigs Napoleon and Snowball leads to the animals taking over the farm. Vowing to eliminate the terrible inequities of the farmyard, the renamed Animal Farm is organised to benefit all who walk on four legs. But as time passes, the…
Wells is one of the great early masters of science fiction, creator of The Time Machine and The War of the Worlds,but with Moreau he was also one of the masters of what David Cronenberg fans know as body horror—the gross, startling, and menacing intermingling of the human body with exterior elements.
In this case, pumas, pigs, you name it. With characters like Ape-Man and Sloth-Man, there is a definitely campiness here, but never enough to distract from the fact that it’s deeply, resonantly disturbing.
I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
In the harrowing aftermath of Chornobyl's meltdown in 1986, the fate of Eastern Europe hangs by a thread.
From Beijing, American radiation scientist Lara, once a thorn in the Russian mob's side, is drawn back into the shadows of the Soviet Union on the Trans-Mongolian Express. She isn't alone. Anton, a Soviet scientist exiled for predicting Chornobyl's catastrophe, is on a quest to expose the truth. Amidst them, Timur, a Chechen giant fueled by vengeance, plots to destroy the already crumbling Soviet Union.
Suddenly, a murder on the remote tracks of the Gobi thrusts them into a deadly game of cat and mouse. As Chief Sheriff Bat races to solve the murder, their lives are thrown into jeopardy. Lara finds an unexpected ally in Gang, a reluctant assassin sent to end her life, and an illicit romance blooms amidst the chaos. But Gang isn't the only killer onboard. A hidden menace lurks, threatening to unravel all their plans.
In this electrifying ride across a historical backdrop, suspense and passion collide in an unyielding dance of survival and redemption. Who will survive the Trans-Mongolian Express?
In the harrowing aftermath of Chernobyl's meltdown in 1986, the fate of Eastern Europe hangs by a thread.
From Beijing, American radiation scientist Lara, once a thorn in the Russian mob's side, is drawn back into the shadows of the Soviet Union on the Trans-Mongolian Express. She isn't alone. Anton, a Soviet scientist exiled for predicting Chernobyl's catastrophe, is on a quest to expose the truth. Amidst them, Timur, a Chechen giant fueled by vengeance, plots to destroy the already crumbling Soviet Union.
Suddenly, a murder on the remote tracks of the Gobi thrusts them into a deadly game of…
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