My father introduced me to the world as we paged through his old pre-WWII atlas. We traced borders and rivers with our fingers and he spoke names that were magical incantations and invitations to a world more exciting and mysterious than our midwestern home. As a reader, I was drawn to books about travel and as a budding writer, I was inspired by the adventures of “Brenda Starr, Girl Reporter” featured in the Sunday comics of my youth. I packed my bags early and my passport is never out of date. I continue to read traveloirs, and I write in my journal every day. Oh! The places I will go.
While on a summer backpacking trip with her fiancé, twenty-eight-year-old Shannon Fowler’s life was suddenly and irreparably altered when her fiancé was stung and killed by a box jellyfish on the remote shore of an island in Thailand. In an effort to save her own life, to discover how to go on, she turned to traveling the world.
In rich detail, heart-breakingly honest prose, and deeply intimate story-telling, Shannon takes us along as she journeys to some of the most grief-stricken and tragic sites in the world. It’s through her travels, her interactions with strangers, her explorations that she begins to heal.
This story and Shannon’s unflinching telling gave me courage as I wrote my memoir—courage to open my heart not just to my own grief but to my personal connection to the ceaseless grief in our world.
'A cross between H is for Hawk and Wild' Stylist 'A courageous memoir of love and loss . . . compelling' Sunday Express 'Intimate and inspiring' Observer 'Rich and absorbing' Cathy Rentzenbrink, author of The Last Act of Love 'A brave and necessary record of love, as beautiful as it is heartbreaking' Ann Patchett, author of Commonwealth
On a warm evening on a beautiful beach in Thailand, Shannon Leone Fowler's life was shattered when a box jellyfish - the most venomous animal in the world - wrapped itself around her fiance Sean's legs, stinging and killing him in minutes.
Working with the natural world has long been my life’s compass. I have been dedicated to conservation, education, and management of terrestrial and marine ecosystems for my entire career. I strongly believe we must approach the crisis that we now live in with humor, joy, and devotion, and we must be able to fall in love with this world over and over again, even if it breaks our hearts. This is why I write, and this is how I live. I love reading science books that allow this connection, that lead me
into the complexities of why we must never stop feeling wonder at this
magnificent world.
This book is just truly stunning. I feel a sense of awe and honor to peer into the brilliant mind of this author.
The lines hurt my tender and receptive heart. I love all the creatures mentioned in this book, many of which I study or work for myself, but honestly, this writer could be talking about dentistry, recycling, or even taxes, and the particular and profound use of language and spirit that come through would still be enough for me stop everything and just take a breath and close my eyes in gratitude.
This is a beautiful composition of storytelling and science, of fact and soul. It’s my love language, and I’m an adoring fan.
A fascinating tour of creatures from the surface to the deepest ocean floor: this "miraculous, transcendental book" invites us to envision wilder, grander, and more abundant possibilities for the way we live (Ed Yong, author of An Immense World).
A queer, mixed race writer working in a largely white, male field, science and conservation journalist Sabrina Imbler has always been drawn to the mystery of life in the sea, and particularly to creatures living in hostile or remote environments. Each essay in their debut collection profiles one such creature, including:
·the mother octopus who starves herself while watching over her…
I think about the ocean a lot. Teaching in Galveston, Texas, at a university less than a mile from the ocean means it's on my mind most of the time. And it's not just the fish! I’m fascinated by all things ocean and have spent my career trying to understand the place of the watery world in the history of the United States. From fishing in the North Atlantic, to the history of the U.S. Navy, and even surfing on the Gulf Coast my writing, not to mention reading, usually points to the coast and beyond.
It would have been impossible to write my book without Jeff Boslter’s The Mortal Sea.
With evocative prose and argumentative verve, Bolster’s book relates the deep, centuries-long history of overfishing while probing the depths of the interdependent relationship between humanity and the ocean. The Mortal Sea is one of the finest exemplars of environmental history by bringing together the narrative skill and argumentation of the historian with the insights of the ecologist and marine biologist.
Bolster reminds us that some of the most important connections existed not just across the sea, but with it.
Since the Viking ascendancy in the Middle Ages, the Atlantic has shaped the lives of people who depend upon it for survival. And just as surely, people have shaped the Atlantic. In his innovative account of this interdependency, W. Jeffrey Bolster, a historian and professional seafarer, takes us through a millennium-long environmental history of our impact on one of the largest ecosystems in the world.
While overfishing is often thought of as a contemporary problem, Bolster reveals that humans were transforming the sea long before factory trawlers turned fishing from a handliner's art into an industrial enterprise. The western Atlantic's…
Although I was an avid reader of romance when I was a tween, the middle grade novels I wrote prior to Crashing in Love were about more “serious” topics. Yet, much of the mail I received from kids had pressing questions about the future of potential love interests. That’s when I realized that I’d been guilty (like many) of considering romance to be “light” fiction. What could be more important, more serious, than discovering ourselves while making genuine connections with others? Those letters changed my mind. Learning to love is essential and not to be taken lightly at all.
Who can resist a heroine who climbs a tree barefoot (in growing winds) and leaps to an attic window to hear one of her favorite authors speak? Not me! I’m a big Jane Austen fan and K.L. Going was able to capture the spirit and wit of her work in this wonderfully layered and romantic tale. (No worries if you or middle grade students you know are not familiar with Austen—the story stands on its own.)
Just like in my book, the story is set in Maine and the protagonist’s parents are divorced. There are multiple loves stories in this book, and I adored every one of them. I cried big happy tears in the end. I bet you will too.
From award-winning author K. L. Going comes a happily-ever-after story of a girl who discovers the true secret to all good writing--through an unlikely friendship, some well-intentioned matchmaking, and little bit of science.
Jane Brannen wants nothing more than to become a famous author like Jane Austen--she just needs to figure out the key to literary success! Her chance to uncover the secret arrives when bestselling author J. E. Fairfax visits her tiny town of Whickett Harbor. Unfortunately, a hurricane rolls in and Jane gets stuck with the author's snobbish son, Devon, instead. But when the skies clear, Jane realizes…
I’m a contemporary mystery junkie. Realistic tales always grab my attention. A touch of romance never hurts. In college, one professor suggested the old ‘write what you know’ approach. I don’t know everything, but I know what I like. Mysteries! I thrive on distinctive characters, those who are willing to put every effort into getting to the bottom of the situation. Sharp, tight dialogue and descriptions are essential. Give me that, and I’ll be back for more. This is my passion. Come along if you want a thrill and a surprise or two.
This book has all the ingredients for an engaging story. I loved the way Mannersly sets the stage, with Dylan, the slightly older supervisor, who’s obviously smitten with the lovely Kyra and the boss’s spoiled son, Max, who seems to have caught her eye as well.
Using the marine science center in Australia as the setting works perfectly. Identifying and stopping poachers from stealing turtle eggs from their nests puts a nice twist on the usual crime-related stories. Mannersly does a wonderful job of creating realistic and believable characters. Great dialogue and descriptive passages tie this story together.
Dylan O’Day has been an exemplary marine biologist for years, constantly devoted to the protection and preservation of the natural world. Yet lately, he has a new passion, one that’s distracting his once focused thoughts. Though a decade older than her and her trusted mentor, Dylan hasn’t been able to stop thinking about the new intern. He’s never met a person quite like Kyra before, someone so genuine and caring, and who understands his love of environmental conservation. It’s just too bad his age and situation put him in an ethical dilemma. Should he risk it all for a chance…
Writing for children is the most gloriously tricky thing in the world, and I love doing it. With fiction, am I telling a story worth telling to someone who’s new to the planet and new to our way of life? With non-fiction, am I distilling complexity into a shape they can grasp quickly? Am I showing them how wonderful and strange our world is, and can I make ‘em laugh while learning? I’ve written 18 books for kids, many commissioned by Think Equal for their global SEL program and used in the national curricula of 20 countries.
At two pages per scientist (one of which is an annotated portrait), this is a superb introduction to the theme.
The book covers a wide time period – from the brilliant, long-dead Hypatia (c.350 CE) to brilliant, modern-day scientist, Maryam Mirzakhani (1977–). It includes sciences your kids might be familiar with, like medicine and marine biology, to ones they might not be, like industrial engineering and crystallography.
Ignotofsky’s a dab hand at condensing a life’s work plus an introduction to a scientific discipline into the space of a page. I love how her choice of a limited colour palette works in her subjects’ favour, reinforcing similarities and themes across the portraits. This is a gorgeous book that repays repeated reading.
The perfect introduction for learning about women throughout history who dared to do the extraordinary! Inspire our new generation of women to explore, discover, persist, succeed, and fight like a girl! A great gift for girls 9-12! Women have been doing amazing, daring, and dangerous things for years, but they're rarely mentioned in our history books as adventurers, daredevils, or rebels. This new compilation of brief biographies features women throughout history who have risked their lives for adventure-many of whom you may not know, but all of whom you'll WANT to know, such as: Annie Edson Taylor, the first person…
I’ve written across genres, including mysteries like The Last Policeman and big works of alternate history like Underground Airlines. But Bedbugs—now republished as The Bonus Room—was one of my first books, and very dear to my heart. I’ve always loved books that pit a single, relatively helpless protagonist against some inexplicable force that he or she cannot begin to fathom. A force that can’t be reasoned with or bargained with. You just have to beat it. Perhaps that’s why I love these books about man vs. beast—the natural world is our friend, and animal are subservient to us…until suddenly, terrifyingly, they’re not.
Jaws is one of those extremely rare cases where the movie is actually better. (Can’t think of another one? Try The Godfather.) It’s a perfectly fun suspense novel, but in the film version Spielberg conjures up by special effects magic (and the magic of Dreyfuss and Scheider’s performances) what Benchley in his novel comes close to but never quite lands: the absolutely terrifying feelings of knowing something is there—and getting closer—and closer—but you can’t actually see.
Peter Benchley's Jaws first appeared in 1974. As well as Steven Spielberg's film adaptation, the novel has sold over twenty million copies around the world, creating a legend that refuses to die.
It's never safe to go back in the water . . .
It was just another day in the life of a small Atlantic resort until the terror from the deep came to prey on unwary holiday makers. The first sign of trouble - a warning of what was to come - took the form of a young woman's body, or what was left of it, washed up…
My wife suggested we try scuba diving while on holiday in Grand Cayman. We were already falling in love with the island, and the incredible experience underwater opened a whole new world to us. From that moment on, our yearly travels changed completely. Our destination choices were now based upon diving opportunities. That was twenty years ago. Today, I’m a certified divemaster with dives all over the US (including Hawaii), the Caribbean (including Cuba), Australia, and even Iceland. Throw in my sense of adventure as a former race car driver, motorcycle rider, and outdoor adventurer, and I had plenty of personal experiences to create the AJ Bailey series.
Okay, so Deep isn’t specifically about women, or scuba diving – it tackles freediving – but includes females and anyone who loves diving in any form should read this book. The meticulous research into the physiology and psychology of human beings underwater is simply fascinating. Nestor ventures off into all kinds of territory, from octopus intelligence; to whales conversing; to humans holding a single breath for an inhuman amount of time.
Freediving is the common theme in the book, but it is far more than that. This is an in-depth study of life beneath the waves from an intriguing perspective.
From the author of the international Bestseller Breath
Covering a diving championship in Greece on a hot and sticky assignment for Outside magazine, James Nestor discovered free diving. He had stumbled on one of the most extreme sports in existence: a quest to extend the frontiers of human experience, in which divers descend without breathing equipment, for hundreds of feet below the water, for minutes after they should have died from lack of oxygen. Sometimes they emerge unconscious, or bleeding from the nose and ears, and sometimes they don't come up at all.
When I was fourteen, dismayed by high school (longing
to drop out), I managed to get Mononucleosis, or the kissing disease, it’s
sometimes called (for some reason). It gave me the chance to withdraw into my
bedroom and read and make notes. Didn’t venture out of my small room too much.
Two books sparked a dream of writing for a
lifetime. Thomas Mann’s The MagicMountain, and Rachel Carson’s The
Sea Around Us. One, a novel about breathing the brisk air of an Alpine rest-sanitorium,
experiencing life and ideas (I thought I was Hans Castorp); the other, a
book-length essay—immersing my spirit in waves, watery mysteries, the fecund
life of seas and currents, tides and sea-creatures. Looking back, I see one book
about aspiring and learning: the other, about contemplating the mothering seas
and their changeling depths.
This new edition of Carson’s trilogy unites
her non-fiction studies of…
Amazingly,
I had not gotten around to reading this short novel until 2023. Steinbeck is
one of my favorites for many reasons; several are on display in Cannery Row, including many well-drawn characters who are memorable far beyond turning the
final page.
Moreover,
this book is typical of Steinbeck's rare ability to blend the natural world
with human calamity. His training as an oceanographer seeps through on
nearly every page, and the long descriptions of sea creatures add a layer of
depth that has the briny delight of eating a fresh-shucked oyster.
It is also one
of those rare little novels that feels much bigger in theme but does not follow
a traditional plot structure, so there is a lot to enjoy from both a reader's
and writer's perspective.
In the din and stink that is Cannery Row a colourful blend of misfits - gamblers, whores, drunks, bums and artists - survive side by side in a jumble of adventure and mischief. Lee Chong, the astute owner of the well-stocked grocery store, is also the proprietor of the Palace Flophouse that Mack and his troupe of good-natured 'boys' call home. Dora runs the brothel with clockwork efficiency and a generous heart, and Doc is the fount of all wisdom. Packed with invention and joie de vivre CANNERY ROW is Steinbeck's high-spirited tribute to his native California.
