100 books like Cannery Row

I’ve loved reading novels about strong, quirky women since childhood (Nancy Drew, Ramona Quimby, Harriet the Spy, the heroines of Judy Blume novels, just for starting examples!). As I grew into writing my own stories, I also started studying women’s history. I merged these two interests to begin writing historical novels with strong women protagonists. I love the challenge of researching to figure out the details of women’s day-to-day lives–so many unrecorded stories!–and I love to advocate for the idea (fortunately not as revolutionary as it once was) that a woman can be the hero of her own story and that each woman’s story is important to tell.  

I'm an author, inventor, military veteran, (mostly) self-taught scholar, and an entrepreneur. Every internet-connected person interacts with things I invented (the tracking pixel, the ebook, etc) every day, but I'm best known for my books about business and personal development. As I write this, I'm serving as the Founder and CEO of a software platform called "Simpleology." It's designed to solve what I think is one of mankind's greatest threats to survival as a species:  "The Complexity Gap." It's the gap between the amount of information in the world and our ability to navigate it. It solves this by guiding you to focus on what we call "HIME" (high impact, minimal effort).

As a transplant to California, albeit more than 50 years ago, I am still fascinated by what makes this place at the edge of the Pacific so unique. It has accepted so many people, from so many places over a fairly recent period. I always feel I can deduce more history from well rendered characters set in specific times and places. Their wholeness and their meaning, as well as that of their culture, are to be found in literature.

I have a PhD in cultural mythology and wrote my dissertation on heroine journeys, which became my book Jane Eyre’s Sisters: How Women Live and Write the Heroine Story. I've come to understand that the traditional hero quest story is usually about returning society to the way it used to be, before something threatened or changed it. In contrast, heroines (as long as they are not just gender-swapped heroes) tend to question how things have been and upset the status quo. First, the heroine must learn to discern what is good and right in the world and identify the old, rotten ways that must be discarded if all are to prosper.

I grew up in the sixties and loved all things science fiction when it was at its peak. Being a voracious reader, I spent many days in the local library. I wanted to learn how to be good enough to get my books there. I was encouraged by friends and began studying writing at workshops and conventions. There, I met many of my favorite authors, including Anne McCaffery, Orson Scott Card, Lois McMaster Bujold, and A. C. Crispin. I also met scientists and actors. Critique groups honed my craft and expanded my appreciation of books. I learned to read and write outside my comfort zone.

I’ve gone to France often during my life. I always buy books that look interesting while I’m there, mainly to keep my French in good shape. I tend to pick authors and subjects which catch my eye. Some get discarded, but most give a fascinating and often very different perspective on life than I find in English novels and essays. 

My first novel Five Rivers Met On A Wooded Plain was a collage novel; an interweaving of several voices in order to create a composite portrait of the city of Salisbury, which told several stories as a way of revealing more of the life of that place. Since then I’ve written three more novels, all of them interested in the effects of using different voices to tell different parts of the story. I think that polyphony makes for great books, and these are four examples of that—different ways of weaving multiple tales together.

My first novel Five Rivers Met On A Wooded Plain was a collage novel; an interweaving of several voices in order to create a composite portrait of the city of Salisbury, which told several stories as a way of revealing more of the life of that place. Since then I’ve written three more novels, all of them interested in the effects of using different voices to tell different parts of the story. I think that polyphony makes for great books, and these are four examples of that—different ways of weaving multiple tales together.

Since I was a boy, fantasy and science fiction was my favorite type of stories. I was fascinated with what might be possible, rather than the reality of everyday life. As I read and began to create my own stories within my mind, it was a simple jump to writing them down for others to enjoy. I became an engineer and used computers to design everything from nuclear reactors to conveyor belts. So, I soon was writing entire books and publishing them on Amazon.com. I have sold thousands of books and most who read them, appreciate and enjoy my tales of fantasy and science fiction.

I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.