Here are 100 books that Let the Great World Spin fans have personally recommended if you like
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I’ve loved reading novels about strong, quirky women since childhood (Nancy Drew, Ramona Quimby, Harriet the Spy, the heroines of Judy Blume novels, just for starting examples!). As I grew into writing my own stories, I also started studying women’s history. I merged these two interests to begin writing historical novels with strong women protagonists. I love the challenge of researching to figure out the details of women’s day-to-day lives–so many unrecorded stories!–and I love to advocate for the idea (fortunately not as revolutionary as it once was) that a woman can be the hero of her own story and that each woman’s story is important to tell.
Outspoken, cantankerous, deep-hearted Olive Kitteridge is a character unlike any other, and I loved how the interconnected stories let us see her, her family, and her community at various points in time and how their decisions and ways of being affect the arcs of their lives.
I loved the complexity and uniqueness of all the characters, as well as the insights that this book offers about the intricacies, nuances, difficulties, and joys of being human.
WINNER OF THE PULITZER PRIZE • The beloved first novel featuring Olive Kitteridge, from the #1 New York Times bestselling author of the Oprah’s Book Club pick Olive, Again
“Fiction lovers, remember this name: Olive Kitteridge. . . . You’ll never forget her.”—USA Today
NAMED ONE OF THE BEST BOOK OF THE YEAR BY The Washington Post Book World • USA Today • San Francisco Chronicle • Chicago Tribune • Seattle Post-Intelligencer • People • Entertainment Weekly • The Christian Science Monitor • The Plain Dealer • The Atlantic • Rocky Mountain News • Library Journal
I’ve gone to France often during my life. I always buy books that look interesting while I’m there, mainly to keep my French in good shape. I tend to pick authors and subjects which catch my eye. Some get discarded, but most give a fascinating and often very different perspective on life than I find in English novels and essays.
This is a complex and overwhelming book. It covers the detailed contents and history of the rooms and characters in a large apartment block in Paris. Some of the rooms and characters interact in a complex, sometimes dark way. It is a long book, but I found it enthralling all the way through. If you like a detailed, complex, baroque book where you have to read carefully and make connections, this is for you.
In this ingenious book Perec creates an entire microcosm in a Paris apartment block. Serge Valene wants to make an elaborate painting of the building he has made his home for the last sixty years. As he plans his picture, he contemplates the lives of all the people he has ever known there. Chapter by chapter, the narrative moves around the building revealing a marvellously diverse cast of characters in a series of every more unlikely tales, which range from an avenging murderer to an eccentric English millionaire who has devised the ultimate pastime...
As a transplant to California, albeit more than 50 years ago, I am still fascinated by what makes this place at the edge of the Pacific so unique. It has accepted so many people, from so many places over a fairly recent period. I always feel I can deduce more history from well rendered characters set in specific times and places. Their wholeness and their meaning, as well as that of their culture, are to be found in literature.
A street at the edge of the Pacific in Monterey where sardines are brought in to be canned, is the setting for a collection of colorful characters Steinbeck knew.
Chief among them is Doc, based on Steinbeck’s friend Ed Ricketts, who operated a lab that collected and prepared aquatic specimens for schools and museums. The lab is still there, next to the Monterey Bay Aquarium.
The canneries closed by the 1970’s and today Cannery Row is a thumping tourist trap. But I loved the book because of Doc, a gentleman, and a scholar if there ever was one.
In the din and stink that is Cannery Row a colourful blend of misfits - gamblers, whores, drunks, bums and artists - survive side by side in a jumble of adventure and mischief. Lee Chong, the astute owner of the well-stocked grocery store, is also the proprietor of the Palace Flophouse that Mack and his troupe of good-natured 'boys' call home. Dora runs the brothel with clockwork efficiency and a generous heart, and Doc is the fount of all wisdom. Packed with invention and joie de vivre CANNERY ROW is Steinbeck's high-spirited tribute to his native California.
My first novel Five Rivers Met On A Wooded Plain was a collage novel; an interweaving of several voices in order to create a composite portrait of the city of Salisbury, which told several stories as a way of revealing more of the life of that place. Since then I’ve written three more novels, all of them interested in the effects of using different voices to tell different parts of the story. I think that polyphony makes for great books, and these are four examples of that—different ways of weaving multiple tales together.
Calvino, like Perec, was an experimental novelist, interested in imposing games and rules on what he created. Here, he took the convention of the short story collection and used it to dramatise the arrival of the twentieth century into rural Italy—the machine age, but also the fascist age, and the consuming fires of the Second World War. The incremental tension that comes from time passing is a powerful reading experience.
In five elegant autobiographical meditations Calvino delves into his past, remembering awkward childhood walks with his father, a lifelong obsession with the cinema and fighting in the Italian Resistance against the Fascists. He also muses on the social contracts, language and sensations associated with emptying the kitchen rubbish and the shape he would, if asked, consider the world. These reflections on the nature of memory itself are engaging, witty, and lit through with Calvino's alchemical brilliance.
I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House, an interdisciplinary center devoted to the study of Irish history and culture. The key themes in my work—migration and diaspora—have been as central to my life journey as to my research and teaching.
In Hereafter, Vona Groarke accomplishes what most historians can never hope to do.
Filling in the gaps and silences in the historical record with poetry, prose, and imagery, she recreates the interior world of an Irish domestic servant in the United States at the turn of the twentieth century—her transatlantic migration, her back-and-forth journeys to Ireland, her working conditions and family life, and her hopes, dreams, and frustrations.
A work of great imaginative power and empathy, Hereafter is also a profound meditation on the historian’s craft.
A lyrical portrait of a young Irish woman reinventing herself at the turn of the twentieth century in America
Ellen O'Hara was a young immigrant from Ireland at the end of the nineteenth century who, with courage and resilience, made a life for herself in New York while financially supporting those at home. Hereafter is her story, told by Vona Groarke, her descendant, in a beautiful blend of poetry, prose, and history.
In July 1882, Ellen O'Hara stepped off a ship from the West of Ireland to begin a new life in New York. What she encountered was a world…
I’ve been a history nut since junior high trips to prehistoric Indian Mounds in Ohio. I transcribed an early town settler’s diary as a high school project. Traveling with my Air Force hubby gave me a window into faraway places. Allan Eckert’s narrative history of pioneer times grabbed my imagination. My children would love these gripping tales of settler versus Shawnee, yet they’d never crack the two-inch thick volume. I tried writing historical fiction on their level by bringing a young protagonist into the story. I had no idea I’d follow that first book with eight more, delving into the history of various famous Ohioans.
I’m not a feminist and I don’t feel oppressed as a woman. But after reading this book, I’m glad that Elizabeth Cady Stanton hosted the first Women’s Rights Convention in 1858. The young protagonist, Bridie, has experienced some of the wrongs that Mrs. Stanton tries to put right. I enjoyed getting to know the famous activist through Bridie’s eyes. Bridie flees from a cruel master and finds work with “the strangest lady she’s ever met”. Mrs. Stanton comes across as a down-to-earth woman, not the crusader type at all. I laughed at the detail of the two young Stanton boys romping through the cabbages. Kudos to the author for including other events and issues for context—the Irish potato famine, poorhouses, the Free Soil Party, the Erie Canal, and the Underground Railroad. Young ladies will appreciate their privileges after reading this novel.
Celebrate the centennial of the Nineteenth Amendment with another historical novel about women's suffrage from the author of The Hope Chest!
Bridie's life has been a series of wrongs. The potato famine in Ireland. Being sent to the poorhouse when her mother's new job in America didn't turn out the way they'd hoped. Becoming an orphan.
And then there's the latest wrong--having to work for a family so abusive that Bridie is afraid she won't survive. So she runs away to Seneca Falls, New York, which in 1848 is a bustling town full of possibility. There, she makes friends with…
I am a lover of all things Irish because of my heritage, with my maiden name O’Shea. Both of my parents’ grandparents came from Ireland to the United States: the O’Sheas from County Kerry and the Ward and Sullivans from Galway and Bantry. As an English major, I have loved the works of Yeats, James Joyce, Samuel Beckett, and I wrote my Master’s thesis on Ulysses by Joyce. Both of my own novels center around the Irish. I understand their love/hate relationship with the Catholic Church, and I love the stinging wit and lively humor of the people. The Irish are great storytellers!
Brooklyn is one of my favorite contemporary novels.
Written in spare, clear prose, the story reels you in as you follow a young Irish girl in the 1950s, who leaves her small town in Ireland to find work in Brooklyn. Homesickness sets in, but love happens too until she is called home at her sister’s death. Complications ensue!
Colm Toibin's Brooklyn is a devastating story of love, loss and one woman's terrible choice between duty and personal freedom. The book that inspired the major motion picture starring Saoirse Ronan.
It is Ireland in the early 1950s and for Eilis Lacey, as for so many young Irish girls, opportunities are scarce. So when her sister arranges for her to emigrate to New York, Eilis knows she must go, leaving behind her family and her home for the first time.
Arriving in a crowded lodging house in Brooklyn, Eilis can only be reminded of what she has sacrificed. She is…
I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House, an interdisciplinary center devoted to the study of Irish history and culture. The key themes in my work—migration and diaspora—have been as central to my life journey as to my research and teaching.
The “coffin ship” is a haunting metaphor for the catastrophe that struck Ireland in the 1840s and 1850s, when more than 1 million people died of starvation and disease and another 2 million people emigrated.
In this deeply researched and beautifully written book, Cian McMahon accomplishes two main goals. First, he disentangles the myth of the “coffin ship” from the reality. Shipboard mortality, he finds, was generally low, yet on some fully one-quarter of the passengers perishing in the worst cases.
Second, McMahon fills in a huge gap in emigration history—which usually explains why people leave home and then takes up the story again when they arrive in America—by showing how emigrants grappled with life and death on board ships and built community in the process.
Honorable Mention, Theodore Saloutos Book Award, given by the Immigration and Ethnic History Society
A vivid, new portrait of Irish migration through the letters and diaries of those who fled their homeland during the Great Famine
The standard story of the exodus during Ireland's Great Famine is one of tired cliches, half-truths, and dry statistics. In The Coffin Ship, a groundbreaking work of transnational history, Cian T. McMahon offers a vibrant, fresh perspective on an oft-ignored but vital component of the migration experience: the journey itself.
Between 1845 and 1855, over two million people fled Ireland to escape the Great…
A friend with Parkinson's Disease requested my help in his attempts to understand the famine and its impact on his ancestors in County Clare. Once I began reading the material he brought me I was impelled to discover more. I had already researched and written about an earlier period in Irish history - the Anglo-Norman invasion - and it seemed that everything that happened on both sides of the Irish Sea in the centuries that followed was instrumental in making the famine such a disaster. Our book is the result.
This is a book for members of the Irish diaspora. It tells of the experiences of your ancestors as they fled the conditions prevailing in their homeland.
Often single members of families whose objective was to earn money they could send back to Ireland in order to enable those family members left behind to follow. Too often the welcome they found, after travelling in appalling conditions as human cargo in ships unsuitable for the purpose, was not as warm as they had expected.
A story relevant today as we grapple with the problems created by modern migration from war- and/or famine-ravaged areas of the modern world, often still undertaken in unsuitable boats.
Between 1845 and 1855, 2 million Irish men and women fled their famine-ravaged homeland, many to settle in large British and American cities that were already wrestling with a complex array of urban problems. In this innovative work of comparative urban history, Matthew Gallman looks at how two cities, Philadelphia and Liverpool, met the challenges raised by the influx of immigrants. Gallman examines how citizens and policymakers in Philadelphia and Liverpool dealt with such issues as poverty, disease, poor sanitation, crime, sectarian conflict, and juvenile delinquency. By considering how two cities of comparable population and dimensions responded to similar challenges,…
I write and teach about nineteenth-century US history, and I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House. The key themes in my work—migration, diaspora, and empire—have been as central to my life journey as to my research and teaching.
Thoroughly researched, elegantly written, and deeply humane, Expelling the Poor shows how poverty—and Irish poverty in particular—shaped American immigration policy.
Until the late nineteenth century, Hidetaka Hirota demonstrates, individual states and cities controlled their own borders. They regulated, taxed, excluded, and removed the Irish poor, thereby laying the groundwork for the national policy that emerged in the 1880s.
By examining the impact of nativist sentiment, Hirota reveals how policies directed at the Irish-born poor, alongside the exclusion of Chinese laborers, explain the origins of immigration policy in the United States.
Expelling the Poor examines the origins of immigration restriction in the United States, especially deportation policy. Based on an analysis of immigration policies in major American coastal states, including New York, Massachusetts, Pennsylvania, Maryland, Louisiana, and California, it provides the first sustained study of immigration control conducted by states prior to the introduction of federal immigration law in the late nineteenth century. The influx of impoverished Irish immigrants over the first half of the nineteenth century led nativists in New York and Massachusetts to develop policies for prohibiting the landing of destitute foreigners and deporting those already resident in the…
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