Here are 100 books that The Coffin Ship fans have personally recommended if you like
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I write and teach about nineteenth-century US history, and I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House. The key themes in my work—migration, diaspora, and empire—have been as central to my life journey as to my research and teaching.
Thoroughly researched, elegantly written, and deeply humane, Expelling the Poor shows how poverty—and Irish poverty in particular—shaped American immigration policy.
Until the late nineteenth century, Hidetaka Hirota demonstrates, individual states and cities controlled their own borders. They regulated, taxed, excluded, and removed the Irish poor, thereby laying the groundwork for the national policy that emerged in the 1880s.
By examining the impact of nativist sentiment, Hirota reveals how policies directed at the Irish-born poor, alongside the exclusion of Chinese laborers, explain the origins of immigration policy in the United States.
Expelling the Poor examines the origins of immigration restriction in the United States, especially deportation policy. Based on an analysis of immigration policies in major American coastal states, including New York, Massachusetts, Pennsylvania, Maryland, Louisiana, and California, it provides the first sustained study of immigration control conducted by states prior to the introduction of federal immigration law in the late nineteenth century. The influx of impoverished Irish immigrants over the first half of the nineteenth century led nativists in New York and Massachusetts to develop policies for prohibiting the landing of destitute foreigners and deporting those already resident in the…
I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House, an interdisciplinary center devoted to the study of Irish history and culture. The key themes in my work—migration and diaspora—have been as central to my life journey as to my research and teaching.
In Hereafter, Vona Groarke accomplishes what most historians can never hope to do.
Filling in the gaps and silences in the historical record with poetry, prose, and imagery, she recreates the interior world of an Irish domestic servant in the United States at the turn of the twentieth century—her transatlantic migration, her back-and-forth journeys to Ireland, her working conditions and family life, and her hopes, dreams, and frustrations.
A work of great imaginative power and empathy, Hereafter is also a profound meditation on the historian’s craft.
A lyrical portrait of a young Irish woman reinventing herself at the turn of the twentieth century in America
Ellen O'Hara was a young immigrant from Ireland at the end of the nineteenth century who, with courage and resilience, made a life for herself in New York while financially supporting those at home. Hereafter is her story, told by Vona Groarke, her descendant, in a beautiful blend of poetry, prose, and history.
In July 1882, Ellen O'Hara stepped off a ship from the West of Ireland to begin a new life in New York. What she encountered was a world…
I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House, an interdisciplinary center devoted to the study of Irish history and culture. The key themes in my work—migration and diaspora—have been as central to my life journey as to my research and teaching.
Irish men and women in the United States launched a movement to liberate their homeland from British rule.
David Brundage’s Irish Nationalists in America, the first history of this movement as a whole, ranges across the nineteenth and twentieth centuries, covering the full range of ideological positions—from peaceful constitutional change to an Irish republic achieved through violent means—and exploring how Irish-American nationalism intersected with movements for labor reform, racial equality, and women’s rights in the United States.
A skilled social and political historian, Brundage tells a vivid story about how ordinary immigrants built an extraordinary movement.
In this important work of deep learning and insight, David Brundage gives us the first full-scale history of Irish nationalists in the United States. Beginning with the brief exile of Theobald Wolfe Tone, founder of Irish republican nationalism, in Philadelphia on the eve of the bloody 1798 Irish rebellion, and concluding with the role of Bill Clinton's White House in the historic 1998 Good Friday Agreement in Northern Ireland, Brundage tells a story of more than two hundred years of Irish American (and American) activism in the cause of Ireland.
The book, though, is far more than a narrative history…
I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House, an interdisciplinary center devoted to the study of Irish history and culture. The key themes in my work—migration and diaspora—have been as central to my life journey as to my research and teaching.
To understand the history of Irish immigrants in America, you first need to study the country they left.
Breandán Mac Suibhne’s The End of Outrage examines traditions of rural violent protest in nineteenth-century Donegal, the county where many of the Molly Maguires of Pennsylvania originated. Intriguingly, MacSuibhne also uncovers a significant degree of reverse migration and cultural influence from Pennsylvania to Ireland.
His title contains a triple pun: the word “end” refers to the goal of Irish agrarian protest, the termination of that tradition by the famine and mass emigration, and the failure of subsequent generations to acknowledge what happened.
From the time that the blight first came on the potatoes in 1845, armed and masked men dubbed Molly Maguires had been raiding the houses of people deemed to be taking advantage of the rural poor. On some occasions, they represented themselves as 'Molly's Sons', sent by their mother, to carry out justice; on others, a man attired as a woman, introducing 'herself' as Molly Maguire, demanding redress for wrongs inflicted on her children. The raiders might stipulate the maximum price at which provisions were to be sold, warn against the eviction of tenants, or…
I’ve been a history nut since junior high trips to prehistoric Indian Mounds in Ohio. I transcribed an early town settler’s diary as a high school project. Traveling with my Air Force hubby gave me a window into faraway places. Allan Eckert’s narrative history of pioneer times grabbed my imagination. My children would love these gripping tales of settler versus Shawnee, yet they’d never crack the two-inch thick volume. I tried writing historical fiction on their level by bringing a young protagonist into the story. I had no idea I’d follow that first book with eight more, delving into the history of various famous Ohioans.
I’m not a feminist and I don’t feel oppressed as a woman. But after reading this book, I’m glad that Elizabeth Cady Stanton hosted the first Women’s Rights Convention in 1858. The young protagonist, Bridie, has experienced some of the wrongs that Mrs. Stanton tries to put right. I enjoyed getting to know the famous activist through Bridie’s eyes. Bridie flees from a cruel master and finds work with “the strangest lady she’s ever met”. Mrs. Stanton comes across as a down-to-earth woman, not the crusader type at all. I laughed at the detail of the two young Stanton boys romping through the cabbages. Kudos to the author for including other events and issues for context—the Irish potato famine, poorhouses, the Free Soil Party, the Erie Canal, and the Underground Railroad. Young ladies will appreciate their privileges after reading this novel.
Celebrate the centennial of the Nineteenth Amendment with another historical novel about women's suffrage from the author of The Hope Chest!
Bridie's life has been a series of wrongs. The potato famine in Ireland. Being sent to the poorhouse when her mother's new job in America didn't turn out the way they'd hoped. Becoming an orphan.
And then there's the latest wrong--having to work for a family so abusive that Bridie is afraid she won't survive. So she runs away to Seneca Falls, New York, which in 1848 is a bustling town full of possibility. There, she makes friends with…
My first novel Five Rivers Met On A Wooded Plain was a collage novel; an interweaving of several voices in order to create a composite portrait of the city of Salisbury, which told several stories as a way of revealing more of the life of that place. Since then I’ve written three more novels, all of them interested in the effects of using different voices to tell different parts of the story. I think that polyphony makes for great books, and these are four examples of that—different ways of weaving multiple tales together.
Let The Great World Spinorbits around Philip Petit’s high-wire walk between the Twin Towers in New York in 1974; an amazing feat that has, of course, only become more charged and potent with time. The novel creates a kaleidoscope of lives touched by that breathtaking act, as well as capturing, in heartstopping prose, the magnitude of the act itself.
NATIONAL BOOK AWARD WINNER • Colum McCann’s beloved novel inspired by Philippe Petit’s daring high-wire stunt, which is also depicted in the film The Walk starring Joseph Gordon-Levitt
In the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann’s stunningly intricate portrait of a city and its people.
Growing up queer and Italian in suburban New Jersey in the late 1960s and early 70s, it was the passionate love of food and family that got me through the tough times. I learned to cook from my mother and my grandmothers. I gardened and picked tomatoes with my grandfathers. There was always a pot of simmering tomato gravy and magic meatballs on the stove. My mother’s chicken parmigiana, my paternal grandmother’s homemade ravioli, my maternal grandmother’s stuffed clams, my great aunt’s baked chicken. As a writer, it became my mission to share these secret family recipes and the loving life lessons that saved me.
This is a true heroine’s journey. It is a historical immigrant story about a young girl who leaves Ireland for post-World War II America to make a better life for herself. As she makes her way in a strange land called Brooklyn, New York, she meets and falls in love with a young man of Italian descent.
Like Belladonna Marie Donato, the feisty heroine of my debut novel, Eilis Lacey of Brooklyn relies on her own strength, grit, and determination to overcome obstacles and make a successful new existence for herself. I am looking forward to Colm Toibin’s sequel, Long Island, to find out what happens next.
Colm Toibin's Brooklyn is a devastating story of love, loss and one woman's terrible choice between duty and personal freedom. The book that inspired the major motion picture starring Saoirse Ronan.
It is Ireland in the early 1950s and for Eilis Lacey, as for so many young Irish girls, opportunities are scarce. So when her sister arranges for her to emigrate to New York, Eilis knows she must go, leaving behind her family and her home for the first time.
Arriving in a crowded lodging house in Brooklyn, Eilis can only be reminded of what she has sacrificed. She is…
A friend with Parkinson's Disease requested my help in his attempts to understand the famine and its impact on his ancestors in County Clare. Once I began reading the material he brought me I was impelled to discover more. I had already researched and written about an earlier period in Irish history - the Anglo-Norman invasion - and it seemed that everything that happened on both sides of the Irish Sea in the centuries that followed was instrumental in making the famine such a disaster. Our book is the result.
This is a book for members of the Irish diaspora. It tells of the experiences of your ancestors as they fled the conditions prevailing in their homeland.
Often single members of families whose objective was to earn money they could send back to Ireland in order to enable those family members left behind to follow. Too often the welcome they found, after travelling in appalling conditions as human cargo in ships unsuitable for the purpose, was not as warm as they had expected.
A story relevant today as we grapple with the problems created by modern migration from war- and/or famine-ravaged areas of the modern world, often still undertaken in unsuitable boats.
Between 1845 and 1855, 2 million Irish men and women fled their famine-ravaged homeland, many to settle in large British and American cities that were already wrestling with a complex array of urban problems. In this innovative work of comparative urban history, Matthew Gallman looks at how two cities, Philadelphia and Liverpool, met the challenges raised by the influx of immigrants. Gallman examines how citizens and policymakers in Philadelphia and Liverpool dealt with such issues as poverty, disease, poor sanitation, crime, sectarian conflict, and juvenile delinquency. By considering how two cities of comparable population and dimensions responded to similar challenges,…
I have always loved reading and its ability to take you far away to a distant time and place and lift you up. As a kid, I never left the house without a book, and the ones that made me laugh were my go-to's. I believe the ability to make people laugh is a truly special talent, especially while making the text relatable, so the reader’s always asking, wow, what would I do in that situation? My readers often tell me that my writing sounds just like me, which is wonderful because there’s no need to pretend. You will always know what you’ll get with me!
I absolutely adored the way the narrative creates almost continual laugh-out-loud moments whilst tackling some pretty heavy themes.
Drug abuse and its effect on others is handled in a genuinely uplifting way, alongside hilarious family and relationship dynamics. I love Keyes’ ability to shine light through darkness every time.
Here's Rachel Walsh, twenty-seven and the miserable owner of size 8 feet. She has regular congress with Luke Costello, a man who wears his leather trousers tight. And she's fond - some might say too fond - of recreational drugs. Until she finds herself being frogmarched to the Cloisters - Dublin's answer to the Betty Ford Clinic. She's outraged. Surely she's not thin enough to be an addict? Heartsick and Luke-sick, she seeks redemption in the shape of Chris, a man with a past. A man who might be more trouble than he's worth.
I’m a novelist and a teacher of writing. My books are fueled by curiosity above all else. I have no expertise in science, so I stand in wonder at complicated systems that remain mostly hidden to me. My interest in food is similarly recreational. I’m married to a great chef and cookbook author, so I’ve learned a lot by osmosis. But when I think back on the process of writing OnePotato, I have to give a lot of credit to my students. They seem to be part of a generation that’s genuinely passionate about eating in healthy, equitable, and sustainable ways. Much of my book was sparked by conversations in the classroom.
There’s a minor thread in my novel about the Irish Potato Famine, and this book was a major resource. It was sobering to learn that there was enough food to feed the Irish peasantry, but it was not distributed according to need. (Much of it was exported.) Worse still, it was a cultural moment in which the wealthy found ways to absolve themselves of the poverty of their neighbors. But I was most shocked to learn about the scientific implications. Essentially, the potato variety that failed was a monoculture. And the solution to the blight involved returning to the Andes, with its vast genetic diversity, and finding a resistant strain.
It started in 1845 and lasted six years. Before it was over, more than one million men, women, and children starved to death and another million fled the country. Measured in terms of mortality, the Great Irish Potato Famine was one of the worst disasters in the nineteenth century - it claimed twice as many lives as the American Civil War. A perfect storm of bacterial infection, political greed, and religious intolerance sparked this catastrophe. But even more extraordinary than its scope were its political underpinnings, and "The Graves Are Walking" provides fresh material and analysis on the role that…
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